DOCSLIB.ORG

Gorey's Worlds

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gorey's Worlds CURATORIAL CHECKLIST 2/14/2018 Gorey's Worlds Wadsworth Atheneum Museum of Art February 10-May 6, 2018 Section Pierre Bonnard (French, 1867-1947) A Interior c. 1927 Charcoal and graphite on paper 6 3/8 x 4 7/8 in. Bequest of Edward Gorey 2001.13.28 Section Édouard Vuillard (French, 1868-1940) A Interior c. 1890 Graphite on paper 6 1/8 x 4 in. Bequest of Edward Gorey 2001.13.72 Section Clifford Ross A Edward Gorey at Home 1997 Archival pigment print on paper 11 x 14 inches Collection of the artist Section Harry Benson A Edward Gorey in His New York City Apartment with Cat 1978 Gelatin silver print 30 x 24 inches Collection of the artist © Harry Benson Gorey's Worlds page 2 Section Edward Gorey A Phantasmagorey 1974 Pen and ink with collage on paper 6 1/4 x 13 x 1 1/2 inches (framed) Collection of Clifford Ross T.L.2016.38.2.3 Section Edward Gorey A Unstrung Harp cover art Pen and ink drawing 11 7/8 x 15 7/8" (irregular) The Edward Gorey Charitable Trust T.L.2016.38.1.16 Section Edward Gorey A Unstrung Harp, Illustration Pen and ink on cardstock 4 1/2 x 3 1/2" (image); 5 1/2 x 4 1/4" (card) The Edward Gorey Charitable Trust T.L.2016.38.1.25 Section Edward Gorey A Announcement for The Poets' Theatre performance in Fogg Museum Court [1952] offset lithography/not original artwork 5 1/2 x 14 in. The Edward Gorey Charitable Trust T.L.2016.38.1.127 Gorey's Worlds page 3 Section Edward Gorey A "Instead of writing labels, Jasper read and reread clippings about Caviglia hidden in his desk." The Blue Aspic (17) 1968 pen and ink on paper 7 1/4 x 8 9/16 in. (sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.56 Section Edward Gorey A "Without his clippings, Jasper now wrote long letters to Ortenzia, which went unanswered." Illustration for The Blue Aspic 1968 pen and ink on paper 7 1/4 x 8 9/16 in. (sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.61 Section Edward Gorey A "Caviglia was painted by Sergissopov as Mae in The Dubious Errand." Illustration for The Blue Aspic 1968 Pen and ink on paper 7 1/4 x 8 9/16 in. (sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.64 Section Edward Gorey A "Jasper was committed to an asylum where no gramphone was available to the inmates." Illustration for The Blue Aspic 1968 Pen and ink on paper 7 1/4 x 8 9/16 in. (sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.67 Gorey's Worlds page 4 Section Edward Gorey A "He then stabbed himself and crying 'J'ai trouve Hortense!' fell dead on her corpse." The Blue Aspic (63) 1968 pen and ink on paper 7 1/4 x 8 9/16 in. (sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.69 Section A Ring with Snakes and Rubies worn by Edward Gorey 7/8 circ. x 1/4" w. band; 1" w. @ stone settings The Edward Gorey Charitable Trust T.L.2016.38.1.11 Section A Ring with Snake worn by Edward Gorey 15/16 circ. x 1/4" w. band; 1 1/4 x 7/8 w. snake The Edward Gorey Charitable Trust T.L.2016.38.1.12 Section Unknown A Ring with Frog worn by Edward Gorey 15/16 circ. x 11/16" w. band; 1 1/8 x 7/8" @ top The Edward Gorey Charitable Trust T.L.2016.38.1.13 Gorey's Worlds page 5 Section A Necklace worn by Edward Gorey Leather, shell, metal and cotton string Pendant: 2 3/4 x 1 5/8 x 1" (string not accurately measured but The Edward Gorey Charitable Trust T.L.2016.38.1.14 Section Edward Gorey; Gotham Book Mart & Gallery, Inc. B The Lavender Leotard: or, Going a Lot to the New York City Ballet 1970 (first edition) Book 4 5/8 x 6 ¼ in. Auerbach Library, Wadsworth Atheneum Museum of Art, Hartford, CT Section Edward Gorey B Cover mock-up for The Lavender Leotard 1972 pen and ink on paper, mounted on board; dated l.l. 4 3/4 x 12 3/8 in. (image); 7 1/8 x 14 1/2 in. (sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.72 Section Edward Gorey B The Lavender Leotard: or, Going a lot to the New York City Ballet (The Lavender Leotard (1)) 1973 Pen and ink on paper 6 7/16 x 7 3/4 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.73 Gorey's Worlds page 6 Section Edward Gorey B These drawings came about… (The Lavender Leotard (2)) 1973 Pen and ink on paper 6 3/8 x 7 3/4 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.74 Section Edward Gorey B "You know what? I forgot your feather." (The Lavender Leotard (4)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in. (composition); 6 1/2 x 7 11/16 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.79 Section Edward Gorey B "I warned you…" (The Lavender Leotard (5)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in. (composition); 6 5/16 x 7 11/16 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.80 Section Edward Gorey B "One of us…" (The Lavender Leotard (6)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in. (composition); 6 7/16 x 7 3/4 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.81 Gorey's Worlds page 7 Section Edward Gorey B "I can hardly wait for the fall season, can you?" Illustration for The Lavender Leotard: Or, Going a Lot to the New York City Ballet 1973 Pen and ink on paper 4 1/2 x 6 in. (composition); 6 3/8 x 7 11/16 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.82 Section Edward Gorey B "I thought we'd break him in…" (The Lavender Leotard (8)) 1973 Pen and ink on paper, pasted to secondary support 6 7/16 x 7 3/4 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.75 Section Edward Gorey B "Now we lose one another hopelessly among eight members of the corps." Illustration for The Lavender Leotard: Or, Going a Lot to the New 1973Y kCitBllt Pen and ink on paper 4 1/2 x 6 in. (composition); 6 3/8 x 7 3/4 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.83 Section Edward Gorey B "You can be Benno…" (The Lavender Leotard (10)) 1973 Pen and ink on paper, pasted to secondary support 6 7/16 x 7 3/4 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.76 Gorey's Worlds page 8 Section Edward Gorey B "I suppose wearing…" (The Lavender Leotard (11)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in. (composition); 6 3/8 x 7 3/4 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.84 Section Edward Gorey B "Just once…" (The Lavender Leotard (12)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in. (composition); 6 7/16 x 7 3/4 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.85 Section Edward Gorey B "You're right, that was Glinka…" (The Lavender Leotard (13)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in. (composition); 6 3/8 x 7 3/4 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.86 Section Edward Gorey B "You've given me the wrong one." (The Lavender Leotard (14)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in. (composition); 6 3/8 x 7 13/16 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.87 Gorey's Worlds page 9 Section Edward Gorey B "You clapped far too much…" (The Lavender Leotard (15)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in. (composition); 6 3/8 x 7 13/16 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.88 Section Edward Gorey B "I think it would be more amusing…" (The Lavender Leotard (16)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in. (composition); 6 5/16 x 7 13/16 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.89 Section Edward Gorey B "There are twenty-seven Swan Lakes…" (The Lavender Leotard (17)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in. (composition); 6 3/8 x 7 3/4 in. (irregular, sheet) The Edward Gorey Charitable Trust T.L.2016.38.1.90 Section Edward Gorey B "I wonder if I could make it…" (The Lavender Leotard (18)) 1973 Pen and ink on paper, pasted to secondary support 4 1/2 x 6 in.
Load more

Recommended publications
  • Network Map of Knowledge And
    Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W.
    [Show full text]
  • 1 Abbey Books; #4 Richard Abel Bookseller; 1973:1, S
    M-106 BOOKSELLER’S CATALOGS A & R BOOKSELLERS; #1 ABACUS BOOKSHOP; #1 ABBEY BOOKS; #4 RICHARD ABEL BOOKSELLER; 1973:1, Sale edition; 1974: 1 ABI BOOKS; #10-11, 15, 22-23, 30; Edward Gordon Craig; 1982: Early autumn, Spring, Edward Gorey; 1983: Spring ABINGTON BOOKS; 1973: Autumn ABOUT BOOKS; #3, 9-10, 61-64, 67-69 BEN ABRAHMSON’S ARGUS BOOK SHOP; #1-5, 7-12, 14-17, 20-34, Along the north wall, Along the south wall, 383, 623, 626, 969, 975, 985, 1944: Oct. HERMAN ABROMSON; #5-6, 7-10, 12 ACADEMIC BOOK COLLECTION; #9 ACADEMY BOOK SHOP; #61 PAUL ADAMS; Botany ADCO SPORTS BOOK EXCHANGE; 1808 TO DATE RICHARD ADAMIAK; #29 RICHARD H. ADELSON; 1981: Spring ; 1983: Spring ; 1992-93: Winter; 1994-95: Winter ADS AUTOGRAPHS; #1-3, 6-10, 13 ADVENTURE BOOK STORE; #1 ; 1988: Nov. AEONIAN PRESS; 1 catalog (unnumbered/undated) AESOP BOOKS; #8 CHARLES AGVENT; #2-5 AHAB RARE BOOKS; #26-27 ALASTOR RARE BOOKS; #16 EDWIN ALBERT; #1 l ALBION BOOKS; #3-4; 1979: Dec. ALCAZAR BOOK SERVICE; #51, 156 ALDREDGE BOOK STORE; #53, 87, 89-90, 114-116 ALEX ALEC-SMITH; #10, 14/16, 18 ALEPH-BET BOOKS; #3, 8-12, 14, 32, 35, 38-41, 43-45, 49, 53, 65; 2004: April 19 ALEXANDERSON & KLOSINSKI BOOKSELLERS; #1-2 ALFA ANTIQUARIAN BOOKSELLER; #79 LIBRAIRIE ALIX; #1 D.C. ALLEN; #32-33, 36, 58, 60, 62 R.R. ALLEN BOOKS; #21, 66-67, 70, 74, 79, 81-82, 84, 86, 92-96; 1996 WILLIAM H. ALLEN BOOKSELLER; #189, 206, 219, 224-225, 227-228, 231-232, 235-236, 239, 244-245, 249-251, 254-256, 259-261, 264-266, 268, 271-273, 275-276, 279-281, 283-284, 287-288, 290-291, 293- 294, 296-297, 300-301, 303-305, 307, 310-311, 313-314, 316-318, 320-321, 323-324; Special mailing 20 DUNCAN M.
    [Show full text]
  • Hail to the Caldecott!
    Children the journal of the Association for Library Service to Children Libraries & Volume 11 Number 1 Spring 2013 ISSN 1542-9806 Hail to the Caldecott! Interviews with Winners Selznick and Wiesner • Rare Historic Banquet Photos • Getting ‘The Call’ PERMIT NO. 4 NO. PERMIT Change Service Requested Service Change HANOVER, PA HANOVER, Chicago, Illinois 60611 Illinois Chicago, PAID 50 East Huron Street Huron East 50 U.S. POSTAGE POSTAGE U.S. Association for Library Service to Children to Service Library for Association NONPROFIT ORG. NONPROFIT PENGUIN celebrates 75 YEARS of the CALDECOTT MEDAL! PENGUIN YOUNG READERS GROUP PenguinClassroom.com PenguinClassroom PenguinClass Table Contents● ofVolume 11, Number 1 Spring 2013 Notes 50 Caldecott 2.0? Caldecott Titles in the Digital Age 3 Guest Editor’s Note Cen Campbell Julie Cummins 52 Beneath the Gold Foil Seal 6 President’s Message Meet the Caldecott-Winning Artists Online Carolyn S. Brodie Danika Brubaker Features Departments 9 The “Caldecott Effect” 41 Call for Referees The Powerful Impact of Those “Shiny Stickers” Vicky Smith 53 Author Guidelines 14 Who Was Randolph Caldecott? 54 ALSC News The Man Behind the Award 63 Index to Advertisers Leonard S. Marcus 64 The Last Word 18 Small Details, Huge Impact Bee Thorpe A Chat with Three-Time Caldecott Winner David Wiesner Sharon Verbeten 21 A “Felt” Thing An Editor’s-Eye View of the Caldecott Patricia Lee Gauch 29 Getting “The Call” Caldecott Winners Remember That Moment Nick Glass 35 Hugo Cabret, From Page to Screen An Interview with Brian Selznick Jennifer M. Brown 39 Caldecott Honored at Eric Carle Museum 40 Caldecott’s Lost Gravesite .
    [Show full text]
  • 1998 Acquisitions
    1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in.
    [Show full text]
  • Edward Gorey Phantasmagorey, 1974 Pen and Ink with Collage on Paper Collection of Clifford Ross
    Edward Gorey Phantasmagorey, 1974 Pen and ink with collage on paper Collection of Clifford Ross Phantasmagorey is a play on the term “phantasmagoria” which means: “a constantly shifting, complex succession of things seen or imagined.” Like a phantasmagoria, this series of six images reveals dreamlike glimpses into Gorey’s imagination. Each vignette shows a common motif in Gorey’s work, including a ghostly femme fatale, a cat sitting atop a stack of books, and a fur-coated self-portrait. This drawing was made for an exhibition of the same name, held at the Sterling Memorial Library, Yale University, in 1974. An art student named Clifford Ross, now a contemporary artist in his own right, curated the first survey of Gorey’s work for his senior thesis. 501 Harry Benson Scottish, born 1929 Edward Gorey in His New York City Apartment with Cat, 1978 Gelatin silver print Collection of the artist Benson’s photographic portrait offers a glimpse into Gorey’s apartment in Manhattan’s Murray Hill neighborhood, where he lived from 1953 to 1983. Gorey displayed his collection of fine art—including a print by Edvard Munch and drawings by Balthus—next to found objects that he treated as works of art, such as a weathered crucifix and a needlepoint of a skull. Out and about in the city, he took in movies, theater, dance, and art exhibitions. At home, he retreated to his creative sanctuary filled with obscure books, fine art, and his beloved cats. Edvard Munch Norwegian, 1863–1944 The Woman and the Bear, 1908–9 Lithograph on wove paper mounted on wove paper Bequest of Edward Gorey, 2001.13.61 Munch created this image to illustrate his mythical story Alpha and Omega.
    [Show full text]
  • Drawing on the Victorians Eries in Victorian Studies S Series Editors: Joseph Mclaughlin and Elizabeth Miller Katherine D
    Drawing on the Victorians eries in Victorian Studies S Series editors: Joseph McLaughlin and Elizabeth Miller Katherine D. Harris, Forget Me Not: The Rise of the British Literary Annual, 1823–1835 Rebecca Rainof, The Victorian Novel of Adulthood: Plot and Purgatory in Fictions of Maturity Erika Wright, Reading for Health: Medical Narratives and the Nineteenth-Century Novel Daniel Bivona and Marlene Tromp, editors, Culture and Money in the Nineteenth Century: Abstracting Economics Anna Maria Jones and Rebecca N. Mitchell, editors, Drawing on the Victorians: The Palimpsest of Victorian and Neo-Victorian Graphic Texts Drawing on the Victorians The Palimpsest of Victorian and Neo-Victorian Graphic Texts edited by Anna Maria Jones and Rebecca N. Mitchell with an afterword by Kate Flint ohio university press athens Ohio University Press, Athens, Ohio 45701 ohioswallow.com © 2017 by Ohio University Press All rights reserved To obtain permission to quote, reprint, or otherwise reproduce or distribute material from Ohio University Press publications, please contact our rights and permissions department at (740) 593-1154 or (740) 593-4536 (fax). Printed in the United States of America Ohio University Press books are printed on acid-free paper ƒ ™ 27 26 25 24 23 22 21 20 19 18 17 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data available upon request. Names: Jones, Anna Maria, 1972- editor. | Mitchell, Rebecca N. (Rebecca Nicole), 1976- editor. Title: Drawing on the Victorians : the palimpsest of Victorian and neo-Victorian graphic texts / edited by Anna Maria Jones and Rebecca N. Mitchell ; with an afterword by Kate Flint.
    [Show full text]
  • EDWARD GOREY's PLAY with GENERIC FORM by EDEN LEE LACKNER a Thesis Submitted to the Victoria University of Wellingt
    GENRE GAMES: EDWARD GOREY'S PLAY WITH GENERIC FORM BY EDEN LEE LACKNER A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington 2015 Page 1 of 216 Page 2 of 216 ABSTRACT Genre Games: Edward Gorey's Play with Generic Form This thesis examines Edward Gorey's play with form and content across five literary genres, how that play results in the style that has come to be known as the "Goreyesque" and how the Goreyesque has influenced later artists and writers. Gorey consistently places style ahead of thematic and moral considerations, removing the purpose of each genre to reveal what remains in its absence. In doing so, Gorey maps out the boundaries of each form, providing genre- and period-specific details that act as signposts to how his audience should approach each narrative. With these markers in place, Gorey's readers are thus made aware of which genre expectations rule each piece. These expectations, however, are undermined as Gorey removes the audience-understood literary endgame, so that the work appears in all respects to be an accurate representation of the chosen genre, yet is missing the central heart. Gorey's melodramas present scenarios in which deep familial loss and suffering are at the forefront of each narrative, yet as a result of the distance that Gorey places between the text and his readers, these works ultimately lack sentimentality. His Dickensian narratives, while populated with virtuous orphans and embittered, isolated men, lack moral pronouncements and just rewards, resulting in exceptionally bleak, nihilistic endings that provide little or no social commentary.
    [Show full text]
  • Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
    DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.
    [Show full text]
  • From a to Z: an Exhibition of ABC Books Selected from the John O.C. Mccrillis Collection
    Trinity College Trinity College Digital Repository Watkinson Library (Rare books & Special Watkinson Publications Collections) Spring 1998 From A to Z: An Exhibition of ABC Books Selected from the John O.C. McCrillis Collection Alesandra M. Schmidt Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/exhibitions Part of the Book and Paper Commons, and the Illustration Commons Recommended Citation Schmidt, Alesandra M., "From A to Z: An Exhibition of ABC Books Selected from the John O.C. McCrillis Collection" (1998). Watkinson Publications. 5. https://digitalrepository.trincoll.edu/exhibitions/5 From A to Z An Exhibition of ABC Books Selected from the John O.C. McCrillis Collection March through June 1998 Curator of the exhibition, Alesandra M. Schmidt The Watkinson Library at Trinity College Hartford, Connecticut Item3 Introduction Is there any one of us who does not recall with affection a favorite ABC book? If we did not actually learn our letters from such a book, chances are we loved being read to from it or enjoyed just holding it, looking through its pages--dog-eared despite its "indestructible" guarantee--at the amusing illustrations that accompanied each letter of the alphabet. Chances are, too, that in this congenial activity we had no idea we were being educated about letters or morals or anything else. And this is one of the delights of alphabet books as we know them. Visual and verbal artistry conceal didactic purpose; learning seems accidental. Juvenile readers are entertained, and the adult authors and illustrators of these books have a splendid time creating new ways to depict the 26 letters of our alphabet.
    [Show full text]
  • Fairy Tale Variants / Youth Services / SDPL Fall 2005
    Fairy Tale Variants / Youth Services / SDPL Fall 2005 Fairy Tale Variants Call Number Title Illustrator *Beauty & the Beast E/Apy Beauty & the Beast Michael Hague E/Brett Beauty & the Beast Jan Brett E/Fleischman Shadow Play Eric Beddows E/Gerstein Beauty & the Beast Gerstein E/Hutton Beauty & the Beast Warwick Hutton E/Long Lady & the Lion Laurel Long E/Yep Dragon Prince Kam Mak J398/Harris Beauty & the Beast Errol Le Cain J398/Mayer Beauty & the Beast Mercer Mayer J/398/LePrince Beauty & the Beast Diane Goode J398.2/Willard Beauty & the Beast Barry Moser J398.20944/Aulnoy Beauty & the Beast Etienne Delessert J398.21/Beauty Beauty & the Beast Hilary Knight J398.21/Hooks Snowbear Whittington Victoria Lisi J398.21/Singer Disney’s Beauty & the Beast J398.21/Griswold Meanings of Beauty & the Beast JX398.21/Beauties Beauties & Beasts(Oryx Multicultural Folktales series) JX/398.21/Hearne Beauty & the Beast: visions & revisions of an old tale *Chicken Little/Henny Penny E/Andersen For sure! For Sure! Stefan Czernecki E/Butler Henny Penny Stephen Butler E/Chicken Henny Penny Werner Zimmerman E/Galdone Henny Penny Paul Galdone E/Hobson Chicken Little Sally Hobson E/Kellogg Chicken Little Steven Kellogg E/Wattenberg Henny-Penny Jane Wattenberg E/Ziefert Henny-Penny Emily Bolam *Emperor’s New Clothes E/Andersen & J398/Andersen Emperor’s New Clothes Virginia Lee Burton E/Andersen Emperor’s New Clothes Rosemary Lanning E/Andersen Emperor’s New Clothes Dorthee Duntze E/Andersen Emperor’s New Clothes Anne Rockwell E/Andersen Emperor’s New Clothes Angela
    [Show full text]
  • BOOKS ABOUT ARTISTS Catalogue 72 – January 2013
    BOOKS ABOUT ARTISTS Catalogue 72 – January 2013 1. (Aaltonen, Waino). WAINO AALTONEN by Onni Okkonen. Finland, 1945. 4to., boards, DJ, 31pp. text, 96 illustrations of sculpture in photogravure. Text in Swedish and Finnish. VG/VG $12.50 2. (Adam, Robert). ROBERT ADAM & HIS BROTHERS - Their Lives, Work & Influence by John Swarbrick. Scribners, NY, 1915. 4to., 316pp., t.e.g., illustrated. An important reference on one the leading British architect/designers of the 18th Century. A near fine copy. $125.00 3. (Albers, Josef). THE PRINTS OF JOSEF ALBERS - A CATALOGUE RAISONNE1915-1976 by Brenda Danilowitz. Hudson Hills Press, NY, 2001. 4to., cloth, DJ, 215pp. illustrated. Fine in Fine DJ. $75.00 4. (Albright, Ivan). IVAN ALBRIGHT by Michael Croydon. Abbeville, NY, 1978. Folio, cloth, DJ, 308pp., 170 illustrations, 83 in color. F/F $100.00 5. Ali. BEYOND THE BIG TOP. Godine/Pucker Safrai, Boston, 1988. Obl. 4to., cloth, DJ, text and 97 works illustrated, mostly in color. Fine/Fine. $10.00 6. (Allemand, Louis-Hector). LOUIS-HECTOR ALLEMAND - PEINTRE GRAVEUR LYONNAIS 1809-1886 by Paul Proute et al. Paris, 1977. 4to., wraps, 82 prints pictured and described. Fine. $25.00 7. (Allori et al, Allessandro). FROM STUDIO TO STUDIOLO - FLORENTINE DRAFTSMANSHIP UNDER THE FIRST MEDICI GRAND DUKES by Larry J. Feinberg. Oberlin, 1991. 4to., wraps, 211pp, 60 items catalogued and illustrated. Fine. $17.50 8. (Allston, Washington). "A MAN OF GENIUS" - THE ART OF WASHINGTON ALLSTON by Gerdts and Stebbins. MFA< boston, 1979. 4to., cloth, DJ, 256pp., 24 color plates, 162 b/w illustrations. Fine, DJ has white spots on back panel.
    [Show full text]
  • Literature & Science Fiction Illustrated & Children's Books Fine Books In
    Sale 444 Thursday, January 6, 2011 1:00 PM Literature & Science Fiction Illustrated & Children’s Books Fine Books in All Fields Auction Preview Tuesday, January 4 - 9:00 AM to 5:00 PM Wednesday, January 5 - 9:00 AM to 5:00 PM Thursday, January 6 - 9:00 AM to 1:00 PM Or by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material.
    [Show full text]