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Elmore Leonard, 1925-2013
ELMORE LEONARD, 1925-2013 Elmore Leonard was born October 11, 1925 in New Orleans, Louisiana. Due to his father’s position working for General Motors, Leonard’s family moved numerous times during his childhood, before finally settling in Detroit, MI in 1934. Leonard went on to graduate high school in Detroit in 1943, and joined the Navy, serving in the legendary Seabees military construction unit in the Pacific theater of operations before returning home in 1946. Leonard then attended the University of Detroit, majoring in English and Philosophy. Plans to assist his father in running an auto dealership fell through on his father’s early death, and after graduating, Leonard took a job writing for an ad agency. He married (for the first of three times) in 1949. While working his day job in the advertising world, Leonard wrote constantly, submitting mainly western stories to the pulp and/or mens’ magazines, where he was establishing himself with a strong reputation. His stories also occasionally caught the eye of the entertainment industry and were often optioned for films or television adaptation. In 1961, Leonard attempted to concentrate on writing full-time, with only occasional free- lance ad work. With the western market drying up, Leonard broke into the mainstream suspense field with his first non-western novel, The Big Bounce in 1969. From that point on, his publishing success continued to increase – with both critical and fan response to his works helping his novels to appear on bestseller lists. His 1983 novel La Brava won the Edgar Award for best mystery novel of the year. -
NEO-NOIR / RETRO-NOIR FILMS (1966 Thru 2010) Page 1 of 7
NEO-NOIR / RETRO-NOIR FILMS (1966 thru 2010) Page 1 of 7 H Absolute Power (1997) H Blondes Have More Guns (1995) H Across 110th Street (1972) H Blood and Wine (1996) H Addiction, The (1995) FS H Blood Simple (1985) h Adulthood (2008) H Blood Work (2002) H Affliction (1997) H Blow Out (1981) FS H After Dark, My Sweet (1990) h Blow-up (1967).Blowup H After Hours (1985) f H Blue Desert (1992) F H Against All Odds (1984) f H Blue Steel (1990) f H Alligator Eyes (1990) SCH Blue Velvet (1986) H All the President’s Men (1976) H Bodily Harm (1995) H Along Come a Spider (2001) H Body and Soul (1981) H Ambushed (1998) f H Body Chemistry (1990) H American Gangster (2007) H Body Double (1984) H American Gigolo (1980) f H Bodyguard, The (1992) H Anderson Tapes, The (1971) FSCH Body Heat (1981) S H Angel Heart (1987) H Body of Evidence (1992) f H Another 48 Hrs. (1990) H Body Snatchers (1993) F H At Close Range (1986) H Bone Collector, The (1999) f H Atlantic City (1980) H Bonnie & Clyde (1967) f H Bad Boys (1983) F H Border, The (1982) F H Bad Influence (1990) F H Bound (1996) F H Badlands (1973) H Bourne Identity, The (2002) F H Bad Lieutenant (1992) H Bourne Supremacy, The (2004) h Bank Job, The (2008) H Bourne Ultimatum, The (2007) F H Basic Instinct (1992) H Boyz n the Hood (1991) H Basic Instinct 2 (2006) H Break (2009) H Batman Begins (2005) H Breakdown (1997) F H Bedroom Window, The (1987) F H Breathless (1983) H Before the Devil Knows You’re Dead (2007) H Bright Angel (1991) H Best Laid Plans (1999) H Bringing Out the Dead (1999) F H Best -
WED 5 SEP Home Home Box Office Mcr
THE DARK PAGESUN 5 AUG – WED 5 SEP home home box office mcr. 0161 200 1500 org The Killing, 1956 Elmore Leonard (1925 – 2013) The Killer Inside Me being undoubtedly the most Born in Dallas but relocating to Detroit early in his faithful. My favourite Thompson adaptation is Maggie A BRIEF NOTE ON THE GLOSSARY OF life and becoming synonymous with the city, Elmore Greenwald’s The Kill-Off, a film I tried desperately hard Leonard began writing after studying literature and to track down for this season. We include here instead FILM SELECTIONS FEATURED WRITERS leaving the navy. Initially working in the western genre Kubrick’s The Killing, a commissioned adaptation of in the 1950s (Valdez Is Coming, Hombre and Three- Lionel White’s Clean Break. The best way to think of this season is perhaps Here is a very brief snapshot of all the writers included Ten To Yuma were all filmed), Leonard switched to Raymond Chandler (1888 – 1959) in the manner of a music compilation that offers in the season. For further reading it is very much worth crime fiction and became one of the most prolific and a career overview with some hits, a couple of seeking out Into The Badlands by John Williams, a vital Chandler had an immense stylistic influence on acclaimed practitioners of the genre. Martin Amis and B-sides and a few lesser-known curiosities and mix of literary criticism, geography, politics and author American popular literature, and is considered by many Stephen King were both evangelical in their praise of his outtakes. -
Abel Ferrara Unrated May 1, 2019-May 31, 2019 the Roy and Niuta Titus Theaters
Abel Ferrara Unrated May 1, 2019-May 31, 2019 The Roy and Niuta Titus Theaters Wednesday, May 1 4:00pm Mulberry St. 2010. USA. Directed by Abel Ferrara. 87 min. 7:00pm The Addiction. 1995. USA/Argentina. Directed by Abel Ferrara. 82 min. Thursday, May 2 4:00pm Chelsea on the Rocks. 2008. USA. Directed by Abel Ferrara. 89 min. 7:00pm New Rose Hotel. 1998. USA. Directed by Abel Ferrara. 93 min. Friday, May 3 4:00pm Welcome to New York. 2014. USA/France. Directed by Abel Ferrara. 127 min. 7:00pm Pasolini. 2014. France, Belgium, Italy. Directed by Abel Ferrara. 84 min. Saturday, May 4 1:00pm Alive in France. 2017. France. Directed by Abel Ferrara. 79 min. 4:00pm Go Go Tales. 2007. Italy/USA. Directed by Abel Ferrara. 96 min. 7:00pm King of New York. 1990. Italy. Directed by Abel Ferrara. 103 min. Sunday, May 5 2:00pm Napoli Napoli Napoli. 2009. Italy. Directed by Abel Ferrara. 102 min 5:00pm Body Snatchers. 1993. USA. Directed by Abel Ferrara. 87 min Monday, May 6 4:30pm Fear City. 1984. USA. Directed by Abel Ferrara. 95 min 7:30pm The Projectionist. 2019. Greece/USA. Directed by Abel Ferrara. 120 min. Tuesday, May 7 4:00pm The Driller Killer. 1979. USA. Directed by Abel Ferrara. This Could be Love (Short). 126 min 7:00pm Ms. 45. 1981. USA. Directed by Abel Ferrara. 80 min Wednesday, May 8 7:30pm Fear City. 1984. USA. Directed by Abel Ferrara. 95 min. Thursday, May 9 4:00pm New Rose Hotel. -
September 24, 2013 (XXVII:5) Delmer Daves, 3:10 to YUMA (1957, 92 Min)
September 24, 2013 (XXVII:5) Delmer Daves, 3:10 TO YUMA (1957, 92 min) National Film Registry—2012 Directed by Delmer Daves Written by Halsted Welles (screenplay) and Elmore Leonard (story) Music by George Duning Cinematography by Charles Lawton Jr. Edited by Al Clark Glenn Ford...Ben Wade Van Heflin...Dan Evans Felicia Farr...Emmy Richard Jaeckel...Charlie Prince DELMER DAVES (director)(b. Delmer Lawrence Daves, July 24, 1904, San Francisco, California—d. August 17, 1977, La Jolla, California) Daves wrote 50 films, among them 1965 The Battle of the Villa Fiorita, 1964 Youngblood Hawke, 1963 Spencer's Alma, Michigan—d. January 24, 1990) wrote 44 films and Mountain, 1959 A Summer Place, 1957 An Affair to Remember television shows, including 1976 “Doctors' Hospital” (TV (screenplay), 1956 The Last Wagon (screenplay), 1955 White series), 1973-1974 “Kojak” (TV series), 1971-1973 “Rod Feather (screenplay), 1954 Drum Beat (screenplay and story), Serling's Night Gallery” (TV series), 1969 “Mannix” (TV series), 1947 Dark Passage (screenplay), 1943 Destination Tokyo 1966 “12 O'Clock High” (TV series), 1965-1966 “The (screenplay), 1943 Stage Door Canteen (screenplay), 1940 The Virginian” (TV series), 1959-1962 “Alfred Hitchcock Presents” Farmer's Daughter (story), 1936 The Petrified Forest (TV series), 1960 “Bonanza” (TV series), 1957 3:10 to Yuma (screenplay), 1932 Divorce in the Family (screenplay and story), (screenplay), 1957 “The George Sanders Mystery Theater” (TV and 1929 Queen Kelly. In addition to writing, Daves directed 30 series), 1957 “Playhouse 90” (TV series), 1955 “Lux Video films, including 1965 The Battle of the Villa Fiorita, 1964 Theatre” (TV series), and 1949 The Lady Gambles (adaptation). -
Excerpted from Godefroy Desrosiers-Lauzon, Florida’S Snowbirds: Spectacle, Mobility, and Community Since 1945 (Montreal: Mcgill-Queen’S University Press, 2011)
Excerpted from Godefroy Desrosiers-Lauzon, Florida’s Snowbirds: Spectacle, Mobility, and Community since 1945 (Montreal: McGill-Queen’s University Press, 2011). CHAPTER 4 FROM EDEN TO BABEL Populous, rapidly-growing Florida was more like Babel than Eden. Speedy growth has meant that transplanted migrants have been entrusted with the future of the state. Everybody in Florida is from someplace else, as the saying goes, making the Sunshine State a caricature of the American Babylon. The consequent anomie, social fragmentation, and loss of community, and the accompanying struggle to build a sense of belonging out of this congregation of unattached individuals, make Florida an interesting object for social inquiry, in a modern context where fears abound that community loss is the tradeoff for material “progress.” Florida's extreme fragmentation may provide insights into our common future. Will we all be strangers, the world a hotel? Or is there hope for reconnection as we alight in one community after another before building our final nest in a snowbird haven like Florida? This chapter and the next evaluate Florida community-making through the presence of snowbirds and retired migrants. First, chapter 4 looks at snowbirds from the standpoint of the host community. How did its members react to social fragmentation? Specifically, how did they react to one of the most fragmenting aspects of life in Florida – the tourist and snowbird presence? Although Florida ranks as one of the most anomic states, the reaction of Floridians to their leisurely invaders will indicate to what extent the longing for community remains strong in late modern conditions, and will show Floridians’ evolving thinking about such problems. -
Nicolas Roeg: DON’T LOOK NOW (1973, 110M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 15, 2019 (XXXIX:8) Nicolas Roeg: DON’T LOOK NOW (1973, 110m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Nicolas Roeg WRITING Allan Scott and Chris Bryant wrote the screenplay based on a story by Daphne Du Maurier. PRODUCER Peter Katz MUSIC Pino Donaggio CINEMATOGRAPHY Anthony B. Richmond EDITING Graeme Clifford CAST Julie Christie...Laura Baxter Donald Sutherland...John Baxter Hilary Mason...Heather Clelia Matania...Wendy Massimo Serato...Bishop Barbarrigo Renato Scarpa...Inspector Longhi Giorgio Trestini...Workman Leopoldo Trieste...Hotel Manager David Tree...Anthony Babbage Ann Rye...Mandy Babbage Nicholas Salter...Johnny Baxter Sharon Williams...Christine Baxter highly influential filmmaker, with such directors as Steven Bruno Cattaneo...Detective Sabbione Soderbergh, Christopher Nolan, and Danny Boyle citing him Adelina Poerio...Dwarf as such. In 1999, the British Film Institute acknowledged Roeg's importance in the British film industry by respectively NICOLAS ROEG (b. August 15, 1928 in St John's Wood, naming Don't Look Now and Performance the 8th and 48th London, England, UK—d. November 23, 2018 (age 90) in greatest British films of all time in its Top 100 British films UK) was an English director (30 credits) and poll. These are some other films he directed: Eureka (1983), cinematographer (20 credits), best known for directing Roger Waters: 5:01AM (The Pros and Cons of Hitch Hiking, Performance* (1970), Walkabout* (1971), Don't Look Now Pt. -
PASOLINI a Film by Abel Ferrara
presents PASOLINI A film by Abel Ferrara **Official Selection | Venice Film Festival** **Official Selection | New York Film Festival** **Official Selection | Toronto International Film Festival** France, Belgium, Italy / 2014 / 84 minutes / Color / 1.85:1 / English Publicity Contact: David Ninh, [email protected] Distributor Contact: Chris Wells, [email protected] Kino Lorber, Inc., 333 West 39th St., Suite 503, New York, NY 10018 (212) 629-6880 Synopsis: Pasolini, directed by Abel Ferrara, stars frequent collaborator Willem Dafoe as Italian poet and film director Pier Paolo Pasolini and chronicles his final hours on November 2, 1975. The film follows him as he works on his controversial classic, Salò, or the 120 Days of Sodom and leads up to his brutal murder on the beach in Ostia on the outskirts of the city. Facing resistance and persecution from the public, politicians, censors and critics, Pasolini visits with his beloved mother and friends, including actress Laura Betti (played by Maria de Madeiros) and continues his work on an ambitious new novel and screenplay - all the while cruising in his Alfa Romeo for adventure and connections with beautiful younger males in the dark streets of Rome. Director’s Note: In search of the death of the last poet only to find the killer inside me Sharpening his tools of ignorance on the memories of never forgotten acts of kindness in words and deeds, ideas impossible to comprehend. in a school in Casarsa I sit at my teacher’s feet yearning then hearing the music of the waves that wash the feet of the messiah on the beach at Idroscalo, those who weave their spell in silver are forever bound to the lithe body of Giotto constantly in search of the creation of the winning goal forever offside forever in the lead of the faithful of which I am one. -
SQUAMISH Wish To
-.._ ----- NORiH VANCOUVER E,. C . W”7 3B6 06/21/96 C In The Streets-- More than 500 spectators lined the course at the south end of Cleveland Avenue Sunday afternoon for Thunder in the Streets, the third annual Squamish/Whistler Car Club invitational auto slalom. Drivers from all over the Lower Mainland and Washington State competed Saturday and Sunday, testing their driving skills against the clock in super stock, street prepared and modified race cars. Patricia Heintrman photo New Hilltop House psycho-geriatric wing receives operational funding 3yPaPabiaHeintz~nan Ministry of Health spokesperson Kathy Sarttini said know it’s going to open.‘ government funding formulas - based on the number Dillabough said he wasn’t if thc snmc nunibcr ot It’s four months overdue, but the doors at Hilltop of beds, personnel needed and the facilities’ needs - jobs - n total of 5 1/2 full-timc jobs or tquivalvnt 3ouse‘s new 10-bed psycho-geriatric wing will finally were used to come up with the $221,242 fipn.. would be cmatcd if the anticipated $417, OW h,id corne )e open to care for the people it was intended to serve. ’The delay in funding was due to tight fiscal con- through - would he availablta with the ncw prorated In a letter to Squamish General Hospital administrator straints,“ said Santini, adding that she wasn‘t aware if and reduced budget. iohn Dillabough dated June 27, Ministry of Health con- public or media pressure had any impact on the fund- The challcnges that lic ahcd, said DillaLwu~;h,arc thr :inuing care division executive director Rod ing decision. -
An Introduction to Abel Ferrara Adrian Martin Twelfth Brisbane
Neurosis Hotel: An introduction to Abel Ferrara Adrian Martin Twelfth Brisbane international film festival Jul/2003 The cinema of Abel Ferrara is in the tradition of John Cassavetes and Maurice Pialat: he seeks the truth of the moment, the nub of a contradiction, the telling flashpoint of tension. In interviews or documentaries, that is all he will talk about: ‘getting the shot’, nailing something in an image, a performance, an exchange, a riff. His cinema is a postmodern gestalt, a fusion in dissonance: bodies, environments, songs, colours and edits are so powerfully compacted in his work that we can hardly separate the elements, as we can with the work of ‘cleaner’ directors. He who is not busy being born Is busy dying - Bob Dylan The Evil Within Is there any filmmaker more obsessed with death than Abel Ferrara? Not natural death, but murder: Ms .45 (1981), China Girl (1987), King of New York (1990), Bad Lieutenant (1992), Dangerous Game (aka Snake Eyes, 1993) and The Funeral (1996) all end with brutally final acts of killing - usually either by, or of, the central character (fig. 2). The Addiction (1995), like Ms .45 and Body Snatchers (1993), climaxes in an apocalyptic scene of mass slaughter (fig. 3). The Funeral begins with a mysterious death and proceeds to investigate it. Violent disappearances poke gaping holes in the structures of The Blackout (1997) and New Rose Hotel (1998). Lone, deranged serial killers drive his early work, from The Driller Killer (1979) to Fear City (1984), then the organised, corporate killers take over in King of New York, New Rose Hotel and ‘R Xmas (2001). -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions And Items In Only Tangentially Related Fields. Catalogue 368 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are considered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and Fax for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
ELMORE LEONARD Anthony May
Contrappasso Magazine Issue 2 December 2012 Editor: Matthew Asprey Poetry Editor: Theodore Ell www.contrappasso.com Published in Sydney, Australia by SYDNEY SAMIZDAT PRESS GOOD TIME CRIME: TALKING WITH ELMORE LEONARD Anthony May Back in 1991, I had the good fortune to sit down with Elmore Leonard in his Michigan home during the hot summer and lead up to the fourth of July celebrations that would be the first since Operation Desert Storm, quite a big thing around Detroit. I was there to talk to him about his books but he is an intelligent man and sees the connections in things so the conversation moved around. He had just finished the manuscript of Rum Punch and maybe he felt like a chat. In the end we spent quite a few hours together over three days trying to make some connections across the stories, books and films that comprise his long career. He was very generous with his time and opinions and I remain extremely grateful for the access and the insight. A couple of years later, when he was in Sydney, we sat down again and continued the conversation. The interviews that follow record those conversations and, hopefully, give another way into the books that have delighted so many. The book that was about to come out that summer was Maximum Bob, the story that introduced characters like Judge Bob Gibbs’ wife, who channels a black slave girl who had died one hundred and thirty years before. In the books leading up to this, he had begun to foreground 3 4 ANTHONY MAY characters who were free and loose in their own way and in ways that were not just due to their involvement in crime.