Nicolas Roeg: DON’T LOOK NOW (1973, 110M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
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Eckart Voigts-Virchow: Männerphantasien
Repositorium für die Medienwissenschaft Werner Barg Eckart Voigts-Virchow: Männerphantasien. Introspektion und gebrochene Wirklichkeitsillusion im Drama von Dennis Potter 1996 https://doi.org/10.17192/ep1996.4.4187 Veröffentlichungsversion / published version Rezension / review Empfohlene Zitierung / Suggested Citation: Barg, Werner: Eckart Voigts-Virchow: Männerphantasien. Introspektion und gebrochene Wirklichkeitsillusion im Drama von Dennis Potter. In: MEDIENwissenschaft: Rezensionen | Reviews, Jg. 13 (1996), Nr. 4, S. 469– 470. DOI: https://doi.org/10.17192/ep1996.4.4187. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. -
Elmore Leonard, 1925-2013
ELMORE LEONARD, 1925-2013 Elmore Leonard was born October 11, 1925 in New Orleans, Louisiana. Due to his father’s position working for General Motors, Leonard’s family moved numerous times during his childhood, before finally settling in Detroit, MI in 1934. Leonard went on to graduate high school in Detroit in 1943, and joined the Navy, serving in the legendary Seabees military construction unit in the Pacific theater of operations before returning home in 1946. Leonard then attended the University of Detroit, majoring in English and Philosophy. Plans to assist his father in running an auto dealership fell through on his father’s early death, and after graduating, Leonard took a job writing for an ad agency. He married (for the first of three times) in 1949. While working his day job in the advertising world, Leonard wrote constantly, submitting mainly western stories to the pulp and/or mens’ magazines, where he was establishing himself with a strong reputation. His stories also occasionally caught the eye of the entertainment industry and were often optioned for films or television adaptation. In 1961, Leonard attempted to concentrate on writing full-time, with only occasional free- lance ad work. With the western market drying up, Leonard broke into the mainstream suspense field with his first non-western novel, The Big Bounce in 1969. From that point on, his publishing success continued to increase – with both critical and fan response to his works helping his novels to appear on bestseller lists. His 1983 novel La Brava won the Edgar Award for best mystery novel of the year. -
Sight & Sound Films of 2007
Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic -
Argento E De Palma, Due Splendidi Quasi-Ottantenni
Argento e De Palma, due splendidi quasi-ottantenni Non sapremmo dire se si siano mai incontrati di persona, ma certo è che Dario Argento e Brian De Palma di cose in comune ne hanno parecchie. La prima è l’età: infatti compiranno entrambi ottant’anni tra pochi mesi e a pochi giorni di distanza, l’italiano il 7 settembre, l’americano l’11 (data divenuta fatidica negli Usa e non solo…). Il 2020 è inoltre per entrambi un altro anniversario “tondo”, quello dell’esordio dietro la macchina da presa: mezzo secolo giusto per Argento (L’uccello dalle piume di cristallo, 1970), sessant’anni per De Palma (il cortometraggio Icarus, 1960). Entrambi hanno eccelso nel genere thriller-horror e in tutte le sue varianti; e di conseguenza entrambi sono stati perseguitati nei decenni dalla “maledizione di Hitchcock”, il maestro del quale sono stati etichettati più o meno a torto quali “eredi” o più spregiativamente “nipotini”, e che hanno più volte citato non tanto nello spirito quanto nella lettera: De Palma attraverso remake non dichiarati (Le due sorelle da Psyco, Complesso di colpa da Vertigo) e utilizzando in entrambi i suddetti titoli il compositore prediletto dal cineasta inglese, Bernard Herrmann; Argento con prestiti simbolici (il truce killer interpretato nel film d’esordio da Reggie Nalder, già sicario in L’uomo che sapeva troppo) e omaggi diretti (il televisivo Ti piace Hitchcock? del 2005, protagonista l’astro allora nascente Elio Germano). Profondo rosso, film del 1975 di Dario Argento A proposito di musica, tutti e due si sono avvalsi del pirotecnico talento di Pino Donaggio, più | 1 Argento e De Palma, due splendidi quasi-ottantenni giovane di un anno e maestro di “suspense music”: Argento tre volte (Due occhi diabolici, Trauma e Ti piace Hitchcock?) , De Palma sistematicamente – anche se con ampi intervalli – dal 1974 di Carrie al recente, bistrattato Domino. -
The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Ottobre 2019 - Mensile Sped
Enrico Parrini: Fermiamo il mostro Anno XXIV, n°10 - Ottobre 2019 - mensile Sped. A.P. 70% Filiale di Pistoia OTTICA Registrazione Tribunale Pistoia n.471 del 26.10.1995 OTTICAPERSONALIZZATA Redazione e Pubblicità: N E T W O R K GIANNI SILVESTRINI LUCA SILVESTRINI Via Kennedy, 19 - Pescia Tel. 339 3946898 Tel. 349 3228988 e-mail: [email protected] Anno XXIV, n.10 - Ottobre 2019 L’ELOGIO DELLA PAROLA Che arte quella dell’eloquenza, quella di saper incantare eccezionale comprensione dell’altro e dei suoi sentimenti con le parole il proprio pubblico, ed anche quella di saper più intimi, in modo pressoché impercettibile ed immediato, con garbo ed eleganza incensare, onorare, encomiare, e l’ambiente come la giungla nera in cui oggi tutti noi glorificare, celebrare, esaltare, apprezzare, lodare una siamo chiamati a sviluppare il nostro innato spirito di persona, un fatto, una cosa, per le sue caratteristiche, sopravvivenza, possibile solo con il benestare degli altri. per le sue gesta, per le sue qualità e fattezze interiori ed Tutti questi paroloni e discorsoni per dimostrarVi che LE esteriori; insomma, le parole corrono, abbondano e spesso si PAROLE VALGONO, e bisogna quasi stare attenti a sprecano, ma quando si tratta di elargir complimenti sinceri dirle tanto grande ed immenso è il loro peso specifico, non sono mai troppe, anzi è bene averne sempre tante nella e talvolta bisogna riguardarsi pure a pensarle: delle bisaccia e regalarle a dismisura, se uno veramente, e dico volte infatti anche il pensarle solamente è peggio, veramente, se lo merita un bel bravo bravissimo scritto sul perché poi vorresti dirle VERAMENTE ma non lo fai. -
NEO-NOIR / RETRO-NOIR FILMS (1966 Thru 2010) Page 1 of 7
NEO-NOIR / RETRO-NOIR FILMS (1966 thru 2010) Page 1 of 7 H Absolute Power (1997) H Blondes Have More Guns (1995) H Across 110th Street (1972) H Blood and Wine (1996) H Addiction, The (1995) FS H Blood Simple (1985) h Adulthood (2008) H Blood Work (2002) H Affliction (1997) H Blow Out (1981) FS H After Dark, My Sweet (1990) h Blow-up (1967).Blowup H After Hours (1985) f H Blue Desert (1992) F H Against All Odds (1984) f H Blue Steel (1990) f H Alligator Eyes (1990) SCH Blue Velvet (1986) H All the President’s Men (1976) H Bodily Harm (1995) H Along Come a Spider (2001) H Body and Soul (1981) H Ambushed (1998) f H Body Chemistry (1990) H American Gangster (2007) H Body Double (1984) H American Gigolo (1980) f H Bodyguard, The (1992) H Anderson Tapes, The (1971) FSCH Body Heat (1981) S H Angel Heart (1987) H Body of Evidence (1992) f H Another 48 Hrs. (1990) H Body Snatchers (1993) F H At Close Range (1986) H Bone Collector, The (1999) f H Atlantic City (1980) H Bonnie & Clyde (1967) f H Bad Boys (1983) F H Border, The (1982) F H Bad Influence (1990) F H Bound (1996) F H Badlands (1973) H Bourne Identity, The (2002) F H Bad Lieutenant (1992) H Bourne Supremacy, The (2004) h Bank Job, The (2008) H Bourne Ultimatum, The (2007) F H Basic Instinct (1992) H Boyz n the Hood (1991) H Basic Instinct 2 (2006) H Break (2009) H Batman Begins (2005) H Breakdown (1997) F H Bedroom Window, The (1987) F H Breathless (1983) H Before the Devil Knows You’re Dead (2007) H Bright Angel (1991) H Best Laid Plans (1999) H Bringing Out the Dead (1999) F H Best -
Madness in the Films of Karel Reisz, Lindsay Anderson, Sam Peckinpah and Nicolas Roeg
Journal of Alternative Perspectives in the Social Sciences (2020) Volume 10 No 4, 1413-1442 Images of Modernity: Madness in the Films of Karel Reisz, Lindsay Anderson, Sam Peckinpah and Nicolas Roeg Paul Cornelius—taught film studies and film and TV production at Mahidol University International College (Thailand), film studies and history at the University of Texas at Dallas, American studies at the University of Oldenburg (Germany), and communication arts at Southern Methodist University. Douglas Rhein—is Chair of the social science division at Mahidol University International College (Thailand), where he teaches classes in psychology and media. Abstract: This article will examine the work of four filmmakers-- Karel Reisz, Lindsay Anderson, Sam Peckinpah and Nicolas Roeg— whom have produced milestone works in the cinema that address one of the central concerns of modernity, the loss of individual identity and its replacement with a figurative disembodiment in an increasingly complex, technocratic, and specialized world. Preoccupation with the struggle for the soul and the resulting madness and the blurring and collapsing of boundaries, is what unites the four film makers. Three of the four--Reisz, Anderson and Roeg--originated in the British cinema, and thus automatically found themselves somewhat on the margins of the industry, yet the fourth, Peckinpah, is the sole American of the group. This article argues that his primary concerns in the cinema may place him more with his British counterparts than with other Hollywood filmmakers of the same era. The methodology chosen for this analysis firmly secures the films and their makers within their particular social and historical contexts. -
C'era UNA VOLTA TORINO CAPITALE I 150 Anni Dell'unita' D
I 150 anni Domenica 16 Gennaio 2011 Domenica 6 Marzo 2011 ore 17.00 ore 17.00 SENSO IL BRIGANTE DI TACCA Film drammatico – Italia - 1954 dell’Unita’ d’Italia DEL LUPO regia di Luchino Visconti Film avventura - Italia - 1952 con Alida Valli, Farley Granger, regia di Pietro Germi Massimo Girotti con Amedeo Nazzari, Cosetta Greco. Domenica 23 Gennaio 2011 Domenica 13 Marzo 2011 ore 17.00 ore 17.00 1860 - I MILLE DI GARIBALDI IL VETTURALE DEL MONCENISIO Film drammatico/storico – Italia - 1934 Film drammatico - Italia - 1956 regia di Alessandro Blasetti C’ERA UNA VOLTA regia di Guido Brignone con Mario Ferrari, Andrea Cecchi. con Elisa Cegani, Roldano Lupi. TORINO CAPITALE Domenica 6 Febbraio 2011 Rassegna Cinematografica Domenica 20 Marzo 2011 ore 17.00 ore 17.00 PICCOLO MONDO ANTICO VIVA L’ITALIA! Film drammatico - Italia - 1941 dalla Nuova Compagnia Lirica Film storico - Italia - 1961 regia di Mario Soldati regia di Roberto Rossellini con Alida Valli, Massimo Serato. con Paolo Stoppa, Giovanna Ralli. Tutte le domeniche Domenica 30 Gennaio 2011 Domenica 3 Aprile 2011 ore 17.00 dal16 Gennaio ore 17.00 UNA ROMANTICA AVVENTURA LA PATTUGLIA SPERDUTA Film commedia - Italia - 1940 regia di al 23 Aprile Film storico - Italia - 1952 Mario Camerini regia di Piero Nelli con Gino Cervi, Assia Noris. con Oscar Navarro, Annibale Biglione. Centro Culturale “Principessa Isabella” Via Verolengo 212 Domenica 20 Febbraio 2011 ore 17.00 Domenica 10 Aprile 2011 UN GARIBALDINO AL CONVENTO ore 17.00 Film commedia - Italia - 1942 NELL’ANNO DEL SIGNORE regia di Vittorio De Sica Film commedia - Italia - 1969 con Carla Del Poggio, Leonardo Cortese.