Oddball Films: Pre-Code Betty Boopathon! - Thur
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Girls Gone Wild: the Flapper Dress by Doris M. Benavides 2
GIRLS GONE WILD: THE FLAPPER DRESS BY DORIS M. BENAVIDES 2ND PLACE FRESHMAN CATEGORY The Flapper Dress was considered a symbol of sexual liberation during the Roaring 20’s. The artifact this essay will center upon is an iris colored flapper dress made out of silk and cotton, decorated with lace bedazzled with pearls and thick fabric. The owner of this dress is unknown. This dress is currently being held in the Museum of Southern History. At a glance, this piece might seem as any other dress from a time personally unknown to contemporary generations. However, the flapper dress became one of the arms the defying women of the 1920’s used to make their mark in American history. In previous generations, women were taught to speak softly, carry lipstick, and wear their hair down. Through the impact of the flapper girls, those days became history. To begin with, the 1920’s were a period in American history that incorporated the fastest economic expansion in United States history, a new source of values, modernism, and a crash that changed the outlook of the United States until this day. The economy of the time incorporated rising stock prices, corporate profits, personal income, and gross domestic product (GDP). During this time, automobiles became largely available, movies, invented in the 1880’s, made debuts, dance music included jazz, and young, modern women joined the provocative culture of the time. Fashion played a crucial role during this time, and women were no longer content having to wear layers upon layers of clothing, nor long haircuts that became burdensome. -
The Great Gatsby (2013)’ Movie
FLAPPERS LIFESTYLE AS REFLECTED IN ‘THE GREAT GATSBY (2013)’ MOVIE A THESIS In Partial Fulfillment of the Requirements for S-1 Degree Majoring American Study in English Department Faculty of Humanities Diponegoro University Submitted by: SafiraAnindyaputeri 13020111130074 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2016 PRONOUNCEMENT I states truthfully that this project is compiled by me without taking the results from other research in any university, in S-1, S-2, and S-3 degree and diploma. In addition, I ascertain that I do not take the material from other publications or someone’s work except for the references mentioned in the bibliography. Semarang, August 2015 SafiraAnindyaputeri ii MOTTO AND DEDICATION Nothing in the world can trouble you as much as your own thoughts. - Sri Sri Ravi Shankar Keep saying ‘even so’. - Marida Cruz This thesis is dedicated to myself, my family, and BayuSatryaYudha. Also, for Leonardo DiCaprio. Congratulations for winning your very first Oscar, even though it has nothing to do with the film I used for this thesis. iii APPROVAL iv VALIDATION Approved by Strata 1 Thesis Examination Committee Faculty of Humanities Diponegoro University On August 2016 v ACKNOWLEDGEMENT Praise be to God the Almighty who has given mercy, blessing, strength, and guidance so this thesis entitled “Flappers Lifestyle as Reflected in The Great Gatsby (2013) Movie” came to a completion. On this occassion, I would like to thank all those people who have helped me in completing this thesis. The deepest gratitude and appreciation are extended to Ms. SukarniSuryaningsih, S.S., M.Hum, who has given her continuous support, advice, and suggestions in the completion of this thesis. -
A National Phenomenon Comes to New Orleans
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Summer 8-9-2017 Flapperism: A National Phenomenon Comes to New Orleans Tracy Carrero University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Cultural History Commons, United States History Commons, and the Women's History Commons Recommended Citation Carrero, Tracy, "Flapperism: A National Phenomenon Comes to New Orleans" (2017). University of New Orleans Theses and Dissertations. 2375. https://scholarworks.uno.edu/td/2375 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Flapperism: A National Phenomenon Comes to New Orleans A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in History by Tracy Carrero BA, University of California Santa Cruz, 1998 August 2017 Acknowledgments My deepest appreciation goes to my committee members Dr. -
The Concept of the Flapper in the Early Writings of F. Scott Fitzgerald
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Electronic Theses and Dissertations 1967 The onceptC of the Flapper in the Early Writings of F. Scott itF zgerald Janet Foster Carroll Follow this and additional works at: https://openprairie.sdstate.edu/etd Recommended Citation Carroll, Janet Foster, "The oncC ept of the Flapper in the Early Writings of F. Scott itzF gerald" (1967). Electronic Theses and Dissertations. 3283. https://openprairie.sdstate.edu/etd/3283 This Thesis - Open Access is brought to you for free and open access by Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. THE CONCEPT OF THEFLAPP:m IN THE EARLY WRITINJS OFF. SCOTT FIT'lGmwJ> BY JANETFOSTm CARROLL A thesis subnitted in partial .fulfillment of the requirements tor the degree Master of Arts, Major in English, South Dakota State University 1967 SOUTH DAKOTA STATS UNJYeR51TY LIBRARY THE CONCEPT OF THE FLAPPER IN THE FARLY WRITIIDS OFF. SCOTT FITZGERALD This thesis is approved as a creditable and independent investigation by a candidate for the degree, M�ster of Arts, and is acceptable as meeting the thesis requirements for this degree, but without implying that the conclusions reached by the candidate are necessarily the conclusions of the major department. Thesis Adviser / Date The writer wishes to express her sincere appreciation to Mrs. Ruth Alexander for her guidance and encouragement in the preparation of this essay. -
321444 1 En Bookbackmatter 533..564
Index 1 Abdominal aortic aneurysm, 123 10,000 Year Clock, 126 Abraham, 55, 92, 122 127.0.0.1, 100 Abrahamic religion, 53, 71, 73 Abundance, 483 2 Academy award, 80, 94 2001: A Space Odyssey, 154, 493 Academy of Philadelphia, 30 2004 Vital Progress Summit, 482 Accelerated Math, 385 2008 U.S. Presidential Election, 257 Access point, 306 2011 Egyptian revolution, 35 ACE. See artificial conversational entity 2011 State of the Union Address, 4 Acquired immune deficiency syndrome, 135, 2012 Black Hat security conference, 27 156 2012 U.S. Presidential Election, 257 Acxiom, 244 2014 Lok Sabha election, 256 Adam, 57, 121, 122 2016 Google I/O, 13, 155 Adams, Douglas, 95, 169 2016 State of the Union, 28 Adam Smith Institute, 493 2045 Initiative, 167 ADD. See Attention-Deficit Disorder 24 (TV Series), 66 Ad extension, 230 2M Companies, 118 Ad group, 219 Adiabatic quantum optimization, 170 3 Adichie, Chimamanda Ngozi, 21 3D bioprinting, 152 Adobe, 30 3M Cloud Library, 327 Adonis, 84 Adultery, 85, 89 4 Advanced Research Projects Agency Network, 401K, 57 38 42, 169 Advice to a Young Tradesman, 128 42-line Bible, 169 Adwaita, 131 AdWords campaign, 214 6 Affordable Care Act, 140 68th Street School, 358 Afghan Peace Volunteers, 22 Africa, 20 9 AGI. See Artificial General Intelligence 9/11 terrorist attacks, 69 Aging, 153 Aging disease, 118 A Aging process, 131 Aalborg University, 89 Agora (film), 65 Aaron Diamond AIDS Research Center, 135 Agriculture, 402 AbbVie, 118 Ahmad, Wasil, 66 ABC 20/20, 79 AI. See artificial intelligence © Springer Science+Business Media New York 2016 533 N. -
U.S. History Administered May 2019
U.S. History Administered May 2019 Copyright © 2019, Texas Education Agency. All rights reserved. Reproduction of all or portions of this work is prohibited without express written permission from the Texas Education Agency. STAAR U.S. History 09/19/2019 USHSP19R_rev00 STAAR U.S. History 09/19/2019 USHSP19R_rev00 U.S. HISTORY U.S. History Page 3 STAAR U.S. History 09/19/2019 USHSP19R_rev00 DIRECTIONS Read each question carefully. Determine the best answer to the question from the four answer choices provided. Then fill in the answer on your answer document. 1 Someone asked me if I wanted to make a New Year’s wish, and I said yes—and it was that I’d like to see every young person in the world join the “Just Say No” . club. Well, just the fact that Congress has proclaimed “Just Say No Week” and in light of all the activities taking place, it seems that my wish is well on its way to coming true. I’m so proud of all the young people, the parents, the citizens in cities and towns across the Nation, the Government, and everyone else who’s helping to create what I believe is the final solution to this problem. —First Lady Nancy Reagan, May 20, 1986 Which problem is Nancy Reagan hoping to solve with this campaign? A Drug and alcohol abuse among children B The effects of video-game violence on children C Diets high in sugar and salt among children D The effects of explicit lyrics in music on children U.S. -
Feminism and Flapperdom Sexual Liberation, Ownership of Body and Sexuality, & Constructions of Feminity in the Roaring 20’S
Feminism and Flapperdom: Sexual Liberation, Ownership of Body and Sexuality, & Constructions of Femininity in the Roaring 20’s Item Type Article/Review Authors Brady, Megan Citation Brady, M. (2019). Feminism and Flapperdom: Sexual Liberation, Ownership of Body and Sexuality, & Constructions of Femininity in the Roaring 20’s. SUNY Oneonta Academic Research (SOAR): A Journal of Undergraduate Social Science, 3. Download date 25/09/2021 17:54:45 Link to Item http://hdl.handle.net/20.500.12648/1473 Feminism and Flapperdom Sexual Liberation, Ownership of Body and Sexuality, & Constructions of Feminity in the Roaring 20’s Megan Brady, SUNY Oneonta ©2019, SOAR, SUNY Oneonta Academic Research FEMINISM AND FLAPPERDOM Feminism and Flapperdom: Sexual Liberation, Ownership of Body and Sexuality, & Constructions of Feminity in the Roaring 20’s (Winner of CSSR Student Paper Competition, Long Paper Category) Megan Brady, SUNY Oneonta The 1920s were known as a decade of exponential social, political, and cultural transformation and growth. This was extremely evident in the fight for and eventual achievement of women’s suffrage and the creation of the “flapper” image. These new instances of women demanding equal rights and opportunities led to shifts in cultural norms and expectations, including society’s perceptions of femininity and sexuality. The flapper movement granted women of all status that may have been denied representation and rights elsewhere the freedom in expressing their sexuality, femininity, and presentation of their bodies how they pleased despite the pressures and expectations being exerted upon them by a patriarchal society. While the flapper was a result of the expanding consumer culture in America, this does not go to cheapen what the flapper stood for in the eyes of so many women: sexual liberation, ownership of one’s body and sex, and the right to express the feminine self in ways unimaginable. -
American Electra Feminism’S Ritual Matricide by Susan Faludi
ESS A Y American electrA Feminism’s ritual matricide By Susan Faludi o one who has been engaged in feminist last presidential election that young women were politicsN and thought for any length of time can recoiling from Hillary Clinton because she “re- be oblivious to an abiding aspect of the modern minds me of my mother”? Why does so much of women’s movement “new” feminist activ- in America—that so ism and scholarship often, and despite its spurn the work and many victories, it ideas of the genera- seems to falter along tion that came before? a “mother-daughter” As ungracious as these divide. A generation- attitudes may seem, al breakdown under- they are grounded in lies so many of the a sad reality: while pathologies that have American feminism long disturbed Amer- has long, and produc- ican feminism—its tively, concentrated fleeting mobilizations on getting men to give followed by long hi- women some of the bernations; its bitter power they used to divisions over sex; give only to their sons, and its reflexive re- it hasn’t figured out nunciation of its prior incarnations, its progeni- how to pass power down from woman to woman, tors, even its very name. The contemporary to bequeath authority to its progeny. Its inability women’s movement seems fated to fight a war on to conceive of a succession has crippled women’s two fronts: alongside the battle of the sexes rages progress not just within the women’s movement the battle of the ages. but in every venue of American public life. -
OCLS Cataloguing Workflow
OCLS Cataloguing Workflow Created by: Ian Bigelow (Georgian College), Stacey Boileau (OCLS), Danielle Emon (Loyalist College), Rosina Leung (Seneca College), Marina Morgan & Irene Sillius (Sheridan College) With thanks to Safar Ali (OCLS) for contributions to the Identifiers of Manifestations for Matching to the CUC document & Thanks to Doris Rankin and Sally Press for early project contributions Presented by the Ontario Colleges Library Service (OCLS) With the support of the Heads of Libraries & Learning Resources (HLLR) & the Colleges Union Catalogue & Digital Repository Steering Group (CUCLDRSG) As approved by the Bibliographic Standards Working Group (BSWG) & the Joint RDA Implementation Subcommittee (JRDA) This workflow drew insight from the Cambridge Monograph WEMI Workflow, the BL Monograph WEMI Workflow and the Pan-Canadian Working Group Workflows This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. Feedback is Welcome: [email protected] 1 Table of Contents A. Foreword B. Introduction C. Cataloguing Tools and Standards C.1 Descriptive Cataloguing C.2 Content Standards C.2.1 AACR2 C.2.2 RDA C.3 Entity-Relationship Models C.4 Encoding Standards C.4.1 MARC C.4.2 Linked Data and the Semantic Web C.5 Authorized Access Points and Identifiers D. How To Use this Workflow D.1 Quick Step Guide Step 1: Define Preferred Source -
Featured History
APRIL 2018 Page 1, 4 Page 2 Page 3 Page 10 Page 11 Bustles, Corsets, We Have Come a Bring the Tots to One Railroading BIG Grant oh My! Long Way the Farm! Family FEATURED HISTORY SUFFER FOR BEAUTY Women’s History Revealed through Undergarments BY PATRICIA COSGROVE As we all know, fashions change. My grandmother Lennah, for example, was born in 1892. When she graduated high school she wore a white gown and undergarments that moved her breasts into what I call a ‘mono-bosom’ to create a ‘powder pigeon puff’ above the waist. The corset tilted her forward, so walking with a stylish cane became the rage. By 1925 as a married woman, naturally she accommodated the flapper era by squishing her shapely body into a long corset designed to give her a boyish physique—however, she could dance, smoke, drink and vote! After serving as a nurse and by the end of World War II, Lennah was back in the home baking in high heels, wearing a newfangled brassier designed to lift and point her breasts, a cincher to reach the desired waist size, and a girdle to hold up nylons. This all in one woman’s lifetime, and accomplished with a large portion of good-naturedness and shape changing undergarments! Our newest exhibit Suffer for Beauty: Women’s History Revealed through Undergarments explores all of those eras and more. [Much of this article is taken from the wonderful labels written by Michelle Marshman, a great guest curator.] SUFFER FOR BEAUTY: Women’s History Revealed through Undergarments On display through June 17 You don’t want to miss out on this fun, beautiful and important exhibit! Find out how women have shaped their bodies to accommodate the changing styles of beauty. -
Flapper Fashion in the Context of Cultural Changes of America in the 1920S
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 Flapper Fashion In the Context of Cultural Changes of America in the 1920s Soo Hyun Park Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/263 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FLAPPER FASHION IN THE CONTEXT OF CULTURAL CHANGES OF AMERICA IN THE 1920S BY SOOHYUN PARK A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University New York 2014 This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the dissertation requirement for the degree of Master of Arts. Approved By Thesis Advisor ___________________________________________ Date ________________ Professor Eugenia Paulicelli Executive Officer ___________________________________________ Date ________________ Professor Matthew K. Gold THE CITY UNIVERSITY OF NEW YORK ii Abstract FLAPPER FASHION IN THE CONTEXT OF CULTURAL CHANGES OF AMERICA IN THE 1920S by Soohyun Park Thesis Advisor : Professor Eugenia Paulicelli This study aimed to analyze the key characteristics of flapper fashion, which shaped the American fashion scene in the 1920s, and to review how this trend reflected the society at that time, which was changing fast in terms of the society, economy, and culture. -
Historical Context: the Great Gatsby EXPLORING Novels, 2003
Historical Context: The Great Gatsby EXPLORING Novels, 2003 The Jazz Age and the Roaring Twenties The Jazz Age began soon after World War I and ended with the 1929 stock market crash. Victorious, America experienced an economic boom and expansion. Politically, the country made major advances in the area of women's independence. During the war, women had enjoyed economic independence by taking over jobs for the men who fought overseas. After the war, they pursued financial independence and a freer lifestyle. This was the time of the "flappers," young women who dressed up in jewelry and feather boas, wore bobbed hairdos, and danced the Charleston. Zelda Fitzgerald and her cronies, including Sara Murphy, exemplified the ultimate flapper look. In The Great Gatsby, Jordan Baker is an athletic, independent woman, who maintains a hardened, amoral view of life. Her character represents the new breed of woman in America with a sense of power during this time. As a reaction against the fads and liberalism that emerged in the big cities after the war, the U.S. Government and conservative elements in the country advocated and imposed legislation restricting the manufacture and distribution of liquor. Its organizers, the Women's Christian Temperance Movement, National Prohibition Party, and others, viewed alcohol as a dangerous drug that disrupted lives and families. They felt it the duty of the government to relieve the temptation of alcohol by banning it altogether. In January, 1919, the U.S. Congress ratified the 18th Amendment to the Constitution that outlawed the "manufacture, sale, or transportation of intoxicating liquors" on a national level.