What Happened in 1930 Including Pop Cul... Events, Key Technology
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Popeye: Lets You and Him Fight! Volume 3 Free
FREE POPEYE: LETS YOU AND HIM FIGHT! VOLUME 3 PDF E. C. Segar | 168 pages | 02 Dec 2008 | Fantagraphics | 9781560979623 | English | Seattle, United States Popeye - Wikipedia This article is about the franchise as a whole. For the character, see Popeye. For other meanings, see Popeye disambiguation. Popeye the Sailor was created by E. Segar as a supporting character in the daily King Features comic strip Thimble Theatreappearing on January 17, The character has since continued to appear in comics and animated cartoons, in the cinema as well as on television. Popeye also became the strip's title in later years. Even though Segar's Thimble Theatre strip was in its 10th year when Popeye made his debut inthe sailor quickly became the main focus of the strip and Thimble Theatre became one of King Features's most popular properties during the s. Thimble Theatre was continued after Segar's death in by several writers and artists, most notably Segar's assistant Bud Sagendorf. The strip, now titled Popeyecontinues to appear in first-run installments in its Sunday edition, written and drawn by Hy Eisman. The daily strips are reprints of old Sagendorf stories. These cartoons proved to be among the most popular of the s, and the Fleischers — and later Paramount's own Famous Studios — continued production through Over the years, Popeye has also appeared in comic books, television cartoons, arcade and video gameshundreds of advertisements and peripheral products, and a live-action film directed by Robert Altman starring comedian Robin Williams as Popeye. Differences in Popeye 's story and characterization show up depending upon which medium he is presented in. -
Leo Robin Music's Second Open Letter to Ms. Kristin Chenoweth Re
Leo Robin Music's Second Open Letter to Ms. Kristin Chenoweth Re: Moral Wrong for Failure to Install the Star, "#Leosloststar," Awarded to the "Thanks For The Memory" Oscar-Winning Lyricist More Than 30 Years Ago SHERMAN OAKS, CA / ACCESSWIRE / May 25, 2021 / Dear Ms. Chenoweth, I, Leo Robin's grandson, sent you an open letter on March 2, 2021 via FedEx, nearly two months ago, but assume that you never received it since I haven't heard back from you. I am enclosing it once more so you will better understand the unprecedented circumstances surrounding the long-standing mistake made by the Hollywood Walk of Fame more than 30 years ago. The 1990 Walk of Fame Committee awarded a star to lyricist Leo Robin but the Hollywood Chamber of Commerce never installed it. The Hollywood Chamber as well as the Walk of Fame Committee continue to be morally adrift in regard to this unprecedented situation with the star awarded to Robin but not installed. And they must recognize that they bear responsibility for this on-going moral injustice and take the steps to address it. Ms. Chenoweth, you are known for your distinctive speaking voice, one which has been compared to that of Betty Boop. In an interview reported by Walter Scott in Parade magazine on April 5, 2014, "Kristin Chenoweth Takes a Wicked Vocal Turn in Rio 2." He posed this question, "You have such a distinctive voice - both singing and speaking. Some people would say, Are you related to Betty Boop? Are you sucking helium?" Ms. Chenoweth, you responded, "I have a sort of nineteen-thirties cartoon voice that's well-suited for animation. -
OCLS Cataloguing Workflow
OCLS Cataloguing Workflow Created by: Ian Bigelow (Georgian College), Stacey Boileau (OCLS), Danielle Emon (Loyalist College), Rosina Leung (Seneca College), Marina Morgan & Irene Sillius (Sheridan College) With thanks to Safar Ali (OCLS) for contributions to the Identifiers of Manifestations for Matching to the CUC document & Thanks to Doris Rankin and Sally Press for early project contributions Presented by the Ontario Colleges Library Service (OCLS) With the support of the Heads of Libraries & Learning Resources (HLLR) & the Colleges Union Catalogue & Digital Repository Steering Group (CUCLDRSG) As approved by the Bibliographic Standards Working Group (BSWG) & the Joint RDA Implementation Subcommittee (JRDA) This workflow drew insight from the Cambridge Monograph WEMI Workflow, the BL Monograph WEMI Workflow and the Pan-Canadian Working Group Workflows This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. Feedback is Welcome: [email protected] 1 Table of Contents A. Foreword B. Introduction C. Cataloguing Tools and Standards C.1 Descriptive Cataloguing C.2 Content Standards C.2.1 AACR2 C.2.2 RDA C.3 Entity-Relationship Models C.4 Encoding Standards C.4.1 MARC C.4.2 Linked Data and the Semantic Web C.5 Authorized Access Points and Identifiers D. How To Use this Workflow D.1 Quick Step Guide Step 1: Define Preferred Source -
{PDF EPUB} Hard Times - a Runaway's Adventures in the Americas by Jack Mercer Everyday Runaway's Adventures
Read Ebook {PDF EPUB} Hard times - A runaway's adventures in the Americas by Jack Mercer Everyday Runaway's Adventures. On a never ending mission to escape the boring routine of everyday life…. About. Hi my name is Amber. I’m just your average girl trying to live an anything but ordinary life. The mundane routines of everyday life are so boring that I might as well take a nap for the rest of my life. Sure I think it’s important to learn to appreciate every moment, but there’s a whole big wide world out there and I don’t think I was meant to just do the same thing in the same place every day until I die. So I’m on a mission to explore every inch of the earth and experience everything I can before I die. I live for outdoor adventures and I love introducing people to new experiences. My only hope is that a few of you will be inspired enough to do the same, or at least take a trip or two. ✌ About. Join me on my journey to explore every inch of this earth and experience all this life has to offer! ✌ America's New Wave Of Runaways. SOME NIGHTS, KHAMHOM KEODARA is so worried about her son, Khampheth, that she wanders the streets of south Seattle looking for him. Her 11-year-old boy disappears for days at a time-he has skipped classes so often that his school doesn't want him back. And though he always returns home, Khampheth refuses to say where he's been. -
Leo Robin Music's Open Letter to Ms. Kristin Chenoweth Re: Moral Wrong
Leo Robin Music's Open Letter to Ms. Kristin Chenoweth Re: Moral Wrong for Failure to Install the Star, "#Leosloststar," Awarded to the "Thanks For The Memory" Oscar-Winning Lyricist More Than 30 Years Ago SHERMAN OAKS, CA / ACCESSWIRE / March 2, 2021 / Dear Ms. Chenoweth, I, as Leo Robin's grandson, am compelled by the recent announcement and the events that have taken place over the course of 30 years to request that you redress the moral wrong committed against lyricist Leo Robin by the Hollywood Chamber of Commerce and the Walk of Fame Committees (2018 - 2020). Leo Robin Music was outraged by the Hollywood Chamber of Commerce's recent announcement to once again deny the installation of the star on the Hollywood Walk of Fame that was awarded to Leo Robin more than 30 years ago. The Hollywood Chamber as well as the Walk of Fame Committee continue to be morally adrift in regard to this unprecedented situation with the star awarded to Leo Robin but not installed. And they must recognize that they bear responsibility for this on-going moral injustice and take the steps to address it. Ms. Chenoweth, you are known for your distinctive speaking voice, one which has been compared to that of Betty Boop. In an interview reported by Walter Scott in Parade magazine on April 5, 2014, "Kristin Chenoweth Takes a Wicked Vocal Turn in Rio 2." He posed this question, "You have such a distinctive voice -- both singing and speaking. Some people would say, Are you related to Betty Boop? Are you sucking helium?" Ms. -
Friday, May 1St | the Bleat
Friday, May 1st | The Bleat. 10/30/13, 9:18 AM ABOUT Search Thursday, April 30 100 Mysteries: Friday the Amazing Crime Dog RECENT COMMENTS polymathamy on 06.14.12 Bleat FRIDAY, MAY 1ST Amanda from Michigan on Boo. Hiss on MAY 1, 2009 · 81 COMMENTS · in DOMESTIC LIFE Julie on Testing the new RSS feed idea shesnailie on Autobots and Bruckner Opportunity: the Pixar-movie UP promotional team is coming to Mpls on Wagner von Drupen- Sachs on Autobots and Monday, and I will be getting into a chair with many balloons attached, and Bruckner go up in the air. Maybe even 4 feet. Problem: Child doesn’t have school that day. Solution: she’s coming with. 140 OR SO This will kick off season two of the Jimmy “Jim” Lileks show, BTW. I know Error: Twitter did not respond. Please wait a few I’ve mentioned this before, but I’m having more sheer fun in my job than minutes and refresh this page. ever. In my life. The whole bankruptcy-pay-cut-furlough thing aside, there’s more opportunity to do things. Anything. I mean, today I did the NewsBreak, CLICK – AND SAVE! did another video interview on la grippe porcine, wrote a column, and Safari Power Saver Monday I get in a floating chair. Lucky & grateful. Click to Start Flash Plug-in The last two days have been coast-to-coast with work, somehow, and I end up at 11:30 with nothing on TV to watch for relaxation. Most of the movies I record are old TCM films, but I only record them for the opening credits. -
Los Juicios De Superman. Dc Comics Contra Los Plagios Del Hombre De Acero
LOS JUICIOS DE SUPERMAN. DC COMICS CONTRA LOS PLAGIOS DEL HOMBRE DE ACERO SUPERMAN TRIALS. DC COMICS V. THE MAN OF STEEL PLAGIARIES Ignacio Fernández Sarasola Universidad de Oviedo RESUMEN: El éxito de Superman desencadenó la aparición de varias imitaciones suyas durante la “Golden Age”. Dos fueron especialmente relevantes: Wonder Man (publicado en Wonder Comics #1, 1939) y Captain Marvel (Whiz Comics #2, 1940). Detective Comics (o National Comics, como entonces era conocida) interpuso contra Bruns Inc. y a Fawcett Inc. una demanda por infracción de derechos de propiedad intelectual. En realidad, estos procesos no sólo perseguían indemnizar a DC, sino sobre todo disuadir cualquier intento posterior de copia de lo que era su principal fuente de ingresos. Los abogados de DC trataron de probar que los personajes e historias de Wonder Man y Captain Marvel eran copias de Superman, en tanto que los abogados de Bruns y Fawcett argumentaron que DC había perdido sus derechos de propiedad intelectual sobre Superman, y que sus superhéroes no eran copias del Hombre de Acero, ya que estaban basados en personajes anteriores de las tiras cómicas (como The Phantom) o en héroes clásicos (Hércules). A la postre, DC obtuvo la victoria en ambos procesos, y las historias de Wonder Man y Captain Marvel dejaron de publicarse. Sin embargo, fue en vano: Superman era más que un personaje; era un estereotipo, y DC no pudo evitar versiones posteriores de su propiedad legal. ABSTRACT: Superman success gave rise to several imitations during the Golden Age. Two of them were especially relevant: Wonder Man (published in Wonder Comics #1, 1939) and Captain Marvel (Whiz Comics #2, 1940). -
SAS Newsletter 2005
SOCIETY FOR ANIMATION STUDIES NEWSLETTER Volume 18, Issue 1 Winter 2005 A divided Art? Animation in Germany and Europe A Society for Animation Studies (SAS) conference in co-operation with Deutsches Institut für Animationsfilm, Dresden (DIAF) and Hochschule für discussions. Therefore, the relationship of animation in Bildende Künste, Dresden both Germanys with animation in the East European countries is a central topic of the conference. Beyond the 12. to 15. April 2005, during the 17th Filmfest Dresden German perspective, divisions between animation as an art form and animation in the applied arts are discussed, The conference “A divided Art? Animation in as well as questions about conditions of learning and Germany and Europe” will discuss the history and producing animation film have to be raised. The aesthetics of German animation film, focussing in conference also looks at the current situation of particular on the developments after 1945. As the two animation studies in Germany. Other topics on German states were in the front line of Cold War for European animation will be considered. decades, the European and international context of German animation plays an important role in the panel The conference will feature three days of papers and screenings in Dresden – a city closely connected with animation film for, here, the DEFA Trickfilmstudio, German biggest animation company, produced for 35 IN THIS ISSUE years. At night, public screenings in the course of the 17th Filmfest Dresden will present highlights of German 1 Conference in Dresden animation film. The conference is part of the 17th Filmfest Dresden, April 2005. 2 Book and Essay Awards The organisers encourage contributions not only from researchers in the fields of animation film studies and 2-4 President’s report film studies but also from researchers with other interdisciplinary approaches and practitioners. -
Dur 10/08/2019
SÁBADO 10 DE AGOSTO DE 2019 2 ETCÉTERA ‘BETTY BOOP’, ICONO DE BELLEZA El personaje modificó su forma de vestir obligada por el Código Hays. EN EL CINE Entre 1932 y 1939 apareció como protagonista de más de 80 cortometrajes animados que fueron producidos por los estudios Fleischer y distribuidos por Paramount Pictures. Snow White es uno de los más famosos. efe ALMODÓVAR VA POR NOTIMEX Ciudad de México LONDRES Tras arrasar en taquilla en los cines de España y recibir halagos de la crítica, la cinta número 21 del director Pedro Almodóvar, A casi 90 años de su crea- ‘Dolor y Gloria’, llega al Reino Unido para conquistar a los espec- ción, el personaje de “Betty portamiento tadores con una historia que desnuda el universo íntimo del ci- Boop” se ha convertido en además de la for- neasta manchego. un referente de belleza y li- ma particular en beralismo, cualidades que la la que hablaba: consagraron como una de en inglés las actri- las caricaturas más exitosas ces Margie Hines, del siglo XX. Kate Right, Boonie Niegan a Harvey ‘Betty Boop’ es una cari- Poe, Mae Questel y catura creada por el dibujan- Anabelle Little pres- te Grim Natwick, quien im- taron su voz al icónico primió feminidad y sexuali- personaje que también AGENCIAS solicitud de viaje dad al personaje, el cual tuvo representó al movimien- como referente la imagen to pin-up. NOTIMEX so (1988), además del com- corpórea de la actriz estadou- Por su exuberante forma Ciudad de México positor italiano Enrico Mo- nidense Helen Kane. de vestir, Betty se convirtió rricone, quien ha ganado Representó el movimien- en un icono de la moda; lle- El productor estadouniden- dos premios Oscar. -
Catálogo ALCINE35
Bommai es un grupo vocal formado por cuatro hermanos descendientes de una familia guineana asentada en Madrid. Guiados por la libertad del jazz y el atrevimiento de los ritmos africanos y afroamericanos, utilizan sus cuerpos y sus voces como únicos instrumentos para incluir así una multitud de armonías y de efectos en sus creaciones y en sus adaptaciones. Las coreografías que co m p l e m e n tan algunos de los temas (inspiradas en el ste p, un ba i l e afroamericano) e incluso llegan a formar parte de la percusión, son también una muestra de la fusión de estilos que contiene la música de este cuarteto. Contacto: Ladislao Bapory • [email protected] • 91.548.19.83 - 647.77.12.34 Bommai actúa en la inauguración de Alcine35 ORGANIZA PATROCINA COLABORA 9 AGRADECIMIENTOS 11 AGRADECIMIENTOS 12 ORGANIZACIÓN DIRECTOR TRANSPORTE DE INVITADOS Luis Mariano González Ángel García COORDINADOR ASESOR MUSICAL Ramón Garrido Armando Benito ADJUNTA A LA DIRECCIÓN PUBLICIDAD Anabel Hidalgo Página 10, S.L COORDINACIÓN TÉCNICA FOTOMECÁNICA Pedro Medina Lufercomp, S.L. José M. Velázquez IMPRESIÓN SECRETARÍA Gráficas Ballesteros Guadalupe Galván Durán Estibaliz Gómez APOYO TÉCNICO Leticia Quintanilla Denise Escuela Superior de Imagen y Sonido (CES) Pilar Soler Díaz COMITÉ ASESOR SECRETARÍA INTERNACIONAL José Antonio Hurtado Annette Scholz ASESORA DE CINE DE LA C.A.M PRENSA Y COMUNICACIÓN Pilar García Elegido Inés Nuñez Laura Olaizola COLABORACIÓN ESPECIAL Juan Manuel Ruiz COORDINACIÓN BOLETÍN FUNDACIÓN COLEGIO DEL REY ASESORES VÍDEO Organismo Autónomo de