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ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO Music Composed and Performed by THE DRILLER KILLER Joseph Delia Reno … Jimmy Laine [Abel Ferrara] Editors Carol … Carolyn Marz Pamela … Baybi Day Orlando Gallini Dalton Briggs … Harry Schultz Bonnie Constant Landlord … Alan Wynroth Michael Constant [ ] Nun … Maria Helhoski Jimmy Laine Abel Ferrara Man in Church … James O’Hara Special Effects Carol’s Husband … Richard Howorth ARROW VIDEO ARROW VIDEO Knife Victim … Louis Mascolo David Smith Attacker … Tommy Santora Director of Photography Derelicts Ken Kelsch Produced by Hallway … John Coulakis Rooftop … Lanny Taylor Navaron Films Bus Stop … Peter Yellen ARROW VIDEO ARROW VIDEO Executive Producer Empire State … Steve Cox Street Corner … Stephen Singer Rochelle Weisberg Street Corner … Tom Constantine Screenplay Sidewalk and Street … Anthony Picciano Fire Escape … Bob De Frank N.G. St. John Roosters Directed by ARROW VIDEO ARROW VIDEO Abel Ferrara Tony Coca-Cola (guitar) … Rhodney Montreal [D.A. Metrov] And Dedicated to the People of New York Ritchy (bass) … Dicky Bittner Steve (drums) … Steve Brown “The City of Hope” ARROW VIDEO ARROW VIDEO 2 3 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CONTENTS 2 The Driller Killer Cast and Crew 7 All Around, In the City (2016) ARROW VIDEOby Michael Pattison ARROW VIDEO 16 Mulberry St. Crew 17 The Memory of a Reality (2016) by Brad Stevens ARROW26 About the VIDEORestoration ARROW VIDEO 4 5 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ALL AROUND, IN THE CITY by Michael Pattison On 31 October 1977, horror struck the front page of the Village Voice. -
Abel Ferrara
A FILM BY Abel Ferrara Ray Ruby's Paradise, a classy go go cabaret in downtown Manhattan, is a dream palace run by charismatic impresario Ray Ruby, with expert assistance from a bunch of long-time cronies, sidekicks and colourful hangers on, and featuring the most beautiful and talented girls imaginable. But all is not well in Paradise. Ray's facing imminent foreclosure. His dancers are threatening a strip-strike. Even his brother and financier wants to pull the plug. But the dreamer in Ray will never give in. He's bought a foolproof system to win the Lottery. One magic night he hits the jackpot. And loses the ticket... A classic screwball comedy in the madcap tradition of Frank Capra, Billy Wilder and Preston Sturges, from maverick auteur Ferrara. DIRECTOR’S NOTE “A long time ago, when 9 and 11 were just 2 odd numbers, I lived above a fire house on 18th and Broadway. Between the yin and yang of the great Barnes and Noble book store and the ultimate sports emporium, Paragon, around the corner from Warhol’s last studio, 3 floors above, overlooking Union Square. Our local bar was a gothic church made over into a rock and roll nightmare called The Limelite. The club was run by a gang of modern day pirates with Nicky D its patron saint. For whatever reason, the neighborhood became a haven for topless clubs. The names changed with the seasons but the core crews didn't. Decked out in tuxes and razor haircuts, they manned the velvet ropes that separated the outside from the in, 100%. -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
BAM 2009 Next Wave Festival Opens with the U.S. Premiere of In-I Featuring Juliette Binoche and Akram Khan
BAM 2009 Next Wave Festival opens with the U.S. premiere of In-I featuring Juliette Binoche and Akram Khan Engagement marks the final performances of the dance collaboration between the Oscar-winning actress and world renowned choreographer BAMcinématek presents Rendez-vous with Juliette Binoche film series In-I Directed and performed by Juliette Binoche and Akram Khan Set design by Anish Kapoor Lighting design by Michael Hulls Music by Philip Sheppard Costume design (Juliette Binoche) by Alber Elbaz Costume design (Akram Khan) by Kei Ito Sound design by Nicolas Faure Co-produced by Hermès Foundation: National Theatre, London; Théâtre de la Ville, Paris; Grand Théâtre de Luxembourg; Romaeuropa Festival and Accademia Filarmonica Romana, Rome; La Monnaie, Brussels; Sydney Opera House, Sydney; Curve, Leicester BAM Harvey Theater (651 Fulton St) Sept 15, 17–19, 22–26 at 7:30pm Sept 16 at 7pm* Sept 20 at 3pm Tickets: $25, 50, 70 718.636.4100 or BAM.org *2009 Next Wave Gala: Patron Celebration. For more information, contact BAM Patron Services 718.636.4182 BAMcinématek: Rendez-vous with Juliette Binoche September 11—30 BAM Rose Cinemas (30 Lafayette Avenue) Tickets: $11 per screening for adults; $8 for seniors 65 and over, children under twelve, and $8 for students 25 and under with valid I.D. Monday–Thursday, except holidays; $7 BAM Cinema Club members. Call 718-636-4100 or visit BAM.org Artist Talk with Juliette Binoche & Akram Khan September 17, post-show (free for ticket holders) Brooklyn, NY/August 10, 2009—BAM’s 2009 Next Wave festival opens with the U.S. -
Locating Salvation in Abel Ferrara's Bad Lieutenant
Journal of Religion & Film Volume 7 Issue 1 April 2003 Article 4 April 2003 'It all happens here:' Locating Salvation in Abel Ferrara's Bad Lieutenant Simon J. Taylor [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Taylor, Simon J. (2003) "'It all happens here:' Locating Salvation in Abel Ferrara's Bad Lieutenant," Journal of Religion & Film: Vol. 7 : Iss. 1 , Article 4. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss1/4 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. 'It all happens here:' Locating Salvation in Abel Ferrara's Bad Lieutenant Abstract Bad Lieutenant offers a both a narrative and a theology of salvation. Both are focussed on the death of the Lieutenant at the end of the film. This essay traces these accounts of salvation and finds that they are both flawed, in nature and scope. These flaws derive from an exclusive focus on the death of the Lieutenant and the cross of Christ as the loci of salvation. The value of Ferrara's work is in the articulation of these flaws, as they point to dangers for Christian theology as it seeks to articulate the salvation offered by Christ. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss1/4 Taylor: 'It all happens here' At the end of Abel Ferrara's film Bad Lieutenant (1992), the Lieutenant (never named and referred to in the credits simply as Lt) sits in his car in front of a sign that reads 'It all happens here'. -
ADDICTION À L'œuvre
PHOTO : AUDE GUERRUCCI. PHOTO : Une programmation ADDICTION www.dfilms-programmation-cinema.fr à l’œuvre une histoire de cinéma qui s’accorde aux autres arts de 1895 à 2019 Festival en 5 parties de 2015 à 2019 2e partie du 9 octobre au 20 décembre 2016 ABEL FERRARA RÉTROSPECTIVE, CARTE BLANCHE, MASTER CLASS, RENCONTRES, PRÉSENTATIONS, CONCERT, WORKSHOP… TOULOUSEÊ 1Ê£xÊ1ÊÓÇÊ" /" , ÊUÊMONACOÊÓxÊ" /" , ÊUÊNICE, BEAULIEU-SUR-MER DU 26 OCTOBRE AU 1er NOVEMBRE MONTREUILÊ 1Ê££Ê" /" , Ê1ÊÓäÊ , ÊUÊPARIS DU 15 NOVEMBRE AU 6 DÉCEMBRE ADDICTION À L’ŒUVRE 2/5 LES FILMS DANS LES CINÉMAS ET LES MUSÉES. RENCONTRES, PRÉSENTATIONS, LECTURES… PARIS DU 9 OCTOBRE AU 20 DÉCEMBRE ATELIER REFLEXE Workshop Addicton à l’œuvre [email protected] FABRIQUE DES ILLUSIONS octobre/novembre/décembre www.atelier-refexe.org ADDICTION À L’ŒUVRE, une histoire de cinéma de 1895 à 2019 3 2/5 du 11 octobre au 20 décembre 2016 ABEL FERRARA SHOOTING AT LE LOUVRE FOR ER GI MUSIC FROM THE FILMS OR C OF ABEL FERRARA ME Ô BATHYSPHERE ÉR J PRODUCTIONS 2016 SOMMAIRE PRÉSENTATION . 4, 6 ÉDITORIAL . 7 SÉANCES PRÉSENTÉES ABEL FERRARA TOULOUSE - MONACO - NICE - BEAULIEU - MONTREUIL - PARIS . 8, 9 SYNOPSIS DES FILMS D’ABEL FERRARA . 10, 11, 12 SYNOPSIS DES FILMS DRUGS & CO . 13, 14 ADDICTION à l’œuvre de 2017 à 2019 - COLLECTIF IMAGE . 16 CALENDRIER TOULOUSE - MONACO - NICE - BEAULIEU . 17 CALENDRIER MONTREUIL . 18 CALENDRIER MUSÉES - BEAUX-ARTS DE PARIS . 19 CALENDRIER CINÉMAS PARIS . 20, 21, 22 REMERCIEMENTS . 23 LES LIEUX LES FILMS > TOULOUSE > PARIS L’ANGE DE LA VENGEANCE ; THE KING OF NEW YORK ; LA CINÉMATHÈQUE DE TOULOUSE, CINÉMAS CHRISTINE21, BAD LIEUTENANT ; NEW ROSE HOTEL ; CHRISTMAS ; rétrospective des films LUMINOR HÔTEL DE VILLE, L’ÉCOLE MARY, GO GO TALES ; CHELSEA HOTEL ; d’ABEL FERRARA DES BEAUX-ARTS DE PARIS, LE MUSÉE 4H44 : DERNIER JOUR SUR TERRE ; PASOLINI ; www.lacinemathequedetoulouse.com. -
Leggi E Scarica
Fata Morgana Web n. 11, 2020 - “Venezia 77” ISSN 2532-487X Direttore: Roberto De Gaetano Comitato direttivo: Alessandro Canadè (coordinamento), Pierandrea Amato, Emilio Bernini, Gianni Canova, Francesco Ceraolo, Alessia Cervini, Felice Cimatti, Adriano D’Aloia, Daniele Dottorini, Anne-Violaine Houcke, Ruggero Eugeni, Michele Guerra, Marco Pedroni, Valentina Re, Bruno Roberti, Rosamaria Salvatore, Christian Uva, Luca Venzi, Dork Zabunyan Caporedattori: Massimiliano Coviello, Angela Maiello, Nausica Tucci Redazione: Alma Mileto (coordinamento), Raffaello Alberti, Luca Bandirali, Simona Busni, Antonio Capocasale, Dario Cecchi, Deborah De Rosa, Gianfranco Donadio, Patrizia Fantozzi, Andrea Inzerillo, Caterina Martino, Pietro Renda, Giacomo Tagliani, Francesco Zucconi Segreteria di redazione: Alessia Cistaro, Giovanna Corigliano, Melina Craveli, Roberta D’Elia, Sara Marando, Isabella Mari, Carmen Morello, Nadine Passarello, Francesca Pellegrino, Mara Scarcella Web design and graphic concept: Deborah De Rosa Social media manager: Loredana Ciliberto Fascicoli di Fata Morgana Web a cura di Nausica Tucci Responsabile intellettuale: Roberto De Gaetano Dipartimento di Scienze Politiche e Sociali Università della Calabria Ponte P. Bucci, cubo 17B, V piano 87036 Campus di Arcavacata, Rende (CS) 2 INDICE RINASCE IL DESIDERIO DI CINEMA 6 Roberto De Gaetano IL DIRITTO DI RESISTERE 9 (AND TOMORROW THE ENTIRE WORLD DI JULIA VON HEINZ) Angela Maiello TORNEREMO A MANGIARE LE MELE (APPLES DI CHRISTOS NIKOU) 11 Roberto De Gaetano QUAL È LA COSA MIGLIORE? (ASSANDIRA -
Geometry of Force: Abel Ferrara and Simone Weil Tag Gallagher
Geometry of Force: Abel Ferrara and Simone Weil Tag Gallagher Uploaded 30 June 2000 7165 words Abstract The true hero, the true subject, the center of the Iliad is force. Force employed by man, force that enslaves man, force before which man's flesh shrinks away. In this work, at all times, the human spirit is shown as modified by its relations with force, as swept away, blinded, by the very force it imagined it could handle, as deformed by the weight of the force it submits to.... To define force-it is that x that turns anybody who is subjected to it into a thing....It makes a corpse out of him. Somebody was here, and the next minute there is nobody here at all...From [force's] first property (the ability to turn a human being into a thing by the simple method of killing him) flows another..., the ability to turn a human being into a thing while he is still alive. He is alive; he has a soul; and yet-he is a thing....And as for the soul, what an extraordinary house it finds itself in! Who can say what it costs it, moment by moment, to accommodate itself to this residence, how much writhing and bending, folding and pleating are required of it? It was not made to live inside a thing; if it does so, under pressure of necessity, there is not a single element of its nature to which violence is not done.... Perhaps all men, by the very act of being born, are destined to suffer violence; yet this is a truth to which circumstance shuts men's eyes....They have in common a refusal to believe that they both belong to the same species: the weak see no relation between themselves and the strong, and vice versa... -
Abel Ferrara Jaeger-Lecoultre Glory To
La Biennale di Venezia / 77th Venice International Film Festival American director Abel Ferrara awarded the Jaeger-LeCoultre Glory to the Filmmaker 2020 prize His new film Sportin’ Life to be presented Out of Competition La Biennale di Venezia and Jaeger-LeCoultre are pleased to announce that the American director Abel Ferrara (Pasolini, Bad Lieutenant, King of New York) is the recipient of the Jaeger-LeCoultre Glory to the Filmmaker award of the 77th Venice International Film Festival (September 2 - 12, 2020), dedicated to a personality who has made a particularly original contribution to innovation in contemporary cinema. The award ceremony for Abel Ferrara will take place on Saturday September 5th 2020 in the Sala Grande (Palazzo del Cinema) at 2 pm, before the screening Out of Competition of his new film, the documentary Sportin’ Life (Italy, 65') with Abel Ferrara, Willem Dafoe, Cristina Chiriac, Anna Ferrara, Paul Hipp, Joe Delia. With regards to this acknowledgment, the Director of the Venice Film Festival Alberto Barbera has stated: “One of the many merits of Abel Ferrara, who is widely held in esteem despite his reputation as one of the most controversial filmmakers in contemporary cinema, is his undeniable consistency and allegiance to his personal approach, inspired by the principles of independent cinema even when the director had the opportunity to work on more traditional productions. From his first low-budget films, influenced directly by the New York scene populated by immigrants, artists, musicians, students and drug addicts, through his universally recognized masterpieces – The King of New York (1990), Bad Lieutenant (1992) and Body Snatchers (1994) – to his most recent works, increasingly introspective and autobiographical, Ferrara has brought to life a personal and exclusive universe. -
How Is Twitter Making Addiction?
Addicting via hashtags: How is Twitter making addiction? Robyn Dwyer Suzanne Fraser Social Studies of Addiction Concepts Research Program National Drug Research Institute (Melbourne office) Faculty of Health Sciences Curtin University Abstract Persons, substances, bodies, consumption: an ever widening process of ‘addicting’ is underway in Western societies. In this article, we turn our attention to the production of addiction on the microblogging social media platform, Twitter, as an important emerging site in which the addicting of contemporary societies is also occurring. Our analysis explores two questions. First, we investigate the ways in which addiction is enacted via Twitter. How is addiction being made on Twitter? Second, we ask how the technology of Twitter itself is shaping meaning: how do the technological ‘affordances’ of Twitter help constitute the kinds of addiction being materialized? While we find a multiplicity of meanings in the 140- character messages, we also find a pattern: a tendency towards extremes – addiction riven between pain and pleasure. In addition we find significant areas of commonality between approaches and notable silences around alternatives to common understandings of addiction. We argue that the constraints on communication imposed by Twitter technology afford a ‘shorthand’ of addiction that is both revealing and productive. Illuminated is the importance of addiction as a piece of cultural shorthand that draws on and simultaneously reproduces simplistic, reductive addiction objects. In concluding, we consider what these realities of addiction being enacted through Twitter can tell us about contemporary conditions of possibility for drug use in society, and for individual subjectivities and experiences. Key words: Addiction, Twitter, Hashtag, Affordance, Science and technology studies Introduction Persons, substances, bodies, consumption: an ever widening process of ‘addicting’ (Fraser, Moore & Keane, 2014) is underway in Western societies. -
Brussels International Film Festival
BRUSSELS INTERNATIONAL FILM FESTIVAL BrusselS, 23 May 2019. PRESSRELEASE DIRECTOR ABEL FERRARA (Bad Lieutenant) PRESENTS HIS LATEST FILM TOMMASO AND BELGIAN BANDS ON THE SECOND EDITION OF THE BRUSSELS INTERNATIONAL FILM FESTIVAL Abel Ferrara, known for Bad Lieutenant (1992) and The King of New York (1990), is invited during the second edition of the BRIFF for a meeting and will be honoured with a selection from his large oeuvre, including his latest film Tommaso (2019). The American director started making films when he was still in high school and directed his first feature film, 9 Lives of a Wet Pussy (1967), when he was only 25 years old. In the films that followed, he explored different themes that were strongly connected to the city of New York such as The Driller Killer (1979), Christmas (2001), The Funeral (1996), China Girl (1987) and The Addiction (1995), nominated for the Golden Bear at the Berlinale in 1995. During the BRIFF, Ferrara will meet the audience and a retrospective of his oeuvre will be presented, including Tommaso (2019) which in now playing at Cannes, Pasolini (2014), the Venice-nominated biopic about the life of the eponymous director, a look in the underground of New York with The King of New York and the crime drama Bad Lieutenant. - Meeting with Abel Ferrara and screening of his latest filmTommaso : Sunday 23 June at 5pm Besides the film screenings, the festival also organises different activities and concerts. The pop-rock bandLes Juliens, the indie-synth band Fastlane Candies and the DJ duo Blondy Brownie can be discovered after the screenings in the Marquee at the Place De Brouckère! - Fastlane Candies: Friday 21 June at 9pm in the BRIFF Village - Les Juliens: Tuesday 25 June at 8.30pm in the BRIFF Village DATE From 20 to 29 June 2019 CONTACTS PRESSE FR / Barbara Van Lombeek [email protected] LOCATIONS +32 (0)486/54.64.80 UGC De Brouckère, Palace, Cinéma Galeries, Bozar, Flagey, BRIFF Marquee NL/ Gudrun Burie INFO & TICKETS [email protected] www.briff.be +32 (0)498 10 10 01. -
Abel Ferrara Unrated May 1, 2019-May 31, 2019 the Roy and Niuta Titus Theaters
Abel Ferrara Unrated May 1, 2019-May 31, 2019 The Roy and Niuta Titus Theaters Wednesday, May 1 4:00pm Mulberry St. 2010. USA. Directed by Abel Ferrara. 87 min. 7:00pm The Addiction. 1995. USA/Argentina. Directed by Abel Ferrara. 82 min. Thursday, May 2 4:00pm Chelsea on the Rocks. 2008. USA. Directed by Abel Ferrara. 89 min. 7:00pm New Rose Hotel. 1998. USA. Directed by Abel Ferrara. 93 min. Friday, May 3 4:00pm Welcome to New York. 2014. USA/France. Directed by Abel Ferrara. 127 min. 7:00pm Pasolini. 2014. France, Belgium, Italy. Directed by Abel Ferrara. 84 min. Saturday, May 4 1:00pm Alive in France. 2017. France. Directed by Abel Ferrara. 79 min. 4:00pm Go Go Tales. 2007. Italy/USA. Directed by Abel Ferrara. 96 min. 7:00pm King of New York. 1990. Italy. Directed by Abel Ferrara. 103 min. Sunday, May 5 2:00pm Napoli Napoli Napoli. 2009. Italy. Directed by Abel Ferrara. 102 min 5:00pm Body Snatchers. 1993. USA. Directed by Abel Ferrara. 87 min Monday, May 6 4:30pm Fear City. 1984. USA. Directed by Abel Ferrara. 95 min 7:30pm The Projectionist. 2019. Greece/USA. Directed by Abel Ferrara. 120 min. Tuesday, May 7 4:00pm The Driller Killer. 1979. USA. Directed by Abel Ferrara. This Could be Love (Short). 126 min 7:00pm Ms. 45. 1981. USA. Directed by Abel Ferrara. 80 min Wednesday, May 8 7:30pm Fear City. 1984. USA. Directed by Abel Ferrara. 95 min. Thursday, May 9 4:00pm New Rose Hotel.