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ADDICTION À L'œuvre

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PHOTO : AUDE GUERRUCCI. PHOTO : Une programmation ADDICTION www.dfilms-programmation-cinema.fr à l’œuvre une histoire de cinéma qui s’accorde aux autres arts de 1895 à 2019 Festival en 5 parties de 2015 à 2019 2e partie du 9 octobre au 20 décembre 2016 ABEL FERRARA RÉTROSPECTIVE, CARTE BLANCHE, MASTER CLASS, RENCONTRES, PRÉSENTATIONS, CONCERT, WORKSHOP… TOULOUSEÊ 1Ê£xÊ1ÊÓÇÊ" /" , ÊUÊMONACOÊÓxÊ" /" , ÊUÊNICE, BEAULIEU-SUR-MER DU 26 OCTOBRE AU 1er NOVEMBRE MONTREUILÊ 1Ê££Ê" /" , Ê1ÊÓäÊ , ÊUÊPARIS DU 15 NOVEMBRE AU 6 DÉCEMBRE ADDICTION À L’ŒUVRE 2/5 LES FILMS DANS LES CINÉMAS ET LES MUSÉES. RENCONTRES, PRÉSENTATIONS, LECTURES… PARIS DU 9 OCTOBRE AU 20 DÉCEMBRE ATELIER REFLEXE Workshop Addicton à l’œuvre [email protected] FABRIQUE DES ILLUSIONS octobre/novembre/décembre www.atelier-refexe.org ADDICTION À L’ŒUVRE, une histoire de cinéma de 1895 à 2019 3 2/5 du 11 octobre au 20 décembre 2016 ABEL FERRARA SHOOTING AT LE LOUVRE FOR ER GI MUSIC FROM THE FILMS OR C OF ABEL FERRARA ME Ô BATHYSPHERE ÉR J PRODUCTIONS 2016 SOMMAIRE PRÉSENTATION . 4, 6 ÉDITORIAL . 7 SÉANCES PRÉSENTÉES ABEL FERRARA TOULOUSE - MONACO - NICE - BEAULIEU - MONTREUIL - PARIS . 8, 9 SYNOPSIS DES FILMS D’ABEL FERRARA . 10, 11, 12 SYNOPSIS DES FILMS DRUGS & CO . 13, 14 ADDICTION à l’œuvre de 2017 à 2019 - COLLECTIF IMAGE . 16 CALENDRIER TOULOUSE - MONACO - NICE - BEAULIEU . 17 CALENDRIER MONTREUIL . 18 CALENDRIER MUSÉES - BEAUX-ARTS DE PARIS . 19 CALENDRIER CINÉMAS PARIS . 20, 21, 22 REMERCIEMENTS . 23 LES LIEUX LES FILMS > TOULOUSE > PARIS L’ANGE DE LA VENGEANCE ; THE KING OF NEW YORK ; LA CINÉMATHÈQUE DE TOULOUSE, CINÉMAS CHRISTINE21, BAD LIEUTENANT ; NEW ROSE HOTEL ; CHRISTMAS ; rétrospective des films LUMINOR HÔTEL DE VILLE, L’ÉCOLE MARY, GO GO TALES ; CHELSEA HOTEL ; d’ABEL FERRARA DES BEAUX-ARTS DE PARIS, LE MUSÉE 4H44 : DERNIER JOUR SUR TERRE ; PASOLINI ; www.lacinemathequedetoulouse.com. DU LOUVRE, LA RMN-GRAND PALAIS, À LA RECHERCHE DE PADRE PIO ; L’HOMME AU BRAS LE MUSÉE DE LA VIE ROMANTIQUE, D’OR ; THE CONNECTION ; EASY RIDER ; FRENCH > MONACO LE PETIT PALAIS, PARIS PHOTO, CONNECTION ; LE SECRET DE VERONIKA VOSS ; ONLY THÉÂTRE DES VARIÉTÉS, LE SILENCIO LOVERS LEFT ALIVE ; LE LOUP DE WALL STREET ; ARCHIVES AUDIOVISUELLES OSCAR WILDE ; LE FANTÔME DE CANTERVILLE ; > MONTREUIL LE PORTRAIT DE DORIAN GRAY ; SALOMÉ ; > NICE-BEAULIEU CINÉMA LE MÉLIÈS, L’IMPORTANT D’ÊTRE CONSTANT ; LE PROCÈS L’ÉCLAT/VILLA ARSON, L’ATELIER REFLEXE, D’OSCAR WILDE ; L’ÉVENTAIL DE LADY WINDERMERE ; L’ESRA, CINÉMA DE BEAULIEU FABRIQUE DES ILLUSIONS QUÉ VIVA MEXICO ; LA PERLA ; LOS OLVIDADOS. 4 ADDICTION à l’œuvre, une histoire de cinéma qui s’accorde aux autres arts de 1895 à 2019 par Philippe Bérard « Il y a urgence à privilégier la prévention, aux côtés des usagers (...) dflms construit une La France s’est refermée sur une politique binaire et simpliste : punir et soigner, programmation filmique faisant de l’usager un délinquant ou un malade, renonçant à agir aux côtés de ceux, destinée à (re)découvrir les plus nombreux, qui ne se reconnaissent ni dans la maladie qu’ils espèrent encore éviter, l’Histoire du cinéma de 1895 ni la délinquance qu’ils subissent parfois du seul fait de leur usage. » à nos jours, essentiellement Jean-Pierre Couteron, Président de la Fédération Addiction, sous forme de cycles Libération, 15 septembre 2015, Tribune « Addictions aux drogues, ne détricotez pas la loi de santé » thématiques, de rétrospectives et de cartes blanches. ADDICTION à l’œuvre se déroule à En parallèle, pour que cette histoire de une histoire de cinéma, à Marseille Paris et en régions de 2014 à 2019. cinéma s’accorde aux autres arts, nous CARTE BLANCHE À SERGE DANEY avons proposé à des conservateurs Comme son titre l’indique ADDICTION et à des programmateurs de musées à l’œuvre a deux entrées : la première de réfléchir à leur passion : l’Addiction raconte une histoire des addictions à à la représentation de l’œuvre. travers le cinéma, la mode, la peinture, la musique, la danse, l’art contemporain, la Enfin, pour que cette histoire représente psychanalyse… La seconde raconte une véritablement notre siècle, le siècle passion : « l’Addiction à la représentation des addictions, nous avons convié de l’œuvre », la vôtre, celle des artistes, des philosophes, des psychanalystes, celle des collectionneurs, celle du des sociologues, des addictologues, public ou celle du collectif-image1. des laboratoires … à travailler FESTIVAL D’AUTOMNE ensemble autour de ce sujet tabou qui 28 NOVEMBRE - 16 DÉCEMBRE 2012 dflms Pour construire cette histoire de cinéma concerne pourtant tous les citoyens. qui regarde la santé, l’éducation, la culture, le sport, la justice, nous avons En 2017, 2018, 2019, cette histoire, d’abord proposé aux héritiers de contrairement à celles des usagers Serge Daney2, aux « ciné-fils » et aux dont nous parle Jean-Pierre Couteron « ciné-filles », à - ceux qui ont l’image en exergue, continuera de basculer comme première passion, le cinéma invariablement du côté de la vie. dans leur bagage culturel et l’écriture © RAYMOND CAUCHETIER © RAYMOND LA BAIE DES ANGES. comme seconde passion – de nous Le cinéma substitue à notre regard un aider à développer une « exposition de monde qui s’accorde à nos désirs, mais la ADDICTION films » autour d’un sujet qui concerne littérature ou le cinéma ne se substitueront à l’œuvre tout le monde : l’ADDICTION. jamais à la réalité des addictions. une histoire de cinéma, de 1895 à 2019 5 parties, 2015 à 2019 Pour cette raison et bien d’autres liées Préambule à Paris du 28 novembre au 7 décembre 2014, une programmation Des cinémas indépendants, des au réel de cette histoire, SoS Addictions3, cinémathèques, des institutions ont La Fédération Addiction4, L’Association été sollicités pour programmer des Clémence Isaure : centre de soins films de leurs choix, liés au sujet. d’accompagnement et de prévention en addictologie Toulouse, accompagnent cette manifestation de 2014 à 2019. 1. Collectif image. Nicole Brenez, Pascale Cassagneau, Catherine David, Cynthia Fleury, Élisabeth Gracy, Danièle Hibon, Estelle Macé, SPRING BREAKERS © MARS DISTRIBUTION Pascale Raynaud, Judith Revault D’Allonnes, Marianne Romeo, Kaloust Andalian, Philippe Azoury, Alain Bergala, Bernard Blistène, Stéphane Bouquet, Jean-Charles Fitoussi, Pierre Hodgson, Thierry Jousse, André Labarthe, Jean-Marc Lalanne, Franck Loiret, ADDICTION à l’œuvre Franck Lubet, Brice Matthieussent, Dominique Païni, Olivier Père, Antoine Perpère, Jean-François Rauger, Olivier Séguret, une histoire de cinéma de 1895 à 2019 Festival en 5 parties de 2015 à 2019 Jean-Pierre Simon, Charles Tesson, Vincent Vatrican… 1/5 du 22 octobre au 22 décembre 2015 PARIS DU 22 OCTOBRE AU 22 DÉCEMBRE 2015 j>ÃÊ`j«i`>ÌÃÊ*>ÀÃiÃÊUÊiÕÊ`iÊ*>ÕiÊUÊ`>ÌÊjÀiÊ-iÞ`ÕÝ*>Ì jÊ 2. Serge Daney a enseigné le cinéma, voyageur, théoricien de l’image, critique aux Cahiers du cinéma, journaliste chroniqueur à Libération, ÕÃjiÊ`ÕÊÕÛÀiÊUÊ, ÊÊÀ>`Ê*>>ÃÊUÊiÃÊ j>ÃÊ`ÕÊ iÌÀiÊ*«`Õ Ê1iÊ«À}À>>Ì /"1"1- ÊDU 12 AU 15 NOVEMBRE 2015 j>ÊiÊ À>ÌmÀiÊUÊ j>Ì mµÕiÊ`iÊ/ÕÕÃi co-fondateur de la revue Trafic avec notamment, Patrice Rollet qui a engagé l’édition la plus complète à ce jour des œuvres de Serge Daney ÜÜÜ°`wëÀ}À>>ÌVi>°vÀ sous le titre général La Maison cinéma et le monde, éditions P.O.L 3. SoS Addictions. LE POUVOIR D’INFORMER, LE DEVOIR DE PROTÉGER. Association loi 1901, dont l’objectif est de mobiliser l’opinion publique et d’informer les acteurs de la société civile, les médias et les responsables politiques sur toutes formes d’addiction comportementale : alcool, drogues, médicaments, jeux, sexe 4. La Fédération Addiction fédère 200 associations représentant plus de 650 établissements prenant en charge des personnes ayant des conduites addictives (prévention, réduction des risques, soins) et 400 personnes physiques (médecins, psychiatres, psychologues...) DE L’ŒIL BAUDELAIREMUSÉE DE LA VIE ROMANTIQUE © Bibliothèque nationale de France Bibliothèque nationale de France Paris, , 1863. 20 SEPTEMBRE 2016 / 29 JANVIER 2017 16, rue Chaptal, 75009 Paris – www.museevieromantique.paris.fr estampe avec Baudelaire Etienne Carjat (1828 -1906), (1828 Etienne Carjat 6. ADDICTION À L’ŒUVRE, une histoire de cinéma de 1895 à 2019 2/5 du 11 octobre au 20 décembre 2016 RÉTROSPECTIVE ABEL FERRARA - ADDICTION à l’œuvre 2/5 La 2e édition de la manifestation ADDICTION à l’œuvre commence en octobre avec la rétrospective des films d’ABEL FERRARA. « Tous mes films parlent d’addiction » nous dit Ferrara. Comme l’addiction c’est la répétition, la rétrospective programmée à La Cinémathèque de Toulouse voyage aux Archives audiovisuelles de Monaco-Théâtre des Variétés, à L’Éclat/Villa Arson Nice, et au cinéma de Beaulieu-sur-Mer. Elle se poursuit à Paris et à Montreuil dans les cinémas Christine21, Luminor Hôtel de Ville, Méliès. Les Beaux-Arts de Paris organisent une master class Abel Ferrara. Le musée du Louvre invite Abel Ferrara le dernier week- end de novembre, R. l’Atelier Reflexe - Fabrique des D. Illusions et Véronique Bourgoin HISTOIRES DU CINEMA © GODARD, GALLIMARD, GAUMONT organisent workshop, master class et rencontres à Montreuil. et le musée de la Vie romantique Et le SILENCIO donne un présente une lecture-visite avec concert d’ABEL FERRARA Baudelaire dans le cadre de avec ses musiciens. l’exposition L’ŒIL DE BAUDELAIRE. En harmonie avec la rétrospective Enivrez-vous ! disait Charles d’Abel Ferrara, la programmation Baudelaire dans Le Spleen de Paris. ADDICTION à l’œuvre 2/5 continue Il faut toujours ivre. Tout est là ; c’est dans les cinémas et les musées, l’unique question. Pour ne pas sentir le cinéma Christine21 présente l’horrible fardeau du Temps qui brise le cycle DRUGS & CO, vos épaules et vous penche vers la l’Auditorium de La RMN-Grand terre, il faut vous enivrer sans trêve.
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  • Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27

    Bamcinématek Presents Indie 80S, a Comprehensive, 60+ Film Series Highlighting the Decade Between 70S New Hollywood and the 90S Indie Boom, Jul 17—Aug 27

    BAMcinématek presents Indie 80s, a comprehensive, 60+ film series highlighting the decade between 70s New Hollywood and the 90s indie boom, Jul 17—Aug 27 Co-presented by Cinema Conservancy The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/June 11, 2015—From Friday, July 17 through Thursday, August 27, BAMcinématek and Cinema Conservancy present Indie 80s, a sweeping survey of nearly 70 films from the rough-and-tumble early days of modern American independent cinema. An aesthetic and political rebuke to the greed-is-good culture of bloated blockbusters and the trumped-up monoculture of Reagan-era America, Indie 80s showcases acclaimed works like Jim Jarmusch’s Stranger Than Paradise (1984—Jul 18), David Lynch’s Blue Velvet (1986—Aug 8), and Steven Soderbergh’s sex, lies, and videotape (1989—Aug 14) alongside many lesser- known but equally accomplished works that struggled to find proper distribution in the era before studio classics divisions. Filmmakers including Ross McElwee, William Lustig, Rob Nilsson, and more will appear in person to discuss their work. Like the returning expatriate’s odyssey in Robert Kramer’s four-hour road movie Route One/USA (1989—Aug 16), a sampling of 80s indie cinema comprises an expansive journey through the less-traveled byways of America. From the wintry Twin Cities of the improvised, hilariously profane road trip Patti Rocks (1988—Aug 25) to the psychopath’s stark Chicago hunting grounds in John McNaughton’s Henry: Portrait of a Serial Killer (1986—Jul 29) to the muggy Keys of Florida in filmmaker Victor Nuñez’s eco-thriller A Flash of Green (1984—Aug 12), regional filmmakers’ cameras canvassed an America largely invisible to Hollywood.
  • Bruce Chatwin, a Kindred Spirit Who Dedicated His Life to Illuminating the Mysteries of the World

    Bruce Chatwin, a Kindred Spirit Who Dedicated His Life to Illuminating the Mysteries of the World

    PRESS NOTES - 2020 - MUSIC BOX FILMS LOGLINE Werner Herzog travels the globe to reveal a deeply personal portrait of his friendship with the late travel writer Bruce Chatwin, a kindred spirit who dedicated his life to illuminating the mysteries of the world. SYNOPSIS Werner Herzog turns the camera on himself and his decades-long friendship with the late travel writer Bruce Chatwin, a kindred spirit whose quest for ecstatic truth carried him to all corners of the globe. Herzog’s deeply personal portrait of Chatwin, illustrated with archival discoveries, film clips, and a mound of “brontosaurus skin,” encompasses their shared interest in aboriginal cultures, ancient rituals, and the mysteries stitching together life on earth. WERNER HERZOG Werner Herzog was born in Munich on September 5, 1942. He grew up in a remote mountain village in Bavaria and studied History and German Literature in Munich and Pittsburgh. He made his first film in 1961 at the age of 19. Since then he has produced, written, and directed more than sixty feature- and documentary films, such as Aguirre der Zorn Gottes (AGUIRRE, THE WRATH OF GOD, 1972), Nosferatu Phantom der Nacht (NOSFERATU, 1978), FITZCARRALDO (1982), Lektionen in Finsternis (LESSONS OF DARKNESS, 1992), LITTLE DIETER NEEDS TO FLY (1997), Mein liebster Feind (MY BEST FIEND, 1999), INVINCIBLE (2000), GRIZZLY MAN (2005), ENCOUNTERS AT THE END OF THE WORLD (2007), Die Höhle der vergessenen Träume (CAVE OF FORGOTTEN DREAMS, 2010). Werner Herzog has published more than a dozen books of prose, and directed as many operas. Werner Herzog lives in Munich and Los Angeles.