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Sale 444 Thursday, January 6, 2011 1:00 PM

Literature & Illustrated & Children’s Books Fine Books in All Fields

Auction Preview Tuesday, January 4 - 9:00 AM to 5:00 PM Wednesday, January 5 - 9:00 AM to 5:00 PM Thursday, January 6 - 9:00 AM to 1:00 PM Or by appointment

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NOTE: MOST LOTS OFFERED IN THIS SALE HAVE A MINIMUM RESERVE OF ONE HALF OF THE PRESALE LOW ESTIMATE. SOME LOTS HAVE HIGHER RESERVES, BUT ALWAYS BELOW THE LOW ESTIMATE. Administration Roger Wagner, Chairman Scott Evans, President Shannon Kennedy, Vice President, Client Services Angela Jarosz, Receptionist Dan Sweetnam, Shipping Clerk

Consignments, Appraisals & Cataloguing Bruce E. MacMakin, Senior Vice President George K. Fox, Vice President, Market Development & Senior Auctioneer Gregory Jung, Senior Specialist Erin Garland, Specialist

Marketing Maureen Gross, Vice President of Marketing

Photography & Design Chad Mueller, Photographer

Winter Auctions, 2011

January 6, 2011 - Literature & Science Fiction - Illustrated & Children’s Books - Fine Books in All Fields

January 20, 2011 - Fine Americana: The Northwest Library of John M. McClelland, Jr., with Maps & Atlases

February 3, 2011 - Fine Golf Books & Memorabilia

February 14, 2011 - Rare Books & Manuscripts - Monday after the California International Antiquarion Book Fair

February 24, 2011 - Fine Literature

March 10, 2011 - Rare Americana - Travel & Exploration - Cartography

Schedule is subject to change. Please contact PBA or pbagalleries.com for further information. Consignments are being accepted for the 2010 Auction season. Please contact Bruce MacMakin at [email protected].

Front Cover: Lot Back Cover: Clockwise from upper left: Lots Bond # 14425383

Section I: Literature & Science Fiction, Lots 1-141

Section II: Children’s & Illustrated Books, Lots 142-268

Section III: Science & Mathematics, Lots 269-285

Section IV: Fine Books in All Fields, Lots 286-394

Section I: Literature & Science Fiction

1. Adams, Douglas. Seven volumes by Douglas Adams and one based on his work. Includes: The Hitchhiker’s Guide to the Galaxy. Cloth-backed boards, dust jacket. Inscribed by the author. Decal laid in. [1979]. * The Hitchhiker’s Guide to the Galaxy. Cloth-backed boards, dust jacket. Signed by the author. Decal laid in. Long gift inscription. [1979]. * The Restaurant at the End of the Universe. Cloth-backed boards, dust jacket. Signed by the author. [1980]. * Life, The Universe and Everything. Boards, dust jacket. Signed by the author. [1982]. * So Long, and Thanks for All the Fish. Boards, dust jacket. Signed by the author. [1985]. * Mostly Harmless. Cloth-backed boards, dust jacket. Signed by the author. [1992]. * The Illustrated Hitchhiker’s Guide to the Galaxy. (4to) boards, dust jacket. Signed by the author. [1994]. Together seven volumes, all first editions. New York: Harmony Books, Various dates Also includes: Jones, Terry. Douglas Adams’s Starship Titanic. Boards, dust jacket. Signed by both Adams and Jones. First Edition. [1997]. Some minor wear; near fine or better. (400/700)

2. Arrow, William [pseud. of William Rossler]. Original typescript for Return to the Planet of the Apes 3. Original typescript, approximately 217 leaves, 11x8½”, heavily corrected by an editorial hand. [c. 1976] The author comments on the editorial changes on face of the return letter: “Warning! This is a disaster area! This shows what a copy-editor can do, without your knowledge or consent, and without letting you see the copy-edited MSS. William Rossler”. Original return envelope present. Some wear; very good. (250/350)

3. Asimov, Isaac. Fantastic Voyage II. Black cloth-backed red boards, dust jacket. First Edition. New York: , [1987] Fine in like jacket. (200/300)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder. Page 1 ASIMOV’S FOUNDATION TRILOGY – INSCRIBED FIRST EDITIONS 4. Asimov, Isaac. The Foundation Trilogy - Foundation, Foundation and Empire, & Second Foundation. Comprises: Foundation. Blue cloth, later issue dust jacket with other foundation titles listed on rear flap and list of titles on rear panel. [1951]. * Foundation and Empire. Red boards, lettered in black, dj. (Publisher’s imprint on spine measures 2.2 cm across). [1952]. * Second Foundation. Blue boards, lettered in brown, dj. [1953]. Together, 3 volumes. Original cloth or boards, color pictorial jackets. First Editions, First Printings. New York: Gnome Press, [1951-53] Each volume inscribed by Asimov to collector Thomas A. Denny on front free endpaper. Denny’s sci-fi themed bookplate also on front free endpapers. Asimov’s famous masterpiece epic series, this being the important first three, of which each were awarded a special Hugo in 1966 for best all-time series. Each in Currey’s “A” state bindings. Currey, pp. 17-19. Very light wear to jacket edges, ½” closed tear at bottom of front jacket panel of Foundation and Empire, ½” closed tear at top of front jacket panel of Second Foundation; drip stain to fore-edge of page block on Foundation and Empire; still about fine. (5000/8000) Lot 4

5. Asimov, Isaac. The Foundation Trilogy. (8vo) full leather. Norwalk, CT: Easton Press, [1988] Signed by the author. Omnibus edition of the first three novels in the Foundation series. Light spotting to gilt edges; near fine. (200/300)

6. Asimov, Isaac. Foundation and Earth. (8vo) red leatherette, slipcase. One of 300 copies. First Edition. New York: Doubleday & Company, 1986 Signed by the author on limitation page. The fifth title in the Foundation series. Fine. (300/500)

7. Asimov, Isaac. Foundation’s Edge. (8vo), calf-backed cloth. One of 1000 copies. First Edition. [New York]: Whisper’s Press, 1982 Signed by Asimov and designer/publisher Stuart Schiff in the colophon. Fourth novel of the Foundation series. Winner of the 1983 . 1982 Nebula nominee. Not issued with dust jacket or slipcase. Fine. (200/300)

8. Asimov, Isaac. Foundation’s Edge. Blue and tan boards, pictorial dust jacket. First Trade Edition. New York: Doubleday & Company, 1982 Fourth novel of the Foundation series. Winner of the 1983 Hugo award. 1982 Nebula nominee. Humorously inscribed by Asimov on title page: “For Thomas A. Denny by Isaac Asimov’s Edge”. A touch of wear to jacket; fine. (300/500)

Page 2 9. Asimov, Isaac. Life and Time. Cloth-backed boards, dust jacket. First Edition. New York: Doubleday & Company, 1978 Inscribed by Asimov in the year of publication on title page. Light wear and soiling to jacket; very good or better in like jacket. (200/300)

10. Asimov, Isaac. Prelude to Foundation. (8vo) blue leatherette, slipcase. One of 500 copies. New York: Doubleday, 1988 Signed by the author at limitation. Fine. (200/300)

11. Asimov, Isaac. The Shaping of France. Tan cloth, dust jacket. First Edition. Boston: Houghton Mifflin Company, 1972 Jacket price clipped and with some edge wear; fine in very good jacket. (100/150)

12. Asimov, Isaac. Two works from the Foundation series. Includes: Foundation’s Edge. Blue and tan boards, dust jacket. Inscribed by Asimov on title page. First Edition. 1982. * Forward the Foundation. Black cloth, dust jacket. First English Edition. [1993]. Various places: Various dates Just a touch of wear to jackets; fine. (300/500)

13. Babault, F.P. La Ligue du Nord; Poëme. 21 pp. Engraved armorial device on title page. 9x5¾, wrappers. Paris: d’Hénée, 1708 Scarce publication of this French historical poem about battles of Napoleon. Not found in OCLC Worldcat, nor in auction records for the past 30 years. Wrappers with heavy edge wear, a few spots of soiling; light edge wear to pages and light foxing; else very good. (250/350)

14. Benét, Stephen Vincent. James Shore’s Daughter. (8vo) original boards, slipcase. One of 307 copies. First Edition. New York: Doubleday, Doran & Company, 1934 Signed by the author at limitation statement. Some light wear to slipcase; sunning to volume; very good. (150/250)

15. Berger, Thomas. Reinhart in Love. Red cloth, dust jacket. First Edition. New York: Charles Scribner’s Sons, [1962] The author’s second novel. Inscribed by the author on front free endpaper. Some light wear to jacket; fine in very good or better jacket. (150/250)

16. Blaylock, James P. The Digging Leviathan. Red cloth, dust jacket, slipcase. One of 300 copies signed by the contributors. [Bath]: Morrigan Publications, 1988 Fine. (80/120)

Page 3 17. Bleiler, Everett F. The Checklist of Fantastic Literature: A Bibliography of , Weird, and Science Fiction Books Published in the English Language. Brown cloth, dust jacket. First Edition. : Shasta Publishers, 1948 The first book from Shasta Publisher’s and an essential reference of the genre. Jacket worn, with some chipping and tears; spine leaning; very good in a good jacket. (200/300)

NOVEL THAT INSPIRED THE FILM CLASSIC DIABOLIQUE 18. Boileau, [Pierre] & [Thomas] Narcejac. Celle Qui N’Était Plus...[The Woman Who Was No More]. (8vo) original wrappers. First Edition. Paris: Denoël, [1952] The novel upon which the classic film Diabolique is based. Some light wear and soiling to wrappers; very good. (200/300)

19. Borges, Jorge Luis. Evaristo Carriego. (8vo) period red cloth, wrappers not retained. First Edition. Buenos Aires: M. Gleizer, 1930 Scarce early work by the popular Argentine author. Some chipping to binding, hinges cracking; good. (200/300)

20. Bradbury, Ray. The Meadow: A One-Act Play. 20 mimeograph leaves, stiff blue wrappers, title on front. [c. 1960] Originally written for a 1947 episode of the radio series World Security Workshop. It was included in the anthology Best One-Act Plays of 1947-1948 and later revised into a short story (1953) and a stage play (1960). The present appears to be from this latter stage production. Light wear; near fine. (100/150)

21. Bradbury, Ray. Something Wicked This Way Comes - Second Draft Screenplay. 113 leaves, 11x8½”, stiff paper wrappers with The Byrna Company logo on front. Signed on front cover by Bradbury. December, 1976 An early draft screenplay adaptation of Bradbury’s novel, the film version was not released until 1983. Light wear to wrappers; very good. (300/500)

22. Browning, Elizabeth Barrett. Sonnets of the Portuguese - Facsimile of the illuminated manuscript by Phoebe Anna Traquair. [46] leaves printed on rectos only, entirely in collotype facsimile. 23x16.3 cm. (9x6½”) original printed wrappers. One of a small number of copies. No place: No date [c. 1900] Rare photographic facsimile of the exquisite illustrated manuscript of Elizabeth Barrett Browning’s ‘Sonnets from the Portuguese’, the original, completed in 1897, is among the treasures of the National Library of Scotland. Wrappers chipped, partial cup ring stain on front wrapper, vertical split to spine; a bit of light marginal wear; internally very good. (300/500)

23. Campbell, John W., Jr. Cloak of Aesir. Black cloth, pictorial dust jacket. First Edition. [Chicago]: Shasta Publishers, [1952] Signed by the author on title page. Jacket with some light wear and soiling; bookplate; near fine. (200/300)

Page 4 SIGNED BY THE AUTHOR 24. Campbell, John W., Jr. Invaders From the Infinite. Red boards, without dust jacket (as issued). First Edition. Reading, Penna.: , [1961] Signed by the author at limitation. Limitation states that there were 300 numbered and signed copies issued, this is erroneous, no copies were numbered and only approximately 112 copies were signed. Spine just a touch sunned; fine. (400/700)

25. Carr, Terry. Original Typescript for Warlord of Kor. Original typescript, 122 leaves with some editorial corrections in red ink. New York: c. 1963 Inscribed by Carr to Harvey Forman on title leaf. Originally published as one half of an ACE Double paperback, a copy of which is included here. Some light wear; near fine. (400/700)

26. [Chandler, Raymond]. Script for film production of ‘The Big Sleep’. Photocopy typescript, 11x8½”, stiff black paper covers. 1944 but copy circa 1970s Reprinted from the 1944 script for the production starring Humphrey Bogart and Lauren Bacall. Edge wear; very good. (80/120)

27. Cheever, John. The World of Apples. Black cloth, dust jacket. First Edition. New York: Alfred A. Knopf, 1973 Inscribed by the author on front free endpaper. Jacket with a bit of edge wear; slight lean to spine; very good. (150/250)

THREE BY ARTHUR C. CLARKE 28. Clarke, Arthur C. The Fountains of Paradise. Cloth-backed boards, dust jacket. First Edition. New York: Harcourt Brace Jovanovich, [1979] Fine. (200/300)

29. Clarke, Arthur C. The Songs of Distant Earth. Cloth-backed boards, dust jacket. First Edition. New York: Del Rey, [1986] Fine. (200/300)

30. Clarke, Arthur C. 2001: A Space Odyssey. Based on a screenplay by Stanley Kubrick and Arthur C. Clarke. Black and blue boards, spine lettered in silver and blue, pictorial endpapers and jacket (with scenes from the film). First Edition. [New York]: The New American Library, [1968] The first novel edition, which was originally released as the classic 1968 film directed by Stanley Kubrick. Short tear at top of front jacket panel, small chip at bottom of rear jacket panel; bookplate on front endpaper, fine in very good jacket. (200/300)

Page 5 31. Collins, Nancy. Nameless Sins [&] Lynch (2 Editions). Nameless Sins. Red cloth, dust jacket. One of 500 signed and numbered copies. Signed by Collins, Joe Christ, Neil Gaiman and, Joe R. Lansdale (as issued). Colorado Springs: Gauntlet, 1994. * Lynch. 2 copies. First copy: tan cloth, dust jacket. One of 450 signed and numbered copies. Second copy: faux leather, dust jacket, box. One of 26 signed and lettered copies. Baltimore: Cemetery Dance, 1998. Together 3 volumes. Various places: Various dates Fine. (150/250)

FIRST ENGLISH EDITION OF CRANE’S RED BADGE OF COURAGE 32. Crane, Stephen. The Red Badge of Courage. [vi], 194, [8] ad pp. (8vo) original green cloth stamped in white. First English Edition. London: William Heinemann, 1896 First English edition of Crane’s classic novel of the American Civil War. 1896 ownership signature of C.W. Campbell-Heslop on front free endpaper. Front hinge just starting to crack, a touch of wear to cloth; very good. (700/1000)

33. De Camp, L. Sprague. Original carbon typescript for “The Undesired Princess”. 190 leaves, 11x8½”, holograph corrections in pencil throughout. [c. 1951] The original carbon typescript for de Camp’s 1951 fantasy, the earliest of his major not written in collaboration with Fletcher Pratt; set in an Aristotelian universe. Some light wear; near fine. (700/1000)

SIX LOTS OF WORKS BY 34. Dickens, Charles. The Chimes: A Goblin Story... [5-8], 9-96 pp. 12 lithograph plates including illustrated title page. (12mo) 6¼x4, original finely ribbed blue cloth stamped in gilt and blind, custom chemise and morocco-backed slipcase. First American Illustrated Edition; First American cloth- bound edition. Philadelphia: Lea and Blanchard, 1845 Preceded by a wrapper bound edition published by Harper & Brothers. 1849 ownership signature [James Mitchell, Jr.] on rear pastedown. Light wear to slipcase; a touch of wear to cloth; a few leaves dog-eared, foxing and browning; very good. (250/350)

35. Dickens, Charles. A Curious Dance Round a Curious Tree. 19, [1] pp. (8vo), red half morocco and marbled boards, original wrappers bound in. First Edition, First Issue. [London]: [St. Luke’s Hospital], [1860] First issue with the final paragraph on page 19 printed in the same type as the remainder of the text. The second issue had this paragraph printed in bold-face type. Bookplates of Kenyon Starling and [William] Self on front pastedown. Light rubbing to extremities; wrappers faded, vertical crease to pamphlet; very good. (800/1200)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 6 36. Dickens, Charles. Dealings with the Firm of Dombey and Son. xvi, [errata leaf], 624 pp. 40 engraved plates by Hablot K. Browne (Phiz), including the additional illustrated title page. 21x13.5 cm. (8¼x5¼”), half calf and marbled boards, gilt decorated spine, gilt-lettered spine label, all edges gilt. First Edition in book form. London: Bradbury and Evans, 1848 With 2-line errata leaf following page xvi. With errors on pp. 324, last line (“Capatin” instead of “Captain”), and on pp. 426, line 9 (“if ” missing). Hatton & Cleaver pp. 227-250. Moderately rubbed edges, spine leaning a touch; engraved bookplate; foxed; very good. (300/500)

37. Dickens, Charles. Master Humphrey’s Clock. 3 volumes. Illustrated with wood-engravings after George Cattermole & Hablot Browne. (8vo) 9¾x6½, period half calf and marbled boards, spines in gilt and blind, red morocco lettering pieces, all edges marbled. First Edition in book form. London: Chapman and Hall, 1840-41 Smith I, 6. Spines sunned, extremities lightly rubbed; light foxing; else very good. (200/300)

38. Dickens, Charles. The Mystery of Edwin Drood. vi, [1], 190 pp. With steel-engraved portrait frontispiece and additional title page, plus 12 wood-engraved plates of illustrations by S.L. Fildes. 21.2x13 cm. (8¼x5½”), later half morocco and cloth, gilt-lettered morocco spine label. First Edition in book form. London: Chapman and Hall, 1870 A Haycraft-Queen cornerstone. Moderate wear at extremities, hinges starting; foxed, some marginal dampstains to many pages within (including plates-though not affecting image); very good. (250/350)

39. Dickens, Charles. Speech of Charles Dickens, Esq., Delivered at the Meeting of the Administrative Reform Association, at Drury Lane Theatre, on Wednesday, June 27, 1855. 11 pp. (8vo), later plain wrappers lettered by hand. First Edition. London: M.S. Rickerby, 1855 Later issue with ‘hundred’ correctly printed on page 3, and with the Rickerby imprint on title page and last leaf. In this speech Dickens criticizes the government for their indifference to, and ignorance of, the national affairs of Britain. Eckel, p.235. Horizontal crease, some light soiling; very good. (400/700)

40. (Dickens, Charles) Stirling, Edward. Nicholas Nickleby. A Farce, In Two Acts. Taken from the popular work of that name, by “Boz.”. Frontispiece. (8vo) modern tan cloth. First Edition. London: Chapman and Hall, [1838] Scarce dramatic adaptation of Dicken’s novel, produced when the tale was only 1/3 complete. Dickens in known to have attended the production on two occasions. Bookplates on front pastedown; foxing; very good. (250/350)

EMILY DICKINSON’S POEMS, THIRD SERIES 41. Dickinson, Emily. Poems. Third Series. viii, 200 pp. Edited by Mabel Loomis Todd. (8vo) 6¾x4¼, original green cloth stamped in gilt, bevelled edges, top edge gilt. First Edition. Boston: Roberts Brothers, 1896 First edition, in BAL 1st binding, with spine imprint of “Roberts Bros”. BAL 4661. A bit of wear to edges, spine sunned, light soiling, small spot on front cover, front hinge cracking; some offsetting to a few leaves at front from where paper clippings were previously placed (but now removed), a few pin holes where these clippings were once attached, pencil notes on front endpapers; very good. (700/1000) Page 7 42. Dillard, Anne. Tickets for a Prayer Wheel. 127 pp. Printed on rectos only. (8vo) flexible purple cloth stamped in gilt, dust jacket. First Edition. [Columbia, MO]: University of Missouri, [1974] The author’s first book of poetry. Jacket with some soiling, edges with some small chipping and short tears; ink sketches by a previous owner on rear endpapers; else very good. (200/300)

43. Dinesen, Isak. Out of Africa. Black and orange cloth, pictorial jacket. First American Edition. New York: , [1938] Basis for the Academy Award winning 1985 film starring Robert Redford and Meryl Streep. Some chipping and short tears to jacket, small hole in jacket spine with loss to the author’s last name; very good. (400/600)

44. Du Maurier, Daphne. Rebecca. Rebound in recent full black morocco, spine gilt, top edge gilt. Original spine and front cloth bound in at rear. First Edition. London: Victor Gollancz, 1938 Author’s signature on inserted leaf. Some foxing; very good in a fine modern binding. (400/700)

45. Dunning, John. Four novels by John Dunning. Includes: The Bookman’s Promise: A Cliff Janeway Novel. [2004]. * The Bookwoman’s Last Fling: A Cliff Janeway Novel. [2006]. * The Bookman’s Wake: A Mystery with Cliff Janeway. [1995]. * Booked to Die: A Mystery Introducing Cliff Janeway. [1992]. Together 4 first editions in cloth-backed boards and dust jackets. New York: Scribner, Various dates Cliff Janeway mysteries. Near fine or better. (100/150)

FIRST APPEARANCE OF T.S. ELIOT’S PRUFROCK 46. Eliot, T.S. The Love Song of J. Alfred Prufrock in Poetry, A Magazine of Verse, Volume VI, April- September, 1915. Six monthly issues bound in the publisher’s green cloth. First Edition. Chicago: 1915 Eliot’s first appearance in a national publication, preceded only by publication in the Smith Academy Record and . In addition to Eliot, also includes contributions by Rupert Brooke, James Branch Cabell, Amy Lowell, Marianne Moore, William Carlos Williams, and many others. Gallup C18. Some light soiling to cloth, hinges cracking; very good. (300/500)

47. (Fantasy Press) Four science fiction novels published by Fantasy Press. Includes: Eshbach, Lloyd Arthur. Tyrant of Time. Red boards, dust jacket. Signed by the author on the title page. First Trade Edition. [1955]. * [Another Copy]. Not signed. [1955]. * McClary, Thomas Calvert. Three Thousand Years. Red cloth, dust jacket. First Trade Edition. [1954]. * Williamson, Jack. Darker Than You Think. Light blue cloth, dust jacket. First Trade Edition. 1948. Together 4 volumes, including 1 duplicate. Reading, Penna.: Fantasy Press, Various dates Light wear to jackets; near fine or better. (200/300)

48. Farmer, Philip José. The Adventure of the Peerless Peer. Red cloth, dust jacket. First Edition. Boulder, Colorado: Aspen Press, 1974 Fine in fine dust jacket. (200/300)

Page 8 FOUR LOTS OF PHILIP JOSE FARMER MANUSCRIPTS 49. Farmer, Philip Jose. The Dark Design - Uncorrected copy of the typescript. Approximately 718 leaves, photocopies as submitted to the publisher by Farmer’s literary agent, uncorrected. New York: Scott Meredith Literary Agency, [1977] Signed by Farmer on the title leaf. Proof of the front and spine of the dust jacket included. Also included, a copy of the uncorrected publisher’s proofs in green wrappers. The third novel in Farmer’s ‘Riverworld’ Series. Some light wear; near fine. (400/700)

50. Farmer, Philip Jose. Flesh - Original typescript carbon copy. 269 leaves, typescript carbon copy. Beverly Hills: [1967] Final draft for the 1968 revised edition of Farmer’s novel, originally published in 1960. A bit of light wear; near fine. (700/100)

51. Farmer, Philip Jose. The Gates of Creation - Original typescript. Approximately 238 leaves, original typescript with holograph corrections throughout in red ink. [1966] Original typescript for the 1966 novel, titled Trapdoor Planets by Farmer and published by under the title The Gates of Creation. Letter and envelope from the publisher returning the manuscript to Farmer included. Some light wear; very good. (700/1000)

52. Farmer, Philip Jose. The Suicide Express - Original typescript with corrections & final carbon draft. 90 leaves of original typescript, with holograph corrections in pencil throughout (largely typed on the backs of scrap-paper from the Motorola Corporation), plus 99 carbon leaves of the final draft. Scottsdale, Arizona: [1966] Originally published as a short story in Worlds of Tomorrow (March, 1966) and later incorporated as Chapters 19 through 30 of the Hugo Award winning novel ‘To You Scattered Bodies Go.’ A copy of the 1971 paperback edition is included. Some light edge wear; near fine. (1500/2000)

53. Fisher, M.F.K. Spirits of the Valley. (4to) cloth-backed boards, glassine. One of 250 copies. First Edition. [New York]: Targ Editions, 1985 Signed by Fisher at the colophon. Fine (150/250)

54. Flanner, Janet. Paris Was Yesterday, 1925- 1939. Black cloth, dust jacket. First Edition. New York: Viking, [1972] Review copy, with 2 review slips, press release, and 4 publicity photographs laid in. Lot 52 Fine (200/300)

Page 9 55. Fleming, Ian. Goldfinger. Black cloth, dust jacket. First American Edition. New York: Macmillan, 1959 The seventh novel in Fleming’s James Bond series. Jacket with price of $3.00 on front flap. Upper corner of front jacket flap clipped (price still present at lower corner), short tear at foot of front flap fold; fine in near fine jacket. (400/600)

56. Garton, Ray. Pieces of Hate. (8vo) faux leather, pictorial dust jacket, box. One of 26 signed and lettered copies. First Edition. Baltimore: Cemetery Dance, 1996 Fine. (100/150)

57. Gerrold, David. Archive of manuscript and proofs from “With a Finger in My I”. Includes original typescript drafts for 7 short stories, plus approximately 125 additional photocopied leaves, plus long galley proofs (beginning with page 3). Each group signed by the author (photocopies signed on page 262, others signed on first leaf) Hollywood, CA: [c. 1972] All from his 1972 collection “With a Finger in My I”. A bit of light wear; near fine. (200/300)

58. Ginsberg, Allen. Autograph Letter, signed, to Francois Legros declining collaboration. One page ALS on folding Aerogramme lettersheet/envelope. New York: 1970 Ginsberg writes, declining a request for collaboration: “I am over-burdened with my own poetry (& letters alas) so I can’t collaborate on any more projects - even so useful a one as you propose...”. Also included a short Autograph Note by Ginsberg to an unspecified recipient. Some edge wear; very good. (100/150)

59. Ginsberg, Allen. Typed copy of Kaddish, signed by Ginsberg. 23 typed leaves. [c. 1987] Typed by a fan, Herb. Inscribed on title leaf “for Herb, Allen Ginsberg, 2/14/87, N.Y.C.” Paperclip marks; near fine. (100/150)

60. Guillard, M. Iphigénie en Tauride, Tragédie en Quatre Actes, Représentée pour la Premiére fois le Mardi 11 Mai 1779. [ii], 42 pp. 7¾x5, wrappers. Paris: Guilleminet, 1803 Signed under the copyright statement by M. Guillard, as a guarantee of authenticity of the publication (per the statement on verso of half title). Apparently the cost was changed by hand from “un franc, 25 centimes” to “un franc, 50 centimes.”` Wrappers with small spots of soiling, and creased edges; light foxing, corners creased; very good. (100/150)

61. Hatteras, Owen [pseud. H.L. Mencken & George Jean Nathan]. Pistols for Two. 42 pp. (8vo) original wrappers. First Edition. New York: Alfred A. Knopf, 1917 Scarce and fragile pseudonymous collaboration of H.L. Mencken and George Jean Nathan. Spine chipped, some light wear and soiling; very good. (100/150)

Page 10 62. Hawthorne, Nathaniel. True Stories from History and Biography. viii, 335, [1], [4] ad pp. (12mo) original blindstamped red cloth, spine gilt. First Edition. Boston: Ticknor, Reed, and Fields, 1851 BAL impression ‘2’ with commas in proper locations on pages iii and iv. BAL 7655. Light wear to cloth; foxing; very good. (200/300)

HEMINGWAY’S FIRST NOVEL 63. Hemingway, Ernest. In Our Time. Black cloth, with geometric design stamped in gilt, lettered in gilt. First Edition. New York: Boni & Liveright, 1925 Hemingway’s first book published in the United States, of which only 1335 copies were printed. Hanneman A3.A. Spine faded, some light wear; very good. (700/1000)

64. Hemingway, Ernest. The Old Man and the Sea. Blue cloth, spine lettered in silver, pictorial jacket. First Edition. New York: Scribner’s, 1952 First issue jacket, with the photograph of Hemingway on the rear panel printed in blue ink. This was changed to olive green, and the mention of Hemingway winning the Nobel Prize was added later. Winner of the Pulitzer Prize and the book which finally earned the Nobel Prize for Hemingway. Hanneman A24.A. A touch of edge wear; near fine. (600/900)

65. Herbert, Frank. Children of . Cloth, jacket. First Edition. New York: Berkley/Putnam, [1976] Signed by Herbert on the title-page below his crossed-out name. Review copy, with slip tipped to front free endpaper; promotional flier from the publisher laid in. Slight rubbing to jacket extremities and volume spine ends; near fine in like jacket. (300/500)

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Page 11 STERLING LANIER’S COPY OF ’S DUNE 66. Herbert, Frank. Dune. Blue-green cloth, spine lettered in white, pictorial jacket with color art on front and spine, map on rear, designed by John Schoenherr. First Edition, First printing. Philadelphia/New York: Chilton Book Co., [1965] Sterling E. Lanier’s copy, signed by him and dated 1965 on the front free endpaper. Lanier was an editor at Chilton at the time, and was instrumental in persuading Chilton to publish Dune, considered the best-selling science fiction novel of all time, and one of the most influenitial. Dune was the 1965 Nebula Award and 1966 Hugo Award winner; the first novel to win both awards. Laid in is review slip, with publication date for the book October 1, 1965. Also, a typed letter signed by Lanier, to a Mr. Kramer, describing his time at Chilton, with an ink ms. postscript: “Also put Dune into book form; no other pub. or editor would touch it then. Still making Chilton $$$$!” This is the true first printing in the rare original dust jacket, with all the correct information on the copyright page. Jacket with the publisher’s “$5.95” printed price present (also, 4 lines of publisher info. on bottom of rear flap). Basis for the David Lynch 1984 film starring Kyle MacLachlan, Max von Sydow and Sting. Currey, p.238; Pringle: Science Fiction: The 100 Best Books #48. Jacket with a little rubbing to spine, ends and corners, slight fading and mild certical creases to spine, ¼” closed tear at spine foot; volume with sunning to top and bottom edges of covers, tiny dark smudge to front cover; nearly fine in a like jacket. An important Lot 66 association copy. (5000/8000)

67. Herbert, Frank. Dune Messiah. Tan-brown boards, color pictorial jacket. First Edition. New York: G. P. Putnam’s, [1969] Signed by Herbert on the title-page, above his crossed-out name. The second book in famed Dune series, by the Hugo and Nebula Award-winning author. Near fine in a like jacket with a touch of rubbing to extremities. (500/800)

68. Herbert, Frank. Three signed/limited titles in the Dune Series. Includes: God Emperor of Dune. No. 13 of 750 copies. (Faint foxing to page edges.) [1981]. * Heretics of Dune. Color frontispiece. No. 960 of 1500 copies. [1984]. * Chapterhouse Dune. No. 261 of 750 copies. [1985]. Together, 3 volumes. Cloth, slipcases. First Editions. New York: G. P. Putnam’s Sons, Various dates Each signed by Frank Herbert. A bit of shelf wear to slipcases; near fine to fine. (400/600)

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Page 12 69. Herbert, Frank. Two Dune series titles inscribed by Frank Herbert to his literary agent. Includes: God Emperor of Dune. [1981]. * Heretics of Dune. [1984]. Together, 2 volumes. Half cloth & boards, jackets. First Trade Editions. New York: G. P. Putnam’s Sons, [1981 & 1984] Each inscribed on the title-page by Herbert to literary agent Ned Brown, the first “For Ned with Love, Frank Herbert,” the second “5/2/84, Frank Herbert here records 28 years with Ned & Myra Brown - Love and good business.” Near fine copies. (300/500)

70. Herbert, Frank. Five volumes by Frank Herbert, 3 of them signed by him, 1 by Linus Pauling. Includes: Dune. Inscribed “For Kirk” and signed by Herbert on the title-page. [1965, but later]. * The White Plague. Inscribed “For my son, Bruce with love, Frank Herbert.” 1st Trade Ed. [1982]. * Another copy of preceding, signed by Linus Pauling on the half-title. * Heretics of Dune. Signed by Herbert on the title-page. (Light stains to top page edges.) 1st Trade Ed. [1984]. * Eye. Slipcase. [1985]. Together, 5 volumes. Cloth &/or boards. First 4 with jackets. Radnor, PA & New York: Various dates Near fine to fine condition. (400/600)

71. Herbert, Frank. Three British editions of Dune books, each signed and/or inscribed by Frank Herbert. Includes: The Great Dune Trilogy: Dune, Dune Messiah, Children of Dune. 1st Combined Edition. 1979. * God Emperor of Dune. 1st U.K. Ed. 1981. * Chapter House Dune. (Marginal darkening to contents; hinge tender before title.) 1st U.K. Ed. 1985. Together, 3 volumes. Boards, jackets. London: Victor Gollancz, Ltd., Various dates Each signed by Herbert on the title-page, second inscribed as well, to a fellow science fiction writer, “For Ben and Barbara Bova with love - Frank Herbert in Port Townsend, Oct. 3, ‘81.” Very good to near fine. (300/500)

72. Herbert, Frank. Paperback editions of the first three Dune titles, two of them signed. Includes: Dune. [1965]. * Dune Messiah. [1970]. * Children of Dune. [1977]. Together, 3 volumes. Wrappers. First Paperback Editions. New York: Various dates Second and third signed by Herbert on the title-pages. Less than expected wear; very good or better. (200/300)

73. Horgan, Paul. The Return of the Weed. Illustrated with original lithographs by Peter Hurd, including tipped-in frontispiece. (4to) green cloth, paper spine label, glassine jacket, slipcase. No. 176 of 350 total copies, of which only 250 were originally for sale. First Edition. New York: Harper & Bros., 1936 Signed by the author and artist in the colophon. Classic short stories of the American west, with illustrations by the author’s friend and noted artist Peter Hurd (1904-1984). A touch of wear to slipcase; else fine. (200/300)

74. (Humor) Four humorous works in morocco bindings. Includes: [Saunders, Frederick]. Salad for the Social. NY: Dewitt & Davenport, [1856]. * Robinson, Solon. Hot Corn: Life Scenes in New York Illustrated. NY: Dewitt & Davenport, 1854. * Clemens, Will M. Famous Funny Fellows. Cleveland: William W. Williams, 1882. * [Lewis, Charles Bertrand]. “Quad’s Odds”. Detroit: R.D.S. Tyler & Co., 1875. Together 4 volumes, uniformly bound in black half morocco and green cloth, spines gilt with the title and smiling face emblem. Various places: Various dates Some light wear; very good. (150/250) Page 13 75. Huxley, Aldous. Mortal Coils. Blue cloth, paper spine label, dust jacket. First Edition. London: Chatto & Windus, 1922 Bookplate of Adrian Homer Goldstone. Jacket foxed and with some light wear; near fine in good jacket. (200/300)

76. Jones, Elwyn & John Lloyd. Jack the Ripper - Rehearsal scripts from the 1973 BBC mini-series. Synopsis plus scripts for all six episodes. 11x8½”. 1973 The mystery of Jack the Ripper explored in the popular BBC mini-series featuring fictional detectives Barlow & Watt from the BBC series Softly, Softly. Some light wear; near fine. (100/150)

WITH A LETTER FROM RUDYARD KIPLING 77. Kipling, Rudyard. Puck of Pook’s Hill - With Typed Letter, signed. x, 306, [4] ad pp. (8vo) red cloth. Housed in a custom red morocco and marbled board drop-back box. First English Edition. London: Macmillan and Co., 1906 Laid in is a typed letter, signed by Kipling to Francis Howard, Esq., declining a request for recommendation. Spine faded, some light wear to cloth; letter creased; box fine. (250/350)

78. Lartéguy, Jean. The Centurions. Translated from the French by Xan Fielding. Blue cloth, jacket. First American Edition New York: E.P. Dutton, [1962] Scarce novel about French Army paratroopers in Algeria and Indo-China, first published in French in 1960. General David Patraeus is said to have read and admired the book. Light wear to jacket edges; volume browned on front endpapers; near fine in a like jacket. (300/500)

79. Lawrence, D. H. The Escaped Cock. [8], 95, [5] pp. Illustrated with watercolor decorations by the author. 8¼x6½, printed wrappers and glassine; slipcase. First Edition. No. 58 of 450 copies on paper from a total edition of 500. Paris: Black Sun Press, 1929 Slipcase worn at edges; glassine chipped at spine panel ends; soft crease to half-title; near fine. (150/250)

80. Markham, Edwin. The Man With the Hoe. 4 pp. Issued as a supplement to the Sunday Examiner. Housed in a custom chemise and slipcase, (incorrectly marked on spine as an inscribed copy). [San Francisco]: W.R. Hearst, 1899 First appearance of the author’s best know poem. Horizontally creased with split along crease, some wrinkling and edge wear; good. (150/250)

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Page 14 RARE ADVANCE ISSUE, SIGNED BY THE AUTHOR 81. McCarthy, Cormac. All the Pretty Horses - Advance Issue, Signed. Original wrappers and thin cardboard case. Advance Issue. New York: Knopf, 1992 Signed by the author on front flyleaf. When Knopf was gearing up to promote McCarthy upon the publication of All the Pretty Horses, they printed 400 copies of this special advance issue of the novel. As early as 1993, rumor suggested McCarthy balked at signing so many and only 200 signed copies were issued; it is unclear if any of the unsigned copies were ever distributed. Whatever the final figure, it was a fragile production, prone to heavy wear if read. Closed tear and some light wear to the thin case; volume fine. (600/900)

82. McCullers, Carson. The Ballad of the Sad Cafe. Peach cloth, dust jacket. First Edition. Boston: Houghton Mifflin, 1951 Jacket worn with some chipping and tears; volume very good. (100/150)

83. Metalious, Grace. Peyton Place. Black cloth, dust jacket. First Edition. New York: Julian Messner, [1958] First edition of the controversial novel, the basis for both a major motion picture and a popular television series. Jacket price clipped and with some light wear, short closed tear at bottom edge of rear panel; fine in very good jacket. (200/300)

84. Millay, Edna St. Vincent. The Buck in the Snow & Other Poems. Cloth-backed boards, slipcase. One of 479 copies on Arches paper. First Edition. New York: Harper & Brothers, 1928 Signed by Millay at the limitation. Slipcase lacking backstrip panel; some light spotting to cloth; pages unopened; near fine in fair slipcase. (100/150)

A COLLECTION OF WORKS BY HENRY MILLER 85. Miller, Henry. The Air-Conditioned Nightmare. 292 pp. Gray-green cloth, spine lettered in blue and brown, black and white photographic dust jacket. First Edition/ [New York]: New Directions, [1945] Shifreen & Jackson A50a. Light chipping at jacket edges, four tape repairs on verso; near fine volume in very good jacket. (100/150)

86. (Miller, Henry) Neagoe, Peter, editor. Abroad: An Anthology. 23.3x15 cm. (9x6”), gray cloth binding lettered in blue, red and blue dust jacket, lettered in white. First Edition. The Hague: Servire Press, 1932 An important Henry Miller item, with his first appearance in book form. His story included is titled, Mademoiselle. In the variant gray cloth binding, and with the very scarce dust jacket as described in Shifreen & Jackson B1. Includes a laid in black and white photograph of Peter Neagoe. Jacket spine yellowed, chipped with some tears along edges; cloth foxed; detached at front hinge and spine detached from text block; else very good. (200/300)

Page 15 ONE OF 800 COPIES 87. Miller, Henry and Bezalel Schatz. Into the Night Life. Color silkscreen illustrations and text throughout by Schatz. 36.5x29.5 cm. (14¾x11¾”), decorative blue cloth, slipcase. No. 343 of 800 copies. First Edition. [Berkeley, CA]: [1947] Signed on verso of last serigraph by Miller and Schatz. The book is a beautiful production, printed entirely in serigraph and silkscreen and bound in a decorated blue cloth from a design by Israeli Palestinian artist Bezalel Schatz, the text a facsimile of Miller’s holograph, a chapter from Black Spring. Bezalel, Miller’s brother-in-law at the time, conceived the project and created the silkscreens, taking nearly two years to complete the work while living in Big Sur. Most of the 800 copies were destroyed by rats or suffered water damage. A few leaves with small worm holes, which occurred before the book was bound and are present Lot 87 in many copies; else fine in near fine (slightly rubbed) slipcase. (1500/2500)

88. Miller, Henry. Plexus. 2 vols. 342; 348 pp. Book Two of “The Rosy Crucifixion.” Brown printed wrappers. No. 1043 of 2000 copies printed for private circulation. First Edition in English. Paris: Olympia Press, [1953] The lot includes an additional copy of this 2 volume set: Volume 1: No. 1841 of 2000 copies, and Volume 2: No. 539 of 2000 copies. Total of 4 volumes. Shifreen & Jackson A83b. Light rubbing to extremities; very good. (100/150)

89. Miller, Henry. Reunion in Barcelona. Tan wrappers printed in black and red. First Edition. [London]: Scorpion Press, 1959 No. 42 of 50 copies, signed by the author. Shifreen & Jackson A114a. Fine. (100/150)

90. Miller, Henry. Sexus. 5 volumes in 2. Green cloth, gilt-lettered spines. First Edition. Paris: Obelisk Press, [1949] No. 1404 of 3000 copies. The first title in the Rosy Crucifixion trilogy. Shifreen & Jackson A76a and A76b. Very light shelf wear; touch of yellowing from tape residue on endpapers; very good. (200/300)

SIGNED BY HENRY MILLER 91. Miller, Henry. Tropic of Cancer. 19.5x13 cm. (7¾x5¼”), light green cloth, gilt lettered spine. First American Edition. New York: Medvsa, 1940 Signed by Henry Miller on the front free endpaper. Unauthorized “bootleg” edition printed in Mexico and illegally distributed in the United States. Ben Grauer’s copy, with his signature in pencil on the front free endpaper. Issued without a dust jacket. Shifreen & Jackson A9j. Gilt on spine rubbed off, light wear at extremities, cloth a touch faded; very good. (700/1000)

Page 16 92. Miller, Henry. Tropic of Capricorn and Tropic of Cancer - ten volumes of various editions. Includes the following editions of Tropic of Capricorn: Cloth, dust jacket. Grove Press, [1961]. * Cloth, dust Jacket. John Calder, [1964]. * Fourth Obelisk Edition. Green wrappers with red sunburst and white lettering. Obelisk Press, [1948] * Plus, the following editions of Tropic of Cancer: Cloth-backed boards, dust jacket (many tears and chips). Grove Press, [1961]. * Cloth, dust jacket. John Calder, [1963]. * Tenth Obelisk Edition. Red wrappers with green sunburst and white lettering. Obelisk Press, [1950]. * Second [Obelisk] Edition. Gray unlettered wrappers. Lacks title page. Obelisk Press, [1935]. * Tropique du Cancer. Rebound in leatherette, with original wrappers bound in. First French Edition. Éditions Denoël, [1945]. * Kraftans Vandkrets (Tropic of Cancer). Wrappers. First Swedish Edition. Central Press, 1955. * Later printing. Cloth. Grove Press, [1961]. Together 10 volumes. Various places: Various dates Some general wear to each; mostly very good. (200/300)

93. Miller, Henry. The Wisdom of the Heart. Cloth, gilt-lettered spine, dust jacket. First British Edition. London: Editions Poetry, [1974] Presentation copy signed by Henry Miller on the front free endpaper, dated 1/26/59. Shifreen & Jackson A27d. Jacket lightly chipped along edges, four tape repairs on verso of jacket, marking to original price on front flap (still visible), new price stamped there; a touch of extremity wear; all very good. (100/150)

94. Miller, Henry. The World of Sex. 88 pp. Black cloth, gilt cover label, lettered in black. One of 250 copies [but known to be closer to 1000 copies]. First Edition, First Binding Variant. [Chicago, IL]: Printed for J.H.N. for Friends of Henry Miller, [1941] First binding variant with a non-lettered spine, issued without a dust jacket, and with raspberry-pink endpapers. Largely uncut. Shifreen & Jackson A25b. Near fine. (100/150)

95. (Miller, Henry) Seven volumes of correspondences between Henry Miller and friends. Includes: Wickes, George, editor. Lawrence Durrell - Henry Miller: a Private Correspondence. Cloth, dj. E.P. Dutton & Co., 1963. * Henry Miller in Conversation with Georges Belmont. Cloth, dj (price-clipped). Quadrangle Books, 1972. * Stuhlmann, Gunther, editor. Henry Miller: Letters to Anais Nin. Cloth, dj. Peter Owen, [1965]. * Stuhlmann, Gunther, editor. Henry Miller: Letters to Anais Nin. Cloth, dj. G.P. Putnam’s, [1965]. * Art and Outrage: A Correspondence About Henry Miller between Alfred Perles and Lawrence Durrell. Cloth, dj (price-clipped). Putnam, [1959]. * Slotnikoff, Will. The First Time I Live. With an exchange of letters with Henry Miller. Wrappers. Manchester Lane Editions, [1966]. * Sindell, Gerald Seth, editor. Dear, Dear Brenda: The Love Letters of Henry Miller to Brenda Venus. Cloth-backed boards, dj. William Morrow, [1986]. Together 7 volumes. Various places: Various dates Also includes: Perles, Alfred. My Friend Henry Miller: An Intimate Biography. Cloth, dj. John Day Company, [1956]. * Nin, Anais. Winter of Artifice: Three Novelettes. Wrappers. Alan Swallow, [1948]. All together 9 volumes. Light general wear; very good. (100/150)

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Page 17 96. (Miller, Henry) Schatz, Bezalel. Two publications about Bezalel Schatz’s artwork for Henry Miller’s Half Past Midnight, etc. Includes: San Francisco Museum of Art: Bezalel Schatz. Exhibition of Oil Paintings, August 16 Through September 11, 1949. Foreword by Henry Miller. Blue wrappers. Includes an original color print, signed by Schatz and numbered, No. 247/500. Also laid in is a folding poster/ advertisement for an exhibition of Schatz art for a Henry Miller publication. * 12 Illustrations by Bezalel Schatz to Henry Miller. 12 color prints with their titles printed in lower left corner. Measure 34.7x24.6 cm. (13¾x9¾”) and housed in a blue portfolio, with 2 pieces of ephemera, one of which issued with the publication: an orange sheet of paper with maroon text printed, by Henry Miller. 1957. Together 2 publications. Various places: Various dates The second publication contains illustrations produced for the Hebrew Edition of selected writings by Henry Miller, “Half Past Midnight.” Some sunning to extremities of each, a few short closed tears here and there; very good. (100/150)

97. Miller, Henry. Six volumes about Henry Miller and art. Includes: Henry Miller: Watercolors, Drawings, and his essay The Angel Is My Watermark! Harry N. Abrams, [1962]. * The Paintings of Henry Miller: Paint as You Like and Die Happy. With collected essays by Henry Miller on the art of watercolor. Dj. Chronicle Books, [1982]. * Echolalia: Reproductions of Water Colors by Henry Miller. 11 black & white plates of art, plus 1 introduction leaf. All housed in a cream colored portfolio and with original envelope. Printed in limited edition for Bern Porter, Berkeley, by James J. Gillick, 1945. * Miller, Henry. To Paint is to Love Again. With 14 color plates. Dj. Cambria Books, [1960]. * Dreams from Near and Far. Wrappers. Text in Japanese. Art Life Association, 1968. * Hiler, Hilaire, Henry Miller & Wm. Saroyan. Why Abstract? Dj. Signed by Hiler on the front free endpaper. James Laughlin, [1945]. Together 6 volumes. Various places: Various dates Some general wear to each; very good. (100/150)

98. (Miller, Henry) Eleven volumes - mostly about Henry Miller. Includes: Miller, Henry. Joey: Volume III, Book of Friends. Leatherette-backed boards, dj (price-clipped). No. 162 of 250 copies. Signed by Henry Miller. Capra Press, 1979. * Gordon, William A. The Mind and Art of Henry Miller. Cloth, dj. Louisiana State University, [1967]. * Durrell, Lawrence. The Henry Miller Reader. Cloth. New Directions, [1959]. * Mailer, Norman. Genius and Lust: A Journey Through the Major Writings of Henry Miller. Cloth, dj. Grove Press, [1976]. * Seaver, Richard, et. al., editors. Writers in Revolt: An Anthology. Contains a few segments on Miller. Cloth-backed boards, dj (clipped, price still present). Frederick Fell, [1963]. * The Paris Review. No. 18. Spring, 1958. Containing an interview with Ernest Hemingway. Wrappers. 1958. * 2 copies of: Henry Miller’s Book of Friends: A Tribute to Friends of Long Ago. Cloth, dj. Capra Press, 1976. * College Art Journal. XVI 3. Wrappers. With article by Henry Miller. Spring 1957. * Hargraves, Michael. Henry Miller Bibliography with Discography. Wrappers. 1981. * Shifreen, Lawrence J., Roger Jackson, and Wm. E. Ashley. Henry Miller: A Bibliography of Primary Sources. 2 volumes. Cloth. Privately published, 1993-1994. Together 11 titles in 12 volumes. Various places: Various dates Some light wear to many; very good or better. (100/150)

99. (Moore, Marianne) La Fontaine, Jean de. The Fables of La Fontaine. Translated by Marianne Moore. 9½x6¼, cloth, slipcase. No. 48 of 400 copies. First Moore Edition. New York: Viking, 1954 Signed by Moore on the limitation page. A bit of wear to slipcase, corners cracking; volume fine. (150/250)

Page 18 100. Nin, Anaïs. This Hunger... Illustrated with 5 color woodblocks by Ian Hugo. Pictorial boards, slipcase. One of 50 copies, out of series. First Edition. [New York]: Gemor Press, [1945] Each woodblock signed by Ian Hugo. Ian Hugo was actually Hugo Guiler, Nin’s famously cuckolded first husband. This copy not signed by Nin. Spine sunned a bit, corners bumped; near fine. (200/300)

FIRST EDITION MUTINY ON THE BOUNTY 101. Nordhoff, Charles and James Norman Hall. Mutiny on the Bounty. Blue cloth, color pictorial jacket by Henry Pitz. First Edition, First Issue. Boston: Little, Brown, 1932 First issue jacket with no reviews on rear flap. The first book in the famous trilogy, and based on the 1787 mutiny in Tahiti. Jacket soiled, chipping and short tears at edges, larger chip at top corner of rear panel, pencil notes on rear panel, tape repairs on verso; volume with some shelf wear, previous owner’s name on front free endpaper; very good in good jacket. (250/350)

102. Nordhoff, Charles and James Norman Hall. Pitcairn’s Island. Orange cloth decorated in cream and silver. First Edition. Boston: Little, Brown, 1934 Lacking the original dust jacket; volume fine. (100/150)

SEVERAL LOTS OF NAVAL FICTION BY PATRICK O’BRIAN 103. O’Brian, Patrick. The Fortune of War. Blue cloth, dust jacket. First English Edition. London: Collins, 1979 The sixth novel in the Jack Aubrey saga. Light edge wear to jacket; spine leaning, light foxing to endpapers and edges; very good in very good jacket. (200/300)

104. O’Brian, Patrick. Post Captain. Pale green cloth, dust jacket. First English Edition. London: Collins, 1972 The second novel in the Jack Aubrey saga. Jacket with some small chips and short tears at edges, creases to front flap; spine slightly leaning; very good in very good jacket. (500/800)

105. O’Brian, Patrick. Treason’s Harbour. Red cloth, dust jacket. First English Edition. London: Collins, 1983 The ninth installment in the Jack Aubrey saga. A touch of wear to jacket edges, jacket flaps and endpapers foxed; spine leaning slightly; very good in very good jacket. (300/500)

106. O’Brian, Patrick. Three American Editions of novels by Patrick O’Brian. Includes: Master and Commander. Blue cloth, dust jacket. First American Edition. [1969]. * The Wine-Dark Sea. Blue cloth-backed boards, dust jacket. (Possibly BOMC edition, no price on jacket). [1993] * The Hundred Days. Blue cloth-backed boards, dust jacket. First American Edition. [1998]. Three volumes. Various places: Various dates The first, sixteenth, and nineteenth volumes in the Jack Aubrey series. Jacket of first title with some light edge wear, chip at head of spine; overall very good or better. (150/250)

Page 19 107. O’Brian, Patrick. Six volumes by Patrick O’Brian. Includes: The Golden Ocean. [1994]. * The Wine-Dark Sea. [1993]. * The Commodore. [1995]. * The Yellow Admiral. [1996]. * The Hundred Days. [1998]. * Blue at the Mizzen. [1999]. Together, 6 volumes. Cloth & boards, jackets. First American Editions. New York: W.W. Norton, Various dates The first is a reprint of Patrick O’Brian’s first novel about the sea, first published in 1956; the others are the 16th through 20th novels in O’Brian’s Aubrey–Maturin series. All in fine condition. (100/150)

108. (Poetry) Two volumes of poetry by Byron and Burns. Includes: The Poetical Works of Lord Byron. Large, thick 8vo, publisher’s full blindstamped brown morocco, spine gilt, poet’s name in gilt on front, all edges gilt. Numerous engraved plates. New York: Virtue & Yorston, [1870s]. * Life and Works of Robert Burns. (4to) publisher’s green half morocco and cloth, front cover stamped in gilt, spine gilt, all edges gilt. Engraved plates, facsimiles. Glasgow: David Wilson, 1881. Various places: Various dates Two handsomely presented and illustrated volumes of classic poetry. Some light wear; very good. (150/250)

SIX LOTS OF BOOKS BY JAMES PURDY – ALL SIGNED OR INSCRIBED 109. Purdy, James. An Oyster is a Wealthy Beast. Oblong. Black cloth with wrap-around paper label. One of 50 copies thus bound from an edition of 250. [San Francisco]: Black Sparrow Press, [1967] Signed by Purdy at the colophon and with an original drawing by him at front. Cover label soiled; very good. (200/300)

110. Purdy, James. I Am Elijah Thrush - Four Editions, each inscribed to the dedicatee. Includes: I Am Elijah Thrush. Tan and green cloth, dust jacket. Inscribed on the title page (inscription signed James) and again on the dedication page (signed Jamie). Jacket chipped and with short tears. First Edition. 1972. * I Am Elijah Thrush. Bantam paperback edition. Inscribed on the dedication leaf (signed Jim). Front cover detached. [1973]. * Ik Ben Elijah Thrush. Wrappers. Signed on title page and inscribed on dedication leaf. 1994. * L’oiseau de Paradis. Wrappers. Signed on title page and inscribed on dedication leaf. [1992]. Together 4 volumes. Various places: Various dates Four editions of Purdy’s novel, each inscribed to Paula Fox, to whom the book is dedicated along with two others, Overall very good. (300/500)

111. Purdy, James. Mr. Evening: A Story & Nine Poems. Cloth-backed boards, clear acetate jacket. First Edition Los Angeles: Black Sparrow Press, 1968 From an edition of 300 copies in wrappers and 75 copies in boards with an original drawing by the author. This copy marked as number 1 of 5 author’s presentation copies, signed at the colophon by Purdy and with an original signed drawing at front. A bit of light wear; near fine (200/300)

112. Purdy, James. The Running Sun. Original wrappers. One of 300 copies. [New York]: [Privately Printed], [1971] Signed by Purdy at the colophon, additionally inscribed and signed by him on title page. Some light wear and browning to wrappers; very good. (150/250)

Page 20 113. Purdy, James. Sunshine Is An Only Child. Original wrappers. Copy ‘L’ of 26 lettered copies reserved for the author and publisher. New York: Aloe Editions, 1973 Signed by the author at the colophon. A touch of wear to wrappers; near fine. (200/300)

114. Purdy, James. Six volumes by James Purdy - All signed or inscribed. Includes: 63: Dream Palace. Selected Stories, 1956-1987. Original wrappers. Signed on title page, additionally inscribed on dedication leaf. 1991. * Children is All. Cloth-backed boards, dust jacket. Jacket chipped and with several long tears. Signed on front pastedown endpaper, additionally inscribed on front free endpaper (inscription signed ‘Jim’). First Edition. 1961. * Jeremy’s Version. Black cloth, dust jacket. Signed on list of other books by Purdy, additionally inscribed on half title (inscription signed ‘Jim’). First Edition. 1970. * Malcolm. Black-cloth backed boards. Signed and additionally inscribed on title page (inscription signed ‘Jim’). Lacking dust jacket. First Edition. [1959]. * Malcolm. Black cloth-backed boards. Inscribed on title page. Lacking dust jacket, pencil markings. First Edition. [1959]. * In A Shallow Grave. Tan cloth, dust jacket. Signed and additionally inscribed on title page (inscription signed ‘James’). First Edition. [1975]. Together 6 volumes. Various places: Various dates All with some general wear; overall very good. (300/500)

115. Rice, Anne. Interview With the Vampire. White printed wrappers. First Edition. Special Preview Edition. New York: Knopf, 1976 Front cover reads “Special Preview Edition / Not for Sale” in small square at upper left corner. Author’s first book, the first in “The Vampire Chronicles” series, and basis for the popular 1994 film. Spine leaning, browning and soiling, edge wear, creasing to covers; good. (150/250)

116. Roberts, Kenneth. Northwest Passage. 2 volumes. 9¼x6¼, maroon cloth, spines lettered in gilt, map endpapers, top edges gilt, original jackets, housed together in publisher’s slipcase. No. 229 of 1000 sets (for sale). First Edition. New York: Doubleday, Doran & Company, 1937 Signed by the author on the limitation page in Volume 1. Basis for the classic and successful 1940 King Vidor film starring Spencer Tracy. Second volume is an appendix containing historical background information on Major Robert Rogers and the court martial of Lt. Samuel Stephens, with notes by Roberts. Jackets worn, Volume 1 jacket lacking large portion of spine; slipcase well worn with some tape repairs; volumes very good. (200/300)

117. Roberts, Kenneth. Three works by Kenneth Roberts. Includes: Northwest Passage. Brown cloth, dust jacket. Jacket tattered, some fading to cloth. First Edition. 1937. * Lydia Bailey. Tan cloth, slipcase. One of 1050 copies signed by Roberts and with a leaf of the manuscript bound in. Slipcase worn. First Edition. 1947. * Boon Island. Tan cloth, dust jacket. First Trade Edition. 1956. Together 3 volumes. New York: Doubleday, Various dates All with some general wear; overall very good or better. (100/150)

118. Ruark, Robert. Something of Value. Duo-tone cloth, pictorial jacket. First Edition. Garden City, NY: Doubleday, 1955 Author’s classic and best known title. Jacket with some light edge wear, sunning to spine; volume a touch browned on endpapers; near fine in a like jacket. (100/150)

Page 21 119. Salinger, J.D. The Catcher in the Rye. Rebound in full blue morocco, spine gilt, all edges gilt. First English Edition. London: Hamish Hamilton, [1951] Fine. (300/500)

E.E. SMITH’S HISTORY OF CIVILIZATION 1 OF 75 COPIES 120. Smith, Edward E. (“Doc”). The History of Civilization - Six Volume Set in Original Publisher’s Cardboard Case. 6 volumes. (8vo) 7½x5, burgundy morocco-backed cloth, gilt-lettered spines, top edges stained red, with original transparent plastic dust jackets, housed in original publisher’s red cardboard box with lid. One of 75 copies. Reading, Pennsylvania: Fantasy Press, Inc., 1955 Number 54 out of 75 sets, each volume signed at the limitation statement, tipped-in after the title page. Volume 1 inscribed by the author on the limitation page to Thomas A. Denny, “Dear Tom:- I heartily enjoyed meeting you and talking with you at the various and several conventions, and look forward to meeting you again at many more. Sincerely yours, Doc (Edward E. Smith, Ph.D.)” Volumes titled, in order: Triplanetary, First Lensman, Galactic Patrol, Gray Lensman, Second Stage Lensmen, Children of the Lens. A very rare set, with the especially scarce original box with the lid present, lacking (as often) the original clear plastic dust jackets. With a card from the publisher instructing that the set be inscribed to Thomas A. Denny laid in. “Printed by Eshbach from original plates on fine linen weave paper...then bound in red half-leather with a special autograph page, all signed by the author and numbered, 60 presold before publication and inscribed to specific people, three were bound in full blue leather, one for Smith (now owned by his daughter) and two still held by Eshbach; the other 12 not presold were sold to old friends and collectors, the last one at the 1962 World SF Convention in Chicago.... The box was indeed a box, not a traycase or slipcase; although form-fitting and matching (albeit in cardboard, not buckram), it actually had a shoebox-like lid. Only three sets with a lid in tact are known. Copies had thick transparent plastic jackets without imprinting so the books show through...Many sets today lack the box, or plastic, or both (the plastic discolored if shelved in sunlight for years, Lot 120 so many owners remove them and lose them; the books remain fine, better if the plastic’s left on even if it is ugly...A legend in specialty publishing and fine bookmaking. A collector’s dream...One of those specialty press productions that causes awe for many contemporary collectors.” -Chalker 226. Box lid with all flaps present but detached (three of the flaps now held in place with clear tape; box split along two corners of back panel; some general wear to box sides; volumes fine. (5000/8000)

Page 22 121. Smith, Edward E. (“Doc”). The Vortex Blaster. Blue boards, spine lettered in yellow, pictorial dust jacket. First Edition, First Issue, First Binding. Hicksville, New York: Gnome Press, [1960] Currey p. 458. Jacket a bit browned and with minor wear; fine. (300/500)

122. Steinbeck, John. Cup of Gold: A Life of Sir Henry Morgan, Buccaneer, with Occasional Reference to History. Dark blue cloth, spine decorated and lettered in gilt, color pictorial jacket. Second Edition. New York: Covici Friede, [1936] Second edition without Covici Friede imprint on spine and both 1929 and 1936 copyright dates on the verso of the title-page. Goldstone-Payne A1.c. Chips and tears to jacket, paper and tape repairs to verso, color retouches at edges of artwork, flap corners clipped with no price present; light shelf wear, slight lean, other minor wear; very good in a good or better jacket. (100/150)

123. Steinbeck, John. East of Eden. Green cloth, pictorial jacket. First Trade Edition, First Issue. New York: Viking, 1952 With the word “bite” present on page 281, line 38. First issue jacket with photo of Steinbeck on rear panel with no photo credit mentioned. Steinbeck’s epic novel about two families who settle in the rich farmlands of California. Goldstone-Payne A32.b. Jacket spine darkened a bit, sunned overall, chips to spine, which have been backed by slips of paper taped to verso, color repair attempted with a bit of blue marker at head of spine, short tears and wear at flap folds and at spine, soiling to front panel; edge wear to volume; name in ink on front free endpaper; else very good volume in good jacket. (250/350)

124. Stephens, James. The Crock of Gold. Green cloth, dust jacket. Housed in custom chemise and green morocco-backed slipcase. First Edition. London: Macmillan and Co., Limited, 1912 Very rare in the original dust jacket. Jacket spine sunned, chipping to edges, short splits at folds; volume with some wear, hinges cracked; good in a very good jacket. (300/500)

125. (Stevenson, Robert Louis) [Haggard, Bazzett M.]. Objects of Pity; Or, Self and Company. By A Gentleman of Quality. 55 pp. (8vo) original thin boards covered with japan vellum, title in gilt on front. First Edition. Amsterdam [but actually Sydney, Australia]: [1892] A response to a rare pamphlet by Robert Louis Stevenson and others entitled “An Object of Pity; Or, the Man Haggard. A Romance. By Many Competent Hands”. Bazzett Haggard, brother of novelist H. Rider Haggard, was cast as the hero of the tale and in the present volume, offers his rebuttal. The original tale was authored by Stevenson, Isobel Osbourne Strong, Graham Balfour and others as an amusement while all gathered at Stevenson’s Valima in Samoa. Spine ends chipped, some spotting to vellum; very good. (800/1200)

FIRST EDITION OF 126. Stoker, Bram. Dracula. ix, [1], 378 pp. 7¼x5, original decorative tan cloth, front cover stamped and lettered in dark blue, gilt and green. First American Edition. New York: Doubleday & McClure Co., 1899 The rare first American edition of this immortal classic and cornerstone of supernatural fiction. Cover art, with Dracula’s castle high atop a hill with bats flying and the gilt-stamped sun setting. Spine darkened, cloth split at top and bottom of front joint, spine ends frayed, edges rubbed, some soiling, rear free endpaper lacking approximately half; good. Scarce in any condition. (1500/2000)

Page 23 127. Stratton-Porter, Gene. The Fire Bird. Illustrations by Gordon Grant. (8vo) cloth-backed boards, dust jacket. New York: Doubleday, Page & Company, 1922 Jacket price clipped, edges worn, lacking most of spine; some edge wear to volume; very good in fair jacket. (200/300)

128. Stratton-Porter, Gene. The Harvester. Four color plates by W.L. Jacobs. (8vo) original suede binding stamped in gilt and green, wrap-around cardboard folder. First Edition. New York: Doubleday, Page & Company, 1911 Uncommon binding issue with unusual protective cover advertising this title as a volume from The Delft Series. Folder worn with tape repairs on verso; some light wear and discoloration to suede; very good. (100/150)

129. Taggard, Genevieve. For Eager Lovers. (Small 8vo) original boards with paper label on front and spine, dust jacket. First Edition. New York: Thomas Seltzer, 1922 First Edition of the author’s first book. Inscribed on the front free endpaper by the author to Paul Jordan Smith. On the rear free endpaper the author has penned a 15-line poem “The Tourist”. A note in Smith’s hand on front free endpaper details the occasion of her writing this poem. A bit of chipping to jacket, some old tape repairs; damp stain at foot of spine; very good. (200/300)

130. Tarkington, Booth. Monsieur Beaucaire. (8vo) original decorated green cloth, yapp edges. Early printing. London: Murray, 1903 Presentation inscription with original drawing by Tarkington on rear of frontispiece. Inscription reads: “For Mr. & Mrs. Horace Lee Washington, from Mrs. and Mister N. Booth Tarkington with the Happiest Memories of an October Evening in 1903 at Geneva.” The sketch shows a lady and a gentleman curtsying to one another. Laid in is a post card from the Tarkingtons to the Washingtons expressing similar sentiments. Some wear and soiling to cloth; foxing; good. (100/150)

131. Trollope, Anthony. The Last Chronicle of Barset. 2 volumes. [iv], 384; [iv], 384 pp. Illustrated with 32 wood-engravings by George H. Thomas, including frontispieces. (8vo) later brown half calf and marbled boards, spines gilt, top edges marbled. First Edition in book form. London: Smith, Elder and Co., 1867 The last of the six chronicles of the fictional Barsetshire. Bookplates of James Watson. Sadleir 26. Spines faded, some light wear; light foxing, dates of author’s life span on title page in volume 1; very good. (300/500)

132. Trumbo, Dalton. Washington Jitters. (8vo) stiff wrappers. First Edition. New York: Alfred A. Knopf, 1936 Advance copy of Trumbo’s second novel. Some wear to wrappers, ink stamps and other markings on front endpapers; very good. (150/250)

Page 24 A FEW LOTS OF WORKS BY MARK TWAIN 133. Twain, Mark. A Connecticut Yankee in King Arthur’s Court. xiv, [15]-575, [1 blank] + [2] ad pp. Illustrated with 44 wood-engraved plates and numerous text illustrations (some full-page) by Dan Beard. (8vo), publisher’s decorative olive-green cloth stamped in blue-gray, black and gilt, spine gilt, lettered in gilt, blue-gray endpapers patterned in brown. First Edition, First State. New York: Charles L. Webster, 1889 Rare earliest state of page 59 with an ornamental “S” between the words “The King.” This copy has page [1] wholly blank, some copies have a half-title; BAL concludes that both forms were published simultaneously. BAL 3429. Some edge wear, separation in gutters between endpapers and flyleaves, hinges shaken, previous owner’s name on front flyleaf; very good. (300/500)

134. Twain, Mark. Christian Science - 3 editions. Includes: First edition. With 17 titles listed on copyright page. (8vo) red cloth. Spine faded. * Early reprint with 18 titles listed. (8vo) red cloth. * Early reprint with 18 titles listed. (8vo) publisher’s half morocco and marbled boards. Spine faded. Together 3 volumes. New York: Harpers, 1907 All three copies with ‘Published February, 1907’ on copyright page and with frontispiece dated 1906 (later changed to 1907). BAL 3497. Some general wear; overall very good. (100/150)

135. Twain, Mark and Charles Dudley Warner. The Gilded Age. A Tale of Today. xvi, 17-574, [2] pp. Illustrated with frontispiece, 19 full-page plates, copious text illustrations, and a folding rebus map. (8vo) 8¾x5¾, original brown cloth stamped in gilt on spine and front. First Edition. Hartford: American Publishing Company, 1874 First edition, later issue. Dated 1874, but with some early issue points: the title mentions White as an illustrator; reads “Eschol” rather than “Beriah” in all instances (Ch. 5 contents, p. 27, p. 247, etc); earliest state of ads at rear; no comma after ‘Hallelujah’ on p. 246; period after “Dr. Jackson” on p. 280, but all other points noted in BAL correspond to later issue. The character Eschol Sellers changed his name after an actual Eschol Sellers threatened suit on the publishers. BAL 3357. Extremities worn, spine ends frayed, amateur repair to hinges; light foxing, irregular creasing to folding plate; else good. (100/150)

136. Twain, Mark. Mark Twain’s Autobiography. 2 volumes. xvi, 368; [4], 365, [2] ad pp. Introduction by Albert Bigelow Paine. Frontispieces with printed tissue guards. (8vo), blue cloth. First Edition. New York: Harper & Brothers, 1924 With code ‘H-Y’ on copyright pages. BAL State ‘A’ with 2 pages of ads at rear of Volume 2. BAL 3537. Light extremity wear; very good. (200/300)

137. Twain, Mark. Mark Twain’s Sketches, New and Old. 320 pp. Illustrated with wood engravings throughout. (8vo) 8½x6½, original decorative blue cloth stamped in black and gilt. First Edition, Second State. Hartford & Chicago: The American Publishing Co., 1875 Second state without a footnote on pg. 120 or “From Hospital Days” on pg. 299. BAL 3364. Spine ends frayed, corners worn, front hinge cracked, 1876 ownership signature on front free endpaper; else very good. (100/150)

Page 25 138. Twain, Mark. The Prince and the Pauper. A Tale for Young People of All Ages. 411 pp. 192 illustrations in black and white. (8vo) 8¼x6¼, original full sheep, morocco spine labels. First American Edition. Boston: James R. Osgood & Co., 1882 BAL 3402. Spine worn and lacking pieces at top and bottom, joints cracked, tape stains, edges worn, hinges cracking; fair. (100/150)

139. Van Vogt, A.E. The Mixed Men: An Interstellar Adventure. Blue boards, spine lettered in red, pictorial dust jacket. First Edition. New York: Gnome Press, [1952] Inscribed by Van Vogt on title page. A touch of wear to jacket edges, two ½” closed tears at top of front jacket panel; near fine. (200/300)

140. Vance, Jack. The Dragon Masters. Green boards, dust jacket. First Hardcover Edition. London: Dennis Dobson, [1965] Winner of the 1963 Hugo Award. Light wear and foxing to jacket; small bump to top edge of rear boards; pages a bit browned at edges; near fine in like jacket. (100/150)

INSCRIBED BY YEATS WITH A LINE OF POETRY 141. Yeats, William Butler. Reveries Over Childhood and Youth. (8vo) linen backed boards. With separate matching portfolio containing three loose plates, as issued, comprising: one mounted color plate titled “Memory Harbour” by Jack B. Yeats, with accompanying page of text by W.B. Yeats, a self-portrait of John B. Yeats, and a portrait of Mrs Yeats by John B. Yeats. The two housed together in custom cloth jackets and dark green morocco-backed slipcase. No. 95 of 425 copies. First Edition. Churchtown, Dundrum: Cuala Press, 1915 Inscribed by Yeats at head of front flyleaf with a line of verse: An aimless joy is a pure joy”. Inscription dated April 1909. A slight touch of wear to bindings; mounting sheet for color plate chipped; near fine. (2000/3000)

Lot 141 Section II: Children’s & Illustrated Books

142. Allom, Thomas. Collection of 124 engraved plates of Chinese scenes - 1 colored. Loose collection of 124 plates, including 1 hand-colored plate. Sizes vary a bit, mostly 27.3x21 cm. (10¾x8¼”) or the reverse. London: [c.1850] Depicting Chinese scenery, costume, trades, etc. as perceived by the West in the mid-19th century. Edges a bit brittle; some with foxing; good to very good. (600/900)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 26 RARE EDITION OF A HANS CHRISTIAN ANDERSEN TALE 143. Andersen, Hans Christian. The Dream of Little Tuk and Other Tales. Translated by Charles Bonet. [4], 176 pp. (12mo) original blindstamped green cloth, spine gilt. First American Edition. Boston and Cambridge: James Munroe, 1848 In addition to the title story and several others, this volume includes the tales of The Little Match Girl, The Nightingale, and The Emperor’s New Clothes. A touch of wear to cloth; some foxing at front and rear of volume; near fine. (500/800)

144. (Architecture) Architektonisches Skizzen-Buch - Seven parts with plates. 7 parts, each containing several plates, some tinted. 35x27 cm. Original wrappers present. Berlin: Ernst & Korn, 1870s Some edge wear, a few wrappers detached, dampstain to a few plates; offered as a collection of plates, not subject to return. (200/300)

145. Banning, Kendall. Bypaths in Arcady: A Book of Love Songs. 61 ff. Illustrated with photogravures from photographs by Lejaren A. Hiller. (Small folio) 34x25 cm., vellum backed boards. One of 540 copies on Fabriano hand-made paper. Chicago: Brothers of the Book, 1915 A number of the photographs feature nude young women. Some edge wear, front joint splitting at bottom; internally clean; very good. (250/350)

FIRST AMERICAN EDITION OF ALICE’S ADVENTURES IN WONDERLAND 146. Carroll, Lewis [Charles Lutwidge Dodgson]. Alice’s Adventures in Wonderland. [10], 192 pp. Half-title. Frontispiece and wood-engraved illustrations after John Tenniel. 7½x5, original red cloth stamped in gilt, all edges gilt. First Edition, second issue. New York: D. Appleton, 1866 [1865] One of the most important children’s books ever written. Carroll published Alice in Wonderland with Macmillan in London in 1865. However, John Tenniel was reputedly dissatisfied with the printing of the illustrations and convinced Carroll to suppress the book at his own expense. Only about 20 copies of this 1865 Macmillan first issue are speculated to survive, most in institutional collections. Rather than discard the remaining sheets they were sold to D. Appleton in New York and new title pages were printed and tipped in. Thus the present is the textually identical to the first issue but with a cancel title page. This copy has the B in “By” directly above the T in “Tenniel” on the title page and with the hyphen in “Rabbit Hole” on contents page. Spine ends chipped, a few tears to cloth of backstrip, rear joint split, rear hinge cracked, damp stain to lower edge of front and rear cover and pages (heavier at front and rear of volume); good. (5000/8000)

Lot 146

Page 27 147.  Comstock, F. Ray & Morris Gest. Ballieff’s Chauve-Souris, Bat Theatre, Moscow. 32 pp. Color illustrations and black & white photographs. (4to) original pictorial wrappers. [New York]: [1922] Several illustrations (including front cover) by Sergei Soudeikine, other illustrations by Nicolai Remisoff, centerfold by Ralph Barton. Light wear, very good. (200/300)

148. Covarrubias, Miguel. Pageant of the Pacific. 6 color maps, each illustrating a different aspect of the Pacific. 4 are approximately 53.5x85 cm. (21x33½”), 2 are approximately 35x56 cm. (13¾x22”), plus margins. Loosely draped around wooden dowel in the original portfolio, text booklet present. First Edition. San Francisco: Pacific House, 1940 Striking color representations of the Pacific, the Americas, Australia and part of Asia, covering Peoples of the Pacific; Fauna and Flora of the Pacific; Art Forms of the Pacific Area; Economy of the Pacific, etc. These are reproductions of the six murals by Covarrubias in Pacific House, Theme Building of the Golden Gate International Exposition on Treasure Island. A bit of wear to edges of portfolio; near fine. (300/500)

ROALD DAHL’S FIRST BOOK 149. Dahl, Roald. The Gremlins from the Walt Disney Production. A Royal Air Force Story by Flight Lieutenant Roald Dahl. Illustrated by Disney Studios, some in color. (4to) 11x8½, cloth-backed pictorial red boards, color pictorial jacket. First Edition. New York: Random House, [1943] First edition of Roald Dahl’s first book, a fanciful tale of the curious little creatures, driven from their homes in the trees by the march of wartime industries, that plagued aviators imaginations. Despite Dahl’s British nationality, this was first published in the U.S., intended to accompany a Disney animated film that was never produced. Original $1.00 price sticker from Bullock’s Department Store, Los Angeles on rear flap. Dust jacket with some light chipping to edges, 2” piece lacking from foot of spine with resulting loss of publisher’s name, splitting along front flap fold, some creasing and light soiling; volume with some light scratching to surface of boards, a bit of light edge wear; very good in a like jacket. (1500/2500)

Lot 149

150. Dana, Richard Henry, Jr. Two Years Before the Mast: A Personal Narrative of Life at Sea. Illustrations by Edward A. Wilson. (Large 8vo) linen-backed blue cloth, spine and front cover stamped in gilt, top edge gilt, original slipcase. One of 1000 copies. Chicago: The Lakeside Press, 1930 A handsomely printed edition of Dana’s classic tale. Spine and slipcase sunned; near fine. (150/250)

Page 28 151. Dodge, M[ary] E[lizabeth] [Mapes]. Hans Brinker. Or, The Silver Skates. A Story of Life in Holland. [2], 347, [2] ad pp. Frontispiece by F.O.C. Darley; 3 plates by . (8vo) modern full red calf. First Edition. New York: James O’Kane, 1866 The author’s second and best known work. 1 leaf of ads at rear (State ‘A’). BAL 4753. Dampstaining within to approximately the first 25 pages, early owner’s signature on front flyleaf, foxing; good in a fine modern binding. (100/150)

152. Doman, Glenn. How to Teach Your Baby to Read - Original manuscript. Forty-nine typed pages, with corrections, 11x8½”, finely bound in full red morocco, spine gilt, all edges gilt, slipcase. 1963 The original manuscript as submitted to Random House (lengthened significantly prior to publication) of this influential work on teaching reading to young children, still in print today. Manuscript presentation inscription from the author at front reading: “For Lindley [Boyer]: Without whose constant encouragement advice and help, this book might never have been. With deep appreciation, Glenn. Chestnut Hill. May, 1964.” Some wear to slipcase; volume fine. (300/500)

TEENIE WEENIES IN THE RARE DUST JACKET 153. Donahey, William. Adventures of the Teenie Weenies. 128 pp. Illustrations by the author including 9 full page color plates; other black & white illustrations, full page and in text. (4to) original green cloth, pictorial label on front, original pictorial dust jacket. First Edition. Chicago: Reilly & Lee, [1920] Rare in the original dust jacket. Dust jacket with some small chips and short tears, one longer tear on rear panel; spine leaning a bit; very good in a very good unrestored jacket. (400/600)

154. (Dulac, Edmund) Stories from the Arabian Nights. 319, [1] pp. 20 tipped-in color plates by Edmund Dulac. (4to) 9¾x7½, original brown cloth stamped in gilt and brown, dust jacket with mounted color illustration. [London]: [Hodder & Stoughton for Boots Pure Drug Co.], [c. 1930] Special edition published by Hodder & Stoughton for the Boots Pure Drug Co. Scarce in jacket. Jacket soiled, edge worn and with tape repairs on rear; minor wear to cloth, endpapers foxed; near fine in a good jacket. (200/300)

155. Elder, Marc. A Giverny, Chez Claude Monet. (91) pp. 41 plates including 2 in color. (4to) original marbled wrappers over stiff thin boards. One of 100 copies from a total edition of 150, this copy not numbered. Paris: Bernheim-Jeune, 1924 Scarce volume on Monet and his art. Old tape repairs to spine, some wear to wrappers; very good. (300/500)

156. (Engravings) Collection of approximately 100 engravings from various 19th century books. Approximately 100 engravings from various 19th century books. Including artwork, portraits, landscapes, etc. An assortment of octavo and quarto sizes. 19th century Also included is a catalogue of an Exhibition of the works of Meissonier, Paris, 1893. Disbound, lacking etchings. Overall very good; offered as a collection of plates, not subject to return. (100/150)

Page 29 157. (Engravings) Approximately 400 plates from Harper’s Weekly, Illustrated London News, etc., some with hand-coloring. Approximately 400 illustrations removed from Harper’s Weekly, Illustrated London News and other 19th century periodicals, most full page, some double page. Includes a small selection of illustrations with hand-coloring. Late 19th century Overall very good; offered as a collection of plates, not subject to return. (200/300)

158.  Gibson, Charles Dana. Drawings. Illustrated throughout from drawings by . (Oblong Folio) 11½x17½, cloth-backed pictorial cream colored boards, top edge gilt. New York: R. H. Russell & Son, 1894 Gibson’s first book. Some soiling to binding, light edge wear; very good. (200/300)

159. Gibson, Charles Dana. Sketches and Cartoons. Illustrated throughout by Charles Dana Gibson. (Oblong folio) 11½x17½, white cloth-backed cream colored pictorial boards, top edge gilt. First Edition, American issue. New York: R.H. Russell, 1898 Boards browned, some edge wear, rear hinge cracking; very good. (200/300)

RARE ARCHIVE OF GIVENCHY FASHION SKETCHES 160. (Givenchy) Original Givenchy sketches for clothing worn by Kay Kendall in the film Once More With Feeling. 16 original sketches (11x8½”), 4 with fabric samples attached; 6 8x10” photographs of Kay Kendall wearing the finished outfits (2 duplicates); 15 8x10” photographic reproductions of the sketches. Many of the sketches with notes in ink and/or pencil, several with the rubberstamp of Société Anonyme Givenchy, Paris. c. 1959 Rare archive of Givenchy sketches designs for Kay Kendall’s on-screen wardrobe for what would be her final film, “Once More With Feeling”. Kendall died September 6, 1959 of myeloid leukemia. Some wear, chipping, etc., a few of the photographs stapled in related groups; very good. (3000/5000)

Lot 160

Page 30 ORIGINAL DRAWING BY 161. Gorey, Edward. Dessert at the Belvedere - an original ink and watercolor drawing by Edward Gorey. Original ink and watercolor drawing, matted and framed. Drawing measures 18x18.5 cm. (7x7”). With frame measures 55x55 cm. (21½x21½”). January, 1973 This illustration appeared in the January 1973 issue of Playboy Magazine. The original ink and watercolor drawing shows a few upscale guests checking in at the Belvedere Hotel. A busty woman in an elaborate gown chats with an older gentleman in an all-white suit and blue tie, while a bell-boy awaits to take up the luggage. This original drawing was previously offered in the Bonham’s June 23, 2002 auction of the Playboy Estate. Original drawings are especially difficult to obtain, and those in color are very scarce. In a beautiful silver-colored frame. A few very faint marks to frame; drawing fine. (4000/6000)

Lot 161

SEVERAL LIMITED EDITION PRINTS BY EDWARD GOREY 162. Gorey, Edward. Limited edition Signals print. Framed print. With frame measures 56.5x31 cm. (22x12”). With embossed stamp in lower right hand corner. Number 704/1750. [Signals], [c.1996] The illustration shows a series of dogs and people situated upon a crumbling cliff, and includes a woman within a large vase, holding an umbrella at the bottom of the image. See Toledano pg. 161. Some light marks to frame; print appears fine. (150/250)

163. Gorey, Edward. Limited edition Signals print. Framed print. With frame measures 31x56.5 cm. (12x22”). With embossed stamp in lower right hand corner. Number 665/1750. [Signals], [c.1996] The illustration shows dancers in togas dashing between topiary, plus seated couples dining on biscuits, etc. See Toledano pg. 161. Some light marks to frame; print appears fine. (150/250)

164. Gorey, Edward. Limited edition Signals print. Framed print. With frame measures 36x41 cm. (14¼x16¼”). With embossed stamp in lower right hand corner. Number 661/1750. [Signals], [c.1996] Illustration shows two children atop an ice-skating alligator, plus a group of adults sitting in a snow-covered gazebo. See Toledano pg. 161. Light marks to frame; print appears fine. (150/250)

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Page 31 165. Gorey, Edward. Limited edition Signals print. Framed print. With frame measures 41x36 cm. (16¼x14¼”). With embossed stamp in lower right hand corner. Number 1288/1750. [Signals], [c.1996] Illustration shows a scene in the entrance hall of an estate, up the stairs stands a few mysterious figures, and a dog who watches a baby fall over the upstairs banister. Below, a maid extends her arms to catch the baby. Also, a lady falls down the stairs. See Toledano pg. 161. A few light marks to frame; print appears fine. (150/250)

166. Gorey, Edward. Limited edition Signals print, No. 1. Framed print. With frame measures 31x56.5 cm. (12x22”). With embossed stamp in lower right corner. Number 832/1275. [Signals], [1992] The illustration is a triptych, featuring three mysterious encounters between a man in a hat and coat, and a woman. “Signals, the catalog that often accompanies PBS-TV subscriptions, offers a handsome series of limited offset lithographic prints... Eight images have been published since 1992. The ‘select’ editions...are numbered 1-1750 (except for No.1 at 1-1275)... Signature No. 1 is sold out and editions 2-4 are in very short supply.” -Toledano pg. 161. Frame with slight marks; print appears fine. (200/300)

167. Gorey, Edward. Limited edition Signals print, No. 10. Framed print. With frame measures 42.5x36 cm. (16¾x14¼”). With embossed stamp in lower right corner. Number 1235/1750. [Signals], [after 1996] The only Signals limited edition print in full color, this is number 10. The illustration shows a theatre production with many characters on (and above) the stage. Characters such as a devil coming up through the floorboards, a leaping dog, and a ballerina. Toledano pg. 161. A few light marks to frame; print appears fine. (200/300)

168. Gorey, Edward. Limited edition Signals print - signed by Edward Gorey. Framed print. With frame measures 31x56.5 cm. (12x22”). Number 723/850. [Signals], [c.1996] Signed in pencil by Edward Gorey. This illustration is a triptych, but shows one continuous scene of a dining room. A few diners eat, while other mysterious figures hide behind curtains and plants. See Toledano pg. 161. A few faint marks to frame; print appears fine. (250/350)

169. Gorey, Edward. Limited edition Signals print - signed by Edward Gorey. Framed print. With frame measures 56.5x31 cm. (22x12”). Number 758/850. [Signals], [c.1996] Signed in pencil by Edward Gorey. The illustration shows a brick structure, a few distressed looking ladies and gentlemen stand upon it and are enclosed within the structure, with a few dogs scattered about. See Toledano pg. 161. A few faint marks to frame; print appears fine. (250/350)

170. Gorey, Edward. Limited edition Signals print - signed by Edward Gorey. Framed print. With frame measures 56.5x31 cm. (22x12”). Number 844/850. [Signals], [c.1996] Signed in pencil by Edward Gorey. The illustration shows a tower, at the base of the tower stands a finely dressed couple, and two other men, above them on three more levels stand more people, and at the very top of the brick tower, sits a black cat. See Toledano pg. 161. A few faint marks to frame; print appears fine. (250/350)

Page 32 171. Gorey, Edward. Limited edition Signals print - signed by Edward Gorey. Unframed print, affixed to matting with tape on verso. 16.7x43.5 cm. (6¼x17”). Number 519/850. [Signals], [c.1996] Signed in pencil by Edward Gorey. The illustration shows a number of couples frolicking in a Goreyesque way, on a pier which extends into a body of water, in which a couple argues in a boat. This print comes in the frame, which matches those of the other prints offered in this auction. It has been dismantled, but is included with the lot. See Toledano pg. 161. Very faint dampstain to print, seen mostly on verso, measuring approximately 2x2½”; additional very light dampstain on matting; else near fine. (200/300)

172. (Gorey, Edward) Mystery! So entertaining - it’s criminal - poster. Large poster, with vignette at center in color. Framed. With frame measures 120.5x80.5 cm. (47¼x31½”). No date Great large poster for the PBS television special, hosted by Gene Shalit. Appears near fine. (150/250)

173. Gorey, Edward. [Self-Portrait] - Limited edition color print, signed by Edward Gorey. Color print on 30.5x20.2 cm. (12x8”) paper. Numbered 75/750 and signed in pencil by Edward Gorey. No place: No date A self-portrait showing a man seated in his high-backed reading chair, an enormous book shelf behind him, surrounded by tabby cats. Faint stain along top edge, slight rippling there as well; very good. (200/300)

BOOKS WRITTEN AND ILLUSTRATED BY EDWARD GOREY 174. Gorey, Edward. Amphigorey - seven volumes of various editions of various Amphigorey titles. Includes: Amphigorey Also. Boards, dj. Signed by Edward Gorey on title page. Harcourt Brace, [1983]. * Amphigorey: Fifteen Books. Signed by Edward Gorey on title page. Wrappers. Later printing. Perigee, [1981]. * Amphigorey Too. Signed by Edward Gorey on title page. Wrappers. Dampstains on fore edge of text block. Later printing. Perigee, [1975]. * Amphigorey: Fifteen Books. Wrappers. 4th printing. Putnam’s, [1978]. * Amphigorey: Fifteen Books. Wrappers. Later printing. Perigee, [1981]. * 2 copies of: Amphigorey Too. Boards, dj. First edition. Putnam’s, [1975]. Together 7 quarto volumes. Various places: Various dates Including 3 signed volumes. Mild edge wear to dust jackets and volumes; mostly very good. (200/300)

175. Gorey, Edward. La Balade Troublante. 14.3x10.1 cm. (5¾x4”), wrappers. First Edition. Fantod Press, 1991 Signed by Edward Gorey on the title page. Toledano A103. A faint touch of wear at spine ends; else fine. (150/250)

176. [Gorey, Edward] Weary, Ogdred. The Beastly Baby. 15.3x12.5 cm. (6x5”), illustrated boards, matching dust jacket. First Edition. New York: Peter Weed, 1962 Signed by Edward Gorey as his anagrammatic pseudonym Ogdred Weary, on the title page. Toledano A9c. Fine. (100/150)

177. Gorey, Edward. The Betrayed Confidence. 8.5x8.5 cm. (7¼x7¼”), wrappers, slipcase. Orleans, MA: Parnassus Imprints, [1992] No. 75 of 250 copies, and with a signed and numbered previously unpublished print tipped in at rear, signed by Edward Gorey. Toledano A104a. Fine. Page 33 (200/300) 178. (Gorey, Edward) Belloc, Hilaire. Cautionary Tales for Children. 23x17 cm. (9x7”), illustrated boards, matching dust jacket (price-clipped as issued), slipcase. First Edition. New York: Harcourt, [2002] No. 39 of 100 copies. With “Lord Lundy, Who was too Freely Moved to Tears, and thereby ruined his Political Career,” as issued. Printed on loose sheets, along with the limitation statement in a folder. Fine. (300/500)

179.  [Gorey, Edward] Weary, Ogdred and Wryde, Dogear. The Dancing Rock / The Floating Elephant. 6.4x10.6 cm. (2½x4¼”), wrappers. The Author, [1993] Signed by the artist Edward Gorey twice, once each on the inside front cover, and as two different anagrammatic versions of his name, on the inside wrappers. Two flip books dos-a-dos. Fine. (100/150)

180. Gorey, Edward. The Deadly Blotter: Thoughtful Alphabet XVII. 9.6x11 cm. (3¾x4½”), illustrated wrappers. First Edition. Fantod Press, 1997 Signed by Edward Gorey at limitation. No. 271 of 750 copies. Fine. (100/150)

181.  Gorey, Edward. E. D. Ward: A Mercurial Bear. Pages with illustrations to be cut out, and assembled as paper dolls. 17.5x12.5 cm. (7x5”), white wrappers illustrated in black. First Edition. New York: , 1983 Signed by Edward Gorey by his anagrammatic alias, Dogear Wryde on the rear wrapper. A Dogear Wryde Paper Pastime, with paper doll cut outs, that remain uncut. A87. Fine. (200/300)

182. [Gorey, Edward] Weyrd, Madame Groeda. The Fantod Pack. 20 glossy tarot cards, each with the same illustration on one side, then various illustrations on verso such as The Urn, The Waltzing Mouse, and The Feather. 12.5x6.4 cm. (4¾x2½”). Includes booklet, all housed in a box decorated by Edward Gorey. [New York]: Gotham Book Mart, [1995] No. 707 of 726 copies. Signed at the colophon by Edward Gorey. A humorous tarot card game, as interpreted by Madame Weyrd. Toledano A113b. Fine. (250/350)

ONE OF 500 COPIES 183. Gorey, Edward. The Fraught Settee. 9x15.3 cm. (3½x6”), illustrated wrappers. First Edition. Fantod Press, 1990 Signed by Edward Gorey at limitation statement. No. 25 of 500 copies. Toledano A99. Fine. (250/350)

184. Gorey, Edward. The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas. 18.3x18 cm. (7¼x7”), illustrated boards, matching dust jacket, slipcase. First Edition. New York: Harcourt Brace, [1997] No. 260 of 500 copies. Signed by Gorey at the limitation. Dust jacket price-clipped as issued. Fine. (200/300)

Page 34 185. Gorey, Edward. The Headless Bust: A Melancholy Meditation on the False Millennium. 18.5x18 cm. (7¼x7”), decorative boards, pictorial dust jacket, cloth slipcase. First Edition. New York: Harcourt Brace & Company, [1999] No. 461 of 750 copies. Signed by the author at the limitation statement. This copy also comes with the Bahhum Bug (as stated in the limitation). The Bahhum Bug is bean-bag doll shaped like the character in the book, measuring about 34 cm (13½”) long. Dust jacket price-clipped as issued. Fine. (300/500)

186. Gorey, Edward. The Helpless Doorknob: A Shuffled Story. Set of 20 laminated illustrated cards + foldover title sheet with colophon. 10.2x6.4 cm. (4x2½”), housed in original clear plastic box. First Edition. No place: 1989 Signed at colophon by Edward Gorey. One of 500 sets. Toledano A95a. Fine. (200/300)

187. Gorey, Edward. Inverted Commas - poster from the production, signed by Edward Gorey. Approximately 43x28 cm. (17x11”), and in thin silver frame. 1995 Signed in ink at the bottom edge by Edward Gorey, and numbered 32/100. A rare poster advertising the theater production Inverted Commas. Appears fine. (200/300)

ONE OF 750 COPIES 188. Gorey, Edward. The Just Dessert: Thoughtful Alphabet XI. 12.7x12.4 cm. (5x5”), illustrated gray wrappers. First Edition. Fantod Press, 1997 No. 662 of 750 copies, signed by Gorey at the limitation statement. Fine. (200/300)

189.  Gorey, Edward. The Listing Attic. Illustrations by Edward Gorey. 18.8x13 cm. (7½x4¾”), pictorial boards, pictorial jacket. First Edition. New York / Boston: Duell, Sloan and Pearce / Little, Brown and Company, [1954] Gorey’s second book. Toledano A2a. Jacket price-clipped, many short tears along edges, some repaired with tape on verso, a few faint spots of soiling; lightly rubbed extremities; very good. (200/300)

190. [Gorey, Edward] Weedy, Garrod. The Pointless Book: or, Nature & Art. 5.8x7 cm. (2¼x2¾”), wrappers. First Trade Edition. The Fantod Press, [1993] Signed by Edward Gorey as Garrod Weedy, on front wrapper. Toledano A109b. Very faint and tiny smudge on front wrapper; else fine. (200/300)

RARE GOREY MINIATURE BOOK 191. Gorey, Edward. Q.R.V. 3x3.5 cm. (1¼x1½”), boards with cover label. First Edition. Boston: Anne & David Bromer, 1989 No. “OS” of 400 copies printed by Darrell Hyder and bound by Barbara Blumenthal. Signed at limitation by Edward Gorey. Toledano A97b. Lacks slipcase; fine. (300/500)

Page 35 192. [Gorey, Edward] Wryde, Dogear. Q.R.V. Kikuptah [and] Q.R.V. Unwmkd. Imperf. 2 sets of 12 cards with illustrations and a saying. 15.5x10.3 cm. (6x4¼”). Each set of twelve housed in their own envelope with title and illustration. Dogear Wryde, 1996 Signed by Gorey on the front of each envelope (with his pseudonym, Dogear Wryde). Fine. (250/350)

193. (Gorey, Edward) The Q.R.V. Company presents Amphigorey a Musicale - poster. Large poster, framed. With frame measures 89.5x58.5 cm. (35x23”). 1994 Poster for the musical written and designed by Edward Gorey. With music by Peter Golub. Directed and choreographed by Daniel Levans. Held at The Perry Street Theatre, April 9th-May 22nd, 1994. Illustration on this rare poster shows a large amphibian creature with a small boy dancing on one of its flippers. Very faint crinkling to surface of poster; very good. (100/150)

194. Gorey, Edward. Q.R.V. The Universal Solvent. 14.4x10.2 cm. (5½x4”), wrappers. First Trade Edition. Fantod Press, 1990 Signed by Edward Gorey on the title page. Toledano A97c. Very faint evidence of rubbing at spine ends; else fine. (150/250)

195. Gorey, Edward. The Raging Tide: Or, The Black Doll’s Imbroglio. 16.5x21 cm. (6½x8¼”), illustrated boards, matching dust jacket. First Trade Edition. New York: Beaufort Books (Peter Weed), [1987] Signed on the title page by the author. Toledano A93c. Jacket price-clipped; a touch of faint rubbing at volume extremities; very good. (100/150)

SIGNED BY EDWARD GOREY 196.  Gorey, Edward. The Retrieved Locket. 12.2x12.1 cm. (4¾x4¾”), illustrated wrappers. First Edition. [Fantod Press], [1994] Signed by Edward Gorey. No. 91 of 526 copies. Toledano A112b. Fine. (200/300)

197. Gorey, Edward. The Unknown Vegetable. 12.8x15 cm. (5x6”), illustrated gray wrappers. First Edition. Fantod Press, 1995 No. 62 of 500 copies, signed at the limitation by Gorey. Toledano A114b. Fine. (200/300)

198. Gorey, Edward. The Unstrung Harp; or, Mr Earbrass Writes a Novel. Full-page illustrations by Edward Gorey. 18.7x13 cm. (7¼x5”), pictorial boards, pictorial jacket. First Edition. New York / Boston: Duell, Sloan & Pearce / Little Brown, [1953] Signed by Edward Gorey on the title page. Gorey’s first book in text and pictures. Toledano A1a. A few spots of soiling, a few closed tears at edges; lightly rubbed extremities; very good. (300/500)

Page 36 199. Gorey, Edward. The Vinegar Works: Three Volumes of Moral Instruction; ; The Insect God; The West Wing. 3 volumes. 16.5x17.5 cm. (6½x6¾”), illustrated boards, illustrated slipcase. First Edition. New York: Simon and Schuster, 1963 Each volume is signed by Edward Gorey on the title page, including one inscribed to a friend. Toledano A13. Slipcase rubbed along edges, a few faint spots of soiling; volumes rubbed a bit at spine ends and corners; very good. (300/500)

200. Gorey, Edward. Two Novels: The Grand Passion; The Doleful Domesticity. 2 volumes: The Grand Passion. * The Doleful Domesticity. Each 13.1x11 cm. (5x4¼”), illustrated wrappers, housed in original printed envelope. First Edition. Fantod Press, 1992 Each signed by Edward Gorey at limitation. No. 172 of 500 copies. Toledano A107. A touch of finger soiling to envelope; else fine. (300/500)

201. (Gorey, Edward) Rees, Ennis. Two titles, including one signed by Edward Gorey. Includes: More of Brer Rabbit’s Tricks. * Lions and Lobsters and Foxes and Frogs. Together, 2 volumes. Pictorial cloth, jackets. First Editions. New York: Young Scott Books, [1968 & 1971] The first volume is signed on the title page by Edward Gorey. Also includes a duplicate volume of More of Brer Rabbit’s Tricks. A touch of extremity rubbing here and there to djs and volumes; mostly near fine. (150/250)

SEVERAL LARGE LOTS OF BOOKS ILLUSTRATED BY EDWARD GOREY 202. Gorey, Edward. Twelve first editions of Edward Gorey’s primary works. Includes: The Loathsome Couple. With a bookplate, signed by Edward Gorey. Dodd, Mead, [1977]. * . Doubleday, 1957. * The Epiplectic Bicycle. Dj price-clipped. Dodd, Mead, [1969]. * The Awdrey- Gore Legacy. Peter Weed, [1972]. * The Object-Lesson. Doubleday, 1958. * The Haunted Tea-Cosy. Harcourt Brace, [1997]. * The Headless Bust. Harcourt Brace, [1999]. * The Water Flowers. Congdon & Weed, [1982]. * The Gilded Bat. Simon and Schuster, [1966]. * The Glorious Nosebleed. Dodd, Mead, [1974]. * The Utter Zoo. Meredith Press, [1967]. * The Secrets: Volume One: The Other Statue. Simon and Schuster, [1968]. Together 12 volumes. Various places: Various dates The first volume with a bookplate on front free endpaper, signed by Edward Gorey. A great collection of primary works by Edward Gorey. Some mild wear to most; mostly very good or near fine. (300/500)

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Page 37 203. Gorey, Edward. Ten wrapper bound primary works, including three signed by Edward Gorey. Includes: The Fatal Lozenge: An Alphabet. Signed on the title page by Gorey. Also an ink gift inscription on first blank leaf. Ivan Obolensky, [1960]. * The Lavender Leotard: or, Going a Lot to the Ballet. Signed on the title page by Gorey. Diogenes, [1978]. * Gorey Cats: Paper Dolls. Signed on the title page by Gorey. Troubador Press, [1982]. * The Black Doll: A . Gotham Book Mart, 1973. * The Hapless Child. Ivan Obolensky, [1961]. * The Sinking Spell. Ivan Obolensky, [1964]. * . Ivan Obolensky, [1961]. * The Listing Attic. The Unstrung Harp. Abelard, [1974]. * The Willowdale Handcar or The Return of the Black Doll. Bobbs-Merrill, [1962]. * Category. Gotham Book Mart, [1973]. Together 10 volumes. Various places: Various dates Three volumes are signed by Edward Gorey on their title pages. A nice collection of primary works by Gorey. Some light to moderate rubbing or soiling mostly to exteriors of some; mostly very good. (250/350)

204. (Gorey, Edward) Seventeen volumes featuring book covers & design by Edward Gorey. Includes: Snow, C.P. The Masters. [1951]. * James, Henry. What Maisie Knew. [1954]. * Jones, Ernest. Hamlet and Oedipus. [1949]. * Conrad, Joseph. The Secret Agent. [1921]. * Chaucer, Geoffrey. Troilus and Cressida. Vintage Books, [1959]. * An Elizabethan Song Book. 1955. * The Ancient City. [1956]. * Conrad, Joseph. Victory. [1921]. * Lewis, W.H. The Splendid Century. [1957]. * Brenner, Charles. An Elementary Textbook of Psychoanalysis. [1955]. * Trilling, Lionel. The Middle of the Journey. 1957. * Miller, Perry. The American Puritans. [1956]. * Kafka, Franz. Amerika. 1955. * Szasz, Thomas. Ceremonial Chemistry. 1975. * Bentley, Eric. The Classical Theatre. [1958]. * Lermontov, Mihail. A Hero of Our Time. [1958]. * Lewis, D.B. Wyundham. Francois Villon. 1958. Together 17 wrapper- bound octavos. Garden City, NY: Doubleday Anchor, Various dates Many with ink inscriptions on early pages; mild to moderate extremity wear; very good. (100/150)

205. (Gorey, Edward) Periodical appearances of Edward Gorey’s artwork, plus small group of ephemera for the Gorey collector. Periodicals include: The New Yorker. Nov. 9, 1992. * The New Yorker. Mar. 27, 2000. Plus an additional copy of excised page 19 on which Gorey’s illustration appears. * 2 copies of excised page 102 from The New Yorker. Apr. 3, 2000. * The New Yorker. May 8, 2000. Plus an additional copy of excised page 130 on which Gorey’s illustration appears. * The New Yorker. Dec. 18, 2000. * The New Yorker. Jul. 8, 2002. * Print: America’s Graphic Design Magazine. Jan/Feb 1988. * Travel & Leisure. Jun. 1998. * Classic American Homes. Oct/Nov. 2000. * Dance Magazine. Jul. 2000. * Firsts: Collecting Modern First Editions. Dec. 1, 1994. * Graphics. 1923/1973. * Harper’s. Jun. 2000. * National Lampoon. The Best of #4. 1973. * National Lampoon. Dec. 1971. * 2 copies of National Lampoon. Jun. 1974. * Magazine. Dec. 21, 1997. * Holiday. Mar. 1963. * Art of the Times. Edited by Jean-Claude Suares. Avon, [1973]. Various places: Various dates Plus approximately 20 catalogues, advertisements for publishing houses, or note cards advertising Edward Gorey publications. And 1 folder with a small number of newspaper clippings about Gorey. Also, 1 cardboard lunchbox (currently flattened) decorated in silver and color with the boy and girl from The Epiplectic Bicycle. A unique collection for the Gorey enthusiast. Very good or near fine. (200/300)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 38 206. (Gorey, Edward) Buttons - fourteen buttons of Edward Gorey illustrations. 14 buttons, each 5.5 cm. (2¼”) diameter. Each intact with safety pin closure on verso. [New York]: [Gotham Book Mart], [c.1997] Each button features an illustration by Edward Gorey, many with accompanying text such as, Stumbling Christmas, Crazed Teacups, English Soup, Chinese Gossip, Useful Urns, Flapping Ankles, Tinned Lettuce, Stuffed Elephants, Epistolary Play, Embrace Etceterism, Blithering Christmas, Amphigorey and Tragic Secrets. A bit of wear to versos, one with a tiny bubble on front; else near fine. (200/300)

207. (Gorey, Edward) Collectibles - eight items, including some silver items. Includes: Cast sarcophagus box (with lid designed by Edward Gorey) produced for Mystery!, with felt bottom. 13.2x6.7x3 cm. (5¼x2½x1¼”). * Solid pewter letter opener with handle designed by Edward Gorey. 19 cm. (7½”) long. * 2 bean-bag stuffed black bats. Each with sewn-on eyeballs. Approximately 35 cm. (13½”) long including wings. * Silver dancing cat pin. With box. Produced in 2001. * Silver ballerina dancer pin. Produced in 2001. * 2 wrist-watches. One with a clock face illustration of The Doubtful Guest. The other with a clock face illustration of The Gashly Crumb Tinies. Together 8 items. Various places: Various dates Nice set of collectibles. Very good or better. (150/250)

208. (Gorey, Edward) Collection of Edward Gorey collectibles including rubber stamps, calendars, stickers and post cards. Includes: 12 post cards. Most published by Pomegranate. * 5 packages of decorative gift tags, one is plush. * 1 package of 24 stickers. * 8 Ed Gorey bookmarks, most in plastic sleeves produced by Pomegranate. * 33 loose rubber stamps, and 1 plastic package containing a sheet of 11 rubber stamps. * Also, the following produced by Pomegranate or Artpost: 2 books of postcards. * 5 packages of greeting cards and envelopes. * 2 small desktop calendars. * 5 large spiral-bound wall calendars, one of which is from 1979, still in its original envelope. * 1 small calendar. * 1 spiral-bound Journal. * 2 address books. * 3 deluxe engagement books. * 1984 and 1989 spiral-bound engagement books. Various places: mostly 1990s-2000s Nice selection for the Gorey collector. Most are still shrink-wrapped; 1989 engagement book with some notes inside; else near fine. (300/500)

209. (Gorey, Edward) Collection of posters for Edward Gorey publications or productions. Includes: 53.5x41 cm. (21x16”) point of sale display card on board (with stand intact and unused). For, The Dwindling Party. * 56x35.5 cm. (22x14”) poster for Dracula (theatre performance). Directed by Dennis Rosa and held at Martin Beck Theatre. * 56x35.5 cm. (22x14”) poster for The Gorey Details: A Musicale. Directed by Daniel Levans and held at The Century Center. * 43x28 cm. (17x11”) poster for Solve Mysteries - Read. American Library Association National Reading Program. A little wear to edges. * 43x28 cm. (17x11”) sheet about Edward Gorey. Printed on both sides. 1972. * 61x45.5 cm. (24x18”) two-sided poster issued for ’s book illustrated by Gorey, Cautionary Tales for Children. Creased where folded. Together 6 items. Various places: Various dates Near fine mostly. (200/300)

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Page 39 210. (Gorey, Edward) Thirty-one volumes - about, by or featuring designs and illustration by Edward Gorey. Includes: Miller, Ron. Mystery! A Celebration. Wrappers. With a bookplate on half title, signed by Edward Gorey. Bay Books, [1996]. * Edward Gorey’s Haunted Looking Glass. Cloth, dj. With a bookplate on front free endpaper. Avenel Books, [1959]. * Ascending Peculiarity: Edward Gorey on Edward Gorey. Interviews selected and edited by Karen Wilkin. Inscribed and signed by Karen Wilkin on the title page. Cloth, dj. Harcourt, [2001]. * Stoker, Bram. Dracula. Cloth. The Definitive Edition. Barnes & Noble, [1996]. * Ross, Clifford and Karen Wilkin. The World of Edward Gorey. Cloth, dj. Bookplate on front pastedown. Harry N. Abrams, [1996]. * Elephant House or, The Home of Edward Gorey. Photographs and text by Kevin McDermott. Cloth, dj, slipcase. Includes a limited edition photographic print by McDermott and signed on verso by him, and numbered in pencil 47/100. No. 47 of 100 copies, signed by McDermott and . Pomegranate, [2003]. * Another copy of the above without slipcase or photographic print, trade edition. * The Dwindling Party. A pop-up book from Random House. Glossy boards. [1982]. * Phantasmagorey: The Works of Edward Gorey. Catalogue by Clifford Ross. Wrappers. Yale University, 1974. * Gorey Games: Based on the Works of Edward Gorey. Wrappers. Troubador Press, [1979]. * The Tunnel Calamity. A Magic Windows “book”. 1984. * Lear, Edward. The Dong with a Luminous Nose. Cloth, dj (price-clipped). Young Scott Books, [1969]. * Lear, Edward. The Jumblies. Cloth, dj. Young Scott Books, [1968]. * Belloc, Hilaire. Cautionary Tales for Children. Boards, dj. Harcourt, [2002]. * Moss, Howard. Instant Lives. Cloth-backed boards, dj. Saturday Review Press / E.P. Dutton, [1974]. * Lamport, Felicia. Scrap Irony. Cloth, dj. Houghton Mifflin, [1961]. * Gaster, Theodor H. The Dead Sea Scriptures. Cloth, dj. Doubleday, 1956. * Jeffers, H. Paul. Bloddy Business: An Anecdotal History of Scotland Yard. Cloth- backed boards, dj. Barnes & Noble, [1992]. * Field, Evan. What Nigel Knew. Cloth-backed boards, dj. Clarkson N. Potter, [1981]. * Mazzeo, Henry, ed. Hauntings: Tales of the Supernatural. Cloth, dj. Doubleday, [1968]. * Plus, 11 more volumes. Total of 31 volumes. Various places: Various dates Also includes a small poster advertising an exhibition associated with the book: Elephant House. Signed by Kevin McDermott. Some wear to older titles dust jackets and volumes; generally mild; mostly very good or near fine. (250/350)

211. Gorey, Edward. Ephemera from Edward Gorey theatrical productions. Includes: Provincetown Theatre Company Presents: Crazed Teacups. Poster, measuring 17x11”. Some dampstains along left edge, pin hole in each corner. Also, a program: 12 pp. in wrappers. 8½x5½”. * The remaining materials from Theater on the Bay in Bourne, Massachusetts. From the production: Chinese Gossip: 17x11” poster, 11x8½” sheet announcement, two 4x6” post card, an 8 pp. 8½x5½” program, and a ticket for admission. * 4x6¼ post card advertising Blithering Christmas. * 4x6 post card for Heads Will Roll & Wallpaper. An address label on verso. * From the production: Stumbling Christmas: 17x11” poster (small spot of soiling at top edge), 4 pp. 8½x5½” program, 4x6” post card, and 2¼” diameter button. * From the production: Inverted Commas: 4 pp. 8½x5½” program, 4x6” post card, and 2¼” diameter button. 1990s Mostly posters and post cards advertising various productions, including some very rare pieces. Very good to near fine. (400/600)

212. (Gorey, Edward) Toledano, Henry. Goreyography. Cloth, dust jacket. First Edition. San Francisco: Word Play Publications, [1996] No. 49 of 200 copies. Signed by Edward Gorey, Henry Toledano, Jim Weiland and Malcolm Whyte Near fine. (150/250)

Page 40 WITH AN ORIGINAL SKETCH 213. (Greenaway, Kate) Spielmann, M[abel] H[enrietta] and G. S. Layard. . xx, 301 pp. With original pencil drawing by Kate Greenaway in paper mat at front, as issued; numerous plates from drawings and paintings by Greenaway, some color; printed tissue guards. 10½x7¾, cream cloth lettered in gilt, top edge gilt, pictorial endpapers, custom drop-back box. No. 34 of 500 copies of the Edition Deluxe. First Edition. London: Adam & Charles Black, 1905 The original pencil sketch by Kate Greenaway is a study for an illustration in Every Girls Annual showing two seated women, one with a young girl on her lap reading a book, the other with a parasol. Signed by John Greenaway on the mat, and also on the limitation-page. Some light wear and soiling to cloth, hinges repaired; very good (400/600)

214. Gruelle, Johnny. Marcella Stories. Written and illustrated by Johnny Gruelle. (8vo) cloth-backed pictorial boards, publisher’s original two part pictorial box. First Edition. Joliet: P.F. Volland Company, [1929] No statement of later printings on copyright page. Scarce in the original box. Light wear to box; previous owner’s name on front endpaper and bookplate on rear endpaper; near fine in very good or better box. (150/250)

ONE OF 1000 COPIES 215. (Hirschfeld, Al) Hirschfeld, Al & William Saroyan. Harlem as Seen by Hirschfield. Illustrated with 24 tipped-in original lithographs. 6-page introduction by Saroyan. 18x13¾, color pictorial cloth, rebacked with original spine cloth laid down. No. 813 of 1000 copies. New York: Hyperion Press, 1941 24 original lithographs by Hirschfeld, 19 of which depict Harlem residents, the other five of Balinese dancers. Hirschfeld (1903-2003) was the revered master of this type of joyful caricature. Light edge wear, some mild soiling to cloth; final plate with dampstain to margin of mounting sheet and just a touch to tipped- in plate; very good. (3000/5000)

216. Hulten, K.G. Pontus. The Machine: As Seen at the End of the Mechanical Age. 216 pp. Many photographs within. 24x20 cm. (9½x8”), color decorated tin covers. New York: Museum of Modern Art, [1968] Light marks to tin covers; else near fine. (100/150)

Lot 215

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Page 41 217. Jacquin, J. Fêtes Nautiques chez les Animaux. Unpaginated. 8 full page chromolithograph plates; other illustration in black & white. (Oblong 4to) red cloth-backed pictorial boards. Paris: Hachette et Cie., [No date, c. 1910] A charming tale of an animal ocean cruise, wonderfully illustrated by E.H. Thompson. Light wear and soiling to boards, pencil drawing on rear cover; a few small marginal tears; very good. (150/250)

218. (Japanese Woodblock) Two Japanese color woodblocks. 2 color woodblock prints on paper.22x32 cm. (8¾x12½”), each tipped along top edge of verso to paper. No date One illustration shows a pair of men fishing off of a coastal cliff, the other shows a group of men in a boat. Near fine. (100/150)

ONE OF 500 COPIES – SIGNED BY LANDACRE 219. Landacre, Paul. California Hills and Other Wood Engravings by Paul Landacre, from the Original Blocks. Foreword by Arthur Miller. 14 wood-engraved plates + colophon-page illustration by Landacre. (4to) 32.5x24 cm. (12¾x9½”), decorated boards, paper cover label with Landacre engraving. One of 500 copies. First Edition. Los Angeles: Bruce McCallister, 1931 Signed by Paul Landacre and publisher Bruce McCallister in colophon. Striking series of wood engravings by one of the most accomplished California practitioners of the art, printed from the original blocks by Harold Young. Boards a touch browned at edges and spine; near fine. (1500/2500)

220. Liska, Hans. Hans Liska (cover title). [2], 36 pp. Reproductions, many in color, of pages from Liska’s wartime sketchbooks. 20.5x30 cm. (8x11¾”), original wrappers. First Edition. [Reichenbach]: [Carl Werner], [1943] One of two volumes of Liska’s sketches published during the war. Some light wear to wrappers; very good. (150/250)

221. McGuane, Thomas. In the Crazies. 75 pp. 28 tipped in color reproductions of paintings by Russell Chatham. 29.9x20.5 cm. (11¾x8”), morocco-backed boards, cloth slipcase. One of 185 copies, out of series. Lot 219 Seattle: Winn Books, 1985 Signed at the limitation statement by the author and the artist. Fine. (800/1200)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 42 THREE BY A.A. MILNE 222. Milne, A[lan] A[lexander]. The House at Pooh Corner. xi, [1], 178, [2] pp. Illustrated by E.H. Shepard. (8vo) 7½x4¾, original pink cloth with gilt pictorial covers and gilt-lettered on spine, top edges gilt, pink pictorial endpapers; pictorial jacket. First Edition. London: Methuen, [1928] The fourth and final volume in the Winnie-the-Pooh series. Jacket with some light edge wear; browning to endpapers; near fine in a like jacket. (1000/1500)

223.  Milne, A[lan] A[lexander]. When We Were Very Young. x, [2], 100 pp. Illustrated by E.H. Shepard. 7½x4¾, original blue cloth with gilt pictorial covers and gilt-lettered on spine, top edge gilt, blank endpapers, dust jacket. First Edition. London: Methuen, [1924] Signed by Milne on the title page. First edition of Milne’s first children’s book and the first appearance of both Christopher Robin and an early incarnation of Winnie the Pooh (in “Teddy Bear”). The scarcest of the Christopher Robin books. With the bookplate of collector John Stuart Groves. Dust jacket worn, separated along spine, jacket backstrip in several pieces with chips at head and heel; volume with just minor wear; near fine in worn jacket. (3000/5000)

SIGNED TWICE BY A.A. MILNE 224. Milne, A[lan] A[lexander]. Winnie-the-Pooh. [iii]-xi, [5], 158, [2] pp. Illustrated by E.H. Shepard. 7½x4¾, original green cloth stamped in gilt, pictorial dust jacket. First Edition. London: Methuen, [1926] The most famous of Milne’s children’s books. Inscribed by Milne twice, on half title to collector John Stuart Groves and again on title page to collector Louis B. Grabosky. Both Groves and Grabosky’s bookplates are on recto of front free endpaper. Jacket lightly edge worn and with some soiling, small ink blot on rear panel; light wear to cloth along bottom edge; very good in very good jacket. (2500/3500)

Lot 223 Lot 224

Page 43 225. Montgomery, L.M. Kilmeny of the Orchard [&] Anne’s House of Dreams. Kilmeny of the Orchard. Tan cloth, oval portrait on front. Lacking one color plate. First Edition, Second State with page 239 being a cancel leaf. Boston: Page, 1910. * Anne’s House of Dreams. Purple cloth, pictorial label on front. Spine faded. First Edition. New York: Stokes, [1917]. Together 2 volumes. Various places: Various dates The 3rd and 5th volumes in the author’s Anne of Green Gables series. Some wear and fading to cloth, front hinge cracked in first title; overall very good. (200/300)

226. Montorgueil, G[eorges]. Jouons à L’Histoire. With 30 “chromotypogravure” color plates, plus other illustrations in the text by J.O.B. (4to), decorative light blue cloth, stamped in gilt and other colors, all edges gilt. First Edition. Paris: Boivin & Cie., [1908] Some light wear to cloth, paper a bit browned; very good. (150/250)

227. (Mourlot Press) Prints from the Mourlot Press. 76 pp. 19 original lithographs including covers. 25.5x19.5 cm, wrappers. One of 2000 copies. First Trade Edition. [Paris]: [Mourlot], [1964] Includes original lithographs by Chagall, Picasso, Miro, Matisse, Cocteau, Calder, Giacometti and others. Published in conjunction with an exhibition sponsored by the French Embassy, 1964-65. Some light wear; near fine. (600/900)

228. (Nielsen, Kay) East of the Sun and West of the Moon - 2 copies. 204 pp. 8 color plates by Kay Nielsen. (8vo) black cloth, mounted illustration by Victor G. Candell on front cover, dust jacket also with Candell illustration. Garden City: Garden City Publishing, [c. 1930] A reprint of the earlier Doran edition but with the number of plates reduced from 25 to 8. Two copies in variant dust jackets. Some light wear to jackets; volumes near fine. (100/150)

HANSEL & GRETEL ILLUSTRATED BY KAY NIELSEN 229. (Nielsen, Kay) Grimm Brothers. Hansel and Gretel and Other Stories. Illustrated by Kay Nielsen, including 12 tipped-in color plates, printed guards; plus black and white plates. Initials printed in red. Title-page printed in black and red. (4to) 31x24.5 cm. (11¾x9½”), original batik boards backed with cloth, spine lettered in gilt, decorative endpapers, top edge gilt. Number 475 of 600 copies. First Nielsen Illustrated Edition. London: Hodder and Stoughton, [1925] Signed by Kay Nielsen on the limitation page. Front board batik faded to tan, rear board partially so, some edge wear, front hinge cracked; very good. (4000/6000)

Lot 229 Page 44 230. Outcault, R[ichard] F[elton]. Outcault’s Buster, Mary-Jane & Tige. Title page + 30 unpaginated leaves, each with a chromolithographed comic strip story. Illustrated and written by R.F. Outcault. 28.4x41.5 cm. (11x16½”), cloth backed stiff wrappers, the front wrapper illustrated. New York: Frederick A. Stokes, 1908 A very rare children’s comic publication. Only 3 copies are located by OCLC Worldcat. This colorful volume reprints the comic strips that were published from 1906-1907 in the American-Journal-Examiner, and follows the misadventures of two children and a dog. Front cover detached, some chipping at corners of covers and a few leaves within, edges of covers moderately rubbed; very good. (200/300)

AN ASSORTMENT OF OZ & OZIANA 231. (Oz) Baum, L. Frank. Dorothy and the Wizard in Oz. Illustrated with 16 color plates & numerous black and white drawings by John R. Neill. 9x6½, light blue cloth, pictorial cover label with metallic gold background; inserted pictorial endpapers in black and yellow. First Edition, First Printing, First Binding. Chicago: Reilly & Britton, [1908] First printing, with advertisement on verso of half-title listing three titles, The Land of Oz, Ozma of Oz, and John Dough and the Cherub; the color plates are captioned. In the first binding, with “The Reilly &/ Britton Co.” in large and small capitals at foot of spine. Bienvenue & Schmidt, p. 34. Wear and soiling to cloth and label, rear hinge cracked; residue of removed label or bookplate on front pastedown, previous owner’s inscription and names on preliminary leaves; about very good. (200/300)

232. (Oz) Baum, L. Frank. John Dough and the Cherub. 314, [2] + [4] ad pp. Illus. throughout with color and black & white drawings by John R. Neill. 9x6½, pictorial tan cloth stamped in red, olive & black; color pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Britton, [1906] Lacking the detachable contest blank for “The Great John Dough Mystery: Is the Cherub Girl or Boy?”. First state, with misprint on p.275, line 10 (“cage” for “cave”); publisher’s imprint on spine reads to “The Reilly & Britton Co.” in large and small capital letters; the back cover has a picture of John Dough, Chick the Cherub, and a box on which is lettered “THE GREAT/ JOHN DOUGH/ MYSTERY.” Bienvenue & Schmidt p. 227. Some wear and soiling to cloth, hinges with glue repairs; very good. (300/500)

233. (Oz) Baum, L. Frank. John Dough and the Cherub. 314, [2] + [4] ad pp. Illus. throughout with color and black & white drawings by John R. Neill. 9x6½, pictorial tan cloth stamped in red, olive & black; color pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Britton, [1906] With the scarce detachable contest blank for “The Great John Dough Mystery: Is the Cherub Girl or Boy?” on yellow paper facing p.8 present. First state, with misprint on p.275, line 10 (“cage” for “cave”); publisher’s imprint on spine reads to “The Reilly & Britton Co.” in large and small capital letters; the back cover has a picture of John Dough, Chick the Cherub, and a box on which is lettered “THE GREAT/ JOHN DOUGH/ MYSTERY.” Bienvenue & Schmidt p. 227. Spine faded, some wear and soiling to cloth, hinges with glue repairs; very good. (400/700)

Page 45 234. (Oz) Baum, L. Frank. The Magic of Oz. 265, [1] pp. Illus. with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1919] First printing with advertisement on verso of ownership page listing 11 titles through The Tin Woodman of Oz. Bienvenue & Schmidt, p. 79. Wear and soiling to cloth and cover label, front hinge cracked, child’s name on ownership leaf; one plate with tape repairs to margins; good. (200/300)

IN THE ORIGINAL DUST JACKET 235. (Oz) Baum, L. Frank. The New Wizard of Oz. [8], 208 pp. Illustrated by W.W. Denslow including 8 color plates. 9x6¾, dark green cloth, color pictorial cover label, pictorial jacket, custom clamshell box. Fifth Edition, Second Printing, Binding B. Indianapolis: Bobbs-Merrill Company, [Early 1920s] The number of color plates in this second printing were reduced from 16 to 8. Binding ‘B’ with Scarecrow and Tin Man figures printed in yellow, dust jacket similarly colored. Bienvenue & Schmidt, p. 10. Jacket lightly chipped at edges, split along rear spine joint, tape repairs and reinforcement on rear of jacket; volume fine. (600/900)

236. (Oz) Baum, L. Frank. The New Wizard of Oz. [viii], 208 pp. Illustrated in color by W.W. Denslow, including 8 color plates. 9x6¾, green cloth, pictorial label on front. Fifth Edition, Second Printing. Indianapolis: The Bobbs-Merrill Company, [1920s] Binding variant ‘A’ with figures in blue ink (later changed to yellow), number of color plates reduced to 8. Bienvenue & Schmidt p. 10. Light spotting to cloth, slight lean to spine, rear endpapers browned; very good. (100/150)

237. (Oz) Baum, L. Frank. The New Wizard of Oz. 261 pp. Illustrated by W.W. Denslow including 16 color plates. Green cloth pictorially stamped in black & orange. Third Edition. Chicago: M.A. Donohue & Co., [c. 1913] First printing of the Third Edition with Tin Woodman on rear cover (blank on later printing). Bienvenue & Schmidt, p.8. Spine faded, cloth split along rear joint, edge wear, front hinge cracked; one leaf (pp. 241/242) with long tear in gutter; good. (100/150)

238. (Oz) Baum, L. Frank. Rinkitink in Oz. 314 pp. 12 color plates by John R. Neill. Dark red cloth, pictorial label on front. Reprint. Chicago: Reilly & Lee, [1916, but mid 1920s] Later reprint, without list of titles on verso of ownership leaf. Light wear to cloth and cover illustration, hinges cracked; very good. (100/150)

239. (Oz) Baum, L. Frank. The Road to Oz. 261, [1] blank, [2] ad pp. Illustrated throughout with black & white drawings by John R. Neill. 9x6½, light green linen-like cloth stamped in dark green, red, brown and black; pictorial endpapers. First Edition. Chicago: Reilly & Britton Co., [1909] First printing, binding state ‘A’ with publisher’s imprint in upper and lower case letters. Slight imperfections in type in the words “Toto on” page 34, line 4 and broken type in the numeral “121” on page 121, numeral and caption beneath illustration present in perfect type on page 129. Bienvenue & Schmidt, p. 41. Some wear and fading to cloth, hinges cracked; child’s names on ownership leaf; very good. (300/500)

Page 46 240. (Oz) Baum, L. Frank. Sky Island: Being the Further Exciting Adventures of Trot and Cap’n Bill after Their Visit to the Sea Fairies. 287, [1] pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, red cloth, color pictorial cover label, spine stamped in black, color pictorial endpapers. First Edition. Chicago: The Reilly & Britton Co., [1912] This, a sequel to The Sea Fairies, is considered one of John R. Neill’s finest books, filled with vivid fantasy images. Bienvenue & Schmidt, p. 247. Some wear and soiling to cloth, front hinge cracked, rear hinge cracking, child’s name and bookplate on preliminary leaves; very good. (300/500)

241. (Oz) [Baum, L. Frank] “Edith Van Dyne”. Mary Louise Adopts a Soldier. Blue cloth, dust jacket. First Edition. Chicago: Reilly & Lee, [1919] Published shortly after Baum’s death in 1919. Jacket well worn with some chipping, staining and soiling; dampstain to fore edge of volume, rear hinge cracked; good in fair jacket. (150/250)

242. (Oz) Thompson, Ruth Plumly. The Cowardly Lion of Oz. 291 pp. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, green cloth, pictorial cover label; black & white pictorial endpapers. First Edition. Chicago: Reilly & Lee, [1923] First binding with non-standard ampersand in the spine imprint. Bienvenue & Schmidt, p. 104. Light wear and soiling to cloth, cover label chipped at lower edge, hinges cracked, front hinge with tape repair; good. (100/150)

243. (Oz) Thompson, Ruth Plumly. The Hungry Tiger of Oz. 261, [3] pp. + [2] ad leaves. Illustrated with 12 color plates and numerous black & white drawings by John R. Neill. 9x6½, dark green cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1926] First printing with plates coated on printed side only; hyphen on the last line of p.21; the word “two” (p.252, last line) in unbroken type, indicating this is one of the “earliest copies” of the first printing. Bienvenue & Schmidt, p. 108. Light wear to binding; a few of the in-text illustrations neatly colored in crayon; still very good. (200/300)

244. (Oz) Thompson, Ruth Plumly. Kabumpo in Oz. 297 pp. Illus. with 12 color plates by John R. Neill. 9x6½, blue-green cloth, pictorial cover label, black & white pictorial endpapers. First Edition, First Printing. Chicago: Reilly & Lee, [1922] First printing with Princess Dorothy illustration on page [299] and publisher’s standard ampersand in spine imprint. Bienvenue & Schmidt, p. 102. Light wear to cloth and cover label, hinges cracked; child’s names on ownership leaf, neat crayon coloring to a number of the black & white illustrations; good. (100/150)

245. (Oz) Thompson, Ruth Plumly. The Silver Princess in Oz. Illustrated with black & white drawings by John R. Neill. 9x6½, red cloth, pictorial cover label; black & white pictorial endpapers. First Edition, First Printing, First Binding. Chicago: Reilly & Lee, [1938] First printing with 16-page gatherings; first binding with illustration of Handy Mandy on spine; the title on the cover label, except for the Oz monogram, is printed in metallic-silver ink. Bienvenue & Schmidt, p. 120. Light wear to binding; very good. (200/300)

Page 47 246. (Photography) Cartier-Bresson, Henri. The Decisive Moment. Illustrated with 126 full or double- page heliogravures of Cartier-Bresson’s photographs. (Folio) 14¼x10½, pictorial boards; pictorial dust jacket. Booklet laid in with the captions (as issued). First American Edition. New York: Simon and Schuster in collaboration with Èditions Verve, [1952] One of the most important post-War photography books. The jacket and boards are after a cut- out by Henri Matisse, specially designed for this book. Spine browned, 1½” of backstrip lacking at foot, rear joint split, some soiling to covers, corners bumped; good. (500/800)

247. (Photography) Mann, Sally. Second Sight: The Photographs of Sally Mann. xii, 59, [1] pp. Introduction by Jane Livingston. (4to) pictorial wrappers. First Edition. Boston: David R. Godine, [1983] Volume IV of the publisher’s “Contemporary Photographer Series”. Some light wear to wrappers; very good. (200/300)

248. (Pop-Up Book) Giraud, S. Louis, ed. Daily Express Children’s Annual, No. 4. With 7 “self-erecting models [pop-ups],” color plates and black & white text illustrations. 8½x6½, pictorial boards. London: Lane Publications, [c. 1930’s] The intricate popups show a mermaid at the bottom of the sea with various fishes, a peacock in a garden, a child teaching her doll to walk, a fairy-type castle, 2 mermaids with 2 babies in a clamshell, a large pelican and frog, and 3 pavement hawkers. Vertical cracking to backstrip, small loss at foot of spine; one pop-up (Pelican and Frog) with a few short tears; gift inscription inside rear cover; very good. (200/300)

PAN-AMERICAN EXPO POSTER 249. (Poster) Pan-American Exposition, Niagara, Buffalo, May 1 - November 1, 1901 - poster. Color lithograph poster, laid down on backing board. 122x64 cm. (48x25”). Buffalo, NY: Gies & Co., 1901 Lovely color image of a lady whose outstretched arms form Niagara Falls, a rainbow arching overhead. Gilt details including a wreath border. Some tearing and chipping at top edge, with restoration which includes coloring, etc.; else very good. (500/800)

250. Rabier, Benjamin. Five illustrated childrens books by Benjamin Rabier. Includes: Les Petites Miseres de la Vie des Animaux. (Oblong 4to) cloth-backed pictorial boards. Lacking front free endpaper. * Les Animaux S’Amusent. (Oblong 4to) cloth-backed boards. * Les Animaux en Liberte. (Oblong 4to) cloth-backed pictorial boards. * Gedeon en Afrique. (4to) cloth-backed pictorial boards. * Placide et Gedeon. (4to) cloth-backed pictorial boards. Together 5 volumes, all illustrated in color. Paris: Garnier Freres, [Early 20th century] Some general light wear; overall very good. (250/350)

251. (Rackham, Arthur) Three volumes illustrated by . Includes: 2 copies of: Morely, Christopher. Where the Blue Begins. Full blue cloth. [1922]. * de la Motte Fougque. Undine. Cloth- backed green boards. Bookplate, name in ink to front endpapers. 1911. Together 3 volumes, including 1 duplicate. London: Heinemann, Various dates Moderate marks, dust soiling and a few light dampstains to all, moderate rubbing to extremities, a touch frayed in places; good to very good externally; internally very good or better. (100/150)

Page 48 EDWARD RUSCHA’S THIRTYFOUR PARKING LOTS 252. Ruscha, Edward. Thirtyfour Parking Lots in Los Angeles. Aerial photographs of various empty parking lots in the greater Los Angeles area, with one fold-out. 10¼x8, wrappers, glassine. One of 2413 copies. First Edition. [Los Angeles]: 1967 The largest format of Ruscha’s self-published works produced in the 1960’s and ‘70’s. The aerial photographs were actually taken by Art Alanis. Some chipping to glassine; volume fine. (1000/1500)

Lot 252

253. Schmidt, Georg, editor. Sophie Taeuber-Arp. Includes 2 original lithographs. (4to) blue boards. First Edition. Basel: Holbein-Verlag, 1948 Splitting along front joint, some edge wear; very good. (200/300)

254. (Schreyvogel, Charles) Horan, James D. The Life and Art of Charles Schreyvogel: Painter-Historian of the Indian-Fighting Army of the American West. Profusely illustrated with plates after paintings by Schreyvogel, most in color. 12x15¾, half naugahyde and cloth, slipcase. No. 167 of 249 copies of the autographed deluxe edition. First Edition. New York: Crown, [1969] Signed by Horan and Ruth Schreyvogel Carothers (Charles Schreyvogel’s daughter) on limitation page. This limited edition contains four color plates not in the regular edition. A bit of wear to binding; very good. (100/150)

255. Schulz, Charles. Happiness is a Warm Puppy - Inscribed. Unpaginated. Pictorial boards, dust jacket. First Edition. [San Francisco]: [Determined Productions], [1962] Inscribed by Charles Schulz on front free endpaper. The author’s first book. Jacket torn at head of spine along front joint, some edge wear; fine in a very good jacket. (200/300)

Page 49 256. Seuss, Dr. And to Think I Saw It on Mulberry Street. Unpaginated. Cloth-backed pictorial boards, matching dust jacket. First Edition. New York: Vangaurd Press, 1937 First issue with boy on front cover of volume and dust jacket in white shorts (versus blue shorts of later issues). Rear jacket flap with 5 paragraphs, ending with a mention that Dr. Seuss is already at work on “500 Hats.” Younger & Hirsch 1. Jacket price-clipped, chipped along edges, mostly small chips, but including a 1” chip at top edge of front panel, some long closed tears; lightly rubbed volume extremities; bookplate on front pastedown; very good. (400/600)

257. (Sparks, Will) Being a Souvenir of the Eleventh Annual Convention of the National Association of Stationers & Manufacturers held at the Fairmont Hotel, San Francisco, California, September 27-30, 1930. 14 leaves printed on one side only. 11 tipped in color plates of scenes from the PPIE by Will Sparks. 9½x7¼, parchment-backed marbled boards, spine lettered in gilt. No place: No publisher, [1915] Vibrant color illustrations of the architecture and scenery of the Panama-Pacific International Exposition by one of California’s most important artists. Some light wear to boards, modern bookplate; else very good. (200/300)

258. Sparks, Will. Lot of 24 prints of California Missions. 24 (of 25) 4x5½ color prints mounted on stiff cards with 4¾x6¼ text sheet mounted below. San Francisco: J.C. Bardell, 1937 During the 1930s Will Sparks, one of California’s most important painters, set out to create paintings of all of the California Missions, completing the task just days before his death in 1937. The entire collection of paintings was once owned by Alma de Bretteville Spreckels and was, in 2007, on display at the Leland Stanford Mansion on loan from Trotter Galleries of Carmel. Lacking plate 13; King’s County Free Library rubberstamp on verso of each card; some pencil and ink notes to a few of the text sheets; very good. (200/300)

FIRST EDITION OF STEVENSON’S TREASURE ISLAND 259. Stevenson, Robert Louis. Treasure Island. viii, 292 + 4 ad pp. Frontispiece map, with tissue- guard. (8vo), original sage green cloth, spine lettered in gilt, black endpapers. Housed in a custom chemise and blue morocco-backed slipcase. First Edition, First Issue. London: Cassell & Co., Ltd., 1883 Stevenson’s swashbuckling classic. Important source material for nearly all pirate / buccaneering films and plays. With ads at rear dated July, 1883 (code “5G-783”). With the following first issue points: “dead man’s chest” not capitalized on either page 2 or 7; the first letter of “vain” broken in the last line on p. 40; the “a” not present in line 6 p. 63; the “8” present in pagination on p. 83; the “7” not present in pagination on p. 127; the full stop not present following “opportunity” in line 20 on p. 178; with “worse” for “worst” in line 3 p. 197. McKay, Beinecke 240; Princeton 22; Gumuchian 5443; Osborne II, 1030; Prideaux 11. Provenance: Cecil P. Down (1883 gift inscription); Henry A. Colgate (bookplate on chemise), sold at Anderson Galleries, February 8, 1928, Lot 30 (a copy of the sale catalog is included with the lot); Albert Atterbury (1928 gift inscription); later ink ownership markings on half title. A bit of wear to slipcase; volume with some edge wear, spine leaning, gilt lettering faded, hinges with professional repair; very good. (7000/10000) Lot 259 Page 50 260. [Surtees, Robert Smith]. Mr. Facey Romford’s Hounds - Original Parts. Original 12 parts, as first issued monthly, May 1864 to April 1865. 391, vi pp. (altogether) + ads. With 24 hand-colored etched plates by John Leech and H. K. Browne. 8vo. Original illustrated terra cotta wrappers stamped in black; housed in a later cloth folding box. First Edition. London: Bradbury and Evans, 1864-65 The inserted ads all present as called for except for “The Belle of the Village” slip in Part VII. Tooley’s first issue of Part 1 wrapper. Schwerdt II, p. 237; Sadleir 3165; Tooley 475. Spines repaired on a few parts; still near fine. (400/600)

261. Vassos, John & Ruth. Contempo. This American Tempo. Unpaginated. Illustrations by John Vassos, Text by Ruth Vassos. (4to) 35x22.5 cm. (13¾x9¾”) original silver cloth, spine lettered in black. From an edition of 166 copies, this copy not numbered. New York: E.P. Dutton & Company, 1929 Signed by John & Ruth Vassos at limitation statement. Spine sunned, some light edge wear, hinges cracked; pages a bit browned at edges; very good. (300/500)

TWO RARE PRANG SHAPE BOOKS 262. Very, Lydia L. Red Riding Hood. [16] pp. including wrappers. Color lithographed throughout, including color lithographed wrappers; original envelope with full-size front cover illustration and title printed in red. 6¾x2½, die-cut shape book. Boston: L. Prang & Co., [1863] Wonderfully preserved early shaped book, in fine condition and with the very rare and beautiful original printed envelope. This is the first book issued by Louis Prang, and the first of his shaped series. Prang promoted this as the first American shape book, but there is a McLoughlin shape book issued the same year. “Nov 27th 1863 Troy, NY” in pencil on inside of envelope. Fine. (700/1000)

263. Very, Lydia L. Robinson Crusoe. [16] pp. incl. wrappers. Color lithographed throughout, including color lithographed wrappers; original envelope with full-size front cover illustration and title printed in red. 6¾x2½, die-cut shape book. Boston: L. Prang & Co., [1864] Wonderfully preserved early shaped book, in fine condition. Box with some wear and chipping, thread repair to one corner; shape book fine. (400/700)

264. (Wyeth, Andrew) Meryman, Richard. Andrew Wyeth. [6], 174 pp. Illustrated throughout from color paintings by Andrew Wyeth. (Oblong folio) 13x17, duo-tone cloth, color pictorial jacket. First Edition. Boston: Houghton, Mifflin, 1968 An excellent monograph book of the esteemed American master. Some light wear to jacket; very good. (100/150)

265. (Wyeth, N.C.) Stevenson, Robert Louis. The Black Arrow. 16 color plates by N.C. Wyeth (including illustrated title page). Black cloth, illustrated label on front cover, illustrated endpapers, dust jacket. New York: Charles Scribner’s Sons, 1926 Reprint of the 1916 first Wyeth edition. Minor wear to jacket edges; previous owner’s name and bookplate on front free endpaper; near fine in a like jacket. (100/150)

Page 51 266. (Wyeth, N.C.) Stevenson, Robert Louis. The Black Arrow. 16 color plates by N.C. Wyeth (including illustrated title page). Black cloth, illustrated label on front cover, illustrated endpapers, dust jacket. First Wyeth Edition. New York: Charles Scribner’s Sons, 1916 Allen & Allen, p. 219. Jacket worn at edges and with several large chips, tape on rear; light wear to cloth, separation in gutter before title page, previous owner’s gift inscription on front pastedown; very good in a fair jacket. (100/150)

267. (Wyeth, N.C.) Allen, Douglas & Douglas, Jr. N.C. Wyeth: The Collected Paintings, Illustrations and Murals. 335 pp. Illustrations throughout in color and black & white. (4to) blue morocco-backed cloth, slipcase. One of 249 copies of the deluxe edition. New York: Crown, [1972] Signed by both authors at limitation. An indispensable reference on the paintings and illustrations of N.C. Wyeth. Fine. (200/300)

268. Zitkala-Sa [Gertrude Bonnin]. Old Indian Legends. Illustrated by Angel de Cora. Blue cloth. First Edition. Boston: Ginn & Company, 1901 Traditional Sioux tales retold for children. Scarce. Wear to cloth; very good. (200/300) Section III: Science & Mathematics

269. Born, Max. Dynamik der Kristallgitter. Original cloth. First Edition Leipzig und Berlin: B.G. Teubner, 1915 Early publication by the German physicist, winner of the 1954 Nobel Prize. Spine faded; very good. (100/150)

270. Brillouin, Marcel. Propagation De L’Electricite; Histoire et Theorie. ix, [1], 398, [1] pp. With 4 folding plates. 23.7x14.5 cm. (9¼x5½”), period half calf & boards. First Edition. Paris: A. Hermann, 1904 Brillouin was a French physicist and mathematician who made a significant contribution to the development of quantum mechanics. Spine scuffed, faded, rubbing to corners; marginal darkening to contents, very good. (100/150)

271. Dirac, P[aul] A[drien] M[aurice]. The Principles of Quantum Mechanics. Cloth, spine gilt. Second Edition. Oxford: Clarendon Press, 1935 Classic work on Quantum Mechanics by the Nobel Prize winner. A little shelf rubbing, spine faded a touch; ownership signature of Harold Levine to title-page; very good. (500/800)

272. (Encyklopädie...) Encyklopädie der Mathematischen Wissenschaften. Volume IV, Nos. 1-32, and Volume V, Nos. 1-28, bound in 12 volumes. Morocco-backed boards. Liepzig: [1901-1926] Significant run of this important German series on mathematics. Some scuffing to spines, very good or better. (300/500)

Page 52 273. Ferrers, N. M. An Elementary Treatise on Spherical Harmonics and Subjects Connected with Them. xi, [1], 160 pp. 19.5x12.5 cm. (7½x5”), original cloth, spine lettered in gilt. First Edition. London: Macmillan, 1877 J.J. Thomson’s copy, with his ownership signature on front pastedown. Wear along joints, portion of spine strip lifting; shaken, overall very good. (100/150)

274. (Hydrodynamics, Astrophysics, etc.) Ten volumes on Hydrodynamics, Astrophysics, etc. Includes: Wien, W. Lehrbuch der Hydrodynamik. Half cloth & boards. 1900. * Boussinesq, J. Theorie Analytique de la Chaleur mise en harmonie avec la Thermodynamique... Tome II. Wrappers. 1903. * Villat, Henri. Mecanique des Fluides. 1930. [bound with] Lecons sur l’Hydrodynamique. 1929. [bound with] Lecons sur la Theorie des Tourbillons. 1930. Half leather & cloth. * Dryden, Hugh L., et al. Report of the Committee on Hydrodynamics Division of Physical Sciences... Wrappers. 1932. * Tolman, Richard C. Relativity, Thermodynamics and Cosmology. Jacket (with spine torn, head chipped.) 1st Ed. [1934]. * Moulton, Forest Ray. An Introduction to Celestial Mechanics. 2nd Ed. 1935. * Smart, W.M. Text-Book on Spherical Astronomy. 2nd Ed. 1936. * Macelwane, J.B. Introduction to Theoretical Seismology. Part I, Geodynamics. 1st Ed. 1936. * Rosseland, S. Theoretical Astrophysics: Atomic Theory and the Analysis of Stellar Atmospheres and Envelopes. 1st Ed. 1936. * Another copy of preceding, without jacket. * Milne-Thomson, L.M. Theoretical Hydrodynamics. 1st Ed. 1938. Together, 10 volumes. Cloth except as noted. Various places: Various dates Some wear, ownership signatures, very good overall. (300/500)

275. Laue, Max von. La Théorie de la Relativité. Traduction faite d’après la quatrième édition allemande revue et augmentée par l’auteur Par Gustave Létang. Tome I, Le Principe de Relativité de la Transformation de Lorentz ; Tome II, La Relativité Générale et la Théorie de la Gravitation d’Einstein. 24.2x14.5 cm. (9½x6¼”), original printed wrappers. First French Edition. Paris: Gauthier-Villars et Cie, 1924 & 1926 Important work on relativity by the noted German physicist, sometime assistant to Max Planck, friend and colleague of Albert Einstein, associate of Arnold Sommerfeld, and winner of the Nobel Prize in Physics in 1914 for his discovery of the diffraction of X-rays by crystals. This copy with occasional marginal and interlinear mathematical notations in a meticulous hand. Some aging and wear to wrappers, 2nd spine strip mostly perished, contents darkened and somewhat brittle; about very good. (200/300)

276. MacDonald, Hector Munro. Two volumes by H.M. Munro on Electromagnetism. Includes: Electric Waves: Being an Adams Prize Essay in the University of Cambridge. (Spine ends and corners rubbed, top 1 cm. of half-title, title and 1st preface leaf clipped off, ink signature of Harold Levine to title- page.) Cambridge: University Press, 1902. * Electromagnetism. Inscribed “From the author” on front free endpaper. (Spine faded.) London: Bell, 1934. Together, 2 volumes. Original cloth. First Edition. Cambridge & London: 1902 & 1934 Very good condition. (200/300)

Each lot is illustrated in color in the online versionof the catalogue. Go to www.pbagalleries.com

Page 53 277. (Physics & Mathematics) Nine 19th/early 20th century works on Physics & Mathematics. Includes: Earnshaw, Samuel. Dynamics, or a Treatise on Motion; to which is added a Short Treatise on Attractions. 2nd Ed. 1839. * Airy, George Biddell. Mathematical Tracts on the Lunar and Planetary Theories... Cloth-backed boards, paper spine label. (Spine worn, tape-repaired.) 3rd Ed. 1862. * Tait, Peter Guthrie & William John Steele. A Treatise on Dynamics of a Particle, with Numerous Examples. (Well worn, covers detached or nearly so.) 3rd Ed. 1871. * Airy, George Biddell. On Sound and Atmospheric Vibrations, with the Mathematical Elements of Music. 2nd Ed. 1871. * Airy, George Biddell. On the Undulatory Theory of Optics... Ownership signature of J.J. Thomson. New edition. 1877. * Thomson, William & Peter Guthrie Tait. Treatise on Natural Philosophy. Vol. I, Part. I. New Edition. 1879. * Ibbetson, William John. An Elementary Treatise on the Mathematical Theory of Perfectly Elastic Solids with a short account of Viscous Fluids. Inscribed “Prof. J.J. Thomson F.R.S. with the Author’s kind regards, Apr. 20th 1887” on front free endpaper. 1st Ed. 1887. * Herman, R.A. A Treatise on Geometrical Optics. 1st Ed. 1900. * Thomson, J.J. Elements of the Mathematical Theory of Electricity and Magnetism. 3rd Ed. 1904. Together, 9 volumes. Cloth except as noted. Cambridge & London: Various dates Fair to very good. (300/500)

278.  Planck, Max. Three works by Max Planck. Includes: Vortrage Uber Die Kinetische Theorie Der Materie und der Elektrizitat. (Spine head frayed.) Liepzig: B.G. Teubner, 1914. * Einführung in die Theorie der Elektrizität und des Magnetismus. Leipzig, Hirzel, 1922. * Einführung in die Theoretische Optik. Zum Gebrauch bei Vorträgen, sowie zum Selbstunterricht. (Spine sunned, head frayed.) Leipzig: Hirzel, 1927. Together, 3 volumes. Cloth &/or boards. First Editions. Leipzig: Various dates Three works by the German physicist considered to be the founder of the quantum theory, winner of the Nobel Prize in Physics in 1918. Very good or better condition. (300/500)

279.  Ramsey, A.S. Eleven volumes on Mathematics and Physics by A.S. Ramsey. Includes: A Treatise on Hydromechanics. Part I. Hydrostatics. With W.H. Besant. 6th Ed. 1904. * Seventh edition of preceding. 1911. * Elementary Geometrical Optics. (Rubberstamp of Bath High School for Girls to title-page; portion of front free endpaper excised.) 1st Ed. 1914. * Another copy of preceding. * Dynamics. 2nd Ed. 1933. * Statics. 1st Ed. 1934. * Hydrostatics. 1st Ed. 1936. * Dynamics, Part II. 1st Ed. 1937. * Electricity and Magnetism. 1st Ed. 1937. * An Introduction to the Theory of Newtonian Attraction. 1st Ed. 1940. * A Treatise on Hydromechanics. Part II: Hydrodynamics. [1946]. Together, 10 volumes. Cloth. Cambridge & London: Various dates Fading and wear to some spines, occasional ownership signatures and markings; generally very good or better. (300/500)

280. Routh, Edward John. Three works by E.J. Routh in five volumes. Includes: The Advanced Part of a Treatise on the Dynamics of a System of Rigid Bodies: Being Part Two of a Treatise on the Whole Subject. 2 volumes. (Cloth splitting along joints; shaken.) 5th Ed. London: Macmillan, 1892. * A Treatise on the Dynamics of a Particle. (Lacks front free endpaper, hinges cracked.) 1st Ed. Cambridge: University Press, 1898. * A Treatise on Analytical Statics with Illustrations taken from the theories of Electricity and Magnetism. 2 volumes. Later blue cloth, leather spine labels. 2nd Ed. Cambridge: University Press, 1902. Together, 3 works in 5 volumes. Cloth. Cambridge & London: 1892-1902 Routh was an eminent English mathematician who did much to systematize the mathematical theory of mechanics and created several ideas critical to the development of modern control systems theory. With ownership signatures of Harold Levine to the title-pages. Generally very good. (250/350)

Page 54 281.  Sommerfeld, Arnold. Eight volumes by Arnold Sommerfeld. Includes: Atomic Structure and Spectral Lines. Translated from the Fifth German Edition by Henry L. Brose. Volume I. [c.1935]. * Wave-Mechanics, Translated from the German Edition by Henry L. Brose. Supplementary Volume to Atomic Structure and Spectral Lines. Errata slip. [c.1930]. * Vorlesungen Über Theoretische Physik. 6 volumes. [1947-52]. Together, 8 volumes. Cloth or boards. New York & Wiesbaden: Various dates Works by the German theoretical physicist who pioneered developments in atomic and quantum physics. Fading and wear to some spines, ownership signatures, a few with darkening to contents; about very good. (300/500)

282. Stokes, George Gabriel. Mathematical & Physical Papers (spine title). Bound volume of approx. 50 pamphlets, offprints, extracts, etc. by Sir George Stokes. 21x13 cm. (8¼x5¼”), early 20th century half morocco & cloth, spine lettered in gilt, raised bands. Various places: 1848-1898 Fifty years of important papers by the mathematician and physicist who made important contributions to fluid dynamics, optics, and mathematical physics. Spine faded, some rubbing, very good. (400/600)

283.  Watson, H. W. and S. H. Burbury. The Mathematical Theory Of Electricity And Magnetism. 2 volumes. 22.5x14 cm. (8¾x5½”), original cloth, spines lettered in gilt. First Editions. Oxford: Clarendon Press, 1885 & 1889 First with some rubbing to joints and extremities, else both very good, 2nd contents largely unopened. (200/300)

284. (Quantum Theory) Nine volumes on Quantum Theory, Relativity, etc. Includes: Marcolongo. Relativita. Wrappers (worn, detached, staining within). 1st Ed. 1921. * Adam, E.P. The Quantum Theory. In Bulletin of the National Research Council. Wrappers (detached). 2nd Ed. 1923. * Juvet, G. Mecanique Analytique et Theorie des Quanta. Wrappers. 1st Ed. 1926. * Kemble, Edwin C., et al. Molecular Spectra in Gases. 1st Ed. 1926. * Grammel, R., editor. Mechanik der Flussigen und Gasformigen Korper. Half leather (spine rubbed). 1927. * Birtwhistle, George. The New Quantum Mechanics. 1st Ed. 1928. * Weyl, Hermann. Gruppentheorie und Quantenmechanik. 2nd Ed. 1931. * Bergman, Peter Gabriel. Introduction to the Theory of Relativity. Intro. by Albert Einstein. 1st Ed. 1942. * Weinbert, Alvin M. & Eugene P. Wigner. The Physical Theory of Neutron Cain Reactors. 1st Ed. [1958]. Together, 9 volumes. Cloth except as noted. Various places: Various dates Some wear and ownership markings; good to very good. (250/350)

285. (Wave Mechanics, etc.) Nine volumes on Wave Mechanics and related subjects. Includes: Love, A.E.H. Theoretical Mechanics: An Introductory Treatise on the Principles of Dynamics... (Lacks front free endpaper.) 2nds Ed. 1906. * Crabtree, Harold. An Elementary Treatise on the Theory of Spinning Tops and Gyroscopic Motion. 2nd Ed. 1914. * Bateman, H. Mathematical Analysis of Electrical and Optical Wave-Motion on the Basis of Maxwell’s Equations. Errata slip. 1st Ed. 1915. * Thomson, G.P. The Wave Mechanics of Free Electrons. (Ex-Stanford with markings.) 1st Ed. 1930. * MacMillan, William Duncan. Theoretical Mechanics: The Theory of the Potential. 1st Ed. 1930. * West, W. Acoustical Engineering. 1st Ed. 1932. * Frenkel. Wave Mechanics: Advanced General Theory. (Gouge to spine, tape-repaired.) 1st Eng. Ed. 1934. * MacMillan, William Duncan. Theoretical Mechanics: Dynamics of Rigid Bodies. 1st Ed. 1936. * Carslaw. Introduction to the Mathematical Theory of the Conduction of Heat in Solids. 2nd Ed. 1945. Together, 9 volumes. Cloth. Various places: Various dates Some with ownership signatures; very good or better. (250/350) Page 55 Section IV: Fine Books in All Fields

286. Alexius, Caesar. Elogia Civium Perusinorum. [xii], 231, [8] pp. (12mo) 13.8x7.3 cm. (5½x2¾”), later paste-paper boards. Fulginiae: Augustinum Alterium, 1635 WorldCat locates only 5 copies. Light wear to binding; some foxing; very good. (300/500)

287. (Americana) Seven volumes of Americana - all but one from The American Past Series. Includes: Tharp, Louise Hall. The Peabody Sisters of Salem. [1980]. * White, Theodore H. The Making of the President 1960. [1988]. * Benet, Stephen Vincent. John Brown’s Body. [1980]. * Bowen, Catherine Drinker. Yankee From Olympus. [1980]. * Catton, Bruce. A Stillness at Appomattox. [1982]. * Bowen, Catherine Drinker. Miracle at Philadelphia. [1986]. * Plus: Joyce, James. Ulysses. [1982]. Together 7 volumes. Each in cloth, dust jacket, and slipcase. First Editions. New York: Book-of-the-Month Club, Inc., Various dates Very light shelf wear to slipcases; near fine or better. (100/150)

288. (Architecture) Twenty-nine titles on architecture and interior design. Includes: Peter, John. Aluminum in Modern Architecture. 2 volumes. Cloth, slipcase. Reynolds Metals Company, [1956]. * Raymond M. Hood: Contemporary American Architects [Series]. Cloth. Whittlesey House, 1931. * Bragdon, Claude. The Beautiful Necessity. Cloth. Second Edition. Knopf, 1922. * Carter, Dennie Houghton. All About Decorating. Cloth, dj. Conso Publishing, [1971]. * Rockow, Hazel Kory. Creative Home Decorating. Cloth. H.S. Stuttman, [1946]. * Gillies, Mary Davis. Popular Home Decoration. Cloth. Wise & Co., [1940]. * Prize Homes: Ninety-two Houses, complete with floor plans and elevations... winners...in the ’s $24,000 Chicagoland Prize Homes Competition. Cloth. Wilcox & Follett, [1948]. * Schroeder, Francis de N. Anatomy for Interior Designers and How to Talk to a Client. Cloth. Whitney Publications, [1948]. * Plus 21 more titles. Together 29 titles in 30 volumes. Various places: Various dates A collection of interior design and architecture books from the mid to last half of the 20th century. Some general wear to each; very good. (200/300)

TWO LOTS FROM THE ARION PRESS 289. (Arion Press) Einstein, Albert. The Theory of Relativity. Blue cloth with wrap-around paper label. Copy ‘S’ of 26 lettered copies ‘hors de commerce’. San Francisco: Arion Press, 2005 Centennial publication of two of Einstein’s most important papers: On the Electrodynamics of Moving Bodies & Does the Inertia of a Body Depend on its Energy-Content? Fine. (250/350)

290. (Arion Press) Woolf, Virginia. Orlando, A Biography. Photographs by Diana Michener. (Small folio), cloth with pictorial labels, matching slipcase. Copy ‘U’ of 26 lettered copies for complimentary distribution. San Francisco: Arion Press, 2005 The 72nd publication of the Arion Press. Fine (500/800)

Page 56 291. (Art Journal) Ten issues of the Art Journal. 10 issues of the Art Journal. Woodcut illustrations throughout, full page plates lacking. New York: D. Appleton and Co., 1870s Also includes 3 partial parts from “The Battles of America”, also lacking plates. Worn, wrappers detached; fair only, sold as is. (100/150)

292. Bartholomew, Terese Tse. Hidden Meanings in Chinese Art. (4to) red cloth, dust jacket. First Edition. [San Francisco]: Asian Art Museum, [2006] A touch of wear to jacket; else fine (100/150)

293.  Beveridge, William. Private Thoughts Upon Religion, Digested into Twelve Articles, with Practical Resolutions Form’d Thereupon. [xl], 300 pp. Engraved portrait frontispiece. (8vo) period full calf. First Edition London: R. Smith, 1709 Beveridge was Bishop of St. Asaph in Wales from 1704-1708. A popular work in its day, with five editions being printed within 2 years. Spine darkened, joints split, modern bookplate; some browning throughout; good. (150/250)

294. (Bonaparte, Napoleon) [Wallis, J., publisher]. The Life of Napoleon Bonaparte. 2 volumes. [iv], 551; 546, [1] pp. Each volume with engraved frontispiece and illustrated title page, 18 engraved plates. (8vo) later tan half calf and marbled boards, spines gilt, red and black morocco lettering pieces, top edges gilt. First Edition. London: J. Wallis, [No date, c. 1809] Scarce biography of Napoleon, published during his lifetime, a third volume was published later. Minor wear to bindings; occasional light foxing; near fine. (300/500)

295. (Book of Common Prayer) The Book of Common Prayer, and Administration of the Sacraments... Together with the Psalter or Psalms of David. Unpaginated. Printed in black and red. (24mo) 10.5x5.5 cm. (4x2¼”) later full black morocco, metal (silver?) edging, clasps and center devices (monogrammed), all edges gilt. : James Watson, 1717 An attractively bound pocket-size edition of the Book of Common Prayer. Some light wear, short crack at head of rear joint; very good. (200/300)

BEAUTIFUL KIPLING CALLIGRAPHIC MANUSCRIPT 296. (Calligraphic Manuscript) Kipling, Rudyard. Calligraphic manuscript of Kipling’s “The Glory of the Garden” - Attributed to Alfred Sutcliffe. 33 line poem on vellum sheet, calligraphed by hand, large initial letter in gilt at start, smaller initial letters in red beginning all other stanzas. 36.3x26.8 cm (14¼x10¾”). No date Attributed to Alfred Sutcliffe. Provenance: From the Harmsworth Library Trust Estate Sale. Fine (500/800)

Page 57 297. (Colt Press) Markevitch, Marie Alexandre. The Epicure in Imperial Russia. 10x6¼, hand bound in full red levant morocco, marbled endpapers. One of 500 copies. San Francisco: Colt Press, 1941 The recipes of old Russia, finely printed, the hand bookbinding is undoubtedly by Kathi Fleming. Fine condition. (100/150)

RARE HISTORY OF PORTUGAL 298. [Conestaggio, Girolamo Franchi di]. The Historie of the Uniting of the Kingdom of Portugall to the Crowne of Castill: Containing the Laste Warres of the Portugals against the Moores of Africke, the end of the House of Portugall, and change of that Government. The Description of Portugall, their Principall Townes, Castles, Places, Rivers, Bridges, Passages, Forces, Weaknesses... Woodcut device on title page, and woodcut initials. [12], 324, [7] index pp. (Small Folio) 26.5x18 cm. (10½x7”), re-backed period tree-grain calf with early spine laid down, gilt-tooled border decoration on covers, gilt-decorated spine, gilt-lettered morocco spine label. First English Edition. London: Arn. Hatfield for Edward Blount, 1600 STC 5624. Light wear at extremities; two partial names in ink on top edge of title page, part of title page excised near device (device not affected), repaired with strip of paper, some faint marginal dampstains scattered within; very good. (1500/2000)

299.  Constantine, Duke of Sparta. Original photograph of Constantine, Duke of Sparta. Original photograph, 7¾x9¾”. March 15, 1959 Photograph of Constantine, Duke of Sparta and Douglas Aircraft executives Kenneth G. Farrar and A.M. Rochlen. Constantine would later become the last King of Greece. Provenance: Family of A.M. Rochlen. Mounted on heavy card, evidence of prior matting on rear; very good. Lot 298 (200/300)

300. Conway, William Martin. The Alps From End to End. xii, 403 pp. 100 full-page illustrations by A.D. M’Cormick. (Large 8vo) original brown and green cloth. First Trade Edition. Westminster: Archibald Constable and Co., 1895 Account of a famous high level traverse of the Alps in 1894, from Monte Viso to the Gross Glockner. Spine leanings, some light wear and fading to cloth, front hinge cracked; very good. (200/300)

301. Darwin, Charles. The Descent of Man, and Selection in Relation to Sex. 2 volumes. (8vo) original brick-red cloth stamped in black, spines lettered in gilt. New York: D. Appleton and Company, 1872 Early American edition of Darwin’s famous work. Soiling to cloth, some rubbing; very good. (200/300)

Page 58 302. Dilworth, Thomas. The Schoolmasters Assistant: Being a Compendium of Arithmetic, Both Practical and Theoretical. [vi], 192 pp. Woodcut portrait frontispiece; one folding leaf. (12mo), original calf. Wilmington: Bonsal and Niles, [1799] Early American edition of Dilworth’s popular text book. With the fabulous woodcut portrait. Evans 35411. Binding well worn, front cover, endpaper and frontispiece detached; folding chart lacking a large piece from upper corner (no loss of text) and with other chips and tears, foxing and edge wear throughout; good. (200/300)

303. (Earle, Eyvind) The Complete Graphics of Eyvind Earle and Selected Poems and Writings by Eyvind Earle, 1940-1990. Profusely illustrated. (Thick 4to) black cloth, dust jacket. First Edition. Los Angeles: Robert Bane, [1991] Light wear to jacket; soiling to title page; very good (200/300)

TEN LOTS OF EASTON PRESS EDITIONS 304. (Easton Press) Durant, Will and Ariel. The Story of Civilization - eleven volumes. 11 volumes, complete set. Includes the following titles: Our Oriental Heritage. * The Life of Greece. * Ceasar and Christ. * The Age of Faith. * The Renaissance. * The Reformation. * The Age of Reason Begins. * The Age of Louis XIV. * The Age of Voltaire. * Rousseau and Revolution. * The Age of Napoleon. Together 11 volumes, uniformly bound in tan gilt-decorated leather, all edges gilt, with attached bookmarks. Collectors Edition. Norwalk, CT: Easton Press, [1992] A few volumes with leaning spines; else fine. (400/600)

305. (Easton Press) Hemingway, Ernest. The Complete Works of Ernest Hemingway - nineteen (of twenty) volumes. Includes: To Have and Have Not. * The Torrents of Spring. * The Fifth Column. * Men Without Women. * The Garden of Eden. * The Snows of Kilimanjaro and Other Stories. * For Whom the Bell Tolls. * Death in the Afternoon. * In Our Time. * The Old Man and the Sea. * The Dangerous Summer. * A Moveable Feast. * The Sun Also Rises. * Winner Take Nothing. * A Farewell to Arms. * Islands in the Stream. * By-Line. * The Green Hills of Africa. * Across the River and Into the Trees. Together 19 (of 20) octavos in full leather, decorated in gilt, silk bookmark and endpapers, all edges gilt. Norwalk, CT: Easton Press, [1990] Unlike the edition currently available at Easton Press, this set of works features uniquely bound volumes, each in various colored leather, with a different decorative pattern on covers. Fine. (700/1000)

306. (Easton Press) Vonnegut, Kurt. Two signed first editions from the Easton Press. Includes: Timequake. No. 484 of 1200 copies. * Bagombo Snuff Box: Uncollected Short Fiction. No. 1515 of 1700 copies. Included are the COA and note card from the publisher. Together 2 volumes, uniformly bound in full aqua leather, decorated and lettered in gilt, all edges gilt, silk moire endpapers, attached bookmark. Norwalk, CT: Easton Press, [1997]; [1999] Each volume signed by Kurt Vonnegut on limitation page. Fine. (200/300)

Page 59 307. (Easton Press) Signed first editions - fourteen volumes. Includes: Stephanopoulos, George. All Too Human: A Political Education. With COA. [1999]. * Reagan, Ronald. A Shining City: The Legacy of Ronald Reagan. With COA. [1998]. * Baker, III., James A. The Politics of Diplomacy: Revolution, War and Peace 1989-1992. [1995]. * Halberstam, David. War in a Time of Peace. [2001]. * Cronkite, Walter. Around America. [2001]. * Quayle, Dan. Worth Fighting For. With COA. [1999]. * Kerry, John. The New War: The Web of Crime That Threatens America’s Security. With COA. [1997]. * Dole, Bob. Great Political Wit. With COA. [1998]. * Dole, Bob. Great Presidential Wit. [2001]. * Simon, Paul. P.S. The Autobiography of Senator Paul Simon. With COA. [1998]. * Lieberman, Joseph I. In Praise of Public Life. With COA. [2000]. * Reich, Robert. Locked in the Cabinet. [1997]. * Gergen, David. Eyewitness to Power: The Essence of Leadership. [2000]. * Thomas, Helen. Front Row at the White House. With COA. [1999]. Together 14 volumes, each in various shades of leather, decorated and lettered in gilt, all edges gilt, silk moire endpapers, attached bookmarks. Norwalk, CT: Easton Press, Various dates Each signed on the limitation page by the author. Many with a certificate of authenticity (COA) laid in. Mostly political, historical, or presidential subject matter. Fine. (500/800)

308. (Easton Press) Signed first editions - seventeen volumes. Includes: Arens, Mosh. Broken Covenant: American Foreign Policy and the Crisis Between the U.S. and Israel. [1995]. * Buckly Jr., William F. Buckley: The Right Word. [1996]. * Stahl, Leslie. Reporting Live. With COA. [1999]. * Galbraith, John Kenneth. Name-Dropping. With COA. [1999]. * Roker, Al. Don’t Make Me Stop This Car! With COA. [2000]. * Rather, Dan. The American Dream. [2001]. * Rather, Dan. Deadlines and Datelines. With COA. [1999]. * Jones, George. I Lived to Tell it All. [1996]. * Kramer, Stanley. A Mad, Mad, Mad, Mad World: A Life in Hollywood. With COA. [1997]. * Schlesinger, Jr., Arthur M. A Life in the 20th Century. [2000]. * Leno, Jay. Leading with my Chin. [1996]. * Collins, Judy. Singing Lessons. With COA. [1998]. * O’Neil, Buck. I was Right on Time. [1996]. * Jennings, Waylon. Waylon: An Autobiography. [1996]. * Shepherd, Cybill. Cybill Disobedience. With COA. [2000]. * Foreman, George. By George: The Autobiography of George Foreman. [1995]. * Davis, Jim. 20 Years & Still Kicking! Garfield’s Twentieth Anniversary Collection. A few small rubs to cover illustration. [1998]. Together 17 volumes, each in various shades of leather, decorated and lettered in gilt, all edges gilt, silk moire endpapers, attached bookmarks. Norwalk, CT: Easton Press, Various dates Each volume signed on the limitation page by the author. Many with a certificate of authenticity (COA) laid in. Mostly non-fiction works, and a few on arts and entertainment. Fine. (500/800)

309. (Easton Press) Signed first editions - seventeen volumes. Includes: Hagman, Larry. Hello Darlin’. [2001]. * Kerrey, Bob. When I was a Young Man. [2002]. * Lynn, Loretta. Still Woman Enough. [2002]. * Brzezinski, Zbigniew. The Grand Chessboard. With COA. [1997]. * Boutros-Ghali, Boutros. Egypt’s Road to Jerusalem. With COA. [1997]. * Pataki, George E. Pataki: An Autobiography. With COA. [1998]. * Vidal, Gore. The Golden Age. [2000]. * Gould, Stephen Jay. The Lying Stones of Marrakech. [2000]. * King, B.B. Blues All Around Me: The Autobiography of... With COA. [1996]. * Rivers, Joan. Bouncing Back. [1997]. * King, Alan. Name-Dropping: The Life and Lies of Alan King. [1996]. * Carlin, George. Brain Droppings. With COA. [1997]. * Frankel, Max. The Times of My Life and My Life with The Times. With COA. [1999]. * Herzog, Whitey. You’re Missin’ a Great Game. With COA. [1999]. * Buchwald, Art. I’ll Always Have Paris: A Memoir. [1996]. * McKay, Jim. The Real McKay: My Wide World of Sports. [1998]. * Douglas, Kirk. Climbing the Mountain: My Search for Meaning. With COA. [1997]. Together 17 volumes, each in various shades of leather, decorated and lettered in gilt, all edges gilt, silk moire endpapers, attached bookmarks. Norwalk, CT: Easton Press, Various dates Each volume signed on the limitation page by the author. Many with a certificate of authenticity (COA) laid in. Mostly non-fiction works. Fine. (500/800)

Page 60 310. (Easton Press) Signed first editions - sixteen volumes. Includes: Watson, James D. Genes, Girls, and Gamow. [2001]. * Teller, Edward. Memoirs. [2001]. * Goodall, Jane. Reason for Hope. With COA. [1999]. * Young, Andrew. An Easy Burden. With COA. [1996]. * Bradlee, Ben. A Good Life: Newspapering and Other Adventures. [1995]. * Dunaway, Faye. Looking for Gatsby. [1995]. * Gooden, Dwight. Heat: My Life on and off the Diamond. With COA. [1999]. * Keneally, Thomas. American Scoundrel. With COA. [2002]. * Stern, Isaac. My First 79 Years. [1999]. * Podhoretz, Norman. Ex- Friends. With COA. [1999]. * Woodward, Bob. Maestro. [2000]. * Ebert, Roger. The Great Movies. [2002]. * Stiller, Jerry. Married to Laughter. [2000]. * Fonda, Peter. Don’t Tell Dad. With COA. [1998]. * McCourt, Frank. ‘Tis: A Memoir. With COA. [1999]. * Heston, Charlton. In the Arena. [1995]. Together 16 volumes, each in various shades of leather, decorated and lettered in gilt, all edges gilt, silk moire endpapers, attached bookmarks. Norwalk, CT: Easton Press, Various dates Each volume signed on the limitation page by the author. Many with a certificate of authenticity (COA) laid in. Mostly non-fiction works Fine. (500/800)

311. (Easton Press) Signed first editions - twelve volumes. Includes: Updike, John. Bech at Bay: A Quasi- Novel. [1998]. * Ambrose, Stephen E. Nothing Like it in the World. With COA. [2000]. * Updike, John. Licks of Love: Short Stories and a Sequel. With COA. [2000]. * Oates, Joyce Carol. My Heart Laid Bare. With COA. [1998]. * Quinn, Anthony. One Man Tango. [1995]. * Breslin, Jimmy. I Don’t Want to go to Jail: A Good Novel. With COA. [2001]. * Buckley, Jr., William F. The Red Hunter. With COA. [1999]. * Lehrer, Jim. The Special Prisoner. 1 of 1425 copies. [2000]. * Ambrose, Stephen E. Citizen Soldiers: U.S. Army from the Normandy Beaches to the Bulge to the Surrender of Germany... [1997]. * Shaara, Michael. The Killer Angels: A Novel. [1996]. * Trillin, Calvin. Messages from my Father. [1996]. * Keillor, Garrison. Lake Wobegon Summer 1956. [2000]. Together 12 volumes, each in various shades of leather, decorated and lettered in gilt, all edges gilt, silk moire endpapers, attached bookmarks. Norwalk, CT: Easton Press, Various dates Each signed on the limitation page by the author. Mostly modern literature titles, but with a few historical novels, a few with certificates of authenticity laid in (COA). Fine. (400/600)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 61 312. (Easton Press) The Library of the Presidents - thirty-three titles. Includes: Carter, Jimmy. Keeping Faith: Memoirs of a President. Signed. [1982]. * Smith, Page. John Adams. 2 volumes. [1988]. * Washington: An Abridgment in One Volume by Richard Harwell of the Seven-Volume George Washington by Douglas Southall Freeman. [1985]. * Peterson, Merrill D. Thomas Jefferson and the New Nation. [1987]. * Cleaves, Freeman. Old Tippecanoe. [1986]. * Niven, John. Martin Van Buren: The Romantic Age of American Politics. [1986]. * Bemis, Samuel Flagg. John Quincy Adams. 2 volumes. [1987]. * Hamilton, Holman. Zachary Taylor. 2 volumes. [1989]. * James, Marquis. Andrew Jackson: Portrait of a President. [1985]. * Cresson, W.P. James Munroe. [1986]. * Padover, Saul P., ed. The Complete Madison. [1988]. * Lyons, Eugene. Herbert Hoover: A Biography. [1964]. * Padover, Saul K., ed. The Writings of Thomas Jefferson. [1967]. * Rayback, Robert J. Millard Fillmore: Biography of a President. [1959]. * A Day of Dedication: The Essential Writings & Speeches. [1988]. * Klein, Philip Shriver. President James Buchanan. [1987]. * Pringle, Henry F. Theodore Roosevelt: A Biography. [1987]. * Van Doren, Carl. The Literary Works of Abraham Lincoln. [1980]. * McFeely, William S. Grant: A Biography. [1987]. * Howe, George Frederick. Chester A. Arthur: A Quarter Century of Machine Politics. [1987]. * Pringle, Henry F. The Life and Times of William Howard Taft. 2 volumes. [1986]. * Leech, Margaret. In the Days of McKinley. [1986]. * Sandburg, Carl. Abraham Lincoln: The Prairie Years and the War Years One-Volume Edition. [1984]. * Ford, Gerald R. A Time to Heal: The Autobiography of... Signed. [1987]. * Ambrose, Stephen E. Eisenhower. 2 volumes. [1983]. * Walworth, Arthur. Woodrow Wilson. 2 volumes. [1978]. * President John F. Kennedy: The Burden and the Glory. [1988]. * Truman, Margaret. Harry S. Truman. [1972]. * Reagan, Ronald. Speaking my Mind. [1989]. * Parmet, Herbert S. JFK: The Presidency of John F. Kennedy. [1983]. * Sievers, Harry J. Benjamin Harrison. Volume One, Book One. [1989]. * Burns, James MacGregor. Roosevelt: The Soldier of Freedom. [1985]. * Rauch, Basil, ed. Franklin D. Roosevelt. [1989]. Together 33 titles in 40 volumes. Each in various shades of leather, decorated and lettered in gilt, all edges gilt, attached bookmarks. Norwalk, CT: Easton Press, Various dates Plus, 2 other volumes: Treasures of the : The First Edition of Abraham Lincoln’s Preliminary Emancipation Proclamation. September 22, 1862. “The Only Known Copy.” In chemise and case (looks like a regular leather-bound volume). Easton Press. * Treasures of the Library of Congress: The First Edition of Abraham Lincoln’s Final Emancipation Proclamation. January 1, 1863. In chemise and case (looks like a regular leather- bound volume). Easton Press. Fine. (1000/1500)

Lot 312

Page 62 313. (Easton Press) Three signed collector’s editions. Includes: Wiesel, Elie. Night.* Potok, Chaim. The Chosen. * Uris, Leon. Exodus. Together 3 volumes, each uniformly bound in gilt-decorated blue leather, all edges gilt. Norwalk, CT: Easton Press, [1996] Each are number 122 of 3500 copies. Each volume signed by the author on the limitation leaf, as well as on the laid in certificate of authenticity. One tiny tear on COA for Exodus; else fine. (200/300)

PHOTOGRAPH OF ALBERT EINSTEIN AND OTHER SCIENTISTS 314. (Einstein, Albert). Original photograph of Albert Einstein and two other Nobel Prize winners. Gelatin silver print, 7½x9½”. 1931 Photograph of Albert Einstein with fellow Nobel Prize winner Albert Michelson (first to measure speed of light and first American to win the Nobel Prize in sciences) and Nobel Laureate Robert Millikan. Also included in the photograph are Walter Adams (Director of Mt. Wilson Observatory), Max Farrand (Director of Huntington Library and Einstein associate Walter Mayer. Photograph signed by all 6 men but Einstein’s signature badly faded. Provenance: Family of A.M. Rochlen, Aviation & Science reporter for the Los Angeles Examiner. Some light wear; tape residue of rear from prior matting; very good. (500/800)

315. (England) The History of the Wars of England, Comprehending a Concise yet Accurate Account of the Land Battles, Naval Engagements, Sieges, Storms, Attacks, Repulses, Blockades, Bombardments, &c. from the Earliest Period to the Battle of Corunna. 2 volumes. 282; 287 pp. Woodcut embellishments by C.H. Wilson. (16mo) 15.5x9.5 cm. (6x3¾”), modern calf-backed boards, spines in gilt and blind. First Edition. London: J. Bumpus, 1811 OCLC Worldcat locates only the Newberry Library copy. Scarce. Some foxing; very good in a fine modern binding. (300/500)

316. Fairfax, Edward. A Discourse of Witchcraft. As it was acted in the Family of Mr. Edward Fairfax of Fuystone in the County of York in the year 1621. From the original copy written with his own hand. Communicated by R.M. Milnes. 303 pp. (8vo) original brown cloth, spine gilt. [London]: [Philobiblon Society], [1858] ‘Communicator’ Richard Monckton Milnes was a prolific writer, politician, and statesman. In 1863 he was created First Baron Houghton. The present work, better known under the title “Demonologie” or “Daemonologia” is a recounting by Fairfax of the trance visions of his daughters. Milne’s Crewe Hall bookplate on front pastedown endpaper. Spine ends frayed, some edge wear, hinges cracked; very good. (400/600)

317. Fauvelet de Bourrienne, [Louis Antoine]. Memoirs of Napoleon Bonaparte. 4 volumes. Translated by John S. Memes. Engraved frontispiece in each volume. (12mo) period cloth-backed boards, rebacked with original spine cloth laid down, custom slipcase. Edinburgh: Constable and Co., 1831 Spines and labels worn, some edge wear; foxing; good. (150/250)

Page 63 318. Fersen, Eugene. Science of Being. xii, 329 pp. Decorations and illustrations in gilt by Malcolm Thurburn. 17.3x10 cm. (6¾x4”), original full limp lizard calf, gilt-stamped emblem on front cover, attached bookmark, all edges gilt, silk endpapers, housed in original box. [New York]: [J.F. Tapley Co.], [1923] Includes the 4 page introductory pamphlet titled, “Information for the Reader” containing valuable information about the publication and its execution. A scarce publication, exceedingly rare in the box with pamphlet. One corner lacking on two-part box, box lightly rubbed at edges; rubbed at spine ends and corners; very good. (1000/1500)

Lot 318

A SELECTION OF FINELY BOUND BOOKS AND SETS 319. (Fine Bindings) Beaux and Belles of England. 14 volumes. Frontispiece in each volume in 2 states, one hand colored. (8vo) Red three-quarter morocco and marbled boards, spines gilt, top edges gilt. One of 150 copies of the Connoisseur Edition. London: Grolier Society, [c. 1900] Comprises: Mrs. Sarah Siddons (2 volumes), Nell Gwyn, Mrs. Mary Robinson, Beau Brummell (2 volumes), Lady Hamilton & Lord Nelson (2 volumes), Count de Grammont, Lady Blessington, Lord Chesterfield (2 volumes), The Sheridans (2 volumes). A bit of rubbing to corners and edges; very good. (700/1000)

320. (Fine Bindings) Coxe, William. Memoirs of John Duke of Marlborough, with his Original Correspondence: Collected from the Family Records at Blenheim, and Other Authentic Sources. 6 volumes. Engraved frontispiece in each volume. (8vo) full tan calf, boards ruled in gilt, spines gilt, red and brown morocco labels, all edges marbled. Second Edition. London: Longman, Hurst, et al, 1820 Atlas volume not present. Armorial bookplate of Nathaniel Bond in each volume. Spines darkened, some rubbing to joints; very good. (400/700)

Page 64 321. (Fine Bindings) Dickens, Charles. Seven novels by Charles Dickens, finely bound. 7 volumes. Illustrated. (8vo) uniformly bound in green full polished calf, spines gilt, red morocco spine labels, all edges marbled. Reprint editions. London: Chapman and Hall, 1860s-70s Titles include: Little Dorrit, Our Mutual Friend, Martin Chuzzlewit, Sketches by Boz, Barnaby Rudge, Bleak House, and The Old Curiosity Shop. Presumably from an early edition of the Collected Works but without volume numbers on spines. Some light wear; very good. (300/500)

322. (Fine Bindings) [Disraeli, Benjamin] Earl of Beaconsfield. Novels and Tales by the Earl of Beaconsfield. 11 volumes (complete). (Small 8vo) full red morocco, covers bordered in gilt, spines gilt, raised bands, gilt dentelles, top edges gilt. The Hugenden Edition. London: Longman, Green, and Co., 1882 A very handsome shelf of books. Some light edge wear, one volume (Tancred) with small chip to head of spine; near fine. (1000/1500)

323. (Fine Bindings - Extra Illustrated) Froissart, John. Chronicles of England, France, Spain, and the Adjoining Countries. 2 volumes expanded to 4 with the insertion of 74 hand colored lithograph plates with descriptive letterpress. (Large 8vo) full dark green levant morocco, boards bordered in gilt and blind, spines gilt, gilt dentelles, cloth endleaves, all edges gilt. Bound for G.P. Putnam’s Sons and the Knickerbocker Press. London: William Smith, 1848 A very handsomely bound set, the additional illustrations coming from a separately published work titled “Illuminated Illustrations of Froissart” by H.N. Humphreys. Spines faded to brown, a touch of edge wear; very good. (800/1200)

324. (Fine Bindings) Gautier, Theophile. Le Capitaine Fracasse. 3 volumes. Portrait frontispiece and 14 plates after Charles Delort. (8vo) three-quarter green morocco and marbled boards, spines lettered in gilt, pages unopened, original wrappers bound in. One of 100 copies on Hollande paper from a total edition of 150 copies. Paris: Librairie des Bibliophiles, 1884 With the leather bookplate of Robert Hoe and the engraved bookplate of Charles Williston McAlpin in each volume. Leather largely faded to tan, a touch of wear; very good. (300/500)

325. (Fine Bindings) Gunn, Alexander. The Hermitage-Zoar Note-Book [&] Letters. 2 volumes. (8vo) full brown morocco, covers with triple gilt-rule, spines gilt, raised bands, top edges gilt. Each volume No. 213 of an unspecified limitation. New York: [The De Vinne Press], 1902 Alexander Gunn was a wealthy Cleveland businessman who retired to spend the last 20 years of his life in the commune of The Society of Separatists of Zoar, in Zoar, Ohio. Corners lightly bumped; near fine. (300/500)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 65 326. (Fine Bindings) Jerome, Jerome K. Ten works by Jerome K. Jerome, Finely Bound. Includes: Told After Supper. London: Leadenhall Press, 1891. * Novel Notes. London: Leadenhall Press, 1893. * The Idle Thoughts of An Idle Fellow. London: Field & Tuer, Leadenhall Press, [No date]. * The Second Thoughts of an Idle Fellow. London: Hurst and Blackett, 1898. * On the Stage and Off. London: Leadenhall Press, [no date]. * Tea-Table Talk. London: Hutchinson & Co., 1903. * Tommy and Co. London: Hutchinson & Co., 1908. * Three Men in a Boat (To Say Nothing of the Dog). Bristol: J.W. Arrowsmith, 1889. * Three Men on the Bummell. Bristol: J.W. Arrowsmith, [No date]. * Diary of a Pilgrimage. Bristol: J.W. Arrowsmith, [No date]. Together 10 volumes, uniformly bound in red three- quarter morocco and marbled boards, spines gilt, raised bands, top edges gilt. Various places: Various dates Some general wear to extremities, a few corners lightly bumped; very good. (500/800)

327. (Fine Bindings) Khayyam, Omar. The Rubaiyat of Omar Khayyam. [vi], 75, [1] pp. Hand-colored illustrations by Gilbert James. (8vo) full tan morocco with onlays of grapes and leaves in green and purple, serpent coiled about a chalice at the center of front cover, text of quatrain LVIII surrounding the covers, gilt dentelles, all edges gilt. Bound by Riviere and Sons. London: Robt. Riviere & Son Ltd., 1928 A scarce and beautifully bound edition of the classic Rubaiyat, this edition reprinted from Fitzgerald’s translation of 1859. Spine and edges sunned, joints and hinges repaired, very good. (1000/1500)

328. (Fine Bindings) McCarthy, Justin [& Justin Huntly McCarthy]. A History of the Four Georges [and of William IV]. 4 volumes. (8vo) Red three- quarter morocco and cloth, spines gilt, raised bands, top edges gilt. First Edition. London: Chatto & Windus, 1884-1901 Some light edge wear; very good or better. (300/500)

329. (Fine Bindings) Pepys, Samuel. Diary and Correspondence of Samuel Pepys, F.R.S. 4 volumes. (Small 8vo) dark green half morocco and marbled boards, spines lettered in gilt, top edge gilt. London: George Bell and Sons, 1884

Lot 327 A handsomely bound edition of Pepys classic diary. Fine. (300/500)

330. (Fine Bindings) Plutarch. Plutarch’s Lives, Translated from the Original Greek; with Notes Critical and Historical, and a Life of Plutarch. Six volumes. (8vo) modern tan half calf and cloth, spines gilt, morocco spine labels, top edges gilt. London: C. and J. Rivington, et al, 1826 Bindings by Bayntun Riviere. Fine. (400/600)

Page 66 331. (Fine Bindings) Shakespeare, William. The Poems of William Shakespeare, According to the Text of the Original Copies, Including the Lyrics, Songs, and Snatches Found in His Dramas. [viii], 253, [1] pp. Woodcut frontispiece by Reginald Savage. (8vo) 23x17 cm. (9x6¾”) period full brown morocco stamped in gilt with repeating pattern of flowers and WS monogram, spine gilt, gilt dentelles, silk endleaves, top edge gilt. Bound by Zaehnsdorf with their gilt signature on front dentelle and blindstamp on rear doublure. One of 450 copies printed under the care of C.R. Ashbee. [London]: [Essex House Press], 1899 Spine sunned, joints and hinges repaired; very good. (1000/1500)

332. (Fine Bindings) Virgil. Publius Virgilius Maro. [iv], 283, [1] pp. Frontispiece. 84x45 mm. full brown morocco stamped in gilt, spine gilt, gilt dentelles, all edges gilt, slipcase. London: Pickering, 1821 A charming miniature edition of Virgil’s classic text, finely bound by Zaehnsdorf. A touch of wear to extremities; near fine. (300/500)

TWO LOTS OF FORE EDGE PAINTINGS 333. (Fore Edge Painting) Coxe, Peter. The Social Day: A Poem in Four Cantos. - With Fore Edge Painting. xvi, [14], 354, [1] pp. 32 engraved plates including engraved title page and frontispiece. (8vo) period full straight-grain morocco, covers stamped in gilt and blind, spine gilt, all edges gilt. First Edition. London: James Carpenter & Son, 1823 With a lovely fore edge painting of Highgrove, England, the scene of the poem. The engraved plate facing page 288 is often cited as being the first book illustration to have been engraved on steel, there is some dispute of this claim. Spine sunned, light wear to binding, bookplates; foxing; very good. (500/800)

334. (Fore Edge Painting) Spencer, Edmund. Travels in the Western Caucasus, Including a Tour Through Imeritia, Mingrelia, Turkey, Moldavia, Galicia, Silesia, and Moravia, in 1836. 2 volumes. [2], xvi, 358; [2], viii, 374 pp. With frontispiece etchings by J. Leitter; wood-engraved vignettes on the title-pages; 7 wood engravings in the text. 21.5x13.5 cm. (8½x5¼”), later full purple morocco tooled in gilt and blind on the covers, spines elaborately tooled in gilt, raised bands, gilt inner dentelles, all edges gilt, fore edge paintings. First Edition. London: Henry Colburn, 1838 Each of the two decoratively-bound volumes with a beautiful fore edge painting by an unidentified artist. Each showing a turn-of-the-century town square with delicately rendered figures, some strolling, some in horse-drawn carriages. Volume 1 rear cover detached, lightly rubbed extremities; Volume 1 lacks half title; foxing to frontispieces and (lighter) to title pages, else internally near fine; very good. (1200/1800)

TWENTY LOTS OF FRANKLIN LIBRARY EDITIONS 335. (Franklin Library) Heller, Joseph. Catch-22. Special Introduction by Joseph Heller. Illustrated by Robert Andrew Parker. Full dark blue leather, ruled in gilt, spine lettered in gilt, moire silk endpapers, attached bookmark, all edges gilt. Limited Edition. Franklin Center, PA: Franklin Library, 1978 Signed by Joseph Heller on front preliminary leaf with tissue guard. Fine. (200/300)

Page 67 336. (Franklin Library) Pulitzer Prize Classics - fifteen volumes. Includes: Morison, Samuel Eliot. Admiral of the Ocean Sea: A Life of Christopher Columbus. [1985]. * The Stories of John Cheever. [1985]. * Michener, James A. Tales of the South Pacific. [1986]. * Rawlings, Marjorie Kinnan. The Yearling. [1984]. * Warren, Robert Penn. All the King’s Men. Embossed personal library stamp of R. Steven Murdoch on title page. [1984]. * Kaplan, Justin. Mr. Clemens & Mark Twain: A Biography. [1986]. * van Doren, Carl. Benjamin Franklin. [1983]. * Adams, Henry. The Education of Henry Adams. [1983]. * Kantor, MacKinlay. Andersonville. [1986]. * Benet, Stephen Vincent. John Brown’s Body. [1986]. * Tuchman, Barbara W. . [1984]. * Catton, Bruce. A Stillness at Appomattox. [1983]. * Wilder, Thornton. The Bridge of San Luis Rey. [1985]. * Hersey, John. A Bell for Adano. [1986]. * Wilder, Thornton. Our Town [and] The Skin of Our Teeth. [1983]. Together 15 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Each volume with the embossed personal library stamp of R. Steven Murdoch on title page. Includes stories and volumes that won the Pulitzer Prizes in various categories. Fine. (300/500)

337. (Franklin Library) Pulitzer Prize Classics - fifteen volumes. Includes: Lindbergh, Charles A. The Spirit of St. Louis. [1983]. * Williams, Tennessee. A Streetcar Named Desire. No stamp. [1987]. * Schlesinger, Jr., Arthur M. The Age of Jackson. [1985]. * Porter, Katherin Anne. The Collected Stories of... [1987]. * Lewis, R.W.B. Edith Wharton: A Biography. * Updike, John. Rabbit is Rich. [1985]. * Moore, Marianne. Collected Poems. [1984]. * Guthrie, Jr. A.B. The Way West. [1986]. * Lewis, Sinclair. Arrowsmith. [1987]. * Forbes, Esther. Paul Revere and the World He Lived in. [1986]. * Malamud, Bernard. The Fixer. [1986]. * Bellow, Saul. Humboldt’s Gift. [1983]. * Buck, Pearl S. The Good Earth. [1983]. * Faulkner, William. The Reivers: A Reminiscence. [1983]. * Kidder, Tracy. The Soul of a New Machine. [1986]. Together 15 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates All but one volume with the embossed personal library stamp of R. Steven Murdoch on title page. Includes stories and volumes that won the Pulitzer Prizes in various categories. Fine. (300/500)

338. (Franklin Library) Pulitzer Prize Classics - fifteen volumes. Includes: Brooks, Van Wyck. The Flowering of New England, 1815-1865. [1985]. * Kenna, George F. Russia Leaves the War. [1986]. * Boorstin, Daniel J. The Americans: The Democratic Experience. No stamp. [1987]. * DeVoto, Bernard. Across the Wide Missouri. [1984]. * White, Theodore H. The Making of the President 1960. [1987]. * The Late George Apley: A Novel in the Form of a Memoir. [1984]. * O’Neill, Eugene. Strange Interlude. [and] Connelly, Marc. The Green Pastures. [1985]. * Lash, Joseph P. Eleanor and Franklin. [1984]. * Sherwood, Robert E. Idiot’s Delight [adn] Abe Lincoln in [and] There Shall Be No Light. [1984]. * Sandburg, Carl. Complete Poems. [1985]. * Wharton, Edith. The Age of Innocence. [1984]. * Dubos, Rene. So Human an Animal. [1985]. * Welty, Eudora. The Optimist’s Daughter. [1985]. * Fitzgerald, Frances. : The Vietnamese and the Americans in Vietnam. [1984]. * Miller, Arthur. Death of a Salesman, [and] Macleish, Archibald. J.B., [and] Albee, Edward. A Delicate Balance. [1986]. Together 15 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates All but one volume with the embossed personal library stamp of R. Steven Murdoch on title page. Includes stories and volumes that won the Pulitzer Prizes in various categories. Fine. (300/500)

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Page 68 339. (Franklin Library) Signed First Editions - fifteen volumes. Includes: Lurie, Alison. The Truth About Lorin Jones. 1988. * Cooke, Alistair. The Patient Has the Floor. With the embossed personal library stamp of R. Steven Murdoch on title page. 1986. * Vonnegut, Kurt. Bluebeard. 1987. * Dunne, John Gregory. The Red White and Blue: A Novel. 1987. * Ludlum, Robert. The Bourne Supremacy. With the embossed personal library stamp of R. Steven Murdoch on title page. 1986. * Mortimer, John. Summer’s Lease. 1988. * Angelou, Maya. All God’s Children Need Traveling Shoes. With the embossed personal library stamp of R. Steven Murdoch on title page. 1986. * Huffington, Arianna Stassinopoulos. Picasso: Creator and Destroyer. 1988. * Irving, John. A Prayer for Owen Meany. 1989. * Percy, Walker. The Thanatos Syndrome. 1987. * Doctorow, E.L. Billy Bathgate. 1989. * Vidal, Gore. Lincoln: A Novel. With the embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Morris, Wright. A Cloak of Light: Writing My Life. With the embossed personal library stamp of R. Steven Murdoch on title page. Dirt smudge on signed leaf. 1985. * Singer, Isaac Bashevis. The Death of Methuselah. 1988. * Irving, John. The Cider House Rules. 1985. * Toland, John. Gods of War. 1985. Together 16 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, marbled endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Each signed on a preliminary blank leaf by the author. Fine. (400/600)

340. (Franklin Library) Signed First Editions - fourteen volumes. Includes: Updike, John. The Witches of Eastwick. With the embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Buckley, Jr., William F. The Story of Henri Tod. With the embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Theroux, Paul. O-Zone. 1986. * Donleavy, J.P. Leila. 1983. * Roth, Philip. The Counterlife. 1986. * Naipaul, V.S. A Turn in the South. 1989. * James, P.D. Devices and Desires. 1990. * Oates, Joyce Carol. You Must Remember This. 1987. * Rossner, Judith. His Little Women. 1990. * Irving, John. The Cider House Rules. With the embossed personal library stamp of R. Steven Murdoch on title page. 1985. * Kidder, Tracy. Among Schoolchildren. 1989. * Wolfe, Tom. The Bonfire of the Vanities. 1987. * Spillane, Mickey. The Killing Man. 1989. * de Hartog, Jan. The Centurion. 1989. Together 14 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, marbled endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Each signed on a preliminary blank leaf by the author. Fine. (400/600)

341. (Franklin Library) Signed, Limited Editions - eight volumes. Includes: Capote, Truman. Other Voices, Other Rooms. 1979. * Oates, Joyce Carol. Them. 1979. * White, Theodore H. In Search of History: A Personal Adventure. 1980. *Catton, Bruce. A Stillness at Appomattox. 1977. * Arthur Miller’s Collected Plays. 1980. * Vidal, Gore. Burr. 1979. * de Beauvoir, Simone. The Second Sex. 1979. * Sartre, Jean-Paul. Five Plays. 1978. Together 8 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Each volume signed by the author on a special tipped-in sheet at front, with tissue guard. Also includes 1 shelf case, with 24 small wrapper-bound “Notes from the Editors” volumes, for this series of bound works. Fine. (200/300)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 69 342. (Franklin Library) Signed, Limited Editions from the Franklin Library - eight volumes. Includes: Cheever, John. The Wapshot Chronicle. 1978. * Styron, William. Lie Down in Darkness. 1982 * Wouk, Herman. Marjorie Morningstar. 1981. * Wouk, Herman. The Caine Mutiny: A Novel of World War II. 1977. * Fraser, Antonia. Mary Queen of Scots. 1981. * Stegner, Wallace. The Big Rock Candy Mountain. 1978. * Uris, Leon. Exodus. 1977. * McCarthy, Mary. The Group. 1978. Together 8 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Each volume signed by the author on a special tipped-in sheet at front, with tissue guard. Fine. (200/300)

343. (Franklin Library) Signed, Limited Editions from the Franklin Library - eight volumes. Includes: Stone, Irving. Lust for Life. 1981. * Drury, Allen. A God Against the Gods. 1981. * Farrell, James T. Young Lonigan. 1979. * Paton, Alan. Cry, the Beloved Country. 1978. * Vidal, Gore. Julian. 1981. * Warren, Robert Penn. Selected Poems, 1923-1975. 1981. * Baldwin, James. Go Tell It on the Mountain. 1979. * Mailer, Norman. The Naked and the Dead. 1979. y Queen of Scots. 1981. * Stegner, Wallace. The Big Rock Candy Mountain. 1978. * Uris, Leon. Exodus. 1977. * McCarthy, Mary. The Group. 1978. Together 8 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Each volume signed by the author on a special tipped-in sheet at front, with tissue guard. Fine. (200/300)

344. (Franklin Library) The Collected Stories of the World’s Greatest Writers - seventeen volumes. Includes: Greene, Graham. This Gun for Hire, The Confidential Agent, The Ministry of Fear. 1978. * Lardner, Ring. Round Up. 1981. * Hughes, Langston. Laughing to Keep from Crying and 25 Jesse Semple Stories. 1981. * O’Connor, Flannery. The Complete Stories. 1980. * O’Hara, John. Sermons and Soda-Water. 1982. * Caldwell, Erskine. Stories. 1980. * Crane, Stephen. Maggie: A Girl of the Streets and Selected Stories. Embossed personal library stamp of R. Steven Murdoch on title page. 1983. * The Stories of F. Scott Fitzgerald: A Selection with Notes by Malcolm Cowley. 1977. * Huxley, Aldous. Collected Short Stories. 1981. * London, Jack. Tales of the Northland. Embossed personal library stamp of R. Steven Murdoch on title page. 1983. * Turgenev, Ivan. First Love and Other Tales. 1978. * Sartre, Jean-Paul. The Wall and Other Stories. 1981. * Camus, Albert. Exile and the Kingdom. 1980. * Flaubert, Gustave. Three Tales. 1981. * Aesop. Fables. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Chaucer, Geoffrey. Canterbury Tales. 1978. * Colette, Sidonie Gabrielle. Stories. 1977. Together 17 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Fine. (300/500)

345. (Franklin Library) The Collected Stories of the World’s Greatest Writers - seventeen volumes. Includes: Updike, John. Pigeon Feathers, and Other Stories. 1981. * Lawrence, D.H. Four Short Novels. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Malamud, Bernard. The Magic Barrel, Idiots First. 1978. * Carroll, Lewis. Alice’s Adventures in Wonderland and Through the Looking Glass. Embossed personal library stamp of R. Steven Murdoch on title page. 1983. * Jewett, Sarah Orne. The Country of the Pointed First and Four Stories. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * du Maurier, Daphne. Kiss Me Again, Stranger. 1981. * Lewis, Sinclair. Stories. 1981. * de Cervantes, Miguel. Three Exemplary Novels. Embossed personal library stamp of R. Steven Murdoch on title page. 1983. * Wilder, Thornton. The Cabala, The Bridge of San Luis Rey, The Woman of Andros. 1980. * Voltaire, Francois Marie Arouet. Candide and Zadig. 1977. * Melville, Herman. Billy Budd, Sailor, The Piazza Tales. 1978. * Parker, Dorothy. Here Lies Collected Stories. 1980. * de Balzac, Honore. Droll Stories. 1978. * Gogol, Nikolai. Taras Bulba and Other Tales. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. *

Page 70 Pirandello, Luigi. Stories. 1981. * Saki (H.H. Munro). Stories. 1982, * Boll, Heinrich. 18 Stories. 1982. Together 17 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Fine. (300/500)

346. (Franklin Library) The Collected Stories of the World’s Greatest Writers - seventeen volumes. Includes: Conrad, Joseph. Heart of Darkness and Other Tales. 1982. * Borges, Jorge Luis. Ficciones. Embossed personal library stamp of R. Steven Murdoch on title page. 1985. * Twain, Mark. The Man that Corrupted Hadleyburg and Other Stories. Embossed personal library stamp of R. Steven Murdoch on title page. 1985. * Hesse, Herman. Stories of Five Decades. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Eliot, George. Scenes of Clerical Life. Embossed personal library stamp of R. Steven Murdoch on title page. A few nicks to fore edge’s gilt. 1984. * Tarkington, Booth. Stories. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Ferber, Edna. One Basket. 1982. * Dreiser, Theodore. Best Short Stories. 1980. * Wolfe, Thomas. From Death to Morning. 1979. * Cather, Willa. The Troll Garden, Obscure Destinies. 1981. * Orwell, George. Animal Farm, 1984. 1978. * Verne, Jules. Around the World in Eighty Days, From the Earth to the Moon. Embossed personal library stamp of R. Steven Murdoch on title page. 1985. * Dickens, Charles. Three Christmas Books. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Harris, Joel Chandler. Uncle Remus. 1979. * Hoffmann, E.T.A. Tales. Embossed personal library stamp of R. Steven Murdoch on title page. 1983. * du Maupassant, Guy. Stories. 1977. * Welty, Eudora. Moon Lake and Other Stories. 1980. Together 17 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates One near fine; the rest are fine. (300/500)

347. (Franklin Library) The Collected Stories of the World’s Greatest Writers - sixteen volumes. Includes: Vonnegut, Kurt. Welcome to the Monkey House. 1981. * Stevenson, Robert Louis. New Arabian Nights. 1979. * Wells, H.G. The Time Machine, The Invisible Man, . 1982 * Faulkner, William. These Thirteen. 1979. * Benet, Stephen Vincent. Thirteen O’Clock, Stories of Several Worlds. 1982. * Joyce, James. Dubliners. 1979. * Porter, Katherine Anne. The Collected Stories of Katherine Anne Porter. 1980. * Hardy, Thomas. Wessex Tales. 1982. * McCullers, Carson. Collected Short Stories. 1982. * Chekhov, Anton. Peasants and Other Stories. 1977. * Swift, Jonathan. Gulliver’s Travels. 1977. * Maugham, W. Somerset. 1979. * Nabokov, Vladimir. Nabokov’s Dozen. 1977. * Galsworthy, John. The Apple Tree and Other Tales. 1981. * Anderson, Sherwood. Winesburg, Ohio. 1980. * Singer, Isaac Bashevis. Gimpel the Fool and Other Stories. 1983. Together 17 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Fine. (300/500)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 71 348. (Franklin Library) The Collected Stories of the World’s Greatest Writers - sixteen volumes. Includes: Wharton, Edith. Stories. 1982. * The Brothers Grimm. 100 Fairy Tales. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * James, Henry. Seven Tales. 1983. * Hammett, Dashiell. The Continental Op. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Andersen, Hans Christian. Fairy Tales. 1977. * Marquand, John P. Mr. Moto’s Three Aces. 1980. * Bierce, Ambrose. In the Midst of Life: Tales of Soldiers and Civilians. 1979. * Trollope, Anthony. Tales of All Countries and Other Stories. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Mansfield, Katherine. Short Stories. 1982. * Thomas, Dylan. Collected Stories. 1980. * Dinesen, Isak. Seven Gothic Tales. 1978. * Hemingway, Ernest. The First Forty-Nine Stories. 1977. * Kafka, Franz. The Complete Stories. 1980 * Runyon, Damon. Guys and Dolls. 1979. * Thurber, James. The Thurber Carnival. 1979. * Boccaccio, Giovanni. Stories from the Decameron. 1977. Together 17 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Also includes 4 shelf cases, each with small wrapper bound, “Notes from the Editors” volumes, for this series of bound works. Includes 99 wrapper-bound volumes (missing 1). Fine. (300/500)

349. (Franklin Library) The Collector’s Library of the World’s Best-Loved Books - fifteen volumes. Includes: de Maupassant, Guy. Stories. 1981. * Flaubert, Gustave. . 1979. * Rubaiyat of Omar Khayyam. 1979. * Rawlings, Marjorie Kinnan. The Yearling. 1981. * Stevenson, Robert Louis. Treasure Island. 1978. * Hawthorne, Nathaniel. The Scarlet Letter. Embossed personal library stamp of R. Steven Murdoch on title page. 1985. * The Autobiography of Benjamin Franklin. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Goldsmith, Oliver. The Vicar of Wakefield. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * James, Henry. . Embossed personal library stamp of R. Steven Murdoch on title page. 1983. * Galsworthy, John. The Man of Property. 1983. * Lewis, Sinclair. Main Street. 1979. * Ferber, Edna. Giant. 1979. * Turgenev, Ivan. Fathers and Sons. 1983. * Verne, Jules. Around the World in Eighty Days. 1983. * Stendhal. The Red and the Black. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. Together 15 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Fine. (300/500)

350. (Franklin Library) The Collector’s Library of the World’s Best-Loved Books - fifteen volumes. Includes: Keats, John. Poems of... Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Poe, Edgar Allan. Collected Poems. 1983. * Hawthorne, Nathaniel. The House of the Seven Gables. Embossed personal library stamp of R. Steven Murdoch on title page. 1982. * Twain, Mark. The Adventures of Tom Sawyer. 1978. * Parkman, Francis. The Oregon Trail. 1981. * Stevenson, Robert Louis. The Strange Case of Dr. Jekyll & Mr. Hyde and Related Poems. 1980. * Voltaire, Francois Marie Arouet de. Candide or Optimism. 1980. * Fielding, Henry. The History of Tom Jones A Foundling. 1978. * Mitchell, Margaret. Gone With the Wind. 1978. * Dickens, Charles. Great Expectations. 1977. * Bunyan, John. The Pilgrim’s Progress. 1981. * Tales from the Arabian Nights. 1985. * Shakespeare, William. Six Tragedies. 1982. * Chekhov, Anton. Plays. 1979. * Defoe, Daniel. The Fortunes and Misfortunes of the Famous Moll Flanders. 1983. Together 15 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Fine. (300/500)

Page 72 351. (Franklin Library) The Collector’s Library of the World’s Best-Loved Books - fifteen volumes. Includes: Conrad, Joseph. Lord Jim. 1981. * Shikibu, Murasaki. The Tale of Genji: The Uji Chapters. 1983. * James, Henry. Selected Tales. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Eliot, George. Silas Marner. 1982. * Maugham, W. Somerset. Tales from the East and the West. 1979. * Conrad, Joseph. Eight Tales. Embossed personal library stamp of R. Steven Murdoch on title page. 1985. * Bronte, Charlotte. Jane Eyre. 1980. * Scott, Sir Walter. Ivanhoe. 1978. * Thackeray, William Makepeace. Vanity Fair. 1979. * Chekhov, Anton. Peasants and Other Stories. 1982. * Emerson, Ralph Waldo. Essays: First & Second Series. 1985. * Dreiser, Theodore. Sister Carrie. 1982. * Zola, Emile. Nana. 1982. * Shakespeare, William. Seven Comedies. 1983. * Dostoevsky, Feodor. Crime and Punishment. 1978. Together 15 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Also includes 4 shelf cases, each with small wrapper bound, “Notes from the Editors” volumes, for this series of bound works. Includes 100 wrapper-bound volumes (25 in each shelf case). Near fine or fine. (300/500)

352. (Franklin Library) The Collector’s Library of the World’s Best-Loved Books - sixteen volumes. Includes: Twain, Mark. The Adventures of Huckleberry Finn. 1978. * Blackmore, R.D. Lorna Doone: A Romance of Exmoor. Embossed personal library stamp of R. Steven Murdoch on title page. 1985. * Collins, Wilkie. The Moonstone: A Romance. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Bronte, Emily. Wuthering Heights. 1978. * Buck, Pearl S. The Good Earth. 1977. * The Best of Saki. Selected and with an introduction by Graham Greene. Embossed personal library stamp of R. Steven Murdoch on title page. 1985. * O’Neill, Eugene. Four Plays. 1980. * London, Jack. The Sea Wolf. 1980. * Shakespeare, William. The Poems of... Embossed personal library stamp of R. Steven Murdoch on title page. 1986. * Carroll, Lewis. Alice’s Adventures in Wonderland. 1981. * Thoreau, Henry David. Walden, or Life in the Woods. Embossed personal library stamp of R. Steven Murdoch on title page. 1983. * Kipling, Rudyard. Captains Courageous. 1978. * Aesop’s Fables. 1982. * Defoe, Daniel. The Adventures of Robinson Crusoe. Embossed personal library stamp of R. Steven Murdoch on title page. 1984. * Trollope, Anthony Barchester Towers. 1983. * Hope, Anthony. The Prisoner of Zenda. 1984. Together 16 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates Fine. (300/500)

353. (Franklin Library) The Collector’s Library of the World’s Best-Loved Books - sixteen volumes. Includes: Baum, L. Frank. The Wizard of Oz. 1979. * Hilton, James. Lost Horizon. 1981. * Irving, Washington. The Sketch Book of Geoffrey Crayon, Gent. Embossed personal library stamp of R. Steven Murdoch on title page. 1985. * Steinbeck, John. The Grapes of Wrath. 1980. * The Brothers Grimm. Snow- White and Other Tales. 1985. * Poe, Edgar Allan. The Masque of the Red Death & Other Tales. 1981. * Ibsen, Henrik. Four Plays. 1981. * Dickens, Charles. A Christmas Carol, The Chimes, The Cricket on the Hearth. 1980. * Alcott, Louisa May. Little Women. 1980. * Stone, Irving. Lust for Life. 1980. * Thurber, James. The Thurber Carnival. 1980. * Faulkner, William. Light in August. 1979. * Twain, Mark. Life on the Mississippi. 1982. * Andersen, Hans Christian. Fairy Tales. 1982. * Hardy, Thomas. The Return of the Native. 1980. * de Balzac, Honore. Pere Goriot. 1982. Together 16 volumes, each bound in various colors of gilt-decorated leather, with all edges gilt, silk moire endpapers, and attached bookmark. Franklin Center, PA: Franklin Library, Various dates A few very slight rubs here and there to the extremities of only a few volumes; else fine. (300/500)

Page 73 354. (Franklin Library) The Oxford Reference Classics of the English Language - Anniversary Edition, 8 volumes. The titles issued in the complete, 8 volume set include: The Compact Edition of the Oxford English Dictionary. 2 volumes. * Harvey, Sir Paul, editor. The Oxford Companion to English Literature. * Hart, James D. The Oxford Companion to American Literature. * The Oxford Dictionary of Quotations. * Ellmann, Richard, editor. The New Oxford Book of American Verse. * Fowler, H.W. A Dictionary of Modern English Usage. * Gardner, Helen. The New Oxford Book of English Verse, 1250-1950. Together 7 titles in 8 volumes. All uniformly bound in very dark navy blue leather, all edges gilt. [Franklin Center, PA]: Franklin Library, [1978] No. 4639 of 7500 sets published for the 500th anniversary of the Oxford Press. Near fine. (200/300)

355. Gandhi, M.K. Non-Violence in Peace & War. 2 volumes. Cloth-backed boards, dust jackets. Third Printing of Volume 1, First Printing of Volume 2. Ahmedabad: Navajivan Publishing House, [1948-49] Some light wear and fading to jackets; near fine. (200/300)

356. Goethe. The Works of Johann Wolfgang von Goethe - Gottingen Edition in ten volumes. 10 volumes. (8vo) half green morocco and boards, top edges gilt. Gottingen Edition. Philadelphia and Chicago: J.H. Moore and Company, [1901] No. 902 of 1000 copies. Spines sunned, moderately to heavily rubbed extremities, with some tearing at edges of morocco; some hinges cracked; each volume with a name in ink on verso of front free endpaper; else very good. (200/300)

357. (Grabhorn Press) Dana, Richard Henry. Two Years Before the Mast: A Personal Narrative of Life at Sea. Introduction by James D. Hart. Illustrated with 14 plates reproducing original lithographs, paintings, etc. Original suede backed linen, dust jacket. One of 1000 copies by Edwin & Robert Grabhorn. New York: Random House, 1936 With a bookplate on front pastedown. GB 257. Jacket chipped along edges, mostly mild, except at spine ends, 1½” chip at spine head, small chip out of front flap fold, some browning; a touch of shelf wear to volume; near fine volume in very good jacket. (150/250)

COMPLETE SET OF JAY’S JOURNAL OF ANOMALIES 358. Jay, Ricky. Jay’s Journal of Anomalies. 16 issues, the full run of this publication, issued from 1994 to 2000. Profusely illustrated with woodcut illustrations and tipped-in color reproductions of art, etc. 28.5x21.7 cm. (11¼x8½”), all issues house in a custom maroon cloth drop-back box with paper spine label. Los Angeles, CA: Ricky Jay / W & V Dailey, 1994-2000 Included within is a subscription renewal sheet from W. & V. Dailey Rare Books, for Volume IV. Also laid in is an autograph note signed from Ricky Jay to the recipient, dated 1998. A few faint dust marks to slipcase; the issues are fine. (1200/1800)

Lot 358 Page 74 359.  Johnston-Lavis, . Bibliography of the Geology and Eruptive Phenomena of the More Important Volcanoes of Southern Italy. xxiv, 374, [1] pp. Two photogravure portraits. (Large 8vo) original linen-backed green cloth, spine lettered in gilt. Second Edition. London: University of London Press, 1918 Revised edition, completed after the author’s death by Miss B.M. Stanton. With a life of the author by B.B. Woodward. Some light wear; near fine. (300/500)

360. (Judaica) Cohen, Rabbi S.I. Elements of Jewish Faith. 48 pp. (8vo) period wrappers. Custom cloth box. Second American Edition. Philadelphia: W. Fry, Printer, A.M. 5583 [1823] Second American Edition of possibly the first English translation of Cohen’s Shoreshe Emunah. Preceded by an 1817 edition published in Richmond Wrappers chipped and detached, some edge wear; very good. (300/500)

361. Junius [pseudonym attributed to of Sir Philip Francis]. Junius. Stat Nominis Umbra. 2 volumes. [vi], xl, 274; 309 pp. Engraved title page (dated 1797) in each volume and 21 aquatint portraits. (8vo) period full tree-grain calf, spines gilt. London: T. Bensley, 1799 The pseudonymous letters of “Junius” illustrated with portraits of distinguished persons of the period. Attributed to of Sir Philip Francis Some light wear and scuffing to leather; foxing; very good. (200/300)

EARLY EDITION OF KANT ON PURE REASON 362. Kant, Immanuel. Critik der Reinen Vernunst. xliv, 884 pp. (8vo) period half calf and boards. Third Revised Edition. Frankfurt und Leipzig: 1791 First published in1781. Kant’s philosophical masterpiece, and certainly among the most significant works of philosophy published in modern times. “Kant’s great achievement was to conclude finally the line on which philosophical speculation had proceeded in the eighteenth century, and to open up a new and more comprehensive system of dealing with the problems of philosophy’” (PMM, p. 137). Spine ends chips, rubbed; some foxing; very good. (700/1000)

363. Keeler, Charles. The Simple Home. vii, 55 pp. 10 illustrations from photographs. (8vo) 7x5, original tan cloth, paper label. First Edition. San Francisco: Paul Elder & Company, [1904] Typography by John Henry Nash, printed at the Tomoye Press. Scarce volume on the California architecture of Bernard Maybeck. Light wear and soiling to cloth, pencil notes on rear endpaper; very good. (400/600)

364. Kennedy, John F. Why England Slept. (8vo) red cloth. First Edition. New York: Willard Funk, 1940 Kennedy’s first published work. Spine sunned, light soiling; very good. (200/300)

Page 75 365. Kirby, Thomas E. Illustrated Catalogue of the Art and Literary Property Collected by the Late Henry G. Marquand. Unpaginated. Inserted plates on Japan Vellum. (4to) 35.5x28 c. (14x11”), original parchment wrapped boards. One of 250 copies. [New York]: American Art Association, 1903 Fabulously produced catalog from the auction sale of the art, antiques and book collections of Henry G. Marquand. Some wear to wrappers, spine pulled, a few clippings pasted to front endpapers; very good. (200/300)

366. Kloss, Jethro. Back to Eden. [x], 667, [25] pp. (8vo) green cloth. First Edition. No place: [Jethro Kloss], [1939] Early guide to healthy living through herbs and natural foods, still in print today. Some wear to cloth; very good. (100/150)

A FEW LOTS OF LIMITED EDITIONS CLUB BOOKS 367. (Limited Editions Club) Burton, Richard F., translator. The Book of the Thousand Nights and a Night. A Plain and Literal Translation of the Arabian Nights Entertainments. 6 volumes. Illustrated by Valenti Angelo. 9¼x5¼, calf-backed illustrated boards, spines decorated in blind, three slipcases as issued. No. 89 of 1500 copies designed by George Macy and printed by the Printing House of William Edwin Rudge. New York: Limited Editions Club, 1934 Signed by Angelo in the colophon. Slipcases each split along one or more corners, spine ends worn; very good. (200/300)

368. (Limited Editions Club) Hudson, William Henry. Far Away and Long Ago: A History of My Early Life. Introduction by R.B. Cunningham Graham. Illustrated with lithograph plates by Raúl Rosarivo. 10½x8, bound in full calf, the lower half with the hair still on it, stitched with rawhide thongs, endleaves of split calfskin. From an edition of 1500 copies printed by Guillermo Kraft. Buenos Aires: Limited Editions Club, 1943 This copy out of series and not numbered or signed. Original jacket and two-part box not present. Some light wear; near fine. (100/150)

369. (Limited Editions Club) Lewis, Meriwether and William Clark. The Journals of the Expedition under the Command of Capts. Lewis and Clark... 2 volumes. Edited by Nicholas Biddle. Introduction by John Bakeless. Illustrated by contemporary artists, including color plates (many are of prominent Native Americans) by Carl Bodmer and many folding maps. (4to), facsimile map patterned cloth, gilt- lettered morocco spine labels, slipcase. No. 1146 of 1500 copies printed by the Connecticut Printers. New York: Limited Editions Club, 1962 A touch of shelf wear to slipcase; small yellow spot at bottom of volumes’ spines; each with bookplate on front pastedown; near fine. (250/350)

370. (Limited Editions Club) London, Jack. The Call of the Wild. Introduction by Pierre Berton. Illustrations by Henry Varnum Poor. 10½x8½, thick tartan cloth, leather spine label; matching slipcase. No. 253 of 1500 copies, signed by the artist. Los Angeles: Limited Editions Club, 1960 Printed for the club by Ward Ritchie. Fine. (100/150)

Page 76 371. (Limited Editions Club) Bibliography of the Fine Books Published by the Limited Editions Club, 1929- 1985 - plus a few other volumes. Leather-backed boards, slipcase. One of 800 copies. New York: Limited Editions Club, 1985 The lot also includes: Quarto-Millenary: The First 250 Publications and the First 25 Years 1929-1954 of the Limited Editions Club. One of 2250 copies. Leather-backed cloth, slipcase. LEC, 1959. * Great and Good Books: A Bibliographic Catalogue of The Limited Editions Club, 1929-1985. Cloth, slipcase. With errata slip. One of 500 copies, signed by Mortimer J. Adler. Ralph Geoffrey Newman, 1989. * The Dolphin Number Two: A Journal of the Making of Books. Cloth. One of 2000 copies. LEC, 1935. * The Dolphin: A Periodical for All People Who Find Pleasure in Fine Books, Number 4, Parts 1-3. 3 volumes, all in matching cloth. Some cracking at hinges and gutters between signatures. LEC, 1940-1941. Together 7 volumes. Some light shelf wear to all slipcases; light shelf wear to volumes; very good to near fine. (300/500)

372. (Limited Editions Club) Eighteen titles from the Limited Editions Club. Includes: Frazer, Sir James George. The Golden Bough: A Study in Magic and Religion. 2 volumes. Cloth, slipcase. One of 1500 copies. 1970. * Thoreau, Henry David. A Week on the Concord and Merrimack Rivers. Half cloth and boards, slipcase. One of 200 copies. 1975. * The Chronicles of England, France, Spain and other Places Adjoining. Cloth, slipcase. One of 1500 copies. 1959. * The Confessions of Jean-Jacques Rousseau. Leather-backed boards, slipcase. One of 1500 copies. 1955. * Carlyle, Thomas. The French Revolution. Leatherette-backed cloth, slipcase. One of 1500 copies. 1956. * Fernandez, Gonzalo. The Conquest and Settlement of the Island of Boriquen or Puerto Rico. Vellum-backed cloth, slipcase. One of 2000 copies. 1975. * Washington, Booker T. Up From Slavery. Cloth, slipcase. One of 1500 copies. 1970. * The Spectator: Essays by Joseph Addison, Richard Steele and Others. Cloth, slipcase. One of 1500 copies. 1970. * Defoe, Daniel. A Journal of the Plague Year. Linen, slipcase. One of 1500 copies. 1968. * Sassoon, Siegfried. Memoirs of an Infantry Officer. Cloth, glassine dj, slipcase. One of 2000 copies. 1981. * Hugo, Victor. The Battle of Waterloo. Cloth-backed boards, glassine dj, slipcase. One of 1600 copies. 1977. * Weems, Rev’d Mason L. The Life of Washington. Cloth, glassine dj, slipcase. One of 2000 copies. 1974. * Darwin, Charles. On the Origin of Species. Leather- backed wood, slipcase. One of 1500 copies, this not signed by the illustrator. 1963. * The Federalist or The New Constitution. 2 volumes. Cloth-backed boards. One of 1500 copies. 1945. * Paine, Thomas. Rights of Man. Cloth, slipcase. One of 1500 copies. 1961. * The Explorations of Captain James Cook in the Pacific... Leather-backed boards, slipcase. One of 1500 copies. 1957. * Brooks, Van Wyck. The Flowering of New England. Cloth, slipcase. One of 1500 copies. 1941. * Burke, Edmund. On Conciliation with the Colonies. Linen, slipcase. One of 2000 copies. 1975. Together 18 titles in 20 volumes. New York: Limited Editions Club, Various dates All but one signed by their illustrator at limitation. A collection of mostly non-fiction works. Very good to near fine. (600/900)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 77 373. (Limited Editions Club) Twelve titles from the Limited Editions Club. Includes: Fielding, Henry. The History of Tom Jones a Foundling. 2 volumes. Rebound in full morocco, all edges gilt, slipcases, by Sangorski and Sutcliffe. One of 1500 copies, signed by the artist. 1952. * Rhodius, Apollonius. Argonautica. Jason and the Golden Fleece. Cloth, slipcase. Prospectus laid in. One of 1500 copies, signed by the illustrator. 1957. * Aeschylus. The Oresteia. Leather-backed boards, slipcase. One of 1500 copies, signed by the illustrator. 1961. * de Quincey, Thomas. Confessions of an English Opium-Eater. Cloth-backed boards, slipcase. One of 1500 copies, signed by the artist. Printed at the Shakespeare Head Press, 1930. * The Adventures of Simplicissimus. Cloth, glassine dj, slipcase. One of 2000 copies, signed by the artist. 1981. * Horace. Odes and Epodes. With, Pages From Earlier Editions of Horace. 2 volumes in 1 slipcase. One of 1500 copies. [1961]. * Sophocles. Oedipus the King. Cloth, slipcase. One of 1500 copies, signed by the artist. 1955. * The Chronicle of the Cid. Cloth, slipcase. One of 1500 copies, signed by the artist. 1958. * Twain, Mark. Roughing It. Cloth-backed boards, glassine dj, slipcase. One of 1500 copies, signed by the illustrator. 1972. * The Confessions of St Augustine. Leather-backed cloth, slipcase. One of 1500 copies, signed by the artist. 1962. * Melville, Herman. Omoo. Boards, slipcase (foxed). One of 1500 copies, signed by the illustrator. 1961. * Prescott, William Hickling. History of the Reign of Ferdinand and Isabella. Leather, slipcase. One of 1500 copies, signed by illustrator. 1967. Together 12 titles in 14 volumes. New York: Limited Editions Club, Various dates Many with monthly newsletters, etc. from the LEC laid in. Mild shelf wear to slipcases and volumes; very good or better. (500/800)

374. [Mills, John] A Man of Fashion. D’Horsay; Or, The Follies of the Day. [iv], 174 pp. Frontispiece, engraved title page and 10 engraved plates. (8vo) period mottled calf, later rebacking with original spine laid down, spine gilt, top edge gilt, original cloth spine bound in at rear. First Edition in Book Form. London: William Strange, 1844 Mills’ famed satire on Count D’Orsay and his circle. Sadleir 1736a Some wear to binding; light foxing; very good. (200/300)

375. (Missal) Oficio de la Semana Santa Segun el Missal y Breviario Romanos. 478 pp. Engraved title page vignette and 5 additional engraved vignettes throughout. (16mo) 11x6 cm. (4¼x2½”) period full black calf bordered in gilt, brass clossures, all edges gilt and gauffered. Amberes: Archiemprenta Plantiniana, 1745 Some light wear; presumably lacking one or more leaves at rear (text ends abruptly at page 478 with catch-word for following page at bottom); some foxing; very good. (200/300)

376. Moses, Robert. Public Works: A Dangerous Trade. (8vo) original blue leatherette stamped in gilt, top edge gilt, clear acetate jacket. First Edition. New York: McGraw-Hill Book Company, [1970] Inscribed by Moses on the dedication leaf. A touch of edge wear; near fine. (200/300)

377. (Nash, John Henry) Harlan, Robert D. Chapter Nine: The Vulgate Bible & Other Unfinished Projects of John Henry Nash. 77 pp. With several facsimiles bound in, including folding facsimile tipped in on the rear pastedown. 6¾x4½, cream boards, original glassine dust jacket. One of 500 copies for the Members of the Book Club of California, designed by Abe Lerner. San Francisco: Book Club of California, 1982 Inscribed by the author in the year of publication on front free endpaper. An autographed letter signed from the author written to Don Fleming, is laid in. BCC Publication No. 170. Light creasing to jacket edges; else fine. (100/150)

Page 78 378. Nicholson, Peter. The Student’s Instructor in Drawing and Working the Five Orders of Architecture. (iii)-viii, 39. +[2] ad pp. 41 engraved plates. (8vo) later half calf and marbled boards. Third Edition, augmented and improved. London: J. Taylor, 1810 A popular early 19th century architectural text, first published 1795. Light wear to edges; some light foxing; very good. (250/350)

PENNYROYAL PRESS EDITION OF ANNE FRANK’S DIARY 379. (Pennyroyal Press) Frank, Anne. Diary of a Young Girl: Het Achterhuis. 2 volumes. 10 color etchings by Joseph Goldyne plus an additional suite of plates. (Small folio) text volume in full gray morocco, portfolio in matching morocco-backed cloth, slipcase. One of 350 copies. [West Hatfield, Massachusetts]: Pennyroyal Press with Jewish Heritage Publishing, 1985 Plates signed by the illustrator. Additionally signed at the colophon by Goldyne and Barry Moser who designed this edition. Spines sunned, a touch of wear; near fine. (2500/3000)

380. Popper, Frank. Agam. (Thick 4to) black cloth, dust jacket. Second Edition, Revised. New York: Harry N. Abrams, [1983] Retrospective of the artist Yaacov Agam, signed by Agam across the front endpapers. Light wear to jacket; near fine. (150/250)

381.  Saintsbury, George. Notes on a Cellar-Book. (Large 8vo) original cloth-backed boards. One of 500 copies. First Edition. London: Macmillan and Co., 1921 Signed by the author at limitation statement. Light edge wear, small loss of paper to surface of front boards; very good. Lot 379 (200/300)

LOVELY CASED BRASS SCALE 382. (Scale) Wood & brass scale in glass housing, with 5 weights. 41 cm. high by 51 cm. wide by 32 cm. deep including base (16¼x20x12½”). London & Birmingham: W. & J. George & Becker Ltd., c.1950 Attractive scale from the notable manufacturers of scientific instruments. Overall in fine condition. (400/600)

383. Shipway, William. The Campanalogia; Or, Universal Instructor in the Art of Ringing...Part I [II, III]. 3 parts in 1 volume. viii, (xi)-xxxviii, 109, [1]; viii, 202; [iv], 166 pp. (12mo) later black cloth, spine lettered in gilt. First Edition. London: For the Author, 1813-1816 Scarce work on the art of bell ringing. Some wear to binding; lacking pages ix/x in first part (possibly a blank, text appears complete); foxing throughout; good. (300/500)

Page 79 384. Sinclair, George. Hortus Gramineus Woburnensis: Or, An Account of the Results of Experiments on the Produce and Nutritive Qualities of Different Grasses and Other Plants. (iii)-xx, 438 pp. 60 hand-colored plates. (8vo) later black half morocco, spine lettered in gilt. Third Edition. London: James Ridgway, 1826 Sinclair was the superintendant of the gardens of John Russell, sixth Duke of Bedford at Woburn Abbey for 16 years. The present work details horticultural experiments conducted by him. Front cover badly dampstained; faint dampstain to approximately 100 pages at front including a few plates, some light foxing; good. (250/350)

385. Sirén, Osvald. Gardens of China. Illustrations from photographs, old prints, etc. (4to) green cloth, slipcase. First Edition. New York: Ronald Press, [1949] An important scholarly history of gardening in China. Some wear to slipcase; spine sunned; near fine. (200/300)

386. Socrates. The Memorable Things of Socrates. In Four Books. Translated from the Greek of Xenophon. xv, 16-291, [1] ad pp. 16x9.8 cm. (6¼x4”), period full calf. A New Edition, corrected and improved. Glasgow: Printed for Robert Urie, 1757 Also on title page, “To which is prefixed, Observations on the Life, Character, and Doctrine of Socrates.” Front cover detached, moderate to heavy chipping at edges, mostly at spine ends; period name in ink on title page, some yellowing to edges of pages; internally very good. (200/300)

387. St. Evremond, [Charles de Saint Denis Seigneur de]. The Works of Monsieur de St. Evremond. 3 volumes. Engraved portrait frontispiece in each volume. (8vo) period paneled calf boards with later rebacking, red morocco labels. Second Edition. London: J. and J. Knapton, et al, 1728 Translated and with a life of the author by Mr. Des Maizeaux. Some wear to bindings; signature detached at center of Volume 1; good. (100/150)

THE FIRST GENERAL STUD BOOK 388. (Stud Book) The General Stud-Book, Containing Pedigrees of Race Horses, &c. &c. From the Earliest Accounts to the Year 1807, Inclusive. [2], l, [8], 516 pp. (8vo) period calf boards with modern rebacking, endpaper replaced. First Edition. London: James Weatherby, 1808 Generally considered to be the first issue of the General Stud-Books and quite rare as such. OCLC WorldCat locates only four copies, Copac lists an additional 4 copies. Some foxing, a few ink notes in an early hand; very good. (1000/1500)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 80 389. Swammerdam, John. Historia Insectorum Generalis. [xx], 212, [15] pp. Folding table; 13 copper- engraved plates (8 folding) at rear. (4to) 19.7x15 cm. (7½x5¾”), later heavy paper wrappers, stitched. Lugduni Batavorum [Leiden]: Johann van Abkoude, 1733 Jan Swammerdam (1637–1680) was a Dutch biologist and microscopist. His work on insects demonstrated that the various phases during the life of an insect—egg, larva, pupa, and adult— are different forms of the same animal. He was one of the first people to use the microscope in dissections. Some staining to binding; a few plates loosely attached; foxing; very good. (700/1000)

Lot 389

390. Tacitus, Cornelius. The Annales of Cornelius Tacitus. [vi], 271, [1], [6], 12, 227 pp. (4to) 29x19 cm. (11½x7½”) period calf with later rebacking. London: Printed by J.L. for Richard Whitaker, 1640 Second section, “The End of Nero and Beginning of Galba” with separate title page and pagination. Armorial bookplate of Edward Arthur Lee. STC 23648. Boards scuffed and edge worn, large chip from spine, hinges repaired with old cloth tape; internally very good. (400/600)

391. Thomas Aquinas, Saint. Diui Thomae Aquinatis, ordinis praedicatorum, viri & vitae sanctimonia, ae sacrarum literarum peritia praeclari, in omnes beatu Pauli Apostoli commentaria adnotationibus illustrata, quibus ante nunqua labore F. Jacobi Alberti Castern. [14], 292 [i.e. 294 (leaf numbers 99 & 100 repeated)] ff. Title page in red and black; device of Poncet le Preux on title. Numerous errors in foliation; folio 286 bound following folio 292. (Folio in 8s) 33.6x21.5 cm. (13¼x8½”), modern full black leather, red leather spine labels, pastedown endpapers from an early unidentified manuscript. Paris: Poncet le Preux, 1541 No copies found on OCLC WorldCat. Copac locates 3 copies of the same date but with the imprints of either Jehan Petit or A. Girault, no copies located with the Poncet le Preux imprint. Scarce. Worming throughout, mostly in the inner margin but also affecting some text, some evidence of smoke damage; good. (700/1000)

Page 81 392. Walton, Izaak and Charles Cotton. The Complete Angler, or the Contemplative Man’s Recreation. 2 volumes in 1. Edited by Geo. W. Bethune. (8vo) 9½x6¼, modern morocco-backed boards, spine gilt, top edge gilt. New Edition, with additions and corrections from the Editor’s own copy. New York: John Wiley & Sons, 1880 The first Bethune edition appeared in 1847. Pages a bit browned at edges; very good in a fine modern binding. (100/150)

393. (World War I) La Guerre: Documents de la Section Photographique de l’Armee. 2 volumes. Profusely illustrated with photographs. (Oblong folio) 27.5x34.5 cm. (10¾x13½”) original blue cloth stamped in gilt and white. First Edition. Paris: Armand Colin, 1916 Graphic photographs of France’s involvement in World War I. Some light wear; very good. (150/250)

YOLLA BOLLY JOHN FOWLES 394. (Yolla Bolly Press) Fowles, John. The Tree [&] The Nature of Nature. [xii], 99, [1] pp. 8 woodcut prints by Aaron Johnson. (4to) 10x8½, patterned gray cloth, slipcase. Copy 20 of 140 numbered copies from a total edition of 185 copies. Covelo, CA: Yolla Bolly Press, 1995 Signed at the colophon by the author and illustrator. Fine (500/800)

Page 82 CONDITIONS OF SALE The property listed in this catalogue will be sold by PBA Galleries, Inc. (hereinafter Galleries) as agent for others upon the following terms and conditions as may be amended by notice or oral announcement at the sale:

1. All bids are to be per lot as numbered in the catalogue.

2. As used herein the term “bid price” means the price at which a lot is knocked down to the purchaser and the term “purchase price” means the aggregate of (a) the bid price (b) a premium of twenty percent (20%) of the bid price payable by the purchaser, and (c) unless the purchaser is exempt by law from the payment thereof, any California state or local sales tax except where sold to a purchaser outside of California and shipped to the purchaser.The Galleries have been authorized by the consignor to retain, as part of remuneration, the 20% premium payable by the purchaser.

3. Property auctioned by the Galleries is often of some age.Prospective bidders should personally inspect such property to determine its condition and whether it has been repaired or restored.Any information provided by the Galleries or its employees is for the convenience of bidders only and should not be relied upon. ALL PROPERTY IS SOLD “AS IS” AND NEITHER THE GALLERIES NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS.IN NO EVENT SHALL THE GALLERIES OR THE CONSIGNOR BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE.NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.HOWEVER, notwithstanding this condition and subject to the further provisions of this paragraph as set forth below, property may be returned by the purchaser, the sale rescinded and the purchase price refunded under the following conditions: (1) printed books which prove upon collation to be defective in text or illustration (provided such defects are not indicated within the catalogue or at the sale), and (2) autographs which prove not to be genuine (if this can be demonstrated and if not indicated in the catalogue or at the sale).Printed books are not returnable for defects not affecting text and illustration, including, but not limited to, lack of half-titles, lists of plates, binder’s instructions, errata, blanks, or advertisements.No returns will be accepted unless written notice, by registered mail or receipted courier, is received by the Galleries within fourteen (14) days of the sale of the property and the property is returned in the same condition as it was at the time of sale.NO LOT IS RETURNABLE ON ACCOUNT OF PROPERTY INCLUDED BUT NOT SPECIFICALLY NAMED AND DESCRIBED IN SUCH LOT.LOTS CONTAINING THREE OR MORE TITLES, WHETHER NAMED OR UNNAMED, AND SELLING FOR ONE HUNDRED FIFTY ($150) OR LESS, EXCLUSIVE OF BUYER’S PREMIUM, ARE SOLD NOT SUBJECT TO RETURN FOR ANY REASON.

4.Photographs, prints and other fine art multiples are sold in compliance with California law, and the Galleries’ catalogue descriptions of such multiples conform to the applicable provisions of that law.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, recision of the sale and refund of the purchase price; and, without limitation, no purchaser shall be entitled to damages of any kind.

Page 83 6. If we are prevented by fire, theft or any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid by the purchaser.

7. Books and other property purchased are to be removed at the close of each Sale unless shipping instructions are received by the Galleries before such sale.If not removed, property will be held at the sole risk of the purchaser and no responsibility is assumed if such goods are lost, stolen, damaged, or destroyed.The Galleries will facilitate shipment of property to out-of-town purchasers at an additional packing charge plus carriage and insurance, but will not be responsible for any loss or damage resulting from the shipping thereof in excess of the amount of the insurance.

8. Payment terms:All items are to be paid for by (a) cash, (b) cashier’s check, (c)credit card, or (d) personal check with approved credit, and all accounts are due when bills are rendered. MERCHANDISE WILL BE SHIPPED AFTER PAYMENT HAS BEEN RECEIVED.

9. We reserve the right to reject a bid from any bidder.The highest bidder acknowledged by the auctioneer shall be the purchaser.In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in every respect.

10. Unless the Sale is advertised as a sale without reserve, each lot is offered subject to a reserve. MOST LOTS OFFERED BY THE GALLERIES HAVE A MINIMUM RESERVE OF ONE- HALF THE PRESALE LOW ESTIMATE .The Galleries do not accept reserves of more than the low estimate nor allow consignors to bid on their own items.

11. To prevent inaccuracy in delivery or inconvenience in the settlement of a purchase, no lot can be transferred.Each buyer must pay for the whole of his purchases before any lot can be removed.

12. As a service to clients unable to attend the Sale, we will accept absentee bids without charge in advance of the sale by telephone, mail, fax, email or in person.All bids must state the highest bid price the bidder is willing to pay.“Buy” bids are not accepted.Please check bid sheets carefully to make sure you have the correct lot numbers and that the sheet is legible.The Galleries reserve the right to refuse to undertake absentee bids, and shall in no event be responsible for failure to execute such bids or for any error that may occur when executing them.Unsuccessful absentee bids will not be acknowledged.

ALL SALES HELD BY PBA GALLERIES ARE CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE PENAL CODE OF THE STATE OF CALIFORNIA CONSIGNING BOOKS TO PBA GALLERIES The first step in consigning to PBA is to contact the Galleries, either by phone, fax, email or letter. It can then be determined whether the item or items under consideration would do well at auction. Following this, arrangements can be made for the delivery of the material to PBA. In the case of large consignments or libraries, a member of the staff may be able to view the books on location, and make arrangements for its transportation to PBA Galleries. Because of the costs involved, PBA discourages consignments with a total value of less than $1500. The frequency of auctions, and variety of subject matter, allows PBA Galleries to ensure quick turn-around time for items consigned. Books can appear at auction as quickly as 30 days and generally not more than 90 days following consignment. Commissions vary between 10% and 15%, depending on the selling price of an item.These commissions encompass all related costs including insurance, storage, cataloguing, illustrations, etc., except shipping. Payment is sent within 20 banking days of an auction.

Page 84 Page 85 Page 86 BId Sheet 133 Kearny Street, 4th Floor Sale #:______San Francisco, CA 94108 Sale Date:______Phone: (415) 989-2665 Fax: (415) 989-1664 www.pbagalleries.com

Name:______Bidder#:______Cust Id#______Company:______Shipping address (if different from mailing address) Address:______Address:______City:______State:______Zip:______City:______State:______Zip:_____

Is either a new address? Yes No

Day Phone:______Home Phone:______Cell:______

Email:______Fax:______

Are you a dealer purchasing for resale? Yes No (if yes) I hereby certify that all tangible personal property purchased by me will be for resale and is not subject to California Sales Tax, and that I hold Sellers Permit #______

1. PBA Galleries is hereby authorized to bid on the following lots up to the price stated. 2. All bids shall be treated as offers made subject to the Conditions of Sale. 3. These bids will not be executed unless this form is signed. 4. A 20% Buyer’s Premium will be charged on all lots sold.

PLEASE EXECUTE THESE BIDS ON MY BEHALF. ______SIGNATURE

CHECK HERE TO INCREASE BIDS BY ONE INCREMENT IN CASE OF TIE______

Please charge my credit card for my purchase: Visa Mastercard Discover Credit Card #:______Exp. Date:______Signature______Please use this card for all future purchases

LOT NUMBER LOT NUMBER LOT NUMBER In numerical order BID AMOUNT In numerical order BID AMOUNT In numerical order BID AMOUNT

Bid Increments $00 to $200...... $10 $2000 to $5000...... $250 $200 to $500...... $25 $5000 to $10,000. . . . . $500 $500 to $1000...... $50 $10,000 to $20,000. . . $1000 $1000 to $2000. . . . $100 $20,000 to $50,000. . . $2500 Note: Bids not matching the above increments will be rounded down to the nearest increment.

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