The Winter's Tale − Learning Pack Contents

Total Page:16

File Type:pdf, Size:1020Kb

The Winter's Tale − Learning Pack Contents The Winter's Tale − Learning Pack Contents About This Pack ................................................................1 Background Information ..................................................2 Teaching Information ........................................................3 Adaptation Details & Plot Synopsis..................................5 Find Out More...................................................................10 1 The Winter's Tale − Learning Pack About This learning pack supports the National Theatre’s schools’ production of The Winter’s Tale, directed by Justin Audibert, which opened on 14th February 2018 at the National’s Dorfman Theatre in London. Our packs are designed to support viewing the recording on the National Theatre Collection. This pack provides links to the UK school curriculum and other productions in the Collection. It also has a plot synopsis with timecodes to allow you to jump to specific sections of the play. 1 The Winter's Tale − Learning Pack Background Information Recording Date – 26th February, 2018 Location – Dorfman Theatre, National Theatre Age Recommendation – 8+ Cast Polixenes....................................................Adrian Richards Leontes .............................................Nana Amoo-Gottfried Hermione ............................................... Tamara Camacho Perdita ............................................................Gabby Wong Camilla ........................................................ Shazia Nicholls Antigonus....................................................Johndeep More The Officer ................................................. Kenton Thomas Paulina ............................................... Stephanie Levi-John Young Shepherd .....................................Tamara Camacho Maxillius ..........................................................Gabby Wong Old Shepherd .............................................Johndeep More Florizel ........................................................Kenton Thomas All other characters are played by members of the Company Creative Team Director / Adaptor ......................................Justin Audibert Playwright ..........................................William Shakespeare Designer ............................................................ Lucy Sierra Composer and Music Director ............... Jonathan Girling Lighting Designer ...............................................Paul Knott Puppet Designer.............................................Samuel Wyer Sound Designer ............................................. Mike Winship Movement Director .................................. Lucy Cullingford 2 The Winter's Tale − Learning Pack Teaching Information This production is particularly suitable for: • Teachers wishing to give primary pupils a first experience of Shakespeare. • Students studying the play in Drama or English at secondary level • Anyone with an interest in theatre for younger audiences. In particular you might like to explore: • How the play has been adapted for a cast of eight actors, to be performed in the round. • The puppetry used in the production to represent the role of Mamillius. • The costume design in the production and how this helps distinguish different characters. • The use of music in the production. There are a number of other productions in the National Theatre Collection that relate to this one, which you and your students may wish to explore alongside it. Other productions featuring members of the same creative team Production Date Artist Macbeth 2017 Justin Audibert - Director Macbeth 2017 Lucy Sierra - Designer Macbeth 2017 Paul Knott - Lighting Designer Macbeth 2017 Jonathan Girling - Composer Romeo and Juliet 2017 Lucy Sierra - Designer Romeo and Juliet 2017 Paul Knott - Lighting Designer 3 The Winter's Tale − Learning Pack Teaching Information Other productions by William Shakespeare Production Date Director Coriolanus 2014 Josie Rourke Hamlet 2010 Nicholas Hytner Julius Caesar 2018 Nicholas Hytner King Lear 2011 Michael Grandage Macbeth (Schools) 2017 Justin Audibert Twelfth Night 2017 Simon Godwin Romeo and Juliet (Schools) 2018 Bijan Sheibani Othello 2013 Nicholas Hytner Other productions suitable for primary school students Production Date Writer / Adaptor Director Treasure Island 2014 Bryony Lavery Polly Findlay Peter Pan 2016 Sally Cookson and Sally Cookson The Company Romeo and Juliet 2017 William Shakespeare Bijan Sheibani Ben Power 4 The Winter's Tale − Learning Pack Adaptation Details & Plot Synopsis Differences to Shakespeare’s original* Justin Audibert’s adaptation condenses The Winter’s Tale to just over an hour while cutting very little from the story and adding songs and dance. This involved an economic re-writing of most scenes and cutting certain characters. • Perdita also acts as a narrator in this version. She introduces the play and describes elements of the plot at various stages. • The sequence of Leontes sending servants to consult the oracle of Apollo is cut. • Various Lords and Ladies are also cut, along with the following characters: Emilia, Dion, Cleomenes, the Gaoler, the Mariner, Mopsa and Dorcas. • The character of Time is cut, along with the speech from Act IV, Scene i. The company perform a song instead. • The thieving jester Autolycus is cut. • The character of Camillo (Camilla) is a woman in this version. • Mamillius is performed with a puppet in this version. • The plot of the final act is streamlined: Polixenes is aware of Perdita’s heritage before arriving in Sicilia. • Jeener, the naughty sheep, is an addition to the story. *Using Arden Shakespeare Third Series edition of The Winter's Tale The Act and Scene in brackets indicate where the scene comes in Shakespeare’s original play. Prologue: Perdita introduces herself through song. She then introduces the story: the King of Bohemia, Polixenes, has been staying nine months with the King and Queen of Sicilia: his brother Leontes, his brother’s wife Hermione, leaving his son Florizel behind. Leontes and Hermione have a young son, Mamilius, and she is heavily pregnant with a second child, who will be Perdita. 5 The Winter's Tale − Learning Pack Adaptation Details & Plot Synopsis Scene 1 (Act I, Scene ii) 0:01:55: Leontes tries to persuade Polixenes to extend his visit, but he insists he must return to Bohemia. Leontes then asks Queen Hermione to convince him. When she easily changes his mind, Leontes suspects that they are secret lovers. He talks with Camilla, and orders her to poison Polixenes. Camilla reluctantly agrees, but instead informs Polixenes and they escape together for Bohemia. Scene 2 (Act II, Scene i) 0:13:28: Leontes interrupts Herminoe singing to Mamillius to formally accuse her of adultery and treason declaring that she is currently pregnant with Polixenes' child. She and Antigonus defend her, but Leontes sends her to prison. Scene 3 (Act II, Scene iii) 0:18:40: Hermione has given birth. When Paulina brings the baby to Leontes, he is enraged. He sends her away and orders the baby killed. Antigonus pleads for the infant's life, and Leontes tells him to take the child and abandon it in some wilderness, 6 The Winter's Tale − Learning Pack Adaptation Details & Plot Synopsis where it may or may not survive. Antigonus leaves with the baby. Scene 4 (Act III, Scene ii) 0:25:00: Hermione is brought to trial for adultery; she again defends herself. Word then arrives of Mamillius’ sudden death from despair at his mother's fate. Leontes interprets this event as indication of his mistake and he repents, but Hermione faints. Paulina returns and reports Hermione's death. She excoriates Leontes, and he accepts her criticisms as entirely just. The narrator Perdita sings to her dead brother Mamillius. Scene 5 (Act III, Scene iii) 0:35:05: Antigonus has sailed to Bohemia with Perdita in a basket. He is attacked and driven away by a bear, but a Shepherd finds the infant. He is joined by his daughter, the Clown, who saw Antigonus being eaten by the bear. They discover that Perdita is wrapped in rich fabrics, which contain a supply of gold. 7 The Winter's Tale − Learning Pack Adaptation Details & Plot Synopsis Scene 6 (Act IV, Scene i) 0:40:10: 16 years passes and the set transforms from Sicilia to Bohemia. Scene 7 (Act IV, Scene ii) 0:42:59: Camilla informs Plixenes that his son Florizel has become smitten with a highly intelligent shepherd’s daughter. Polixenes enlists Camilla's help in preventing Florizel from embarrassing the monarchy by marrying a low-status girl. Scenes 8 (Act IV, Scene iv) 0:43:53: Perdita reveals her uneasiness at being courted by Florizel, for she knows that his father, the king, will oppose the match. The Shepherd and the Clown arrive for the festival, along with a group including the disguised King Polixenes and Camillo. They dance. 8 The Winter's Tale − Learning Pack Adaptation Details & Plot Synopsis Florizel declares his love for Perdita to the disguised royals and the Shepherd agrees to marry them. Polixenes reveals himself and demands that Florizel renounce Perdita. Threatening her and the Shepherd with death if she sees the prince again he departs in a rage. The frightened Shepherd flees, and Perdita is in despair, but Florizel declares that he will not leave her. Camilla proposes that the couple should go to Sicilia, where they will be welcomed as emissaries of King Polixenes. Scene 9 (Act IV, Scene iv cont.) 0:56:52: As Perdita and Florizel leave for Sicilia the Shepherd and Clown reveal to Camilla that Perdita is not actually
Recommended publications
  • Education at the Races
    News GLOBE TO OPEN SAM WANAMAKER PLAYHOUSE NICHOLAS HYTNER WITH NON-SHAKESPEARE PERFORMANCES TO LEAVE NATIONAL Curriculum THEATRE IN 2015 focus with Patrice Baldwin Sir Nicholas Hytner is to step down as artistic director at the National Theatre after more than a decade at the helm. Announcing his Education at ‘the races’ departure, Hytner said: ‘It’s been a joy and a privilege to lead the At the education race course, tension is mounting. The subject horses National Theatre for ten years and I’m looking forward to the next two. that have been allowed to compete will all be running very soon. Some ‘I have the most exciting and most fulfilling job in the English- have the usual head start, some are kept lame and may not be allowed speaking theatre; and after 12 years it will be time to give someone to enter the main race at all. What happens behind the scenes in various else a turn to enjoy the company of my stupendous colleagues, who stables is already determining the subject and GCSE winners, and the together make the National what it is.’ odds are low on drama being allowed to compete fairly in the race. Hytner came to the National Theatre as the successor of Sir Trevor Drama continues to be held back. Michael Gove is apparently Nunn in 2003. He has since headed up some of the National’s most avoiding having to get an act of parliament passed, which is needed commercially successful work to date, including The History Boys, were he to change the basic structure of the current national curriculum One Man, Two Guvnors and War Horse.
    [Show full text]
  • Saturday, March 14, 7:30Pm, Sunday, March 15, 3Pm, Friday, March 20, 7:30Pm & Saturday, March 21, 3Pm
    Starring the future, today! Book by Music & Lyrics by JOHN CAIRD STEPHEN SCHWARTZ Based on a concept by CHARLES LISANBY Orchestrations by BRUCE COUGHLIN & MARTIN ERSKINE Saturday, March 14, 7:30pm, Sunday, March 15, 3pm, Friday, March 20, 7:30pm & Saturday, March 21, 3pm Children of Eden TMTO sponsored by Season sponsored by from CRATERIAN PERFORMANCES presents the the EXECUTIVE DIRECTOR ur story begins in the beginning, with God’s creative nature and desire to be in relationship with his children. OPerhaps you don’t believe in the Biblical narrative (with which Stephen Schwartz, as composer and storyteller, takes consider- production of able liberties), but you might have children and find “Father’s” hopes and desires for his children relatable. Or perhaps you have siblings. You certainly have parents. And so, one way or another, you’re included in this story. It’s about you. It’s about all of us. It’s about our frailties and foibles, our struggles and failures, and it’s about our curiosity, ambitions and determination to live life the way we choose. It is also, like the Bible itself, ultimately a story about hope, love and redemption. When we don’t measure up, it takes someone else’s love us to lift us up. The meaning and message in all of this is timeless, and so director Cailey McCandless cast a vision for the show that unmoors it from ancient settings. And you might notice there are very few parallel lines in the show’s design... mostly intersecting angles, because life and our relationships tend to work that way.
    [Show full text]
  • Daniel Evans
    www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard
    [Show full text]
  • English 252: Theatre in England 2006-2007 * [Optional Events
    English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E.
    [Show full text]
  • David Yelland Photo: Catherine Shakespeare Lane
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] David Yelland Photo: Catherine Shakespeare Lane Eastern European, Scandinavian, Location: London Appearance: White Height: 5'11" (180cm) Other: Equity Weight: 13st. 6lb. (85kg) Eye Colour: Blue Playing Age: 51 - 65 years Hair Length: Mid Length Stage Stage, Cardinal Von Galen, All Our Children, Jermyn Street Theatre, Stephen Unwin Stage, Antigonus, The Winter's Tale, Globe Theatre, Michael Longhurst Stage, Lord Clifford Allen, Taken At Midnight, Chichester Festival Theatre & Haymarket Theatre, Jonathan Church Stage, Earl of Caversham, An Ideal Husband, Gate Theatre, Ethan McSweeney Stage, Sir George Crofts, Mrs Warren's Profession, Gate Theatre, Dublin, Patrick Mason Stage, Selwyn Lloyd, A Marvellous Year For Plums, Chichester Festival Theatre, Philip Franks Stage, Serebryakov, Uncle Vanya, The Print Room, Lucy Bailey Stage, King Henry, Henry IV Parts 1&2, Theatre Royal Bath & Tour, Sir Peter Hall Stage, Anthony Blunt, Single Spies, The Watermill, Jamie Glover Stage, Crofts, Mrs Warren's Profession, Theatre Royal Bath & West End, Michael Rudman Stage, President of the Court, For King & Country, Matthew Byam shaw, Tristram Powell Stage, Clive, The Circle, Chichester Festival Theatre, Jonathan Church Stage, Ralph Nickleby, Nicholas Nickleby, Chichester Festival Theatre,Gielgud , and Toronto, Philip Franks, Jonathan Church Stage, Wilfred Cedar, For Services Rendered, The Watermill
    [Show full text]
  • Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
    English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
    [Show full text]
  • National Theatre
    WITH EMMA BEATTIE OLIVER BOOT CRYSTAL CONDIE EMMA-JANE GOODWIN JULIE HALE JOSHUA JENKINS BRUCE MCGREGOR DAVID MICHAELS DEBRA MICHAELS SAM NEWTON AMANDA POSENER JOE RISING KIERAN GARLAND MATT WILMAN DANIELLE YOUNG 11 JAN – 25 FEB 2018 ARTS CENTRE MELBOURNE, PLAYHOUSE Presented by Melbourne Theatre Company and Arts Centre Melbourne This production runs for approximately 2 hours and 30 minutes, including a 20 minute interval. The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment. World premiere: The National Theatre’s Cottesloe Theatre, 2 August 2012; at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Melbourne Theatre Company and Arts Centre Melbourne acknowledge the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which this performance takes place, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. DIRECTOR MARIANNE ELLIOTT DESIGNER LIGHTING DESIGNER VIDEO DESIGNER BUNNY CHRISTIE PAULE CONSTABLE FINN ROSS MOVEMENT DIRECTORS MUSIC SOUND DESIGNER SCOTT GRAHAM AND ADRIAN SUTTON IAN DICKINSON STEVEN HOGGETT FOR AUTOGRAPH FOR FRANTIC ASSEMBLY ASSOCIATE DIRECTOR RESIDENT DIRECTOR ELLE WHILE KIM PEARCE COMPANY VOICE WORK DIALECT COACH CASTING CHARMIAN HOARE JEANNETTE NELSON JILL GREEN CDG The Cast Christopher Boone JOSHUA JENKINS SAM NEWTON* Siobhan JULIE HALE Ed DAVID MICHAELS Judy
    [Show full text]
  • Deborah Findlay
    DEBORAH FINDLAY Theatre: The Children Hazel James McDonald Royal Court Theatre& Samuel J. Friedman Theatere New York Escaped Alone Sally James Mcdonald Royal Court & BAM Rules For Living Edith Marianne Elliot Royal National Theatre Coriolanus Volumnia Josie Rourke Donmar Warehouse Timon of Athens Flavia Nick Hytner Royal National Theatre Moonlight Bel Bijan Sheiban Donmar Warehouse The Glass Menagerie Amanda Joe Hill- Gibbons Young Vic Like A Fishbone Architect Josie Rourke Bush Theatre Separate Tables Miss Cooper Philip Franks Chichester Festival Theatre Madame De Sade Baroness Simiane Michael Grandage Donmar Warehouse Vincent River Anita Steve Marmion 59e59 Theatre, New York John Gabriel Borkman Gunhilde Borkman Michael Grandage Donmar Warehouse The Cut * Susan Michael Grandage Donmar Warehouse Bernarda Alba ** Ponthia Howard Davies National Theatre The Mandate Nadejda Petrovna Declan Donelan National Theatre The Vortex Helen Saville Michael Grandage Donmar Warehouse Mother Claps Molly House Mother Clap Nicholas Hytner National Theatre The Winter's Tale Paulina Nicholas Hytner National Theatre The Threesome Hermance Gordon Anderson Lyric, Hammersmith The School For Scandal Lady Sneerwell Declan Donellan R S C Tongue Of A Bird Maxine Peter Gill Almeida Stanley *** Hilda John Caird National Theatre / Circle In The Sq The Seagull Madame Arcadina Robert Sturua Thelma Holt / Tour The Clandestine Marriage Miss Sterling Nigel Hawthorne Thelma Holt / West End The Beaux Stratagem Mrs Sullen Stephen Unwin Tour / Richmond The New Menosa Donna
    [Show full text]
  • Edward Bennett
    Edward Bennett Showreel Agents Lucia Pallaris Assistant [email protected] Eleanor Kirby +44 (0) 20 3214 0909 [email protected] Roles Television Production Character Director Company SAVE ME TOO Max Owen Various Sky Atlantic COBRA (Series 2) Peter Mott Various Sky INDUSTRY Goldman Sachs Mary Nighy BBC/HBO MD COBRA (Series 1) Peter Mott Hans Herbots Sky PENNYWORTH Lord Longbrass Danny Cannon Warner Bros. POLDARK Prime Minister Pitt BBC VICTORIA SERIES 2 Trevelyan Jim Loach Mammoth Screen for ITV 1 MIRANDA Michael BBC THE PERFECTIONISTS Michael Tristram BBC Shapeero ABOVE SUSPICION - THE RED Charles Giles MacKinnon La Plante Productions/ITV DAHLIA Wickenham AFTER YOU'RE GONE Peter BBC SILENT WITNESS Gregory Kriss BBC United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Film Production Character Director Company THE LAUREATE Jonathan Cape William Nunez Bohemia Media BENEDICTION T E Lawrence Terence Davies EMU Films LOVE SONG Billy Scott Graham and Digital Theatre Steven Hoggart 55 STEPS Dr. Steven Booker Bille August Elsani Film LOVES LABOURS Berowne/Benedick Chris Luscombe RSC LOST/LOVE LABOURS WON JAMES BOND 'SKYFALL' Whitehall Assistant Sam Mendes Skyfall Productions WAR HORSE Cavalry Recruitment Stephen Speilberg Dreamworks Officer HAMLET Laertes Greg Doran RSC FRIENDS JUST UNITED Willis John Maxby Stage Production Character Director Company BREAKING THE CODE Alan Turing Christian Durham Salisbury Playhouse MACBETH Macduff Polly Findlay
    [Show full text]
  • The Lady in the Van
    BBC Films THE LADY IN THE VAN Directed by Nicholas Hytner Written by Alan Bennett from his memoir 103 min East Coast Publicity West Coast Publicity Distributor Springer Associates PR Block-Korenbrot Sony Pictures Classics Gary Springer Eric Osuna Carmelo Pirrone 1501 Broadway, Suite 506 6100 Wilshire Blvd., Ste 170 Maya Anand New York, NY 10036 Los Angeles, CA 90048 550 Madison Ave. 212-354-4660 tel 323-634-7001 tel New York, NY 10022 [email protected] 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax CREDITS CAST Maggie Smith MISS SHEPHERD Alex Jennings ALAN BENNETT Jim Broadbent UNDERWOOD Frances De La Tour MRS VAUGHAN WILLIAMS Roger Allam RUFUS DIRECTED BY Nicholas Hytner WRITTEN BY Alan Bennett from his memoir EXECUTIVE PRODUCERS Christine Langan, Ed Wethered, Charles Moore, Miles Ketley PRODUCERS Kevin Loader, Nicholas Hytner, Damian Jones DIRECTOR OF PHOTOGRAPHY Andrew Dunn PRODUCTION DESIGNER John Beard EDITOR Tariq Anwar COMPOSER George Fenton COSTUME DESIGNER Natalie Ward HAIR AND MAKE UP DESIGNER Naomi Donne CASTING DIRECTOR Toby Whale SYNOPSIS Alan Bennett’s story is based on the true story of Miss Shepherd (played by a magnificent Maggie Smith), a woman of uncertain origins who “temporarily” parked her van in Bennett’s London driveway and proceeded to live there for 15 years. What begins as a begrudged favor becomes a relationship that will change both their lives. Filmed on the street and in the house where Bennett and Miss Shepherd lived all those years, acclaimed director Nicholas Hytner reunites with iconic writer Alan Bennett (The Madness of King George, The History Boys) to bring this rare and touching portrait to the screen.
    [Show full text]
  • The Craig Lecture 2010: Design in the Fourth Dimension
    The Craig Lecture 2010: Design in the fourth dimension Central School of Speech & Drama’s Craig Lecture, now in its second year, is given in honour of leading 20 th Century Modernist Edward Gordon Craig, author of The Art of Theatre , and director of Stanislavski’s epoch- defining production of Hamlet . This year’s speaker, Christopher Oram, explores what technology and interactivity can bring to theatre, and how theatre, not film, should be leading the way. This event took place at Central School of Speech & Drama on 5 July 2010, and was presented in association with the Society for Theatre Research. About Christopher Oram Oram began his career straight from West Sussex College of Art and Design, apprenticing for stage designer Paul Farnsworth at the Chichester Festival Theatre. From there he went on to assist designers Anthony Ward and Ian McNeil. Although he’s worked with most of our A list directors – including Trevor Nunn, Sam Mendes, Stephen Daldry, and Adrian Noble – he is best known for his long- term collaboration with his partner Michael Grandage. Since meeting on a production of The Last Yankee in 1995 (Grandage’s directorial debut), they have worked on numerous high profile productions, first at Sheffield – including As You Like It , (2000), Edward II (2001), Richard Iii (2002), The Tempest (2002), Suddenly Last Summer (2004) – and latterly at the Donmar (where Grandage is Artistic Director) – The Vortex (2002), Caligula (2003), Don Juan in Soho (2006), Frost/Nixon (2006), Othello (2008), and Red (2009). Other work includes West End musicals, as well as the costumes for Kenneth Branagh’s film of The Magic Flute and the opera Billy Budd at Glyndebourne Oram’s work has gained him several prestigious theatre awards: an Olivier in 2004 for Power ; A Critics' Circle Award (2004) for Suddenly Last Summer ; and an Evening Standard award (2003) for Caligula ; this year he has won the Backstage Garland award for Scenic Design for Parade and a Critic's Circle Award and a Tony for Red .
    [Show full text]
  • Simon Coulthard Director and Choreographer
    Room 403, Linen Hall 162-168 Regent Street London, W1B 5TB 020 7734 7505 [email protected] Simon Coulthard Director and Choreographer Resident Director SIMPLY BALLROOM, Theatre Royal, Drury Lane/UK/World Tour, Dir. Alan Harding SPIRIT OF CHRISTMAS USA TOUR, Dir. Neil Dorwood ANTON DU BEKE: BALLROOM TO BROADWAY - UK Tour, Raymond Gubbay Ltd SPIRIT OF BROADWAY, Chichester Festival Theatre FOLLIES, Royal Festival Hall, Dir. Paul Kerryson Resident Director/Associate Choreographer RED, Johannesburg. Dir. Alan Harding - Resident Director/Associate Choreographer DANCING QUEEN, UK Tour/Monte Carlo, Sporting Club. Dir. Alan Harding - Associate Choreographer Resident Director/ Choreographer THAT’S ENTERTAINMENT: ANTON & ERIN, UK Tour, Raymond Gubbay Ltd Director/Choreographer THE WIZ, Chequer Mead Theatre, East Grinstead HAVANA, PUNTA CANA, TAG PANTOMIME, HAVEN HOLIDAYS, TAG READY STEADY GO, Mill Rythe ELECTRIC DREAMS, Mill Rythe ELYSIUM, Celebrity Cruise Line THE GOOD OLD DAYS, Workshop, KSM Group PRISCILLA QUEEN OF THE DESERT - High profile events including Blackpool Illuminations & Hamburg, KSM Group in assoc. with Nullarbor Production Ltd. Television Director BUGSY MALONE, Chequer Mead Theatre, East Grinstead 1 of 2 Choreographer ALADDIN GOES POP, Summer Show, Haven Resorts SNOW WHITE AND THE SEVEN DWARFS, Pavilion Theatre, Worthing JINGLE BELL CHRISTMAS, Royal Albert Hall, Raymond Gubbay Ltd LOOKING FOR OZ, Haven Assoc. GOODWOOD REVIVAL - WILD WEST SHOW, KSM Group ALADDIN, The Grand Theatre, Wolverhampton, Qdos Entertainment Assistant Choreographer HEAVENLY BODIES, Leicester Haymarket, Dir. Paul Kerryson, Chor. David Needham MISS WORLD 2017, China, Donna Derby, TV THE HELLO GIRLS, BBC, Chor. Leigh Miles, TV PRINCE CHARLES’ 50TH BIRTHDAY CELEBRATION, ITV, Alasdair Macmillan/Alan Harding, TV Assistant Director/Choreographer MR WORLD 2019, Philippines, Donna Derby, TV MISS WORLD 2018, China, Donna Derby, TV Other Creative Work: THE PRODUCERS, Dir.
    [Show full text]