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Asterius on Psalm 11 Homily 2 As Is Well Known, the Tenth Century Hebrew Masoretic Text (MT) Used for Modern Bible Translations
Asterius On Psalm 11 Homily 2 As is well known, the tenth century Hebrew Masoretic Text (MT) used for modern Bible translations has 150 psalms whereas the Psalter in the Septuagint (LXX) has 151 psalms. This homily is based on Psalm 11 LXX which is Psalm 12 MT. Most psalms have a title or superscription which may include names of composers or people to whom a psalm is committed, situational details, genre, and liturgical directions.1 Whether these superscriptions were part of the original composition is unknown. In any case, the superscriptions are incorporated into the psalm text in the Hebrew MT, such that when the text was versified in the sixteenth century, they were counted as the first verse. This incorporaton is already evident in some of the psalm fragments found among the Dead Sea Scrolls. For example, the oldest fragment 4QPsa (= 4Q83, mid second century BCE) shows ‘no special separation between title and text’.2 More tellingly, 4QpPsa (= 4Q171 Pesher Psalms) which contains commentary on Psalm 45, includes commentary on its superscription, as if it were part of the psalm proper.3 Early Christians who used the LXX also considered the psalm title or superscription to be part of scripture and would exegete it as such. The superscription for Psalm 11 LXX in the Hebrew MT reads: ‘To the leader: according to The Sheminith. A Psalm of David.’ In the Greek LXX it reads: ‘To the end, upon the eighth. A Psalm of David’.4 Asterius spends considerable time in the first part of the homily expounding this title, and in particular the significance of the eighth day in redemption history. -
Seven Sevenfold Purifications of the Words of the LORD
Seven Sevenfold Purifications of The Words of the LORD Introduction Attention is drawn to the familiar passage Psalm 12:6 “The words of the LORD are pure words: as silver tried in a furnace of earth, purified seven times.” Sister Riplinger and others have shown that the Lord has fulfilled Psalm 12:6 for sevenfold purifications of “The words of the LORD” as fol- lows1, 2, five in all thus far. From the ancient Biblical languages to the 1611 AV1611 From the pre-English and early English Bibles to the 1611 AV1611 From the Greek Textus Receptus New Testament Editions to the final TR in English as the 1611 AV1611. This study has been attached for information. From the 16th century English Protestant Reformation Bibles e.g. Tyndale etc. to the 1611 AV1611 From the 1611 AV1611 through its major editions to the 1769 i.e. 2015+ AV1611. It is realistic to consider that the Lord would have implemented seven sevenfold purifications for “The words of the LORD.” This is so because Revelation 5:1, 6-7 refer to “a book written within and on the backside, sealed with seven seals” and “a Lamb as it had been slain, having seven horns and seven eyes, which are the seven Spirits of God sent forth into all the earth And he came and took the book out of the right hand of him that sat upon the throne.” Revelation 8:1-2 state “And when he had opened the seventh seal...I saw the seven angels which stood before God; and to them were given seven trumpets.” The successive opening of the seven seals by the Lamb with seven horns and seven eyes that are the seven Spirits of God and the sounding by the seven angels of the seven trumpets finally perfect God’s revelation in the form of “the little book” Revelation 10:8, 9, 10 that is hand-held and associated with “seven thunders” Revelation 10:3, 4 i.e. -
The Interpretation of Psalm 11 by W
The Interpretation of Psalm 11 by W. H. Bellinger, Jr. Professor Bellinger of Southwestern Baptist Theological Seminary, Fort Worth, Texas, here demonstrates with a concrete example how the inter pretation of the Psalms must take into account both their original cultic and their later more 'spiritual' setting and shows how this approach can be helpful in interpreting them for today. PSALM 11 In Yahweh I seek refuge; how can you say to me: 'Flee to the mountains like a bird,l for look! The wicked bend the bows; they fit their arrow(s) on the string to shoot in the dark at the upright in heart. When the foundations are destroyed, what can the righteous do?' Yahweh is in his holy temple; his throne is in heaven; his eyes see, his eyelids test humankind. Yahweh tests the righteous and the wicked2 and he hates the one who loves violence. He sends down upon the wicked coals ofl fire and brimstone and a raging wind will be the portion of their cup. For Yahweh is righteous; he loves righteous deeds; 95 the upright will behold his face. Psalm 11 provides a goad example of the difficulties encountered when seeking to determine the form and setting of a psalm, and consequently the text before us has not gone without some bizarre interpretations. 4 The worshipper appears to be addressing friends in the midst of persecution. WaIter Beyerlin has recently argued that the persecution stems from false accusation. 5 He understands the worshipper to have been granted asylum and to be seeking a divine decision in his case in a cult-sacral procedure of divine judgment; so he places the psalm in an institutional setting. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing. -
At Home Study Guide Praying the Psalms for the Week of May 15, 2016 Psalms 1-2 BETHELCHURCH Pastor Steven Dunkel
At Home Study Guide Praying the Psalms For the Week of May 15, 2016 Psalms 1-2 BETHELCHURCH Pastor Steven Dunkel Today we start a new series in the Psalms. The Psalms provide a wonderful resource of Praying the Psalms inspiration and instruction for prayer and worship of God. Ezra collected the Psalms which were written over a millennium by a number of authors including David, Asaph, Korah, Solomon, Heman, Ethan and Moses. The Psalms are organized into 5 collections (1-41, 42-72, 73-89, 90-106, and 107-150). As we read the book of Psalms we see a variety of psalms including praise, lament, messianic, pilgrim, alphabetical, wisdom, and imprecatory prayers. The Psalms help us see the importance of God’s Word (Torah) and the hopeful expectation of God’s people for Messiah (Jesus). • Why is the “law of the Lord” such an important concept in Psalm 1 for bearing fruit as a follower of Jesus? • In John 15, Jesus says that apart from Him you can do nothing. Compare the message of Psalm 1 to Jesus’ words in John 15. Where are they similar? • Psalm 2 tells of kings who think they have influence and yet God laughs at them (v. 3). Why is it important that we seek our refuge in Jesus (2:12)? • Our heart for Bethel Church in this season is that we would saturate ourselves with God’s Word, specifically the book of Psalms. We’ve created a reading plan that allows you to read a Psalm a day or several Psalms per day as well as a Proverb. -
Bible Reading Plan Sheet
52 Week, 5 Day Bible Reading Plan Week 1 Week 14 Week 27 Week 40 Gen 1-2 Psalm 19 Mark 1 Josh 14-17 Luke 17 1 Kings 10-11 2 Chr 9 1 Tim 6 Jer 11-13 2 Cor 12 Gen 3-5 Mark 2 Josh 18-21 Psalm 15 Luke 18 Ecclesiastes 1-3 Psalm 45 2 Tim 1 Jer 14-16 Psalm 76 2 Cor 13 Gen 6-8 Psalm 104 Mark 3 Josh 22-24 Psalm 116 Luke 19 Eccl 4-6 Psalm 125 2 Tim 1 Jer 17-20 James 1 Gen 9-11 Mark 4 Judges 1-3 Psalm 16 Luke 20 Eccl 7-9 Psalm 46 2 Tim 3 Jer 22, 23, 26 Psalm 77 James 2 Gen 12-15 Psalm148 Mark 5 Judges 4-6 Luke 21 Eccl 10-12 2 Tim 4 Jer 25, 35, 36, 45 Psalm 133 James 3 Week 2 Week 15 Week 28 Week 41 Gen 16-18 Mark 6 Judges 7-8 Luke 22 1 Kings 12 2 Chr 10-11 Titus 1 Jer 27, 28, 29, 24 James 4 Gen 19-20 Psalm 1 Mark 7 Judges 9-11 Psalm 17 Luke 23 1 Kings 13-14 2 Chr 12 Psalm 47 Titus 2 Jer 37, 21, 34 Psalm 79 James 5 Gen 21-23 Psalm 107 Mark 8 Judges 12-16 Psalm 146 Luke 24 1 Kings 15 2 Chr 13-14 Titus 3 Jer 30-33 1 Peter 1 Gen 24-25 Psalm 4 Mark 9 Judges 17-18 Psalm 21 Acts 1 2 Chr 15-16 1 Kings 16 Philemon Jer 38, 39, 52 1 Peter 2 Gen 26-28 Mark 10 Judges 19-21 Acts 2 1 Kings 17-18 Psalm 119 Jude 2 Kings 24-25 2 Chr 36 Psalm 126 ! Peter 3 Week 3 Week 16 Week 29 Week 42 Gen 28-29 Mark 11 Ruth 1-2 Acts 3 1 Kings 19-21 2 Chr. -
Predator, Prey and Protector
Predator, Prey, and Protector: Helping Victims Think and Act from Psalm 10 by David Powlison elen had been betrayed by her hus- insubstantial and insecure. All along, gen- band. He had played the part of the uine faith in God as refuge had intertwined Hdutiful, churchgoing husband, with Helen’s tendencies towards keeping father, and provider for many years. Their up appearances: “Put up with it, keep quiet, two children were in college. But unbe- pretend it’s not really happening, and every- knownst to Helen, he had maintained mis- thing’s OK.” Now she couldn’t keep silent. tresses in three cities. Helen had trusted him Now she couldn’t stand it any longer. Now with all the family finances, including a half- she couldn’t pretend. She was in trouble. million dollars she had inherited. He What should she say? How should she siphoned off all her money into his name. think? What should she do? Where does He spent much of it and ran up debts God fit amidst such devastation? Psalm 10 besides, financing a lifestyle of gambling, was uttered and written for those who have immorality, and partying. She’d been igno- rant of the adulteries and fraud, but she was not unaware of other evils. For many years their sexual relationship had been a private Psalm 10 is a message of honest agony to Helen. He routinely forced her to anguish and genuine refuge. commit acts she found repellent. In public his demeanor was usually pleasant; he was seemingly good-natured, quick-witted, worldly-wise, successful, confident, respon- been victimized by others. -
The Composition of the Book of Psalms
92988_Zenger_vrwrk 28-06-2010 11:55 Pagina V BIBLIOTHECA EPHEMERIDUM THEOLOGICARUM LOVANIENSIUM CCXXXVIII THE COMPOSITION OF THE BOOK OF PSALMS EDITED BY ERICH ZENGER UITGEVERIJ PEETERS LEUVEN – PARIS – WALPOLE, MA 2010 92988_Zenger_vrwrk 28-06-2010 11:55 Pagina IX INHALTSVERZEICHNIS VORWORT . VII EINFÜHRUNG . 1 HAUPTVORTRÄGE Erich ZENGER (Münster) Psalmenexegese und Psalterexegese: Eine Forschungsskizze . 17 Jean-Marie AUWERS (Louvain-la-Neuve) Le Psautier comme livre biblique: Édition, rédaction, fonction 67 Susan E. GILLINGHAM (Oxford) The Levitical Singers and the Editing of the Hebrew Psalter . 91 Klaus SEYBOLD (Basel) Dimensionen und Intentionen der Davidisierung der Psalmen: Die Rolle Davids nach den Psalmenüberschriften und nach dem Septuagintapsalm 151 . 125 Hans Ulrich STEYMANS (Fribourg) Le psautier messianique – une approche sémantique . 141 Frank-Lothar HOSSFELD (Bonn) Der elohistische Psalter Ps 42–83: Entstehung und Programm 199 Yair ZAKOVITCH (Jerusalem) The Interpretative Significance of the Sequence of Psalms 111–112.113–118.119 . 215 Friedhelm HARTENSTEIN (Hamburg) „Schaffe mir Recht, JHWH!“ (Psalm 7,9): Zum theologischen und anthropologischen Profil der Teilkomposition Psalm 3–14 229 William P. BROWN (Decatur, GA) “Here Comes the Sun!”: The Metaphorical Theology of Psalms 15–24 . 259 Bernd JANOWSKI (Tübingen) Ein Tempel aus Worten: Zur theologischen Architektur des Psalters . 279 92988_Zenger_vrwrk 28-06-2010 11:55 Pagina X X INHALTSVERZEICHNIS SEMINARE Harm VAN GROL (Utrecht) David and His Chasidim: Place and Function of Psalms 138–145 . 309 Jacques TRUBLET (Paris) Approche canonique des Psaumes du Hallel . 339 Brian DOYLE (Leuven) Where Is God When You Need Him Most? The Divine Metaphor of Absence and Presence as a Binding Element in the Composition of the Book of Psalms . -
Copyright by Gary Dean Beckman 2007
Copyright by Gary Dean Beckman 2007 The Dissertation Committee for Gary Dean Beckman Certifies that this is the approved version of the following dissertation: The Sacred Lute: Intabulated Chorales from Luther’s Age to the beginnings of Pietism Committee: ____________________________________ Andrew Dell’ Antonio, Supervisor ____________________________________ Susan Jackson ____________________________________ Rebecca Baltzer ____________________________________ Elliot Antokoletz ____________________________________ Susan R. Boettcher The Sacred Lute: Intabulated Chorales from Luther’s Age to the beginnings of Pietism by Gary Dean Beckman, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2007 Acknowledgments I would like to acknowledge Dr. Douglas Dempster, interim Dean, College of Fine Arts, Dr. David Hunter, Fine Arts Music Librarian and Dr. Richard Cherwitz, Professor, Department of Communication Studies Coordinator from The University of Texas at Austin for their help in completing this work. Emeritus Professor, Dr. Keith Polk from the University of New Hampshire, who mentored me during my master’s studies, deserves a special acknowledgement for his belief in my capabilities. Olav Chris Henriksen receives my deepest gratitude for his kindness and generosity during my Boston lute studies; his quite enthusiasm for the lute and its repertoire ignited my interest in German lute music. My sincere and deepest thanks are extended to the members of my dissertation committee. Drs. Rebecca Baltzer, Susan Boettcher and Elliot Antokoletz offered critical assistance with this effort. All three have shaped the way I view music. -
Observations and Reflections on the Giant Psalm
CONCORDIA THEOLOGICAL QUARTERLY Volume 42 Number 1 JANUARY 1978 An Evaluation of the Australian Lutheran "Statement on Homosexuality" ....Robert W. Schaibley 1 Observations and Reflections on the Giant Psalm .................... Raymond F. Surburg 8 flighlights of the Lutheran Reformation in Slovakia .......................... David P. Daniel 21 Theological Observer .................................. 35 Homiletical Studies ................................... 39 Book Reviews ........................................ 80 Books Received ....................................... 99 Observations and Reflections on the Giant Psalm Raymond F. Surburg Psalm 119 is outstanding in a number of ways. It is the longest of the 150 poems comprising the Book of Psalms. Its 176 verses make it the longest chapter in the Bible. Psalm 119 is two chapters removed from the middle chapter of the English Bible (which is also the shortest chapter of the Bible). It is one of thirty-four psalms which in the Hebrew have no super- scription (and is therefore called an orphan psalm). One of the Dead Sea manuscripts from Cave 11 has 114 of the original 176 verses.' This unique poem has been called the "alphabet of Divine Love," "the school of truth," "the storehouse of the Holy Spirit, " "the paradise of all Doctrines as well as the deep mystery of the Scriptures, where the whole moral discipline of all virtues shines brightly. "* The author of this giant among the psalms is not known. Luther and Spurgeon believed David to be its a~thor.~Others favor Ezra4 or some individual living in the time of Ezra and Nehemiah.5 Pieters does not believe that the author lived during the postexilic period but at a time when the author is being persecuted by "princes" (v. -
Psalms & Proverbs 31 Day Reading Plan
Psalms & Proverbs 31 Day Reading Plan This plan is designed to increase your worship and wisdom. You will read through the books of Psalms and Proverbs in one month. Each day you will read five Psalms and one Proverb coordinating with the date of the month. 1 2 3 4 5 6 7 Psalm 1 Psalm 2 Psalm 3 Psalm 4 Psalm 5 Psalm 6 Psalm 7 Psalm 31 Psalm 32 Psalm 33 Psalm 34 Psalm 35 Psalm 36 Psalm 37 Psalm 61 Psalm 62 Psalm 63 Psalm 64 Psalm 65 Psalm 66 Psalm 67 Psalm 91 Psalm 92 Psalm 93 Psalm 94 Psalm 95 Psalm 96 Psalm 97 Psalm 121 Psalm 122 Psalm 123 Psalm 124 Psalm 125 Psalm 126 Psalm 127 Proverbs 1 Proverbs 2 Proverbs 3 Proverbs 4 Proverbs 5 Proverbs 6 Proverbs 7 8 9 10 11 12 13 14 Psalm 8 Psalm 9 Psalm 10 Psalm 11 Psalm 12 Psalm 13 Psalm 14 Psalm 38 Psalm 39 Psalm 40 Psalm 41 Psalm 42 Psalm 43 Psalm 44 Psalm 68 Psalm 69 Psalm 70 Psalm 71 Psalm 72 Psalm 73 Psalm 74 Psalm 98 Psalm 99 Psalm 100 Psalm 101 Psalm 102 Psalm 103 Psalm 104 Psalm 128 Psalm 129 Psalm 130 Psalm 131 Psalm 132 Psalm 133 Psalm 134 Proverbs 8 Proverbs 9 Proverbs 10 Proverbs 11 Proverbs 12 Proverbs 13 Proverbs 14 15 16 17 18 19 20 21 Psalm 15 Psalm 16 Psalm 17 Psalm 18 Psalm 19 Psalm 20 Psalm 21 Psalm 45 Psalm 46 Psalm 47 Psalm 48 Psalm 49 Psalm 50 Psalm 51 Psalm 75 Psalm 76 Psalm 77 Psalm 78 Psalm 79 Psalm 80 Psalm 81 Psalm 105 Psalm 106 Psalm 107 Psalm 108 Psalm 109 Psalm 110 Psalm 111 Psalm 135 Psalm 136 Psalm 137 Psalm 138 Psalm 139 Psalm 140 Psalm 141 Proverbs 15 Proverbs 16 Proverbs 17 Proverbs 18 Proverbs 19 Proverbs 20 Proverbs 21 22 23 24 25 26 27 28 Psalm 22 Psalm 23 Psalm 24 Psalm 25 Psalm 26 Psalm 27 Psalm 28 Psalm 52 Psalm 53 Psalm 54 Psalm 55 Psalm 56 Psalm 57 Psalm 58 Psalm 82 Psalm 83 Psalm 84 Psalm 85 Psalm 86 Psalm 87 Psalm 88 Psalm 112 Psalm 113 Psalm 114 Psalm 115 Psalm 116 Psalm 117 Psalm 118 Psalm 142 Psalm 143 Psalm 144 Psalm 145 Psalm 146 Psalm 147 Psalm 148 Proverbs 22 Proverbs 23 Proverbs 24 Proverbs 25 Proverbs 26 Proverbs 27 Proverbs 28 29 30 31 Psalm 29 Psalm 30 Psalm 59 Psalm 60 Psalm 89 Psalm 90 Psalm 119 Psalm 120 Psalm 149 Psalm 150 Proverbs 29 Proverbs 30 Proverbs 31. -
Metrical Psalter Book 1 V 1-0-3
The Psalms in metre Book 1 Psalms 1-41 Book 1 ; Page 1 © Dru Brooke-Taylor 2015, the author’s moral rights have been asserted. For further information both on copyright and how to use this material see https://psalmsandpsimilar.wordpress.com v 1.0.3 : 15 vi 2015 Book 1 ; Page 2 Table of Contents Psalm 1 (SHa) CM 5 Psalm 2 (SHa)CM 6 Psalm 3 (SHa) CM 8 Psalm 4 (SHa)CM 10 Psalm 5 (TBa) CM 11 Psalm 6 (TBa) CM 13 Psalm 7 (SHa) CM 14 Psalm 8 (SHa) CM 16 Psalm 8-B (DBT) 13,13,13,13,13,13 18 Psalm 9 (SHa) CM 20 Psalm 10 (SHa) CM 22 Psalm 11 (DBT) CM 24 Psalm 12 - (SHa) CM 25 Psalm 13 (SHa) CM 26 Psalm 14 - (SHa) CM 27 Psalm 14-B - Another version (TB unaltered) LM 28 Psalm 15 - (SHa) CM 30 Psalm 16 - (SHa) CM 31 Psalm 17 - (SHa) CM 33 Part 2 34 Psalm 18 - (SHa) CM 35 Psalm 19 (SHa) CM 40 Psalm 20 (SHa) CM 42 Psalm 21 (SHa) DCM 43 Psalm 22 (SHa) CM 45 Part 2 46 Part 3 46 Psalm 23 (R) CM 48 Psalm 23 - B (SHa) CM 48 Psalm 23 - C A version by Sir H. W. Baker 8787 49 Psalm 23 - D - a version by Addison 88 88 88 50 Psalm 24 (TBa) DCM 52 Psalm 24 - B Dr Watts version to Kingsbridge in LM 54 Part 2 55 Psalm 25 (SHa) DSM 56 Part 2 57 Psalm 26 (SHa) CM 59 Psalm 27 (SHa) CM 60 Psalm 28 (SHa) CM 62 Psalm 29 (SHa) CM 63 Psalm 30 (DBT) DCM 65 Psalm 31 (SHa) CM 67 Psalm 32 (SHa) CM 70 Psalm 33 (TB) CM 72 Part 2 73 Psalm 34 (TB) CM 74 Part 2 75 Psalm 35 (TBa) CM 76 Book 1 ; Page 3 Part 2 77 Part 3 77 Psalm 36 (SHa) CM 79 Psalm 37 (TBa) 888 888 81 Part 2 82 Part 3 83 Part 3 84 Psalm 38 (SHa) CM 86 Part 2 87 Psalm 39 (SHa) CM 88 Psalm 40 (SHa) CM 90 Psalm 40 - B (TBa) LM 92 Psalm 41 (SHa) DCM 94 Book 1 ; Page 4 Psalm 1 (SHa) CM Playford has a good tune in three line harmony, which floats between Emi and G Maj, which is below as ‘Old First’ with the addition of an alto line and some ornamentation.