OCLS Cataloguing Workflow

Total Page:16

File Type:pdf, Size:1020Kb

OCLS Cataloguing Workflow OCLS Cataloguing Workflow Created by: Ian Bigelow (Georgian College), Stacey Boileau (OCLS), Danielle Emon (Loyalist College), Rosina Leung (Seneca College), Marina Morgan & Irene Sillius (Sheridan College) With thanks to Safar Ali (OCLS) for contributions to the Identifiers of Manifestations for Matching to the CUC document & Thanks to Doris Rankin and Sally Press for early project contributions Presented by the Ontario Colleges Library Service (OCLS) With the support of the Heads of Libraries & Learning Resources (HLLR) & the Colleges Union Catalogue & Digital Repository Steering Group (CUCLDRSG) As approved by the Bibliographic Standards Working Group (BSWG) & the Joint RDA Implementation Subcommittee (JRDA) This workflow drew insight from the Cambridge Monograph WEMI Workflow, the BL Monograph WEMI Workflow and the Pan-Canadian Working Group Workflows This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. Feedback is Welcome: [email protected] 1 Table of Contents A. Foreword B. Introduction C. Cataloguing Tools and Standards C.1 Descriptive Cataloguing C.2 Content Standards C.2.1 AACR2 C.2.2 RDA C.3 Entity-Relationship Models C.4 Encoding Standards C.4.1 MARC C.4.2 Linked Data and the Semantic Web C.5 Authorized Access Points and Identifiers D. How To Use this Workflow D.1 Quick Step Guide Step 1: Define Preferred Source 1.1 Type of Description 1.1.1 Comprehensive 1.1.2 Analytical 1.2 Presentation Format Step 2: Coding the Leader 2.1 Type of Record 2.2 Bibliographic level 2.3 Character Encoding Scheme 2.4 Encoding Level 2.5 Descriptive Cataloguing Form Step 3: Coding the Fixed Length Control Fields 3.1 Additional Material Characteristics 3.2 Physical Description 3.3 Type of Date 3.4 Date 1 3.5 Date 2 3.6 Place of Publication 3.7 Illustration / Frequency / Running Time 3.8 Type of Continuing Resource 3.9 Form of item 2 3.10 Form of Item for Visual Materials 3.11 Type of Visual Material 3.12 Language Step 4: Coding the Variable Fields 4.1 Library of Congress Control Number 4.2 National Bibliographic Agency Control Number 4.3 Cataloguing Source Step 5: Record Attributes of the Work 5.1 Constructing the Authorized Access Point Representing a Work 5.1.1 Record the Preferred Title for the Work 5.1.1.1 Additions to the Preferred Title for the Work 5.1.2 Record the Creators Responsible for the Work 5.1.2.1 Changes that Affect the Identification of the Work 5.1.3 Combine Elements to Construct the AAP Representing a Work 5.1.3.1 Encoding AAP for Works 5.1.3.2 Examples of AAP for Works 5.2 Identifier for the Work 5.3 Notes for the Work 5.3.1 Nature of the Content 5.3.2 Formatted Contents 5.3.3 Intended Audience 5.3.4 Type of Computer File or Data 5.3.5 Dissertation or Thesis Note 5.4 Record Relationships to Persons, Families, Corporate Bodies associated with the Work 5.5 Record Others Associated With the Work 5.6 Record Related Works 5.6.1 Record Relationships between Works 5.6.1.1 Record Note on Related Work 5.6.2 Link Entry Complexity (Serials) Related Works 5.7 Record Relationships to Concepts, Objects, Events, & Places 5.7.1 Tools/Resources for applying Controlled Subject Terms and Classification Numbers 5.7.2 Brief Notes for Cuttering 5.8 Examples of Work Level Description 5.8.1 Book 5.8.2 E-Book 5.8.3 Print Serial 5.8.4 Electronic Journal 3 5.8.5 DVD 5.8.6 Streaming Video 5.8.7 Musical Score 5.8.8 Audio-CD 5.8.9 Audio Book 5.8.10 Streaming Audio 5.8.11 Website 5.8.12 Software Step 6: Record Attributes of the Expression 6.1 Constructing the Authorized Access Point Representing the Expression 6.2 Content Type 6.3 Date of Expression 6.4 Language of Expression 6.5 Other Distinguishing Characteristics of the Expression 6.6 Identifiers for Expression 6.7 Describe Content 6.7.1 Illustrative Content 6.7.2 Colour Content 6.7.3 Performer, Narrator, and/or Presenter 6.7.4 Artistic and/or Technical Credit 6.7.5 Summarization of the Content 6.7.6 Place and Date of Capture 6.7.7 Language of the Content 6.7.8 Accessibility Content 6.7.9 Supplementary Content 6.7.10 Format of Notated Music 6.7.11 Medium of Performance of Musical Content 6.7.12 Sound Content 6.7.13 Duration 6.8 Record Expression Level Relationships 6.8.1 Record AAP for Contributors 6.8.2 Record Relationships to Persons, Families, or Corporate Bodies Associated with an Expression 6.9 Record Related Expressions 6.9.1 Record Note on Related Expression 6.9.2 Link Entry Complexity (Serials) Related Expression 6.10 Examples of Expression Level Descriptions 6.10.1 Book 6.10.2 E-Book 4 6.10.3 Print Serial 6.10.4 Electronic Journal 6.10.5 DVD 6.10.6 Streaming Video 6.10.7 Musical Score 6.10.8 Audio-CD 6.10.9 Audio Book 6.10.10 Streaming Audio 6.10.11 Website 6.10.12 Software Step 7: Record Attributes of Manifestation 7.1 Title 7.1.1 Title Proper 7.1.2 Parallel Title Proper 7.1.3 Other Title Information 7.1.4 Earlier Title Proper 7.1.5 Variant Title 7.2 Statement of Responsibility 7.2.1 Statement of Responsibility Relating to the Title Proper 7.2.2 Parallel Statement of Responsibility Relating to the Title Proper 7.3 Edition 7.3.1 Edition Statement 7.3.2 Designation of an Edition/Named Revision Statement 7.3.3 Parallel Designation of Edition/Named Revision 7.3.4 Statement of Responsibility Relating to the Edition/Named Revision 7.3.5 Parallel Statement of Responsibility Relating to the Edition/ Named Revision 7.4 Publication / Distribution / Manufacture / Production 7.4.1 Publication / Distribution / Manufacture / Production Statement 7.4.2 Place of Publication / Distribution / Manufacture / Production 7.4.3 Parallel Place of Publication / Distribution / Manufacture / Production 7.4.4 Publisher / Distributor / Manufacturer / Producer’s Name 7.4.5 Parallel Publisher / Distributor / Manufacturer / Producer’s Name 7.4.6 Date of Publication / Distribution / Manufacture / Production 7.5 Copyright Date 7.6 Issuing body 7.7 Numbering of Serials and Frequency of Serials 7.7.1 Numbering Peculiarities 7.7.2 Supplement Note (Serials) 5 7.7.3 Recording Frequency 7.8 Series 7.8.1 Series Statement 7.8.2 Title Proper of Series 7.8.3 Parallel Title Proper of Series 7.8.4 Other Title Information of Series 7.8.5 Statement of Responsibility Relating to a Series 7.8.6 Transcribe Numbering Within Series 7.8.7 Transcribe a Title Proper of Subseries 7.8.8 Record Numbering Within Subseries 7.8.9 Record ISSN of Series/ISSN of Subseries 7.9 Identifiers for the Manifestation 7.10 Extent 7.11 Record Dimensions 7.12 Record Media and Carrier Type 7.12.1 Media Type 7.12.2 Carrier Type 7.13 Note on Carrier 7.13.1 Note on Extent of Manifestation 7.13.2 Note on Dimensions of Manifestation 7.13.3 Note on Changes in Carrier Characteristics 7.14 System Details. Special playback characteristics 7.15 System Details. Video Characteristics 7.16 System Details. Digital File Characteristics 7.17 System Details. Equipment or System Requirements 7.18 Record Manifestation Level Relationships 7.18.1 Record Authorized Access Points for Person, Family and Corporate Body for Manifestations 7.18.1.1 Producer of an Unpublished Resource 7.18.1.2 Publisher 7.18.1.3 Distributor 7.18.1.4 Manufacturer 7.18.1.5 Other person, family, or corporate body associated with a manifestation 7.18.2 Record Relationships to Persons, Families, Corporate bodies associated with Manifestations 7.18.3 Record Related Manifestations 7.18.3.1 Reproduction Note 7.18.3.2 Original Version 6 7.18.3.3 Related Manifestation/Additional Physical Form Available 7.18.3.4 Linking Entry Complexity (Serials). Related Manifestation 7.19 Examples of Manifestation Level Descriptions 7.19.1 Book 7.19.2 E-Book 7.19.3 Print Serial 7.19.4 Electronic Journal 7.19.5 DVD 7.19.6 Streaming Video 7.19.7 Musical Score 7.19.8 Audio-CD 7.19.9 Audio Book 7.19.10 Streaming Audio 7.19.11 Website 7.19.12 Software Step 8: Record Attributes of Item 8.1 Custodial History of Item 8.2 Immediate Source of Acquisition of Item 8.3 Identifiers for the Item 8.4 Note on Item 8.5 Record Authorized Access Points for Persons, Families, & Corporate Bodies for Items 8.5.1 Owners 8.5.2 Custodians 8.5.3 Other Persons, Families, or Corporate Bodies Associated with an Item 8.6 Record Item Level Relationships 8.6.1 Record Relationships to Persons, Families, & Corporate Bodies for the Item 8.6.2 Record Related Items 8.6.3 Linking Entry Complexity (Serials). Related Item 8.7 Examples of Item Level & Full Descriptions 8.7.1 Book 8.7.2 E-Book 8.7.3 Print Serial 8.7.4 Electronic Journal 8.7.5 DVD 8.7.6 Streaming Video 8.7.7 Musical Score 8.7.8 Audio-CD 8.7.9 Audio Book 8.7.10 Streaming Audio 7 8.7.11 Website 8.7.12 Software E.
Recommended publications
  • Popeye: Lets You and Him Fight! Volume 3 Free
    FREE POPEYE: LETS YOU AND HIM FIGHT! VOLUME 3 PDF E. C. Segar | 168 pages | 02 Dec 2008 | Fantagraphics | 9781560979623 | English | Seattle, United States Popeye - Wikipedia This article is about the franchise as a whole. For the character, see Popeye. For other meanings, see Popeye disambiguation. Popeye the Sailor was created by E. Segar as a supporting character in the daily King Features comic strip Thimble Theatreappearing on January 17, The character has since continued to appear in comics and animated cartoons, in the cinema as well as on television. Popeye also became the strip's title in later years. Even though Segar's Thimble Theatre strip was in its 10th year when Popeye made his debut inthe sailor quickly became the main focus of the strip and Thimble Theatre became one of King Features's most popular properties during the s. Thimble Theatre was continued after Segar's death in by several writers and artists, most notably Segar's assistant Bud Sagendorf. The strip, now titled Popeyecontinues to appear in first-run installments in its Sunday edition, written and drawn by Hy Eisman. The daily strips are reprints of old Sagendorf stories. These cartoons proved to be among the most popular of the s, and the Fleischers — and later Paramount's own Famous Studios — continued production through Over the years, Popeye has also appeared in comic books, television cartoons, arcade and video gameshundreds of advertisements and peripheral products, and a live-action film directed by Robert Altman starring comedian Robin Williams as Popeye. Differences in Popeye 's story and characterization show up depending upon which medium he is presented in.
    [Show full text]
  • What Happened in 1930 Including Pop Cul... Events, Key Technology
    12/19/2016 What Happened in 1930 including Pop Culture, Significant Events, Key Technology and Inventions Search What Happened in 1930 Important News and Events, Key Technology and Popular Culture 1930 Major News Stories including rst year of the great depression, Prohibition Enforcement is Strengthened, Graf Zeppelin Airship Completes Flight From Germany to Brazil, Mahatma Gandhi begins 200 mile march to the salt beds of Jalalpur to protest British Rule, 1350 banks in the US fail, Smoot- Hawley Tari bill signed raising duties on imports, Public Works programs begin, ... 1930 was the rst year of the great depression , television was just starting to gain momentum but the high unemployment of 8.9% caused problems in every area of life . This was felt worldwide and many countries could see political change starting for example Germany where Adolf Hitler's National Socialists become the second largest party. Jump To World Leaders -- Calendar -- Technology -- Popular Culture -- News and Events -- Born This Year -- Cost Of Living Cost of Living 1930 How Much things cost The Yearly Ination Percentage USA ? UK - 2.8% Average Cost of new house $7,145.00 Average wages per year $1,970.00 Cost of a gallon of Gas 10 cents Average Cost for house rent $15.00 per month A loaf of Bread 9 cents A LB of Hamburger Meat 13 cents Magic Chef Gas Cooker $195.00 Pontiac Big Six Car $745.00 Prices for UK guides in Pounds Sterling Average House Price 590 http://www.thepeoplehistory.com/1930.html 1/11 12/19/2016 What Happened in 1930 including Pop Culture, Significant Events, Key Technology and Inventions United States -- Smoot-Hawley Tari bill President Herbert Hoover signs the 1930 Smoot-Hawley Tari bill on June 17th which raised duties on imports More Information and Timeline for the Smoot-Hawley Tari 1.
    [Show full text]
  • 321444 1 En Bookbackmatter 533..564
    Index 1 Abdominal aortic aneurysm, 123 10,000 Year Clock, 126 Abraham, 55, 92, 122 127.0.0.1, 100 Abrahamic religion, 53, 71, 73 Abundance, 483 2 Academy award, 80, 94 2001: A Space Odyssey, 154, 493 Academy of Philadelphia, 30 2004 Vital Progress Summit, 482 Accelerated Math, 385 2008 U.S. Presidential Election, 257 Access point, 306 2011 Egyptian revolution, 35 ACE. See artificial conversational entity 2011 State of the Union Address, 4 Acquired immune deficiency syndrome, 135, 2012 Black Hat security conference, 27 156 2012 U.S. Presidential Election, 257 Acxiom, 244 2014 Lok Sabha election, 256 Adam, 57, 121, 122 2016 Google I/O, 13, 155 Adams, Douglas, 95, 169 2016 State of the Union, 28 Adam Smith Institute, 493 2045 Initiative, 167 ADD. See Attention-Deficit Disorder 24 (TV Series), 66 Ad extension, 230 2M Companies, 118 Ad group, 219 Adiabatic quantum optimization, 170 3 Adichie, Chimamanda Ngozi, 21 3D bioprinting, 152 Adobe, 30 3M Cloud Library, 327 Adonis, 84 Adultery, 85, 89 4 Advanced Research Projects Agency Network, 401K, 57 38 42, 169 Advice to a Young Tradesman, 128 42-line Bible, 169 Adwaita, 131 AdWords campaign, 214 6 Affordable Care Act, 140 68th Street School, 358 Afghan Peace Volunteers, 22 Africa, 20 9 AGI. See Artificial General Intelligence 9/11 terrorist attacks, 69 Aging, 153 Aging disease, 118 A Aging process, 131 Aalborg University, 89 Agora (film), 65 Aaron Diamond AIDS Research Center, 135 Agriculture, 402 AbbVie, 118 Ahmad, Wasil, 66 ABC 20/20, 79 AI. See artificial intelligence © Springer Science+Business Media New York 2016 533 N.
    [Show full text]
  • Leo Robin Music's Second Open Letter to Ms. Kristin Chenoweth Re
    Leo Robin Music's Second Open Letter to Ms. Kristin Chenoweth Re: Moral Wrong for Failure to Install the Star, "#Leosloststar," Awarded to the "Thanks For The Memory" Oscar-Winning Lyricist More Than 30 Years Ago SHERMAN OAKS, CA / ACCESSWIRE / May 25, 2021 / Dear Ms. Chenoweth, I, Leo Robin's grandson, sent you an open letter on March 2, 2021 via FedEx, nearly two months ago, but assume that you never received it since I haven't heard back from you. I am enclosing it once more so you will better understand the unprecedented circumstances surrounding the long-standing mistake made by the Hollywood Walk of Fame more than 30 years ago. The 1990 Walk of Fame Committee awarded a star to lyricist Leo Robin but the Hollywood Chamber of Commerce never installed it. The Hollywood Chamber as well as the Walk of Fame Committee continue to be morally adrift in regard to this unprecedented situation with the star awarded to Robin but not installed. And they must recognize that they bear responsibility for this on-going moral injustice and take the steps to address it. Ms. Chenoweth, you are known for your distinctive speaking voice, one which has been compared to that of Betty Boop. In an interview reported by Walter Scott in Parade magazine on April 5, 2014, "Kristin Chenoweth Takes a Wicked Vocal Turn in Rio 2." He posed this question, "You have such a distinctive voice - both singing and speaking. Some people would say, Are you related to Betty Boop? Are you sucking helium?" Ms. Chenoweth, you responded, "I have a sort of nineteen-thirties cartoon voice that's well-suited for animation.
    [Show full text]
  • CED Videodisc
    SUMMER 1984 SUPPLEMENT II -' WORLD'S GREATEST SELECTION OF THINGS TO SHOW DON'T LOSE YOUR CATALOG SUBSCRIPTION Because of increased printing costs we will no longer be able to mail catalogs to anyone who has not ordered from us in the last 15 months. SO, order from this catalog today and you will stay on our list. MIDSUMMER'S NIGHT CLOSING OUT! A JAZZY SUMMER SALE! SPECIAL! T. Marvin Hatley (videocassette) (videocassette) Music For laurel & Hardy BLACK AND TAN (1930) FLIGHTS AND FLYERS : (and Friends) 8 8 AMELIA EARHART' /ST. LOUIS BLUES (1929) A Blockhawk/Movietone compilation of Miss You can now own original studio recordings of BLACK AND TAN (1930) Earhart's exploits from about 1932 to that garbled background music created for the films of Laurel & message received at Howland Island. S~e her pilot an DUKE ELLINGTON autogiro, a tickertape parade in New York following her Hardy by the inimitable T. Marvin Hatley! This fine trans-Atlantic trip, receiving the National Geographic album contains memorable scores from WAY OUT D~ke Ellington's first screen appearance Award from President Hoover. Also arriving at Newark WEST, THEM THAR HILLS, SAPS AT SEA, SONS wos th is extraordinary and deeply moving after completing a cross country flig.ht in 17 hours and OF THE DESERT, A CHUMP AT OXFORD, film pr<,duced in the second year of sound some moments, and that ofter spending about 2½ hours BLOCKHEADS and BONNIE SCOTLAND. These on the ground for canopy repairs. Then on to Honolulu are not re-creations! They ore the original 1930s by Dudley Murphy.
    [Show full text]
  • Pathescope 9.5Mm Sound
    9.5 mm SOUND & SILENT FILM CATALOGUE A Comparison of your 9.51;, Picture Area o o o a p o D o z D Q J O o in o o i a o o o o a o o z o o s o 35 mm 16 mm 9.S mm • mm The advantage of the centre sprocket hole needs no emphasis for obviously your 9.5 mm. film has the greatest picture area pro rata to its width and film wastage is negligible. The film transmission is even and smooth as projector claws and sprockets engage in the centre perforations of the film. Scanned from the collection of Karl Thiede Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from David Pierce Digitized by the Internet Archive in 2011 with funding from IVIedia History Digital Library http://www.archive.org/details/pathescope95mmso02path FILM CATALOGUE 9.5 mm SILENT 9.5 mm SOUND 1956 — 1957 (FIRST EDITION) PRICE 2/6 L 1 M I T E D NORTH CIRCULAR ROAD, LONDON, N.W.2 PRICES OPERATING NOVEMBER 1st 1956 L/ before a number (e.g. L/30125) denotes a SO ft. Film Price - 5s. 6d. D/ before a number (e.g. D/IO^^S) denotes a 60 ft Film Price - 10s, 6d. R/ before a number (e.g. R/30527) denotes a 75 ft. Film Special Price C/ before a number (e.g. C/ 30601) denotes a 100 ft. Film Price - £1 Is. Od. M/ before a number (e.g. M/S017S) denotes a 200 ft.
    [Show full text]
  • Animation 23910
    Film 3910-02: Classical Cel Animation TTH 6-8 Pigott 107 Dr. Kirsten Thompson ___________________________________________________ Shhh! Be vewwy vewwy quiet. I'm hunting wabbits! With iconic characters like Elmer Fudd, Mickey Mouse, Popeye the Sailor and Wile E. Coyote, classical cel animation has shaped American popular culture. This class will explore the influential role of cel animation in the United States from the 1890's through to the 1960's, as an industrial form that is still enormously influential on contemporary shows like Family Guy and The Simpsons. We'll study the development of cel animation as an industry, production process and series of aesthetic and generic strategies, while we survey technological developments like the role of sound, music and color and the emergence of personality animation with characters like Bugs Bunny and Felix the cat. We'll trace the vexed ways in which animation engaged with, reproduced or transgressed different representations of race and gender and consider the influential role that animation played in World War II propaganda films, and in graphic modernism. This class can fulfill your genre requirement for Film Majors (PEP required) Each week the first class will be a screening of a feature film, while the second class will be devoted to group work, viewing of clips and some lecturing (Roughly 70 % group work & analysis and 30 % lecture). Together we will practice close analysis of the weekly readings and film. You will be expected to participate in class discussions, complete all class assignments on time and see all scheduled films. As the quarter system moves very quickly, it is essential you come to class prepared.
    [Show full text]
  • Cartoons Cartoons Are Arranged by Character Or Series Or Studio
    Public Domain Cartoons Cartoons are arranged by character or series or studio. Betty Boop Cartoons: Each are 7 minutes long Disc #1: Betty Boop’s Crazy Inventions (1933) Directed by Dave Fleischer House Cleaning Blues (1937) Directed by Dave Fleischer Poor Cinderella (Color, 1934) Directed by Dave Fleischer Betty Boop’s Rise to Fame (1934) Directed by Dave Fleischer Betty in Blunderland (1934) Directed by Dave Fleischer More Pep (1936) Directed by Dave Fleischer Is My Palm Red? (1933) Directed by Dave Fleischer Betty Boop’s Ker-Choo (1933) Directed by Dave Fleischer Betty Boop with Henry (1935) Directed by Dave Fleischer Be Human (1936) Directed by Dave Fleischer Judge for a Day (1935) Directed by Dave Fleischer Betty Boop and Little Jimmy (1936) Directed by Dave Fleischer No, No, A Thousand Times No (1935) Directed by Dave Fleischer Betty Boop and the Little King (1936) Directed by Dave Fleischer Hot Air Salesman (1937) Directed by Dave Fleischer Stop That Noise (1935) Directed by Dave Fleischer Musical Mountaineers (1939) Directed by Dave Fleischer Betty Boop, Disc #2: Betty Boop and Grampy (1935) Directed by Dave Fleischer Grampy’s Indoor Outing (1936) Directed by Dave Fleischer The Impractical Joker (1937) Directed by Dave Fleischer On With the New (1938) Directed by Dave Fleischer So Does An Automobile (1939) Directed by Dave Fleischer Whoops, I’m a Cowboy (1937) Directed by Dave Fleischer Taking the Blame (1935) Directed by Dave Fleischer Swat the Fly (1935) Directed by Dave Fleischer Little Nobody (1936) Directed by Dave Fleischer
    [Show full text]
  • Oddball Films: Pre-Code Betty Boopathon! - Thur
    11/12/2016 Oddball Films: Pre-Code Betty Boopathon! - Thur. Nov. 10th - 8PM 0 More Next Blog» [email protected] Dashboard Sign Out Oddball Films Screenings Thursday & Friday Nights at 8pm | 275 Capp Street, San Francisco, CA 94110 Sign up for our weekly newsletter Email Pre‐Code Betty Boopathon! ‐ Thur. Nov. 10th sign up ‐ 8PM Blog Archive Oddball Films and curator Kat Shuchter bring ▼ 2016 (95) you Pre­Code Betty Boopathon!, a program of 16mm cartoons from 1930­1934 ▼ November (7) from the Fleischer Brothers starring the News from the Archive ­ original cartoon sexpot and the most popular Recent Projects female cartoon character of all time: Betty Hey Sailor! Antique Naval VD, Boop. Dave and Max Fleischer were true Training, and Epheme... animation pioneers; the first to introduce Oddball in the Press sound in animation and creators of Strange Sinema 106 ­ rotoscoping (tracing human movement from Computeresque: film) as well as the originators of Popeye, the Experiments Wi... first Superman cartoons and more. They also Political Party Animals: Bizarro introduced the world to one of its sexiest and Politics and Prop... most beloved cartoon heroines ever. The Betty Boop cartoons are incredibly Pre­Code Betty Boopathon! ­ Thur. Nov. 10th ­ 8PM imaginative, sexy, surreal, and possess the spirit of the Jazz Age with a kooky and spooky ► October (10) edge. "Born" in 1930 as a dog lady singing in ► September (9) a Bimbo the dog cartoon, Betty eventually evolved over the next few years into not only ► August (8) a human woman but also from an unnamed ► July (9) bit player into the star of dozens of cartoons.
    [Show full text]
  • American Cinema of the 1930S SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES
    American Cinema of the 1930s SCREEN AMERICAN CULTURE / AMERICAN CINEMA DECADES Each volume in the Screen Decades: American Culture/American Cinema series presents a group of original essays analyzing the impact of cultural issues on the cin- ema and the impact of the cinema in American society. Because every chapter explores a spectrum of particularly significant motion pictures and the broad range of historical events in one year, readers will gain a continuing sense of the decade as it came to be depicted on movie screens across the continent. The integration of his- torical and cultural events with the sprawling progression of American cinema illu- minates the pervasive themes and the essential movies that define an era. Our series represents one among many possible ways of confronting the past; we hope that these books will offer a better understanding of the connections between American culture and film history. LESTER D. FRIEDMAN AND MURRAY POMERANCE SERIES EDITORS Ina Rae Hark, editor, American Cinema of the 1930s: Themes and Variations Wheeler Winston Dixon, editor, American Cinema of the 1940s: Themes and Variations Murray Pomerance, editor, American Cinema of the 1950s: Themes and Variations Lester D. Friedman, editor, American Cinema of the 1970s: Themes and Variations Stephen Prince, editor, American Cinema of the 1980s: Themes and Variations American Cinema of the 1930s Themes and Variations EDITED BY INA RAE HARK RUTGERS UNIVERSITY PRESS NEW BRUNSWICK, NEW JERSEY AND LONDON LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA American cinema of the 1930s : themes and variations / edited by Ina Rae Hark. p. cm. — (Screen decades) Includes bibliographical references and index.
    [Show full text]
  • {PDF EPUB} Hard Times - a Runaway's Adventures in the Americas by Jack Mercer Everyday Runaway's Adventures
    Read Ebook {PDF EPUB} Hard times - A runaway's adventures in the Americas by Jack Mercer Everyday Runaway's Adventures. On a never ending mission to escape the boring routine of everyday life…. About. Hi my name is Amber. I’m just your average girl trying to live an anything but ordinary life. The mundane routines of everyday life are so boring that I might as well take a nap for the rest of my life. Sure I think it’s important to learn to appreciate every moment, but there’s a whole big wide world out there and I don’t think I was meant to just do the same thing in the same place every day until I die. So I’m on a mission to explore every inch of the earth and experience everything I can before I die. I live for outdoor adventures and I love introducing people to new experiences. My only hope is that a few of you will be inspired enough to do the same, or at least take a trip or two. ✌ About. Join me on my journey to explore every inch of this earth and experience all this life has to offer! ✌ America's New Wave Of Runaways. SOME NIGHTS, KHAMHOM KEODARA is so worried about her son, Khampheth, that she wanders the streets of south Seattle looking for him. Her 11-year-old boy disappears for days at a time-he has skipped classes so often that his school doesn't want him back. And though he always returns home, Khampheth refuses to say where he's been.
    [Show full text]
  • Public Domain Cartoons Cartoons Are Arranged on Dvds As Indicated by Character Or Series Or Studio
    Public Domain Cartoons Cartoons are arranged on DVDs as indicated by character or series or studio. Most cartoons run from 6 to 8 minutes long. Disc #1: Betty Boop Cartoons Vol. #1 All of these directed by Dave Fleischer: Betty Boop’s Crazy Inventions (1933) House Cleaning Blues (1937) Poor Cinderella (Color, 1934) Betty Boop’s Rise to Fame (1934) Betty in Blunderland (1934) More Pep (1936) Is My Palm Red? (1933) Betty Boop’s Ker-Choo (1933) Betty Boop with Henry (1935) Be Human (1936) Judge for a Day (1935) Betty Boop and Little Jimmy (1936) No, No, A Thousand Times No (1935) Betty Boop and the Little King (1936) Hot Air Salesman (1937) Stop That Noise (1935) Musical Mountaineers (1939) Disc 2: Betty Boop Cartoons Vol. #2: All of these directed by Dave Fleischer: Betty Boop and Grampy (1935) Grampy’s Indoor Outing (1936) The Impractical Joker (1937) On With the New (1938) So Does An Automobile (1939) Whoops, I’m a Cowboy (1937) Taking the Blame (1935) Swat the Fly (1935) Little Nobody (1936) The Scared Crows (1939) Happy You and Merry Me (1936) Making Stars (1936) The Candid Candidate (1937) Musical Mountaineers (1939) Pudgy And The Lost Kitten (1938) Rare, with German subtitles! Buzzy Boop (1938) In My Merry Oldsmobile (1931) Fleischer Screen Song Disc #3: Betty Boop, Disc #3: All of these directed by Dave Fleischer: Rhythm on the Reservation (1939) A Little Soap and Water (1935) A Language All My Own (1935) A Song a Day (1936) Baby Be Good (1935) You’re Not Built That Way (1936) Not Now (1936) We Did It (1936) My Friend the Monkey (1939) Training Pigeons (1936) Making Friends (1936) Pudgy Takes a Bow-Wow (1937) Pudgy Picks a Fight (1937) Ding Dong Doggie (1937) Disc #4: Popeye Cartoons - 1: Color unless noted as b/w Popeye the Sailor Meets Sindbad the Sailor (Color, 1936) 15 min.
    [Show full text]