2014 Winter/Spring Season JUN 2014
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Arrow Video Arrow Vi Arrow Video Arrow Video Arrow
ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO 1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO Music Composed and Performed by THE DRILLER KILLER Joseph Delia Reno … Jimmy Laine [Abel Ferrara] Editors Carol … Carolyn Marz Pamela … Baybi Day Orlando Gallini Dalton Briggs … Harry Schultz Bonnie Constant Landlord … Alan Wynroth Michael Constant [ ] Nun … Maria Helhoski Jimmy Laine Abel Ferrara Man in Church … James O’Hara Special Effects Carol’s Husband … Richard Howorth ARROW VIDEO ARROW VIDEO Knife Victim … Louis Mascolo David Smith Attacker … Tommy Santora Director of Photography Derelicts Ken Kelsch Produced by Hallway … John Coulakis Rooftop … Lanny Taylor Navaron Films Bus Stop … Peter Yellen ARROW VIDEO ARROW VIDEO Executive Producer Empire State … Steve Cox Street Corner … Stephen Singer Rochelle Weisberg Street Corner … Tom Constantine Screenplay Sidewalk and Street … Anthony Picciano Fire Escape … Bob De Frank N.G. St. John Roosters Directed by ARROW VIDEO ARROW VIDEO Abel Ferrara Tony Coca-Cola (guitar) … Rhodney Montreal [D.A. Metrov] And Dedicated to the People of New York Ritchy (bass) … Dicky Bittner Steve (drums) … Steve Brown “The City of Hope” ARROW VIDEO ARROW VIDEO 2 3 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CONTENTS 2 The Driller Killer Cast and Crew 7 All Around, In the City (2016) ARROW VIDEOby Michael Pattison ARROW VIDEO 16 Mulberry St. Crew 17 The Memory of a Reality (2016) by Brad Stevens ARROW26 About the VIDEORestoration ARROW VIDEO 4 5 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ALL AROUND, IN THE CITY by Michael Pattison On 31 October 1977, horror struck the front page of the Village Voice. -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
2009 NATPE Buyers*
2009 NATPE BUYERS* ANGOLA Blanca Ponce BRAZIL Jose Pedro CEO Claiton Fernandes General Manager Premium Media S.A. Director Acquisitions TV Zimbo California Films Analia Pollero Acquisitions Manager Vladimir Fernandes ARGENTINA Turner Broadcasting System President Martin Bonavetti Latin America California Films Canal 7 Argentina Roberto Buzzoni de Oliveira Ariel Taboada BELGIUM Director General Programming & Head of Programming & Production Christian Loiseau Acquisitions Claxson Head of Program BE TV S.A. Globo TV International Mariano Kon Paula Miranda General Manager International Division Boris Portnoy Director of International Programming Eyeworks Cuatro Cabezas President/CEO KNTV (Keynews Television) Globo TV International Patricia Daujotas Suzy Ubing Director of Programming & Valerie Lardinois Director/Contract Department Acquisitions Head of Acquisitions Globo TV International FOX Latin American Channel RTBF Claudia Macedo Gonzalo Fiure Luc Janssens Programming Research & Acquisitons VP Content Strategy Head of Acquisitions International Relations Fox Latin American Channel SRL VMMA Globosat Programadora Ltda Alfredo de la Torre BOLIVIA Alberto Pecegueiro Corporate Strategy Manager Fernando Perez CEO Grupo Clarin General Manager Globosat Programadora Ltda CANAL 4 - RDP Ronnie Amendolara Otelo Bettin Coltro Director Ernesto Monasterio Executive Vice President, Acquisitions Illusion Studios President Playarte Pictures Canal 9 TV (Ecor Ltda) - Unitel Gaston Cami R. Mari Kodama Head of Sales & Coprodutions Carlos Novaro Manager of Acquisitions -
Begging Questions in Wole Soyinkas Opera Wonyosi"
Begging Questions in Wole Soyinkas u Opera Wonyosi" BERNTH LINDFORS IN AN ARTICLE published in The American Scholar in the sum• mer of 1963, Wole Soyinka, a young Nigerian dramatist whose first published plays had appeared in print just a few weeks earl• ier, castigated an older and better-known African author, Cam- ara Laye of Guinea, for pandering to European critical conde• scension by writing his second novel, The Radiance of the King, in a Western creative idiom. Soyinka deplored the fact that this allegedly indigenous piece of fiction was modelled so closely on Franz Kafka's The Castle, for he believed that : .. most intelligent readers like their Kafka straight, not geo• graphically transposed. Even the character structure of Kafka's Castle has been most blatantly retained — Clarence for Mr. K. ; Kafka's Barnabas the Messenger becomes the Beggar Intermedi• ary; Arthur and Jeremiah, the unpredictable assistants, are turned into Nagoa and Noaga. We are not even spared the role of the landlord — or innkeeper—take your choice! It is truly amazing that foreign critics have contented themselves with merely drop• ping an occasional "Kafkaesque" — a feeble sop to integrity — since they cannot altogether ignore the more obvious imitative- ness of Cámara Laye's technique. (I think we can tell when the line of mere "influence" has been crossed.) Even within the primeval pit of collective allegory-consciousness, it is self-destruc• tive to imagine that the Progresses of these black and white pil• grims have sprung from independent creative stresses.1 There are two points worth noting here. -
KURT WEILL NEWSLETTER Vol
KURT WEILL NEWSLETTER Vol. 3, No. I Spring, 1985 Yale Press To Publish Essays Threepenny Opera at R & H Yale University Press has accepted for publica As of 11 December 1984, Rodgers & Ham tion a coUection of essays on Kurt Weill sched merstein Theatre Library has added The uled for completion in 1985. A New Orpheus: Threej>enny Opera to its catalogue of plays for Essays on Kurt Weill evolved primarily from stock and amateur licensing in the United papers presented at the Kurt Weill Conference States. The American version by Marc Blitz in 1983. It includes a contribution from virtually stein ran for seven years at New York's Theatre every active Weill scholar throughout the world. de Lys in the late Fifties and had been previ AU of the papers have been expanded and ously licensed by Tarns-Witmark Music Library, revised and represent the most extensive criti Inc. cal survey of WeiU's music and career to date. The Rodgers & Hammerstein Theatre The coUection, edited by Kim Kowalke, was Library is preparing new scripts and vocal accepted unanimously by the editorial board of scores which will be consistent with the high this most prestigious of scholarly publishers. quality of their other publications. Jn addition to Among the highlights of the anthology are David Threepenny, R & H also administers stock and Drew's definitive study of Der Kuhhandel, a key amateur rights to Knickerbocker Holiday, Lost in work in WeiU's ouevre that has remained unpub the St,ars, and Street Scene. lished and unperformed since 1935. The book ;,We are thrilled and excited to announce the will attract readers from diverse disciplines, addition of Threepenny to our catalog ," said The since the essays tackle many issues central to odore Chapin, Managing Director of R & H. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Baroque 1590-1750 Classical 1750-1820
Period Year Opera Composer Notes A pastoral drama featuring a Dafne new style of sung dialogue, 1597 Jacopo Peri more expressive than speech but less melodious than song The first opera to survive 1600 Euridice Jacopo Peri in tact The earliest opera still 1607 Orfeo Claudio Monteverdi performed today Il ritorno d’Ulisse in patria Claudio Monteverdi 1639 (The Return of Ulysses) L’incoronazione di Poppea 1643 (The Coronation of Poppea) Claudio Monteverdi 1647 Ofeo Luigi Rossi 1649 Giasone Francesco Cavalli 1651 La Calisto Francesco Cavalli 1674 Alceste Jean-Baptiste Lully 1676 Atys Jean-Baptiste Lully Venus and Adonis John Blow Considered the first English 1683 opera 1686 Armide Jean-Baptiste Lully 1689 Dido and Aeneas Henry Purcell Baroque 1590-1750 1700 L’Eraclea Alessandro Scarlatti 1710 Agrippina George Frederick Handel 1711 Rinaldo George Frederick Handel 1721 Griselda Alesandro Scarlatti 1724 Giulio Cesere George Frederick Handel 1728 The Beggar’s Opera John Gay 1731 Acis and Galatea George Frederick Handel La serva padrona 1733 (The Servant Turned Giovanni Battista Pergolesi Mistress) 1737 Castor and Pollux Jean-Philippe Rameau 1744 Semele George Frederick Handel 1745 Platee Jean-Philippe Rameau La buona figliuola 1760 (The Good-natured Girl) Niccolò Piccinni 1762 Orfeo ed Euridice Christoph Willibald Gluck 1768 Bastien und Bastienne Wolfgang Amadeus Mozart Mozart’s first opera Il mondo della luna 1777 (The World on the Moon) Joseph Haydn 1779 Iphigénie en Tauride Christoph Willibald Gluck 1781 Idomeneo Wolfgang Amadeus Mozart Mozart’s -
Abel Ferrara Pdf, Epub, Ebook
ABEL FERRARA PDF, EPUB, EBOOK Nicole Brenez | 232 pages | 01 Jan 2007 | University of Illinois Press | 9780252074110 | English | Baltimore, United States Abel Ferrara PDF Book The passion, for whatever reason, is part of Tommaso, whether he actually played the role on the cross , like you had with Marty [Scorsese] , or he is thinking of a film he wants to make. This was very fluid. Mary Director. That dude needs help! Self - Guest. But the really interesting thing about working in this loose way was that it was about the quality of being there and the reality of being engaged. Sure, there were scenes I could have imagined. I hope so. Subscribe to Deadline Breaking News Alerts and keep your inbox happy. Russell Movie. Ted Bridis, Tulsa, OK. Heroin was her God, you know? Often working in collaboration with out-of-bounds actors like Harvey Keitel, Christopher Walken and Willem Dafoe, Ferrara rose above the seedy sex and violence to metaphorical and often allegorical levels by exploring good and evil, often through the use of religious iconography. Birthday: Jul 19, When he volunteers to walk a female NA member home, he hovers on the precipice of daring intimacy, the entire sequence a little miracle of tonal precision. Eric Kohn Apr 27, am erickohn. I told him so the one time I met him. White Boy. Is there another author besides Shakespeare and Stephen King whose prolific output inspired so many movie adaptations? We got on the phone with Abel and Willem, who engaged in a rambling conversation about guerrilla filmmaking, leaving New York, and, after all these years, still being full of surprises. -
FORM 10−K/A CABLEVISION SYSTEMS CORP /NY − CVC Filed: September 21, 2006 (Period: December 31, 2005)
FORM 10−K/A CABLEVISION SYSTEMS CORP /NY − CVC Filed: September 21, 2006 (period: December 31, 2005) Amendment to a previously filed 10−K Table of Contents Part I Part I Item 1A. Risk Factors Item 1A. Risk Factors Item 3. Legal Proceedings Item 6. Selected Financial Data Item 7. Management s Discussion and Analysis of Financial Condition and Results of Operations Item 9A. Controls and Procedures PART IV Item 15. Exhibits and Financial Statement Schedules SIGNATURES Item 8: Financial Statements and Supplementary Data EX−23.1 (Consents of experts and counsel) EX−23.2 (Consents of experts and counsel) EX−31.1 EX−31.2 EX−32 (Certifications required under Section 906 of the Sarbanes−Oxley Act of 2002) UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 10−K/A (Mark One) x ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2005 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 [NO FEE REQUIRED] For the transition period from ________ to _______ Commission File Registrant; State of Incorporation; IRS Employer Number Address and Telephone Number Identification No. 1−14764 Cablevision Systems Corporation 11−3415180 Delaware 1111 Stewart Avenue Bethpage, NY 11714 (516) 803−2300 1−9046 CSC Holdings, Inc. 11−2776686 Delaware 1111 Stewart Avenue Bethpage, NY 11714 (516) 803−2300 Securities registered pursuant to Section 12(b) of the Act: Name of each Exchange on which Title of each class: Registered: Cablevision Systems Corporation Cablevision NY Group Class A Common Stock New York Stock Exchange CSC Holdings, Inc. -
Cambridge Opera Handbooks Richard Wagner Tristan Und Isolde
Cambridge University Press 978-0-521-43738-7 — Richard Wagner: Tristan und Isolde Edited by Arthur Groos Frontmatter More Information Cambridge Opera Handbooks Richard Wagner Tristan und Isolde Wagner’s Tristan und Isolde occupies a singular position in the history of Western culture. What Nietzsche called the ‘terrible and sweet infinity’ of its basic nexus of longing and death has fascinated audiences since its first performance in 1865. At the same time, its advanced harmonic language, immediately announced by the opening ‘Tristan chord’, marks a defining moment in the evolution of modern music. This accessible handbook brings together seven leading international writers to discuss the opera’s genesis and the libretto’s relationship to late Romantic literary concerns, to present an analysis of the Prelude, the music of the drama itself, and Wagner’s innova- tive use of instrumental timbre, and to illustrate the production history and reception of the music-drama into the twenty-first century. The book includes the first English translation of Wagner’s prose draft of the libretto, a detailed discussion of Wagner’s orchestration, and rare pictures from important and influential productions. Arthur Groos is Avalon Foundation Professor in the Humanities at Cornell University, where he has taught since 1973. A member of the departments of German Studies, Medieval Studies, and Music, his musical interests focus on issues of music and culture, and opera, especially Wagner, Puccini, and modern opera. His books include Giacomo Puccini: La bohème (with Roger Parker, 1986) and Romancing the Grail: Genre, Science, and Quest in Wolfram’s Parzival (1995), as well as the collections Reading Opera (1988), Madama Butterfly: Fonti e documenti (2005), and seven other edited volumes. -
2011 Next Wave Festival OCT 2011
2011 Next Wave Festival OCT 2011 Donald Baechler, Red + Blue Rose (detail), 2011 BAM 2011 Next Wave Festival sponsor Published by: BAM 2011 Next Wave Festival Brooklyn Academy of Music presents Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board The Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, Threepenny President Joseph V. Melillo, Executive Producer Opera BAM Howard Gilman Opera House Oct 4—8, 2011 at 7:30pm Approximate running time: three hours including one intermission A play by Bertolt Brecht Adapted from Elizabeth Hauptmann’s German version of John Gay’s The Beggar’s Opera Lyrics by Bertolt Brecht Music by Kurt Weill Berliner Ensemble BAM 2011 Next Wave Festival sponsor Direction, Stage, Light concept by Robert Wilson Music direction by Hans-Jörn Brandenburg and Stefan Rager Leadership support for the Next Wave Costumes by Jacques Reynaud Festival provided by the Ford Foundation. Co-direction by Ann-Christin Rommen Co-design scenery by Serge von Arx The Threepenny Opera is part of Global Co-design costumes by Yashi Tabassomi Connections at BAM sponsored by MetLife Foundation. Dramaturgy by Jutta Ferbers and Anika Bárdos Leadership support for The Threepenny Lighting by Andreas Fuchs Opera provided by brigitte nyc; Mr. & Mrs. and Ulrich Eh Sid R. Bass; and The Joseph and Sylvia Slifka Foundation, with additional support from the David L. Klein, Jr. Foundation. Performed in German with English titles, translated by Endowment funding for The Threepenny John Willett in 1976 Opera has been provided by The Andrew W. Mellon Foundation Fund for Opera and Used by arrangement with European American Music-Theater. -
Godot-Program-Finalweb.Pdf
NEVER UNDERESTIMATE THE POWER OF A GREAT PERFORMANCE. UPMC is proud to support the PICT Theatre. Affiliated with the University of Pittsburgh School of Medicine, UPMC is ranked among the nation’s best hospitals by U.S. News & World Report. SYS411939_gh_upmc_pict_theatre_ad_color.indd 1 4/16/14 12:41 PM PICT Classic Theatre presents Waiting for Godot by Samuel Beckett Directed by Aoife Spillane-Hinks Ken Bolden* James FitzGerald* Martin Giles* Alan Stanford* Shay Freund Elliot Pullen Scenic/Co-Costume Designer Co-Lighting Designers Production Manager Alan Stanford Cindy Limauro George DeShetler, Jr. Co-Costume Designer Christopher Popowich Stage Manager Lindsay Tejan Props Master Cory F. Goddard* Technical Director Johnmichael Bohach Assistant Stage Manager Jesse Van Swol Master Electrician Connor Bahr Scenic Charge Artist Keith A. Traux Master Carpenter Jennifer Kirkpatrick Assistant Master Electrician Samuel Karas Regina Tvaruzek Dramaturg Tyler Crumrine Waiting for Godot is presented by special arrangement with SAMUEL FRENCH, INC. PICT Classic Theatre has received permission from Edward Beckett to use the version (script) of Waiting for Godot as edited by Samuel Beckett for the Schiller production and used by the Gate Theatre (Dublin) and in the Beckett on Film series. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. CAST Estragon .............................................................. Martin Giles* Vladimir .............................................................