DOCSLIB.ORG

Download the Monthly Film & Event Calendar

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download the Monthly Film & Event Calendar WED SAT MON FRI 4:00 Film FRI MON SAT 5:00 Film 1 4 6 10 Max My Love. T2 17 20 25 The Thief of Paris. T2 Events & Programs Film & Event Calendar 7:00 Film 7:00 Film 7:30 Event 10:20 Family 4:30 Film 1:30 Film 1:30 Film 7:30 Film 1:30 Film A Faithful Man. T2 China Girl. T1 Gallery Sessions Tours for Fours: Animals in Art Quiet Mornings. Tours for Fours. Fear City. T1 May Fools. T2 May Fools. T2 Dangerous Game. T1 Valmont. T2 Daily Saturdays & Sundays, May 4–12, Museum galleries Education & 7:30 Film 7:00 Film 4:00 Film MON 4:00 Film 3:00 Film Marron Atrium, Floor 2 10:20–11:15 a.m. Research Building TUE The Discoveries of a 1:30 Film Modern Mondays: Piazza Vittorio. T1 Bad Lieutenant. T1 Cat Chaser. T1 Education & Research Building Modern Couple. T2 Join us for conversations and The Big Trail. T2 10:20 Family An Evening with 13 21 4:30 Film 4:30 Film 4:30 Film activities that offer insightful and Look, listen, and share ideas while A Closer Look for Bernadette Mayer 4:30 Film 4:00 Film Taking Off; The Nail Taking Off; The Nail 4:00 Film The Thief of Paris. T2 unusual ways to engage with art. you explore art through Kids. Education & and Morgan Ritter. T2 Mulberry Street. T1 THU Mulberry Street. T1 Clippers. T2 Clippers. T2 The Addiction; movement, drawing, and more. Research Building 7:00 Film 30 Limited to 25 participants 7:30 Film 7:00 Film Talking with the 4:30 Film 6:00 Talk 7:00 Film Napoli, Napoli, For four-year-olds and adult companions. 1:00 Film The Projectionist. T1 Modern Mondays: Vampires. T1 1:30 Film Free tickets are distributed on a Dias del otoño. T2 Agora. Sculpture Crime Story. T1 Napoli. T1 hablArte: Lincoln Kirstein Alive in France. T1 An Evening with Bouvard and first-come, first-served basis at 10:00 Garden 4:30 Film y el Arte de América Latina a.m. on the day of the program. 7:00 Film TUE Wakaliwood Uganda 7:30 Film 7:30 Film Pecuchet. T2 1:30 Film Diary of a 22 de Mayo, 3:00 p.m. The Addiction. T1 7:00 Film Productions. T2 The Unbearable The Discreet Charm In the Palm of Your Chambermaid. T2 7:00 Film Marron Atrium, Planta 3 7 Go Go Tales. T1 Lightness of Being. T2 of the Bourgeoisie. A Closer Look for Kids: Places, 7:30 Film Hand. T2 7:30 Film American Factory. T1 4:00 Film 7:00 Film T2 Miriam Basilio, Professora Spaces, and Installations Soledad’s Shawl. T2 7:30 Film The Driller Killer; 8:00 Event 4:00 Film The Driller Killer; Bad Lieutenant. T1 Associada en el departamento de Saturdays & Sundays, May 4–12, The Unbearable Could This Be Love. MoMA PS1 Night 10:20–11:30 a.m. Go Go Tales. T1 Could This Be Love. SUN historia del arte y museología en Lightness of Being. T2 T1 at the Museum. 7:30 Film THU T1 NYU, discutirá el papel de Lincoln Education & Research Building 4:30 Film MoMA PS1 Belle de jour. T2 26 2 Kirstein a principios del decenio Kids and adults participate in lively The Other One. T2 7:00 Film SAT TUE 1:00 Film 1940 en el coleccionísmo, M discussions and activities while 1:30 Film Ms. 45. T1 SAT WED 7:00 Film Cyrano de Bergerac. 7:30 Film entendimiento, y exposiciones del Y tu mamá también. 11 14 looking at art. King of New York. T1 18 22 T2 Mary. T2 arte de américa latina. T2 WED 10:20 Family 4:30 Film For kids ages five to 10 and adult 7:30 Film Tours for Fours. At Eternity’s Gate. T2 1:30 Film 1:30 Film 2:00 Film Gratuito para miembros y personas con companions. Free tickets are distributed 4:00 Film 8 entrada al museos on a first-come, first-served basis starting Rosauro Castro. T2 Education & Diary of a That Obscure Mary. T1 Chelsea on the 7:00 Film at 10:00 a.m. on the day of the program. 1:30 Film Research Building Chambermaid. T2 Object of Desire. T2 Rocks. T1 Every Man for 4:00 Film Art Lab: Nature SUN Up. T2 10:20 Family Himself. T2 4:00 Film 3:00 Event Danton. T2 Agora 4:30 Film Daily, 10:30 a.m.–4:30 p.m.; 5 3:00 Talk A Closer Look for Dangerous Game. T1 hablArte: Lincoln Fri, until 6:30 p.m. May 8, 15 & 29, 3:00 p.m.; The Kneeling 5:00 Film Agora. Sculpture Kids. Education & WED Kirstein y el Arte de FRI May 10 & 31, 6:00 p.m. Goddess. T2 10:20 Family 4:30 Film Crime Story. T1 Education & Research Building Garden Research Building América Latina. Sculpture Garden Tours for Fours. 15 Belle de jour. T2 31 Discover how artists and designers 7:00 Film Marron Atrium Education & 7:30 Film 2:00 Film MON This year’s Agora series invites New Rose Hotel. T1 1:30 Film 7:00 Film 1:30 Film are inspired by the natural world in Research Building Fear City. T1 The Tin Drum. T2 7:00 Film visitors to discuss the current Every Man for Welcome to 27 It Was War. T2 this hands-on, multisensory 7:30 Film ’R Xmas. T2 state and possible futures of 10:20 Family 4:00 Film Himself. T2 New York. T1 installation. All ages are welcome. Rosa blanca. T2 THU 4:30 Film 4:30 Film communication, both in art and A A Closer Look for The Blackout. T1 3:00 Talk 7:30 Film 4:44 Last Day on Alive in France. T1 in our daily lives. Kids. Education & 9 THU Quiet Mornings FRI 6:30 Film Agora. Sculpture The Milky Way. T2 Earth. T1 Research Building 23 6:00 Talk Wed, May 1, 7:30–9:00 a.m. Free with admission 1:30 Film Circle of Deceit. T2 Garden 3 7:00 Film Agora. Sculpture Museum galleries 1:00 Film Meet Me in St. Louis. SUN 4:00 Film 7:00 Film 4:30 Film Chelsea on the Garden MoMA PS1 Night at the Museum 1:30 Film Don Quijote cabalga T2 The Phantom of See your favorite works from Ms. 45. T1 Circle of Deceit. T2 19 Rocks. T1 Fri, May 17, 8:00 p.m.–12:00 a.m. Groundhog Day. T2 de nuevo. T2 Liberty. T2 7:00 Film MoMA’s collection and take 4:00 Film MoMA PS1 7:00 Film 1:30 Film Raises not Roses, in selected new exhibitions, 2:00 Film New Rose Hotel. T1 7:00 Film SUN Yoyo; Happy The Discreet Charm TUE the Story of the 9 to 5 all without the crowds. Guided Spring into MoMA PS1’s new Napoli, Napoli, The Funeral. T2 4:30 Film Anniversary. T2 of the Bourgeoisie. Movement [work in meditation takes place at season of exhibitions with Napoli. T1 12 28 Yoyo; Happy T2 progress]. T2 8:30 a.m. galleries open until midnight, DJ 10:20 Family FRI 4:30 Film 4:00 Film Anniversary. T2 THU sets, and more. Enjoy an evening Tours for Fours. 2:00 Film The Funeral. T1 7:30 Film Adults $15, seniors $12, full-time students Macario. T2 24 with current ID $10, children (16 and outdoors with a one-night-only 4:00 Film Education & 16 Piazza Vittorio. T1 China Girl. T1 under) free. Free for members, with the 7:00 Film beer garden featuring selections Welcome to New 5:00 Film Research Building 1:30 Film ability to bring guests for $5 1:30 Film 4:00 Film King of New York. T1 from local breweries. Wander the York. T1 Body Snatchers. T1 Valmont. T2 Images, from left: 10:20 Groundhog Day. Courtesy Y Family The Tin Drum. T2 The Phantom of galleries and discover the work of 4:30 Film 6:30 Film A Closer Look for Liberty. T2 4:30 Film WED Columbia Pictures/ artists from across the globe. 5:00 Film Photofest; Yoyo. Courtesy Macario. T2 La barraca. T2 Kids. Education & Cyrano de Bergerac. 7:00 Film Subway Stories: 5:00 Film 29 Magna/Photofest; $15, $10 members Research Building T2 American Factory. 7:00 Film Body Snatchers. T1 Tales from the 4:44 Last Day on 3:00 Talk Courtesy Netflix; Mary. Pasolini. T1 1:00 Film Underground. T2 Earth. T1 7:00 Film Courtesy Pan Européenne 7:30 Film Agora. Sculpture The Milky Way. T2 Cat Chaser. T1 Distribution/Photofest. 7:30 Film At Eternity’s Gate. T2 7:00 Film 6:30 Film Garden Cover: Belle de jour. Don Quijote cabalga 2:30 Film The Blackout. T1 That Obscure 7:30 Film Courtesy Janus Films 4:30 Film de nuevo. T2 ’R Xmas. T1 Object of Desire. T2 Danton. T2 China Girl. T1 WED SAT MON FRI 4:00 Film FRI MON SAT 5:00 Film 1 4 6 10 Max My Love. T2 17 20 25 The Thief of Paris. T2 Events & Programs Film & Event Calendar 7:00 Film 7:00 Film 7:30 Event 10:20 Family 4:30 Film 1:30 Film 1:30 Film 7:30 Film 1:30 Film A Faithful Man. T2 China Girl. T1 Gallery Sessions Tours for Fours: Animals in Art Quiet Mornings.
Load more

Recommended publications
  • Arrow Video Arrow Vi Arrow Video Arrow Video Arrow
    ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO Music Composed and Performed by THE DRILLER KILLER Joseph Delia Reno … Jimmy Laine [Abel Ferrara] Editors Carol … Carolyn Marz Pamela … Baybi Day Orlando Gallini Dalton Briggs … Harry Schultz Bonnie Constant Landlord … Alan Wynroth Michael Constant [ ] Nun … Maria Helhoski Jimmy Laine Abel Ferrara Man in Church … James O’Hara Special Effects Carol’s Husband … Richard Howorth ARROW VIDEO ARROW VIDEO Knife Victim … Louis Mascolo David Smith Attacker … Tommy Santora Director of Photography Derelicts Ken Kelsch Produced by Hallway … John Coulakis Rooftop … Lanny Taylor Navaron Films Bus Stop … Peter Yellen ARROW VIDEO ARROW VIDEO Executive Producer Empire State … Steve Cox Street Corner … Stephen Singer Rochelle Weisberg Street Corner … Tom Constantine Screenplay Sidewalk and Street … Anthony Picciano Fire Escape … Bob De Frank N.G. St. John Roosters Directed by ARROW VIDEO ARROW VIDEO Abel Ferrara Tony Coca-Cola (guitar) … Rhodney Montreal [D.A. Metrov] And Dedicated to the People of New York Ritchy (bass) … Dicky Bittner Steve (drums) … Steve Brown “The City of Hope” ARROW VIDEO ARROW VIDEO 2 3 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CONTENTS 2 The Driller Killer Cast and Crew 7 All Around, In the City (2016) ARROW VIDEOby Michael Pattison ARROW VIDEO 16 Mulberry St. Crew 17 The Memory of a Reality (2016) by Brad Stevens ARROW26 About the VIDEORestoration ARROW VIDEO 4 5 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ALL AROUND, IN THE CITY by Michael Pattison On 31 October 1977, horror struck the front page of the Village Voice.
    [Show full text]
  • Elmore Leonard, 1925-2013
    ELMORE LEONARD, 1925-2013 Elmore Leonard was born October 11, 1925 in New Orleans, Louisiana. Due to his father’s position working for General Motors, Leonard’s family moved numerous times during his childhood, before finally settling in Detroit, MI in 1934. Leonard went on to graduate high school in Detroit in 1943, and joined the Navy, serving in the legendary Seabees military construction unit in the Pacific theater of operations before returning home in 1946. Leonard then attended the University of Detroit, majoring in English and Philosophy. Plans to assist his father in running an auto dealership fell through on his father’s early death, and after graduating, Leonard took a job writing for an ad agency. He married (for the first of three times) in 1949. While working his day job in the advertising world, Leonard wrote constantly, submitting mainly western stories to the pulp and/or mens’ magazines, where he was establishing himself with a strong reputation. His stories also occasionally caught the eye of the entertainment industry and were often optioned for films or television adaptation. In 1961, Leonard attempted to concentrate on writing full-time, with only occasional free- lance ad work. With the western market drying up, Leonard broke into the mainstream suspense field with his first non-western novel, The Big Bounce in 1969. From that point on, his publishing success continued to increase – with both critical and fan response to his works helping his novels to appear on bestseller lists. His 1983 novel La Brava won the Edgar Award for best mystery novel of the year.
    [Show full text]
  • Filmske Mutacije: X. Festival Nevidljivog Filma Nasilje + Utopija
    FILMSKE MUTACIJE: X. FESTIVAL NEVIDLJIVOG FILMA NASILJE + UTOPIJA FILM MUTATIONS: X. FESTIVAL OF INVISIBLE CINEMA VIOLENCE + UTOPIA UTORAK | TUESDAY 24. 1. 2017. ART-KINO CROATIA, RIJEKA 18:00 Otvorenje | Opening: Jonathan Rosenbaum, Tanja Vrvilo, Dragan Rubeša Kraljevstvo | Royaume | Kingdom, Marc Hurtado, 1991. 8-mm digital, boja zvuk | colour sound, 22 min Ms. 45 (Anđeo osvete) | Ms. 45 (a.k.a. Angel of Vengeance), Abel Ferrara, 1981. 35-mm, boja zvuk | colour sound, 81 min 20:15 Stanica Shinjuku | 新宿ステイション | Shinjuku Station, Motoharu Jonouchi, 1974. 16-mm, c/b zvuk | b/w sound, 14 min Umjetnik u gladovanju | 断食芸人 Danjiki geinin | Artist of Fasting, Masao Adachi, 2015. DCP, boja zvuk | colour sound, 104 min SRIJEDA | WEDNESDAY 25. 1. 2017. ART-KINO CROATIA, RIJEKA 18:00 Aurora | Aurore, Marc Hurtado, 1988. 8-mm digital, boja zvuk | colour sound, 20 min Kradljivci tijela | Body Snatchers, Abel Ferrara, 1993. 35-mm, boja zvuk | colour sound, 87 min 20:00 Najava Gewaltopije | ゲバルトピア予告 Gewaltopia yokokuhen | Gewaltopia Trailer, Motoharu Jonouchi, Nihon University Cinema Club, 1969. 16-mm, c/b zvuk | b/w sound, 13 min Galaksija | 銀河系 Ginkakei | Galaxy, Masao Adachi, 1967. 35-mm digital, tintirani c/b zvuk | tinted b/w sound, 75 min ČETVRTAK | THURSDAY 26. 1. 2017. MSU, ZAGREB 18:00 Otvorenje | Opening: Marc Hurtado, Jonathan Rosenbaum, Tanja Vrvilo Saturn Drive Duplex, Marc Hurtado, 2011. digital, boja zvuk | colour sound, 6 min Plavetnilo | Bleu | Blue, Marc Hurtado, 1994. 8-mm 16-mm, boja zvuk | colour sound, 32 min + Poesis activa: Marc Hurtado Aurora | Aurore, Marc Hurtado, 1988. 8-mm digital, boja zvuk | colour sound, 20 min Kraljevstvo | Royaume | Kingdom, Marc Hurtado, 1991.
    [Show full text]
  • Abel Ferrara
    A FILM BY Abel Ferrara Ray Ruby's Paradise, a classy go go cabaret in downtown Manhattan, is a dream palace run by charismatic impresario Ray Ruby, with expert assistance from a bunch of long-time cronies, sidekicks and colourful hangers on, and featuring the most beautiful and talented girls imaginable. But all is not well in Paradise. Ray's facing imminent foreclosure. His dancers are threatening a strip-strike. Even his brother and financier wants to pull the plug. But the dreamer in Ray will never give in. He's bought a foolproof system to win the Lottery. One magic night he hits the jackpot. And loses the ticket... A classic screwball comedy in the madcap tradition of Frank Capra, Billy Wilder and Preston Sturges, from maverick auteur Ferrara. DIRECTOR’S NOTE “A long time ago, when 9 and 11 were just 2 odd numbers, I lived above a fire house on 18th and Broadway. Between the yin and yang of the great Barnes and Noble book store and the ultimate sports emporium, Paragon, around the corner from Warhol’s last studio, 3 floors above, overlooking Union Square. Our local bar was a gothic church made over into a rock and roll nightmare called The Limelite. The club was run by a gang of modern day pirates with Nicky D its patron saint. For whatever reason, the neighborhood became a haven for topless clubs. The names changed with the seasons but the core crews didn't. Decked out in tuxes and razor haircuts, they manned the velvet ropes that separated the outside from the in, 100%.
    [Show full text]
  • NEO-NOIR / RETRO-NOIR FILMS (1966 Thru 2010) Page 1 of 7
    NEO-NOIR / RETRO-NOIR FILMS (1966 thru 2010) Page 1 of 7 H Absolute Power (1997) H Blondes Have More Guns (1995) H Across 110th Street (1972) H Blood and Wine (1996) H Addiction, The (1995) FS H Blood Simple (1985) h Adulthood (2008) H Blood Work (2002) H Affliction (1997) H Blow Out (1981) FS H After Dark, My Sweet (1990) h Blow-up (1967).Blowup H After Hours (1985) f H Blue Desert (1992) F H Against All Odds (1984) f H Blue Steel (1990) f H Alligator Eyes (1990) SCH Blue Velvet (1986) H All the President’s Men (1976) H Bodily Harm (1995) H Along Come a Spider (2001) H Body and Soul (1981) H Ambushed (1998) f H Body Chemistry (1990) H American Gangster (2007) H Body Double (1984) H American Gigolo (1980) f H Bodyguard, The (1992) H Anderson Tapes, The (1971) FSCH Body Heat (1981) S H Angel Heart (1987) H Body of Evidence (1992) f H Another 48 Hrs. (1990) H Body Snatchers (1993) F H At Close Range (1986) H Bone Collector, The (1999) f H Atlantic City (1980) H Bonnie & Clyde (1967) f H Bad Boys (1983) F H Border, The (1982) F H Bad Influence (1990) F H Bound (1996) F H Badlands (1973) H Bourne Identity, The (2002) F H Bad Lieutenant (1992) H Bourne Supremacy, The (2004) h Bank Job, The (2008) H Bourne Ultimatum, The (2007) F H Basic Instinct (1992) H Boyz n the Hood (1991) H Basic Instinct 2 (2006) H Break (2009) H Batman Begins (2005) H Breakdown (1997) F H Bedroom Window, The (1987) F H Breathless (1983) H Before the Devil Knows You’re Dead (2007) H Bright Angel (1991) H Best Laid Plans (1999) H Bringing Out the Dead (1999) F H Best
    [Show full text]
  • ADDICTION À L'œuvre
    PHOTO : AUDE GUERRUCCI. PHOTO : Une programmation ADDICTION www.dfilms-programmation-cinema.fr à l’œuvre une histoire de cinéma qui s’accorde aux autres arts de 1895 à 2019 Festival en 5 parties de 2015 à 2019 2e partie du 9 octobre au 20 décembre 2016 ABEL FERRARA RÉTROSPECTIVE, CARTE BLANCHE, MASTER CLASS, RENCONTRES, PRÉSENTATIONS, CONCERT, WORKSHOP… TOULOUSEÊ 1Ê£xÊ1ÊÓÇÊ" /" , ÊUÊMONACOÊÓxÊ" /" , ÊUÊNICE, BEAULIEU-SUR-MER DU 26 OCTOBRE AU 1er NOVEMBRE MONTREUILÊ 1Ê££Ê" /" , Ê1ÊÓäÊ , ÊUÊPARIS DU 15 NOVEMBRE AU 6 DÉCEMBRE ADDICTION À L’ŒUVRE 2/5 LES FILMS DANS LES CINÉMAS ET LES MUSÉES. RENCONTRES, PRÉSENTATIONS, LECTURES… PARIS DU 9 OCTOBRE AU 20 DÉCEMBRE ATELIER REFLEXE Workshop Addicton à l’œuvre [email protected] FABRIQUE DES ILLUSIONS octobre/novembre/décembre www.atelier-refexe.org ADDICTION À L’ŒUVRE, une histoire de cinéma de 1895 à 2019 3 2/5 du 11 octobre au 20 décembre 2016 ABEL FERRARA SHOOTING AT LE LOUVRE FOR ER GI MUSIC FROM THE FILMS OR C OF ABEL FERRARA ME Ô BATHYSPHERE ÉR J PRODUCTIONS 2016 SOMMAIRE PRÉSENTATION . 4, 6 ÉDITORIAL . 7 SÉANCES PRÉSENTÉES ABEL FERRARA TOULOUSE - MONACO - NICE - BEAULIEU - MONTREUIL - PARIS . 8, 9 SYNOPSIS DES FILMS D’ABEL FERRARA . 10, 11, 12 SYNOPSIS DES FILMS DRUGS & CO . 13, 14 ADDICTION à l’œuvre de 2017 à 2019 - COLLECTIF IMAGE . 16 CALENDRIER TOULOUSE - MONACO - NICE - BEAULIEU . 17 CALENDRIER MONTREUIL . 18 CALENDRIER MUSÉES - BEAUX-ARTS DE PARIS . 19 CALENDRIER CINÉMAS PARIS . 20, 21, 22 REMERCIEMENTS . 23 LES LIEUX LES FILMS > TOULOUSE > PARIS L’ANGE DE LA VENGEANCE ; THE KING OF NEW YORK ; LA CINÉMATHÈQUE DE TOULOUSE, CINÉMAS CHRISTINE21, BAD LIEUTENANT ; NEW ROSE HOTEL ; CHRISTMAS ; rétrospective des films LUMINOR HÔTEL DE VILLE, L’ÉCOLE MARY, GO GO TALES ; CHELSEA HOTEL ; d’ABEL FERRARA DES BEAUX-ARTS DE PARIS, LE MUSÉE 4H44 : DERNIER JOUR SUR TERRE ; PASOLINI ; www.lacinemathequedetoulouse.com.
    [Show full text]
  • The Program of the Soundscreen 2019
    SOUNDSCREEN FILM FESTIVAL play the movie! 21st-28th September 2019, Ravenna Palazzo del Cinema e dei Congressi Cinema Jolly SATURDAY 21st SEPTEMBER 20.30 live score Earthset + Luca Maria Baldini THE MECHANICAL MAN André Deed, Italy 1921, 40' The first Italian scifi-horror movie: a scientist creates a device shaped like a man that can be remote- controlled by a machine. The live score is entrusted to the encounter between the electronics of the Ravenna-born Luca Maria Baldini and the writing between noise and post-rock of the Earthset from Bologna, with dodecaphonic, exonal and dissonant harmonic inserts. 21.30 Abel Ferrara ALIVE IN FRANCE Abel Ferrara, France 2018, 79' The documentary presents a unique image of one of Hollywood's most controversial and unconventional masters of cinema: Abel Ferrara in the unusual role of singer and musician, in the French tour between Toulouse and Paris where the director played together with his historical musicians collaborators. Special Guest Abel Ferrara, with a live concert. SUNDAY 22nd SEPTEMBER 16.00 Jim Jarmusch & Tom Waits THE DEAD DON'T DIE Jim Jarmusch, USA 2019, 104' with Bill Murray, Adam Driver, Tom Waits, Clhoë Sevigny, Iggy Pop, Steve Buscemi The peaceful town of Centerville finds itself battling a zombie horde: the dead start rising from their graves. 18.00 Abel Ferrara GO GO TALES Abel Ferrara, Italy 2007, 96' with Willem Dafoe, Bob Hoskins, Matthew Modine, Asia Argento, Riccardo Scamarcio, Stefania Rocca Ray runs a lap dance club in Manhattan, in crisis. The future of the business is at risk and the dancers threaten to strike, remaining dressed during the show.
    [Show full text]
  • Leggi E Scarica
    Fata Morgana Web n. 11, 2020 - “Venezia 77” ISSN 2532-487X Direttore: Roberto De Gaetano Comitato direttivo: Alessandro Canadè (coordinamento), Pierandrea Amato, Emilio Bernini, Gianni Canova, Francesco Ceraolo, Alessia Cervini, Felice Cimatti, Adriano D’Aloia, Daniele Dottorini, Anne-Violaine Houcke, Ruggero Eugeni, Michele Guerra, Marco Pedroni, Valentina Re, Bruno Roberti, Rosamaria Salvatore, Christian Uva, Luca Venzi, Dork Zabunyan Caporedattori: Massimiliano Coviello, Angela Maiello, Nausica Tucci Redazione: Alma Mileto (coordinamento), Raffaello Alberti, Luca Bandirali, Simona Busni, Antonio Capocasale, Dario Cecchi, Deborah De Rosa, Gianfranco Donadio, Patrizia Fantozzi, Andrea Inzerillo, Caterina Martino, Pietro Renda, Giacomo Tagliani, Francesco Zucconi Segreteria di redazione: Alessia Cistaro, Giovanna Corigliano, Melina Craveli, Roberta D’Elia, Sara Marando, Isabella Mari, Carmen Morello, Nadine Passarello, Francesca Pellegrino, Mara Scarcella Web design and graphic concept: Deborah De Rosa Social media manager: Loredana Ciliberto Fascicoli di Fata Morgana Web a cura di Nausica Tucci Responsabile intellettuale: Roberto De Gaetano Dipartimento di Scienze Politiche e Sociali Università della Calabria Ponte P. Bucci, cubo 17B, V piano 87036 Campus di Arcavacata, Rende (CS) 2 INDICE RINASCE IL DESIDERIO DI CINEMA 6 Roberto De Gaetano IL DIRITTO DI RESISTERE 9 (AND TOMORROW THE ENTIRE WORLD DI JULIA VON HEINZ) Angela Maiello TORNEREMO A MANGIARE LE MELE (APPLES DI CHRISTOS NIKOU) 11 Roberto De Gaetano QUAL È LA COSA MIGLIORE? (ASSANDIRA
    [Show full text]
  • Geometry of Force: Abel Ferrara and Simone Weil Tag Gallagher
    Geometry of Force: Abel Ferrara and Simone Weil Tag Gallagher Uploaded 30 June 2000 7165 words Abstract The true hero, the true subject, the center of the Iliad is force. Force employed by man, force that enslaves man, force before which man's flesh shrinks away. In this work, at all times, the human spirit is shown as modified by its relations with force, as swept away, blinded, by the very force it imagined it could handle, as deformed by the weight of the force it submits to.... To define force-it is that x that turns anybody who is subjected to it into a thing....It makes a corpse out of him. Somebody was here, and the next minute there is nobody here at all...From [force's] first property (the ability to turn a human being into a thing by the simple method of killing him) flows another..., the ability to turn a human being into a thing while he is still alive. He is alive; he has a soul; and yet-he is a thing....And as for the soul, what an extraordinary house it finds itself in! Who can say what it costs it, moment by moment, to accommodate itself to this residence, how much writhing and bending, folding and pleating are required of it? It was not made to live inside a thing; if it does so, under pressure of necessity, there is not a single element of its nature to which violence is not done.... Perhaps all men, by the very act of being born, are destined to suffer violence; yet this is a truth to which circumstance shuts men's eyes....They have in common a refusal to believe that they both belong to the same species: the weak see no relation between themselves and the strong, and vice versa...
    [Show full text]
  • Donostiako 68. Zinemaldiaren Egunkaria Sansebastianfestival.Com Sábado 26 De Septiembre / 2020 | Nº 9 Diario De La 68 Edición
    Donostiako 68. Zinemaldiaren Egunkaria Diario de la 68 Edición del Festival sansebastianfestival.com Sábado 26 de Septiembre / 2020 | Nº 9 Sábado, 26 de septiembre de 2020 Diario del Festival Sail Ofiziala Sección Oficial Official Selection 03 ASA GA KURU / TRUE MOTHERS • Japón Naomi Kawase (directora, guionista) “Only a mother’s La maternidad como salvación love can save the world” JAIME IGLESIAS (cuando su hijo tiene ya cuatro años) y en el pasado, sino abordar también True Mothers by the Japanese Hay cineastas que logran el recono- las circunstancias sociales y familia- director Naomi Kawase was cimiento y, desde ese instante, po- res que llevaron a la madre biológica the final film to be presented nen todo su empeño en mantener el del pequeño a darlo en adopción, así in competition in the Official estatus adquirido, refugiándose en como el trabajo desarrollado por la Selection this year. It is quite una zona de confort que les lleva a organización que gestiona dicho pro- different to Vision, which also reincidir en el tipo de propuestas que ceso. De este modo, Kawase cons- competed here for the Golden les han granjeado prestigio. Otros, sin truye un relato organizado en flash- Shell in 2018, but at the same embargo, están empeñados en con- backs, aunque la cineasta se mostró time it does reflect some of the servar su reputación arriesgándose renuente a usar dicho concepto: “Yo recurring themes in her work, en cada nuevo trabajo que ruedan, prefiero decir que mi película está or- such as motherhood. Via a probándose en registros diversos y ganizada en recuerdos porque los streaming connection from en historias diferentes.
    [Show full text]
  • Abel Ferrara Pdf, Epub, Ebook
    ABEL FERRARA PDF, EPUB, EBOOK Nicole Brenez | 232 pages | 01 Jan 2007 | University of Illinois Press | 9780252074110 | English | Baltimore, United States Abel Ferrara PDF Book The passion, for whatever reason, is part of Tommaso, whether he actually played the role on the cross , like you had with Marty [Scorsese] , or he is thinking of a film he wants to make. This was very fluid. Mary Director. That dude needs help! Self - Guest. But the really interesting thing about working in this loose way was that it was about the quality of being there and the reality of being engaged. Sure, there were scenes I could have imagined. I hope so. Subscribe to Deadline Breaking News Alerts and keep your inbox happy. Russell Movie. Ted Bridis, Tulsa, OK. Heroin was her God, you know? Often working in collaboration with out-of-bounds actors like Harvey Keitel, Christopher Walken and Willem Dafoe, Ferrara rose above the seedy sex and violence to metaphorical and often allegorical levels by exploring good and evil, often through the use of religious iconography. Birthday: Jul 19, When he volunteers to walk a female NA member home, he hovers on the precipice of daring intimacy, the entire sequence a little miracle of tonal precision. Eric Kohn Apr 27, am erickohn. I told him so the one time I met him. White Boy. Is there another author besides Shakespeare and Stephen King whose prolific output inspired so many movie adaptations? We got on the phone with Abel and Willem, who engaged in a rambling conversation about guerrilla filmmaking, leaving New York, and, after all these years, still being full of surprises.
    [Show full text]
  • Programación
    Viernes 1 17:30 · Sala 1 · Antonio Moreno: Made in Hollywood The Spanish Dancer (Mar Díaz, 2016). España. DCP. VOSE. 107' «En 2003 mi pareja, Javier García, estaba documentándose sobre los españoles que trabajaron en Hollywood en la época de las dobles versiones (comienzos de los años 30) y vio una foto que atrapó su atención. Según el pie de foto se trataba de Antonio Moreno, posando feliz en 1926 junto a uno de sus coches de lujo frente a su mansión en Los Ángeles. Nunca habíamos oído hablar de él. Nos preguntamos: ¿Qué hacía este español en Hollywood antes de que llegara el sonoro y por qué nadie se ha interesado por él?». (Mar Díaz) Segunda proyección día 26. 20:15 · Sala 1 · Adictos a Ferrara The Hold Up (Abel Ferrara, 1971). EEUU. AD. VOSE*. 14’. Killer. El asesino del taladro (The Driller Killer, Abel Ferrara, 1979). Int.: Abel Ferrara, Carolyn Marz, Baybi Day, Harry Schultz. EEUU. DCP. VOSE. 96’. Total programa: 110’ Segunda proyección y nota día 28. 20:30 · Sala 2 · PNR: Plataforma de Nuevos Realizadores Som Pastor (Borja Zausen, 2015). España. B-R. 9’. Coming to Terms (David Bertrán, 2015). España, EEUU. B-R. VOSE. 12’. Palabras de caramelo (Juan Antonio Moreno Amador, 2016). España. B-R. 20′. Zero (David Victori, 2015). España, Reino Unido, México. B-R. VOSE. 29’. Total programa: 70’ Con la presencia de los directores. 22:30 · Sala 1 · Cinéditos The Challenge (Yuri Ancarani, 2016). Italia, Francia, Suiza. DCP. VOSE. 69’ «Afianzada en la observación de la realidad, y sin embargo extrañamente lujosa en su austeridad, la historia de un jeque cetrero que viaja a Catar con motivo de un torneo de fin de semana se convierte en un hipnótico estudio de contrastes: lo manso y lo salvaje, lo dorado y lo yermo, tedio y excitación, tecnología y naturaleza».
    [Show full text]