DOCSLIB.ORG

The Eighth Veil: the Poetics and Aesthetics of Ambiguity in Oscar Wilde’S Salomé

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Eighth Veil: the Poetics and Aesthetics of Ambiguity in Oscar Wilde’S Salomé The Eighth Veil: The Poetics and Aesthetics of Ambiguity in Oscar Wilde’s Salomé Gerrard Carter Supervisors: Dr Bertrand Bourgeois and Associate Professor Jacqueline Dutton Submitted in total fulfilment of the requirements of the degree Doctor of Philosophy March 2017 School of Languages and Linguistics, French Studies Program The University of Melbourne ABSTRACT Oscar Wilde’s 1891 radical tragedy Salomé is infused with symbolism, decadence and erotic transgression. Ambiguity is also a key characteristic that enhances and extends the aesthetic and textual analysis of Wilde’s rare French symbolist work, and yet it is often overlooked. Through a semiotic and transtextual analysis of the poetics and aesthetics in Salomé, this thesis examines the function of ambiguity in the play and how this notion creates an open work to be actively interpreted by readers. From the perspective of the present study, the decisive role of semiotics in relation to Wilde’s Salomé is that it promotes an interactive process between text and reader. Through the interpretation of signs, Salomé, as an ambiguous text, cries out for elaboration as it enticingly beckons the addressee to become its co-author. The dominant function of Wilde’s treatment of the Salomé myth is that of experimentation. It is the result of the author’s original and creative experimentation that presents the reader with a high degree of ambiguity. The innate ambiguity of the text engenders a literary response, as the reader engages in an intertextual pas de deux. This metaphorical dance enables the reader to unlock the text’s meaning while also permitting freedom for creative adaptions. The methodology employed in this thesis to demonstrate Salomé’s masked or ambiguous motives is a combination of Umberto Eco’s concept of the open work and French narratological theories of hypertextuality. Through an examination of the use of a foreign language and the transtextual mosaic of the Salomé myth, this thesis will demonstrate how generating interpretations becomes an essential element of Salomé’s poetics and aesthetics. This study reveals, for instance, that Wilde’s enigmatic Dance of the Seven Veils is now synonymous with the myth today and has fired the imagination of countless artists from a variety of media. By comparing the use of French as a veil to conceal the themes of decadence, necrophilia and erotic sensuality of the femme fatale, this thesis seeks to elucidate Oscar Wilde’s motivations to write a very implicit, allusive and ambiguous play in French. To discover such motives would be to lift the eighth veil, the veil of ambiguity. i This is to certify that (i) the thesis comprises only my original work towards the PhD except where indicated, (ii) due acknowledgment has been made in the text to all material used, (iii) the thesis is less than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. ii PREFACE One of my earliest memories I have as a child is seeing the film Jesus of Nazareth directed by Franco Zeffirelli. I must have been five years old but the image of the dancing Salomé surrounded by flames was indelibly etched in my mind and has remained so for a lifetime. What was it that captivated that young boy to engender a life long obsession with this biblical myth? Apart from being drawn in by the drama, the underlying theme of a desire so powerful that it can lead to death has perplexed me all my life. Another prominent childhood memory is the discovery of my eldest sister’s high school French book, a visually strange language coupled with unfamiliar accents that echoed from a world away. This early love of foreign languages, led me to an Irish author who had composed a play about Salomé in a language other than his own, French. It was this awareness that inspired my quest to discover what lies beneath the eighth veil. iii ACKNOWLEDGMENTS There are many influential forces that have guided me throughout this process. First and foremost, I would like to thank my principal supervisor Dr Bertrand Bourgeois whose positive feedback, meticulous corrections and recommended reading list widened my perspective. I would also like to thank my secondary supervisor Associate Professor Jacqueline Dutton whose timely feedback and insightful restructuring kept this project on track. Special thanks to the generous staff at Melbourne University Libraries, State Library of Victoria, Bibliothèque Nationale de France, Paris-Sorbonne Libraries, National Library of Sweden: Kungliga Biblioteket, Stockholms Universitetsbibliotek and the personal library of Dr Sven-Johan Spånberg in Uppsala, who gave me upon departure my most cherished first edition of Oscar Wilde’s Complete Letters. My sincere gratitude to the Director of Columbia Global Centers in Paris, Dr Brunhilde Biebuyck, whose undergraduate Directed Research program was my initiation into academic scholarship. I want to thank her for providing me office space upon my return to Paris and for her passionate support that I carried with me throughout this study. Special thanks to her devoted staff at Reid Hall especially Christine Babef, Christine Valero, Laurence Gallu and professors Dr Camille Martin, Dr Olivier Sécardin and especially Dr Jean-Baptiste Amadieu who directed my undergraduate senior mémoire honors thesis on Salomé. Special thanks to Lindsay Kemp and Kelley Abbey for interviews. Lastly, my family: my sisters Deborah, Janine, Naomi, Simone, and Denise for unconditional love and support especially during the final stages of this thesis. To my father Colin and my mother Judith, who although they weren’t granted the opportunity to complete high school, valued education as life’s greatest gift. It was their sacrifice and undying devotion to their children that drove me to pursue a PhD. It is to my parents that I dedicate this work. iv TABLE OF CONTENTS Introduction: From Mask to Truth, From Truth to Mask…..…………………................1 Salomé’s French Transparency…………………………………………………….........6 Ambiguity Embraced……………………………………………………………….…..11 Ambiguity Gone Wild/e………………………………………………………………..17 An Intertextual Invitation to Openly Dance with Ambiguity.……….………................21 Chapter 1: The Sulamite of Sodom: Wilde’s Tapestry of the Abject and the Subversion of the Biblical Myth……….…………………………………………………….……..27 Salomé’s Intertextual Mosaic of Desire………………………………………………..29 Renan’s Interpretation of the Erotic Song………………………………………….…..38 The Birth of the Monstrous-Feminine……………………………………….................47 The Song of Sexual Yearning….…………..…...……………………………………....50 Cloven Gender: Ambiguity and Nick Cave’s Decadent Aesthetics of Desire................64 Chapter 2: Salomé/Salome’s Outré Art: Sustaining the Fin-de-Siècle Attack…...…....83 Translation and the Diminishing Effect of the Symbolist Voice………………………87 Salomé and the Power of the Visual Paratext………………………………………...102 The Intertextual Dialogue Between the Perverse and the Obscure…………………...120 Chapter 3: The Dance of the Seven Veils: Elucidating Wilde’s Invisible Dance.........125 The Cryptic Seven and the Ambiguity of Naming………….………………………...127 Flaubert’s Dance of Amplification…………………………….……………………...131 Wilde’s Anticipatory Dance of Desire…………………………….………………….139 v Lindsay Kemp’s Appropriation of the Dance of the Seven Veils…………………….144 Kelley Abbey and the Dancing Sexualized Archetype.………………………….…...160 Conclusion: The Eighth Veil of Ambiguity…………………………………………..176 Bibliography………………………………………………………………………….187 vi LIST OF FIGURES 1. Pierre Puvis de Chavannes (1824-1898) The Beheading of St John the Baptist, (1869) The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham 2. Cheryl Barker and John Pickering in Richard Strauss’s Salomé, Opera Australia (2012) 3. Aubrey Beardsley: Title Page, Salomé (1894) 4.Aubrey Beardsley: The Woman in the Moon, Salomé (1894) 5. Frank Martin: Frontispiece, Salomé (1957) 6. Barry Moser: Frontispiece, Salomé (2011) 7. Aubrey Beardsley: The Stomach Dance, Salomé (1894) 8. Aubrey Beardsley: List of Pictures, Salomé (1894) 9. Alastair (Baron Hans Henning Voigt): Untitled illustration from Salomé (1925) 10. Marcus Behmer: Untitled illustration from Salomé (1903) 11. Barry Moser: The young Syrian & Herodias’s Page (Salomé, 2011) 12. Takato Yamamoto: J’ai Baisé Ta Bouche Jokanaan (2005) 13. Takato Yamamoto: Salomé (2005) 14. Lindsay Kemp as Salomé (1977) 15. Lindsay Kemp as Salomé (1977) 16. The Dance of the Seven Veils in Richard Strauss’s Salomé Opera Australia (2012) 17. The Dance of the Seven Veils in Richard Strauss’s Salomé Opera Australia (2012) 18. The Dance of the Seven Veils in Richard Strauss’s Salomé Opera Australia (2012) vii LIST OF ABBREVIATIONS AN Against Nature (J.K. Huysmans, Translated by Brendan King). AR À Rebours (J.K. Huysmans). BLC The Letters of Aubrey Beardsley (Aubrey Beardsley). CC Le Cantique des cantiques (Traduit de l’hébreu et commenté par Ernest Renan) CL The Complete Letters of Oscar Wilde (Oscar Wilde). CW Complete Works of Oscar Wilde (Oscar Wilde). H Hérodias (Gustave Flaubert). He Herodias (Gustave Flaubert, Translated by A.J. Krailsheimer). S Salomé (Oscar Wilde)1. SD Salomé (Oscar Wilde, Translated by Joseph Donohue). SFP Salomé, Five Plays (Nick Cave). SH Salomé (Oscar Wilde, Translated by Vyvyan Holland). SS The Song of Songs (Translated from the Hebrew by Ernest Renan, Translated from the French by William M. Thomson). 1 Bilingual edition. viii INTRODUCTION FROM MASK TO TRUTH, FROM TRUTH TO MASK “Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth”. Oscar Wilde, The Critic As Artist, 1891. Infused with symbolism, decadence and erotic transgression, Oscar Wilde’s 1891 radical tragedy Salomé allowed the author to attend his own unique masquerade ball. It was a ball of fantasy where the orchestral accompaniment was French symbolism and fellow attendees were the French literary elite he so admired. Wilde’s employment of a metaphorical mask in the composition of Salomé provided a forum, which offered the author the creative freedom to speak the unspeakable. Furthermore, Salomé became the catalyst for Wilde to realise his innermost ambition to be recognized and respected as a French author.
Load more

Recommended publications
  • Madame Bovary : Notes Cliffs Notes On--; Title: Rev
    Madame Bovary : Notes Cliffs Notes On--; title: Rev. Ed. author: Roberts, James Lamar. publisher: John Wiley & Sons, Inc. (US) isbn10 | asin: print isbn13: 9780822007807 ebook isbn13: 9780822071259 language: English Flaubert, Gustave,--1821-1880.--Madame subject Bovary. publication date: 1964 lcc: ddc: 840.9 Flaubert, Gustave,--1821-1880.--Madame subject: Bovary. Page i Page 1 Madame Bovary Notes by James L. Roberts, Ph.D. Department of English University of Nebraska including Introduction to the Novel Brief Synopsis of the Novel List of Characters Chapter Summaries and Commentaries Character Analyses Flaubert's Life and Works Questions for Review INCORPORATED LINCOLN. NEBRASKA 68501 Page 2 Editor Gary Carey, M.A. University of Colorado Consulting Editor James L. Roberts, Ph.D. Department of English University of Nebraska ISBN 0-8220-0780-0 © Copyright 1964 by Cliffs Notes, Inc. All Rights Reserved Printed in U.S.A. 1999 Printing The Cliffs Notes logo, the names ''Cliffs" and "Cliffs Notes," and the black and yellow diagonal-stripe cover design are all registered trademarks belonging to Cliffs Notes, Inc., and may not be used in whole or in part without written permission. Cliffs Notes, Inc. Lincoln, Nebraska Page 3 Contents Introduction 5 A Brief Synopsis 5 List of Characters 6 Critical Commentaries Part I 11 Part II 25 Part III 46 Character Analyses 62 Critical Problems 67 Flaubert's Life and Works 72 Suggestions for Further Reading 74 Sample Examination Questions 75 Page 5 Introduction Gustave Flaubert's masterpiece, Madame Bovary, was published in 1857. The book shocked many of its readers and caused a scandalized chain reaction that spread through all France and ultimately resulted in the author's prosecution for immorality.
    [Show full text]
  • Editing Flaubert: from Paper to Screen
    1 Communication inédite prononcée lors du séminaire de Bergen (Norvège), 26-27 mai 2005 (Université de Bergen / AKSIS – Université Lumière Lyon 2-CNRS / LIRE) : « Publication et lecture numériques. Défis et processus engagés par l’édition critique et les activités de lecture sur supports numériques ». Editing Flaubert: From Paper to Screen. Among Texts and Avant-textes. Stéphanie Dord-Crouslé (CNRS – UMR 5611 LIRE) In order to deal with the editorial problems raised by the work of Gustave Flaubert, I would like here to focus on the point of intersection of two developments, both of them historical, although in different senses. The first one is related to a changing technological situation, thanks to the fast and widespread movement towards using digital supports for the publication of large-scale corpora. The networks for publishing research in France, nonetheless, remain strongly tied to the printed medium. The second problem, less historical than biographical, is rather in connection with my scientific career. I would like to explain how my work on Flaubert’s avant-textes and their publication have transformed my vision of what the final edited version of a text should be, whether it be on paper or in digital form. I will thus especially try to emphasize the interferences at the crossroads (between history and my story), while describing various projects in progress. The corpus of Flaubert’s « complete works » is well defined and of approachable size; it has nothing in common with Balzac's Human Comedy or Proust's Remembrance of Things Past . It contains a collection of « short stories », entitled Three Tales , four novels: Madame Bovary , Salammbô , A Sentimental Education and Bouvard and Pécuchet , and a text of a problematic genre : The Temptation of Saint Anthony , a hybrid between novella and play.
    [Show full text]
  • Disjecta Membra a Poetic Interplay of Fragments
    disjecta membra disjecta membra A poetic interplay of fragments Lyna Ayr master of art & design 2012 contents page. attestation of authorship [011] intellectual property rights [013] acknowledgements [015] abstract [017] synopsis [019] introduction [021] chapter 1: positioning of the researcher [023] Illustrating poetics [024] Childhood and the fragment [035] Culture and fracture [036] John the Baptist [037] chapter 2: review of contextual knowledge [039] Disjecta Membra as a poetic concept [040] Constructions of the death of John the Baptist [041] Poetry-film as a media form [043] chapter 3: methodology [047] Heuristics [049] Design of the research [050] Reviewing and pattern finding [051] Breaking [052] Making and order [061] Reassembly and refinement [071] chapter 4: critical commentary [077] This exegesis is submitted to the Auckland University of Technology Poetry-film [078] for the Masters of Art & Design. Disjecta membra and textual fragments [080] Lyna Ayr B. Art & Design Honours, AUT University: Auckland. 2011 Lyna Ayr, B. Graphic Design, AUT University: Auckland. 2009 Iconography [082] Printed July 2013 Structure [088] © Lyna Ayr 2014 All rights reserved. conclusion This publication, may not be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, The work and its journey [090] mechanical, photocopying, recording or otherwise without the Post examination reflective statement [092] prior permission of the owner. Printed and bound by Printsprint, Wellesley, Auckland. 5 table of images chapter 1 [positioning of researcher] reference list [095] Creative texts relating to the beheading of John the Baptist [100] Figure 1:1 Ayr, L. (2009) Mother the Eternal [Photography, 376 mm x 1200mm].
    [Show full text]
  • Style As a "[M]Anner of Seeing": the Poetics of Gustave Flaubert
    i Style as a “[M]anner of Seeing”: The Poetics of Gustave Flaubert A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Nicole L. Brownfield 5 May 2010 ii Liberty University School of Communication Master of Arts in English Dr. Karen Swallow Prior _______________________________________________________________ Thesis Chair Date Dr. Emily Walker Heady ________________________________________________________________ First Reader Date Dr. William Gribbin _____________________________________________________________________ Second Reader Date iii Acknowledgements I would like to thank several individuals for helping both to encourage and to coach me throughout this process: to my fellow graduate students and my professors at Liberty, for believing in me, encouraging me, and praying for me, and especially to Kyra Marken and Anne Ryan, for their lasting friendship and support; to Dr. William Gribbin, for helping me to gain confidence in my work and ability; to Dr. Emily Walker Heady, for pushing me out of my comfort zone in my writing throughout my time in graduate school and for providing insight which only enhanced the value of this project; to Dr. Karen Swallow Prior, for helping me to become a stronger writer and for teaching me the value of the revision process. As a result of her consistent feedback and encouragement, I have learned that a coherent, well-written final product is worth fighting for; to my parents, Gary and Jackie Confalone, and my in-laws, Gary and Pam Brownfield, for providing accountability throughout the process and for showing me unconditional love, especially during times of discouragement; most of all, to Joel, whose unending faithfulness serves as a picture of God’s love and grace in my life daily, and whose listening ear and words of wisdom consistently inspired me to endure and to enjoy this project.
    [Show full text]
  • Kazimiera Zawistowska’S Poetry, Young Poland, and Female Decadence
    INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Volume 2, Issue 1 Spring 2019 Herodias’ Story, Herstory – Kazimiera Zawistowska’s Poetry, Young Poland, and Female Decadence Heide Liedke ISSN: 2515-0073 Date of Acceptance: 30 May 2019 Date of Publication: 21 June 2019 Citation: Heide Liedke, ‘Herodias’ Story, Herstory – Kazimiera Zawistowska’s Poetry, Young Poland, and Female Decadence’,Volupté: Interdisciplinary Journal of Decadence Studies, 2.1 (2019), 39-56. volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Herodias’ Story, Herstory – Kazimiera Zawistowska’s Poetry, Young Poland, and Female Decadence Heidi Liedke Queen Mary, University of London The contradictory currents that shaped Europe at the turn of the century were reflected in the literary production of the time. The Polish literature of the fin de siècle is an especially interesting case in point: Poland, which had disappeared from the map of Europe completely for 123 years (from 1795 to 1918), was partitioned at that time and its own literary past was blended with cultural influences from Habsburg Austria, the Kingdom of Prussia, and the Russian Empire. As a consequence, a distinctly new Polish literature emerged, one that captured the essence of cosmopolitanism.1 Maria Podraza-Kwiatkowska refers to the literature produced between 1890- 1918 as ‘Młoda Polska’ [Young Poland] and chooses this term because of its neutrality that nevertheless captures the divergent tendencies within it, spanning Symbolism and Expressionism. In contrast to other scholars, Podraza-Kwiatkowska dismisses the terms ‘Decadence’ and ‘Modernism’ because they encompass broader phenomena than literature.2 These dynamics of blending were in tension with the lived realities of all Poles.
    [Show full text]
  • Expédition Nocturne Autour De Ma Chambre Un Texte Du Domaine Public
    Xavier de Maistre Expédition nocturne autour de ma chambre Un texte du domaine public. Une édition libre. bibebook www.bibebook.com Préface avier de Maistre. Né à Chambéry en 1763, Xavier de Maistre appartenait à une famille Xde magistrats. Son père était président du Sénat de Savoie et son frère Joseph fut membre de la même assemblée jusqu’à l’invasion du pays par les Français. Xavier choisit le métier des armes. Officier sarde, il ne voulut point servir le conquérant français. Lorsqu’en 1802 son frère fut nommé par Victor-Emmanuel 1er, ambassadeur à Saint-Pétersbourg, Xavier le suivit en Russie et s’engagea dans l’armée du Tsar. Il participa comme officier aux campagnes du Caucase et de Perse, puis il s’établit dans la capitale russe, qu’il ne quitta plus, sinon pour faire un voyage en France, quelques années avant sa mort. C’est à Saint-Pétersbourg en effet, que Xavier mourut, en 1852. L’œuvre de Xavier de Maistre n’est pas très abondante, mais elle est d’une clarté, d’un esprit essentiellement français. Chacun de ses courts ouvrages : Voyage autour de ma chambre (1794), Le Lépreux de la cité d’Aoste (1811), Les Prisonniers du Caucase et La Jeune Sibérienne (1825), l’Expédition nocturne autour de ma chambre, sont des petits chefs- d’œuvre de style, de simplicité et de naturel. Les circonstances dans lesquelles Xavier de Maistre se mit à écrire sont assez curieuses. Officier, en garnison dans la petite ville d’Alexandrie, en Italie, une malencontreuse affaire de duel le fit mettre aux arrêts pendant plusieurs jours.
    [Show full text]
  • Three Tales Pdf Free Download
    THREE TALES PDF, EPUB, EBOOK Gustave Flaubert,Emeritus Student and Former Tutor in French A J Krailsheimer | 144 pages | 02 Nov 2009 | Oxford University Press | 9780199555864 | English | Oxford, United Kingdom Three Tales PDF Book Deidara and Tobi of Akatsuki soon found these Anbu members and disposed of them. He returns home to surprise his wife and finds a man and a woman in her bed. In Un Coeur Simple a simple heart , his subject is a selfless and stupid peasant woman. She gives entirely to others; although many take advantage of her, she is unaffected. BK It used to take hundreds of years for a technology to develop and have an impact. The child of doting parents, Julien very early on becomes addicted in a frighteningly sadistic way to the extermination of animals for sport, and becomes a great hunter. Having completed Three Tales, will the work influence your future plans? It signaled the end of a failed technology when the airship exploded and crashed in New Jersey in When Julian gives the man everything without hesitation, the Leper is revealed to be Jesus Christ himself, who takes Julian with him to heaven. Genres: Family. Clear your history. Flaubert's tales are quite a bit better than Barnes's po-mo encounter with them and the ephemera his novel's narrator picks through in avoidance of telling us his own story. SR When I first began working with tape in the 60s nothing seemed more interesting than gradually changing the phase relations between two identical tape loops. There are, in fact, two stories.
    [Show full text]
  • CÉLINE DION Le Point De Tous Les Frais Liés À Un Litige Les Impliquant
    Crédit Photo LE POINT C.P. 172, succ. Rosemont Montréal Québec Canada H1X 3B7 Téléphone • Fax 514.728.6436 Email [email protected] Web http://www.le-national.com/ 4 - Épidémie contagieuse à Montréal revuelepoint Le contenu de la Revue Le Point et des sites internet du Groupe National est protégé par l’Office des Droits 10 - Crystal: la drogue du déni d’Auteur du Canada et ne peut être reproduit en tout ou en partie sans le consentement écrit de l’Éditeur. Le fait de collaborer ou d’annoncer dans la Revue Le Point ne 12-13 - Gay = Good as You! signifie pas une orientation sexuelle spécifique. Les annonceurs et collaborateurs assument l’entière responsabilité du matériel fourni et s’engagent à dédommager entièrement la Revue 16-20 - SPÉCIAL BIOGRAPHIE CÉLINE DION Le Point de tous les frais liés à un litige les impliquant. En acceptant de publier dans la Revue Le Point, les annonceurs et collaborateurs acceptent les conditions mentionnées plus haut. 24 - Chronique culinaire: l’Artichaut Le matériel publié par la Revue Le Point devient sa propriété et les auteurs acceptent d’en céder leurs droits d’auteur de façon permanente mais non exclusive. Le Rédacteur en Section centrale: Le Calendrier de la Fierté 2005-2006 Chef de la Revue Le Point est membre de l’Association Canadienne des Journalistes (membre du comité gai & lesbien) et de l’Investigative Reporters and Editors des États-Unis. 60-62 - Nouvelles internationales et régionales The News Director of Le Point Magazine is a member of the Canadian Association of Journalists (member of the gay & lesbian caucus) and of the US 64-80 - Section Québec Investigative Reporters and Editors Organisation.
    [Show full text]
  • Ce Document Est Extrait De La Base De Données Textuelles Frantext
    Ce document est extrait de la base de données textuelles Frantext réalisée par l'Institut National de la Langue Française (INaLF) Dernières chansons [Document électronique] / Louis Bouilhet 1 IMITE DU CHINOIS p37 Sous des déguisements divers, plâtre ou fard, selon ton envie, masque tes moeurs, cache ta vie, sois honnête homme, en fait de vers ! Un seul beau vers est une source qui, dans les siècles, coulera. Dix ans, peut-être, on pleurera quelques mots trop prompts à la course. La strophe aux gracieux dessins, où l' oeil, en vain, cherche une faute, n' est pas d' une valeur moins haute que la relique de nos saints. p38 Mais aussi, point de flatteries pour l' inepte ou le maladroit ! Le pur lettré seul a le droit d' en arranger les broderies. Tout poëme perd ses appas dans les bassesses du parlage. Si nous traversons un village, causons-y, -mais n' y chantons pas ! 2 LA COLOMBE p41 Quand chassés, sans retour, des temples vénérables, Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. tordus au vent de feu qui soufflait du Thabor, les grands olympiens étaient si misérables que les petits enfants tiraient leur barbe d' or ; durant ces jours d' angoisse où la terre étonnée portait, comme un fardeau, l' écroulement des cieux, un seul homme, debout contre la destinée, osa, dans leur détresse, avoir pitié des dieux. C' était un large front, -un empereur, -un sage, assez haut sur son trône et sur sa volonté pour arrêter du doigt tout un siècle au passage, et donner son mot d' ordre à la divinité.
    [Show full text]
  • D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
    DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor.
    [Show full text]
  • La Poétique De L'espace. Mais Cette Évocation Est Bien Trop Succincte
    Gaston Bachelard [1884-1962] (1957) [1961] LA POÉTIQUE DE L’ESPACE Un document produit en version numérique par Daniel Boulognon, bénévole, professeur de philosophie en France Courriel : Boulagnon Daniel [email protected] Dans le cadre de : "Les classiques des sciences sociales" Une bibliothèque numérique fondée et dirigée par Jean-Marie Tremblay, professeur de sociologie au Cégep de Chicoutimi Site web : http ://classiques.uqac.ca/ Une collection développée en collaboration avec la Bibliothèque Paul-Émile-Boulet de l'Université du Québec à Chicoutimi Site web : http ://bibliotheque.uqac.ca/ Gaston Bachelard, La poétique de l’espace. (1957) [1961] 2 Politique d'utilisation de la bibliothèque des Classiques Toute reproduction et rediffusion de nos fichiers est interdite, même avec la mention de leur provenance, sans l’autorisation for- melle, écrite, du fondateur des Classiques des sciences sociales, Jean-Marie Tremblay, sociologue. Les fichiers des Classiques des sciences sociales ne peuvent sans autorisation formelle : - être hébergés (en fichier ou page web, en totalité ou en partie) sur un serveur autre que celui des Classiques. - servir de base de travail à un autre fichier modifié ensuite par tout autre moyen (couleur, police, mise en page, extraits, support, etc...), Les fichiers (.html, .doc, .pdf, .rtf, .jpg, .gif) disponibles sur le site Les Classiques des sciences sociales sont la propriété des Classi- ques des sciences sociales, un organisme à but non lucratif com- posé exclusivement de bénévoles. Ils sont disponibles pour une utilisation intellectuelle et personnel- le et, en aucun cas, commerciale. Toute utilisation à des fins com- merciales des fichiers sur ce site est strictement interdite et toute rediffusion est également strictement interdite.
    [Show full text]
  • Micah Fr.Pdf
    « Le voyageur, le blessé et l’homme au cœur de pierre » Croquis de Micah Tremblay E st-il prison plus grande que celle de la souffrance? Est-il peine plus lourde pour enchaîner? Croire que toute épreuve a un sens Découvrir à travers sa nouvelle réalité Les « autrement » remplis d’espoir Qui permettront d’avancer Témoigner pour mieux comprendre Recevoir parce qu’on a donné Assaisonner de pardon le passé Voilà des clés… Que le message de ce livre Touche par la force de sa confidence Par ce désir franc de prévenir D’aider ou de soulager De rassembler dans la fraternité Lise Thibault Lieutenant-gouverneur du Québec Micah AUTRES LIVRES PUBLIÉS AUX ÉDITIONS JASPE Claude Tremblay Les ruisseaux de Silo Vol. 1 Les ruisseaux de Silo Vol. 2 Le pouvoir subtil de l’abus spirituel Fenêtres de l’âme Dix médecins du Québec nous parlent de Dieu La folie des richesses au seuil de l’apocalypse La réforme apostolique Le voyageur Micah Les petits groupes d’entraide La souffrance d’un père face au suicide de son fils ÉDITIONS JASPE À mes filles, que j’aime passionnément Annie Émilie Rébecca Copyright © 2001 Les Éditions Jaspe C.P. 801 Magog, Québec J1X 5C6 Saisie du texte: Carmelle Côté, Mélanie Leduc Révision : Réal Beaudoin, Sylvie Boisvert, Élise Bonnette, Hortence Fauteux, Dominique Fournier, Anne-Marie Gauthier, Pierre LaRochelle, Solange Tremblay Mise en page: Carmelle Côté Graphisme: Christine Lapointe, Richard Ouellette Photographie de l’auteur: Jacques Courtemanche Photographies de la Foule illuminée: Pierre Langlois Dépôt légal: Bibliothèque Nationale du Québec 2001 Dépôt légal: Bibliothèque Nationale du Canada 2001 ISBN 2 – 9805638 – 8 – 9 Imprimé au Canada (7ème édition) AVANT-PROPOS Merci à Jacques Noël, ton amitié est si précieuse.
    [Show full text]