DOCSLIB.ORG

Masaryk University Faculty of Economics and Administration Study Program: Public Economy and Administration

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Masaryk University Faculty of Economics and Administration Study Program: Public Economy and Administration Masaryk University Faculty of Economics and Administration Study program: Public Economy and Administration THE ILLICIT MARKET OF CULTURAL GOODS: A HERITAGE IN PERPETUAL DANGER Master’s Thesis Thesis supervisor: Author: Doc. Ing. František Svoboda, Ph.D. Marta La Falce Prof. Roberto Zanola Brno, 2019 UNIVERSITÀ DEL PIEMONTE ORIENTALE DIPARTIMENTO DI GIURISPRUDENZA E SCIENZE POLITICHE, ECONOMICHE E SOCIALI CORSO DI LAUREA MAGISTRALE IN ECONOMIA, MANAGEMENT E ISTITUZIONI TESI DI LAUREA THE ILLICIT MARKET OF CULTURAL GOODS: A HERITAGE IN PERPETUAL DANGER Relatore: Chiar.mo Prof. Roberto Zanola Correlatore: Doc. Ing. František Svoboda, Ph.D. Candidato: Marta La Falce ANNO ACCADEMICO 2017/2018 Name and surname of the author: Marta La Falce Master’s thesis title: The Illicit Market of Cultural Goods: A Heritage in Perpetual Danger Department: Economics and administration Master’s thesis supervisor: Doc. Ing. František Svoboda, Ph.D. Master’s thesis date: 2019 Annotation Today, the phenomenon of illicit trafficking of works of art has become a problem felt by many nations that through the use of regulatory frameworks try to control this situation. The thesis will attempt to assess the weight that these illegal activities have both from a cultural point of view and from an economic one, trying to understand how the art market is influenced by the various actors and intermediaries connected to it. Speaking about the devastation of cultural heritage, it is clear that the abuses made against works of art in most of the cases have a lucrative purpose or are related to criminal actions disconnected from the cultural context. The thesis wants to underline how the activity of protection, prevention and conservation carried out by the various police forces is an admirable example of how the different countries respond and try to counter this phenomenon. Through history and cultural significance, the European Union seeks to establish a dialogue between different cultures and in recent years with globalization has tried to further intensify exchanges through cultural projects with non-EU countries. The purpose of the thesis, in addition to underlining the great dedication that is used to protect this enormous legacy of the past, also wants to highlight how culture is a powerful means to erase diversity and reduce distances between peoples. The aim is to place particular emphasis on the work of the Carabinieri Command - Protection of Cultural Heritage and on how the Ministry of Cultural Heritage in Italy considers extremely important to protect the cultural heritage not only at national level but also engaging in various missions abroad, especially in areas devastated by armed conflict. In conclusion, taking into account the fact that many stolen works of art are sold to those countries that do not have an enormous cultural heritage from the past, especially because their history was formed in more recent times, I believe and hope for a valid solution the exchange, lending and construction of multi-historical museum areas in all parts of the world. Keywords Cultural heritage, C.C. T.P.C., conservation, art market, counterfeit, protection, preservation, contrast, theft and smuggling. Declaration „I certify that I have written the Master’s Thesis “The Illicit Market of Cultural Goods: A Heritage in Perpetual Danger” by myself under the supervision of František Svoboda and I have listed all the literary and other specialist sources in accordance with legal regulations, Masaryk University internal regulations, and the internal procedural deeds of Masaryk University and the Faculty of Economics and Administration.“ Brno, Author’s signature TABLE OF CONTENTS INTRODUCTION ......................................................................................................... 8 CHAPTER 1: CULTURAL HERITAGE AND PROTECTION ............................ 10 1.1 DEFINITION OF CULTURAL HERITAGE ......................................................... 10 1.2 THE PROTECTION OF CULTURAL HERITAGE IN EUROPE ......................... 12 1.2.1 The protection of cultural heritage in Italy .......................................................... 14 1.3 GLOBALIZATION ................................................................................................. 16 1.4 INTERNATIONAL CONVENTIONS .................................................................... 18 1.4.1 European Community Treaty and Maastricht Treaty ........................................... 18 1.4.2 The UNESCO Convention .................................................................................... 19 1.4.3 The UNIDROIT Convention ................................................................................. 21 1.5 TERRORISM AND CULTURE ............................................................................. 23 CHAPTER 2: CULTURAL HERITAGE AND MARKET ..................................... 26 2.1 THE VALORIZATION OF CULTURAL ASSETS ............................................... 26 2.2 ART AND THE MARKET ..................................................................................... 29 2.3 THEFT AND SMUGGLING .................................................................................. 37 2.3.1 The Italian situation .............................................................................................. 42 2.4 THE INFLUENCE OF FAKES IN THE ART MARKET ...................................... 48 CHAPTER 3: LAW ENFORCEMENT AND PROTECTION ............................... 53 3.1 INTERPOL .............................................................................................................. 53 3.1.1 INTERPOL, the CRIGEN/ART form and the Database ....................................... 54 3.2 THE CARABINIERI COMMAND – CULTURAL HERITAGE PROTECTION 57 3.2.1 The structure and functions of the Carabinieri Command - Cultural Heritage Protection ....................................................................................................................... 60 3.3 CONTROL, CONTRAST AND PREVENTION TOOLS ...................................... 65 3.3.1 The object ID ........................................................................................................ 68 3.4 OPERATIONAL ACTIVITY OF THE CARABINIERI COMMAND – PROTECTION OF CULTURAL HERITAGE ....................................................................................... 69 3.5 SOME EXAMPLES OF CULTURAL HERITAGE RECOVERY OPERATIONS 73 CONCLUSION ............................................................................................................ 83 LIST OF LITERATURE ............................................................................................ 85 LIST OF GRAPHS ...................................................................................................... 95 LIST OF TABLES ....................................................................................................... 96 LIST OF IMAGES ....................................................................................................... 97 LIST OF ABBREVIATIONS ..................................................................................... 99 LIST OF APPENDICES ............................................................................................. 101 INTRODUCTION Cultural heritage has always been the focus of enormous attention covering different types of interest, on the one hand it has been exploited, destroyed, falsified, sold and on the other hand protected, preserved, safeguarded and bought. In the thesis it was tried to analyze and consider the aspects that the artistic and cultural heritage cover trying to understand and answer questions about their value and why it is so important to preserve and defend them. It has been tried to evaluate, inserting in different contexts, the function that art objects assume today and to examine the art market and its anomalies, all phenomena that determine high transaction costs and situations of little transparency and how to eliminate these asymmetries it is appropriate to create suitable means that allow those who operate on the art market to understand the characteristics and value of the works of art. It has been mentioned that the art market today has a global dimension and therefore there is a need for regulation between the different legal, economic and fiscal aspects that affect all the various market operators, but not only that, also from a cultural point of view, it is desirable that the various policies agree in establishing the rules to be adopted. By studying the characteristics of works of art as exchange goods, the aim was to compare their two intrinsic properties, on the one hand they are a unique and durable good and on the other a form of investment subject to exchange not only in a legitimate market but also in an illicit market. Artistic crimes in the Twenty-first century take on different forms and on the black-market crimes such as the theft of works of art follow their own rules, they are related to the material well-being of those, not only people but also institutions or museums, who seek to increase their social status or their importance through art objects. It has been highlighted the fate that treating art as any good has led to the misuse of works that have sometimes become a bargaining chip in unclear business, it has also been considered the phenomenon of fakes that are also increasingly difficult to distinguish from the originals and arrive on the market because intermediaries do not carry out the necessary checks
Load more

Recommended publications
  • Priceless Artifacts Return to Italy and Greece, but Their Histories Remain
    ntiquities dealers Robert Hecht and Giacomo Medici should have tidied up their desks. Raids by the Italian police in 1995 and 2000 yielded a mountain Aof evidence—from photos of Greek and Roman artifacts still in the ground to Hecht’s handwritten memoir—that showed exactly how A Tangled Journey Home the two had been trafficking looted antiquities through the international art market for decades Priceless artifacts return to Italy (“Raiding the Tomb Raiders,” July/August and greece, but their histories 2006). Their clients included, among others, three preeminent American cultural institutions: remain lost. the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; and the J. Paul by Eti Bonn-Muller and Eric A. Powell Getty Museum, Malibu. Italy and Greece were simultaneously outraged and delighted with the news. Their long-standing suspicions were confirmed: Metropolitan MuSeuM of art artifacts recently acquired by major museums New York, New York had been looted from their soil. And they lthough the Met maintains that it acquired the jumped at the opportunity to get them back. artifacts in good faith, the museum has already trans- Years of negotiations in the style of a Greek Aferred title of 21 objects to Italy’s Ministry of Culture. So tragedy finally paid off and have resulted in some far, the Met has sent back four terracotta vessels and is planning delicately worded agreements providing for to return the other objects over the next few years. As part of the repatriations and reciprocal long-term loans. 2006 agreement, the Ministry is allowing the Met to display the The following pages showcase a handful of remaining pieces for a while longer to coincide with the opening of the 62 artifacts that have been (or are slated to the museum’s new Greek and Roman galleries.
    [Show full text]
  • Nazi Looted Art: Setting Precedence for Museum Decisions Erica B
    Seton Hall University eRepository @ Seton Hall Theses 2010 Nazi Looted Art: Setting Precedence for Museum Decisions Erica B. Marcus Follow this and additional works at: https://scholarship.shu.edu/theses Recommended Citation Marcus, Erica B., "Nazi Looted Art: Setting Precedence for Museum Decisions" (2010). Theses. 249. https://scholarship.shu.edu/theses/249 Nazi Looted Art: Setting Precedence for Museum Decisions By: Erica B. Marcus Susan K. Leshnoff, Advisor Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Museum Professions Seton Hall University August 2010 Acknowledgments I would like to acknowledge the advice and guidance of Professor Susan K . Leshnoff . Without your assistance. timely and instmctive comments. evaluations at every stage of the thesis process. and motivating me every step of the way this study would not have been possible . Thank you . Table of Contents Introduction ...................................................................................p . 5-9 Chapter I1 Historical Background ...........................................................p. 10-14 Chapter ID Procedures and Policies Washington Conference ..............................................................p . 15-18 ICOM, PCHA, and AAMD Leave Their Mark ..................................p. 18- 19 International Committee of Museums (ICOM) ..................................p. 19-20 Presidential Advisory Committee on Holocaust Assets (PCHA) ..............p. 20-21 American Art Museum Directors (AAMD) .....................................
    [Show full text]
  • Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda Mcclelland Washington University in St
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) Summer 8-26-2013 Constructions of Childhood on the Funerary Monuments of Roman Athens Grizelda McClelland Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation McClelland, Grizelda, "Constructions of Childhood on the Funerary Monuments of Roman Athens" (2013). All Theses and Dissertations (ETDs). 1150. https://openscholarship.wustl.edu/etd/1150 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Classics Department of Art History and Archaeology Dissertation Examination Committee: Susan I. Rotroff, Chair Wendy Love Anderson William Bubelis Robert D. Lamberton George Pepe Sarantis Symeonoglou Constructions of Childhood on the Funerary Monuments of Roman Athens by Grizelda D. McClelland A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2013 St. Louis, Missouri © 2013, Grizelda Dunn McClelland Table of Contents Figures ...............................................................................................................................
    [Show full text]
  • Art & Cultural Heritage Law Newsletter
    american bar association section of international law winter 2011, vol. IIi, issue no. i Art & Cultural Heritage Law Newsletter A Publication of the Art & Cultural Heritage Law Committee encouraging the mobility of visual art collections in the EU, Part 1 jason-lOuise GrAhAm introduction presidencies2 and has resulted in a num- he concept of the mobility of visu- ber of successful national campaigns al art collections has been a reoc- that have set the international frame- curring focal point of cultural work and guidelines for best practices CONTENTS Tprograms in the EU, spurred on of future collection mobility. During encouraging the mobility of visual art throughout several EU council presiden- Belgium’s Council presidency (July 1 – collections in the EU, Part 1 cies. Europe is home to one of the largest December 31, 2010) Belgian cultural and most expansive cultural heritage professionals and government repre- PAGE 1 collections in the world – which must re- sentatives for culture played an active investing in underwater cultural spond to extremely high demands. role in completing concrete Council Heritage: challenges and Prospects Collection mobility, particularly in the recommendations surrounding indem- PAGE 9 framework of the Lisbon Agenda,1 which nity schemes for collection mobility, fi- cultural Property as a military aims for greater social, cultural and eco- nalizing reports as part of the EU’s ex- objective nomic cohesion, is seen as a policy tool to pert Working Groups in the Open PAGE 12 enhance the many different cultural Method of Coordination (OMC) frame- 3 andy warhol’s antitrust woes: identities in Europe, but also a tool for work.
    [Show full text]
  • Intervention Summaries
    Intervention Summaries International Colloquium “Naming and Mapping the Gods in the Ancient Mediterranean. Spaces, Mobilities, Imaginaries” March 25-27, 2020 Toulouse (France) Table of contents Space as an Onomastic Trait .......................................................................................................................... 2 Papers ......................................................................................................................................................... 3 Posters ...................................................................................................................................................... 23 Naming the Space of the Gods .................................................................................................................... 25 Papers ....................................................................................................................................................... 26 Posters ...................................................................................................................................................... 33 The Ways of Presenting the Gods in Space ................................................................................................. 36 Papers ....................................................................................................................................................... 37 Posters .....................................................................................................................................................
    [Show full text]
  • Leasing Antiquities
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons (3) BELTRAMETTI_POST-FORMAT (DO NOT DELETE) 2/22/2013 1:46 PM Museum Strategies: Leasing Antiquities Silvia Beltrametti* ABSTRACT This is the first attempt to study leasing in the context of the international trade in cultural artifacts. This Article advances a heated debate in the field of cultural heritage law, which centers on whether cultural artifacts of ancient civilizations should belong to the modern nation states from which they are excavated or to humankind in general, by proposing an alternative analytic framework based on leasing. This framework would make it possible for objects to circulate but at the same time stay under the ownership and jurisdiction of their respective source countries. * J.S.D. Candidate, University of Chicago Law School. Fellow, the Aspen Institute. Many thanks to Anthony Hirschel, William Landes, John Henry Merryman, Eric Posner, Lawrence Rothfield for their guidance, ideas, comments and criticism. I am also grateful to Maxwell Anderson, Lorenzo Casini, Sharon Cott, James Cuno, Philippe de Montebello, Maurizio Fiorilli, Kate Fitz Gibbon, Jasper Gaunt, Claire Lyons, Karen Manchester, James McAndrew, Benjamin Moll, Jeannette Pappadopoulos, James Steward, my colleagues at the Cultural Heritage Protection Treaties Section at UNESCO, in particular Jan Hladík, seminar and workshop participants at Stanford Law School, and the University of Chicago Law School for their helpful suggestions, time and cooperation. Finally, I would like to thank the Stanford Law Library reference staff, in particular Paul Lomio, for support and assistance. 203 (3) BELTRAMETTI_POST-FORMAT (DO NOT DELETE) 2/22/2013 1:46 PM 204 COLUMBIA JOURNAL OF LAW & THE ARTS [36:2 INTRODUCTION Several scandals involving U.S.
    [Show full text]
  • UC Berkeley Berkeley Undergraduate Journal of Classics
    UC Berkeley Berkeley Undergraduate Journal of Classics Title Genital Depilation and Power in Classical Greece Permalink https://escholarship.org/uc/item/0mt487s6 Journal Berkeley Undergraduate Journal of Classics, 1(1) ISSN 2373-7115 Author Walker, Paige Publication Date 2012 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Genital Depilation and Power in Classical Greece Paige Walker University of California, Berkeley Art History Class of 2013 Abstract: Throughout Classical Greece, the superficial artistic conventions of pubic hair illustration illuminate deeper insight into contemporaneous Greek life. In nude male statuary, the evolution of carefully sculpted and stylized pubic hair to unbridled tufts reveals the shifting definition of masculinity. No longer valuing the ostentatious pubic ornamentation of aristocrats, the newly founded Greek democracy turns to embrace the pubic hair of the everyman. With this change, every citizen can attain bodily austerity just as he can attain influence in his government. In a true reflection of the Classical ideal, his self-containment endows him with masculine power. He suppresses any potential threat to this power, a mindset not limited to merely his rival men. One also can apply this concept of patriarchal dominance to the practice of female genital depilation; the most powerful and therefore most threatening women remove greater quantities of pubic hair, while the more innocuous females need not practice such depilation. This applies to the goddesses, who lack pubic hair completely; the wives, who take pride in their neatly pruned genitalia; the hetaerai who partially depilate to augment eroticism; and the common slaves, who as harmless property do not groom extensively.
    [Show full text]
  • J. Paul Getty Trust Report 2018 Art and Science J
    J. Paul Getty Trust Report 2018 Art and Science J. Paul Getty Trust Report 2018 On the cover: Macro-XRF scanning of mummy portrait Isidora, AD 100–110. Encaustic on linden wood; gilt; linen. The J. Paul Getty Museum Table of Contents 3 Chair Message Maria Hummer-Tuttle, Chair, Board of Trustees 7 Foreword James Cuno, President and CEO, J. Paul Getty Trust 10 Art and Science 11 Thoughts on Art and Science David Baltimore, President Emeritus and Robert Andrews Millikan Professor of Biology at the California Institute of Technology 15 Getty Conservation Institute Timothy P. Whalen, John E. and Louise Bryson Director 27 Getty Foundation Deborah Marrow, Director 39 J. Paul Getty Museum Timothy Potts, Director 49 Getty Research Institute Andrew Perchuk, Acting Director 59 Trust Report Lists 60 Getty Conservation Institute Projects 72 Getty Foundation Grants 82 Exhibitions and Acquisitions 110 Getty Guest Scholars 114 Getty Publications 122 Getty Councils 131 Honor Roll of Donors 139 Board of Trustees, Officers, and Directors 141 Financial Information Chair Message MARIA HUMMER-TUTTLE, CHAIR, BOARD OF TRUSTEES J. Paul Getty Trust ART AND SCIENCE—the theme of this year’s Trust Time: Art in L.A. 1945–1980, which ran from October Report—merge seamlessly in the Getty’s work of 2011 to April 2012. preserving, protecting, and interpreting the world’s While the majority of PST: LA/LA exhibitions artistic legacy. In the following essays by our four showcased modern and contemporary art, exhibitions program directors, you will learn how these disciplines about the ancient world and the pre-modern era were inform the work of the Getty Conservation Institute, also included.
    [Show full text]
  • Art & Cultural Heritage Law Newsletter
    AMERICAN BAR ASSOCIATION SECTION OF INTERNATIONAL LAW WINTER 2011, VOL. III, ISSUE NO. I Art & Cultural Heritage Law Newsletter A Publication of the Art & Cultural Heritage Law Committee Encouraging the Mobility of Visual Art Collections in the EU, Part 1 JASON-LOUISE GRAHAM Introduction presidencies2 and has resulted in a num- he concept of the mobility of visu- ber of successful national campaigns al art collections has been a reoc- that have set the international frame- curring focal point of cultural work and guidelines for best practices CONTENTS Tprograms in the EU, spurred on of future collection mobility. During Encouraging the Mobility of Visual Art throughout several EU council presiden- Belgium’s Council presidency (July 1 – Collections in the EU, Part 1 cies. Europe is home to one of the largest December 31, 2010) Belgian cultural and most expansive cultural heritage professionals and government repre- PAGE 1 collections in the world – which must re- sentatives for culture played an active Investing in Underwater Cultural spond to extremely high demands. role in completing concrete Council Heritage: Challenges and Prospects Collection mobility, particularly in the recommendations surrounding indem- PAGE 9 framework of the Lisbon Agenda,1 which nity schemes for collection mobility, fi- Cultural Property as a Military aims for greater social, cultural and eco- nalizing reports as part of the EU’s ex- Objective nomic cohesion, is seen as a policy tool to pert Working Groups in the Open PAGE 12 enhance the many different cultural Method of Coordination (OMC) frame- 3 Andy Warhol’s Antitrust Woes: identities in Europe, but also a tool for work.
    [Show full text]
  • Sunday June 18, 2006 the STATE Getty's List of Doubts Multiplies * a Museum Review Finds 350 Works Bought from Dealers Suspected
    Sunday June 18, 2006 THE STATE Getty's List of Doubts Multiplies * A museum review finds 350 works bought from dealers suspected of trafficking in looted art. Italian authorities have not been given details. Home Edition, Main News, Page A-1 Metro Desk 27 inches; 953 words By Jason Felch And Ralph Frammolino, Times Staff Writers An internal review by the J. Paul Getty Trust has found that 350 Greek, Roman and Etruscan artifacts in its museum's prized antiquities collection were purchased from dealers identified by foreign authorities as being suspected or convicted of dealing in looted artifacts. The review, conducted last year to gauge the Getty's exposure to claims against objects in its collection, shows that the trust purchased far more pieces from suspect dealers than has been previously disclosed. The assessment valued the 350 vases, urns, statues and other sculptures at close to $100 million. That is in addition to 52 items in the Getty collection that Italy has demanded back, contending they were illegally excavated and exported. The assessment does not address the question of whether any of the 350 objects were purchased illegally, nor does it evaluate their artistic significance. But Getty records show that they include 35 of the museum's 104 masterpieces. The Getty has not provided Italian authorities with its review of the 350 pieces, a fact that could complicate talks set to resume Monday in Rome between the trust and representatives of Italy's Ministry of Culture over the 52 contested items. Maurizio Fiorilli, a state attorney and the lead negotiator for the ministry, expressed surprise late last week when told of the Getty's findings about the 350 objects.
    [Show full text]
  • Stolen Greek and Roman Antiquities
    Stolen Greek and Roman Antiquities By Clare Rachel Dewey [Master of Philosophy Faculty of Arts University of Glasgow] Christie’s Education London Master’s Programme September 2001 C Clare Rachel Dewey ProQuest Number: 13818863 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818863 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 GLASGOW u n iv e r s it y UjBRARV; U 5.u Stolen Greek and Roman Antiquities Stolen Greek and Roman Antiquities To be noted: This thesis is in the form of an Exhibition Catalogue. Owing to the sensitive subject matter of the “Exhibition”, it would be highly unlikely that possible lending institutions would wish to be associated with the notion that they benefited from illegal activities. An exhibition of this nature could be possible with the use of comparative material or even photographs. In this instance however, because the concept is imaginary none of these potential problems have arisen. A similar exhibition was mounted by the Archaeological Museum in Palestrina entitled “Wounded Archaeology44. The objects were limited to a selection of Etruscan objects confiscated by Italian police.
    [Show full text]
  • 002S020 10-06-09 10:42 ™ÂÏ›‰·2 002S020 10-06-09 10:42 ™ÂÏ›‰·3
    002s020 10-06-09 10:42 ™ÂÏ›‰·2 002s020 10-06-09 10:42 ™ÂÏ›‰·3 INTERNATIONAL OLYMPIC ACADEMY 14th INTERNATIONAL SEMINAR ON OLYMPIC STUDIES FOR POSTGRADUATE STUDENTS 6 JULY – 6 AUGUST 2006 PROCEEDINGS ANCIENT OLYMPIA 002s020 10-06-09 10:42 ™ÂÏ›‰·4 Published by the International Olympic Academy and the International Olympic Committee 2007 International Olympic Academy 52, Dimitrios Vikelas Avenue 152 33 Halandri – Athens GREECE Tel.: +30 210 6878809-13, +30 210 6878888 Fax: +30 210 6878840 E-mail: [email protected] Website: www.ioa.org.gr Editor: Assoc. Prof. Konstantinos Georgiadis, IOA Honorary Dean Production: Livani Publishing Organization ISBN: 978-960-14-1737-0 002s020 10-06-09 10:42 ™ÂÏ›‰·5 INTERNATIONAL OLYMPIC ACADEMY SPECIAL SUBJECT: SPORT AND ETHICS ANCIENT OLYMPIA 002s020 10-06-09 10:42 ™ÂÏ›‰·6 002s020 10-06-09 10:42 ™ÂÏ›‰·7 ∂PHORIA OF THE INTERNATIONAL OLYMPIC ACADEMY (2006) President Minos X. KYRIAKOU Vice-President Isidoros KOUVELOS Members Lambis V. NIKOLAOU (IOC Vice-President) Emmanuel KATSIADAKIS Antonios NIKOLOPOULOS Evangelos SOUFLERIS Panagiotis KONDOS Leonidas VAROUXIS Georgios FOTINOPOULOS Honorary President Juan Antonio SAMARANCH Honorary Vice-President Nikolaos YALOURIS Honorary Dean Konstantinos GEORGIADIS 7 002s020 10-06-09 10:42 ™ÂÏ›‰·8 002s020 10-06-09 10:42 ™ÂÏ›‰·9 HELLENIC OLYMPIC COMMITTEE (2006) President Minos X. KYRIAKOU 1st Vice-President Isidoros KOUVELOS 2nd Vice-President Spyros ZANNIAS Secretary General Emmanuel KATSIADAKIS Treasurer Pavlos KANELLAKIS Deputy Secretary General Antonios NIKOLOPOULOS
    [Show full text]