DOCSLIB.ORG

Sendung, Sendedatum

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sendung, Sendedatum WDR 3 Jazz & World, 31. Dezember 2019 Silvesterjazz mit Götz Alsmann 13:04-15:00 Stand: 02.12.2019 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Götz Alsmann Redaktion: Werner Wittersheim 22:04-24:00 Laufplan 1. Walkin’ K/T: Carpenter 4:25 HARRY JAMES MGM 3778; LC: 00383 LP: Harry James & His New Swingin’ Band 2. It Had To Be You K/T: Isham Jones/ Gus Kahn 2:30 FRANK ROSOLINO Reprise 6016; LC: 00322 LP: Turn Me Loose! 3. In A Persian Market K/T: Albert W. Ketelby 3:13 TONY MARTELL Philips 600-021; LC: 00305 LP: Tony Martell & His New Orchestra Play For You 4. Que’est Que Ce K/T: Joe Carroll/ Bill Graham 2:39 JOE CARROLL Epic 3272; LC: 00199 LP: Joe Carroll 5. Mr. Pogo K/T: Mike DiNapolio/ Sherm Feller 2:35 ARNETT COBB Atlantic 781666; LC: 00121 LP: Atlantic Honkers 6. Licorice Stick K/T: Marshall Brown 3:33 PEE WEE RUSSELL Impulse 96; LC: 00236 LP: Ask Me Now! 7. Together K/T: DeSylva/ Brown/ Henderson 2:28 JOHNNY NASH ABC-Paramount 334; LC: 00454 LP: Let’s Get Lost 8. Let’s Fly Away K/T: Cole Porter 2:33 JOHNNY NASH wie Titel 7 9. Comin’ Down K/T: Richard Carpenter 4:25 CHET BAKER Verve 538328; LC: 00383 CD: Baby Breeze 10. Swingin’ Down The Lane K/T: Gus Kahn/ Isham Jones 2:11 PERRY COMO Bear Family 16783; LC: 05197 CD: Juke Box Baby Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 31. Dezember 2019 Silvesterjazz mit Götz Alsmann 13:04-15:00 Stand: 02.12.2019 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 11. Stasch K/T: Jerry Valentine 6:00 COLEMAN HAWKINS 22:04Prestige-24:00 0902117; LC: 00313 LP: Stasch 12. O Pato K/T: Jayme Silva/ Neuza Teixeira 4:08 COLEMAN HAWKINS Impulse 28; LC: 00236 LP: Desafinado 13. Rio K/T: Roberto Menescal/ Ronaldo Boscoli 2:23 OS CARIOCAS Mercury 558954; LC: 00268 CD: A Bossa Dos Cariocas 14. Jeepers Creepers K/T: Harry Warren/ Johnny Mercer 2:29 GREIG McRITCHIE Cadet 5058; LC: 00309 LP: Fighting Back 15. Sweet Talk K/T: Cy Coleman/ Floyd Huddleston 2:27 CY COLEMAN Columbia 9378; LC: 00162 LP: If My Friends Could See Me Now 16. I Had The Craziest Dream K/T: Mack Gordon/ Harry Warren 2:39 BOB DOROUGH Bethlehem 11; LC: 00098 LP: Devil May Care 17. Flyin’ Home K/T: Benny Goodman/ Lionel Hampton 6:32 RAY ANTHONY Bear Family 17548; LC: 05197 CD: Rock Around The Rock Pile 18. In The Mood K/T: Joe Garland/ Andy Razaf 3:03 RAY ANTHONY wie Titel 17 19. Chattanooga Choo Choo K/T: Mack Gordon/ Harry Warren 2:25 CARMEN MIRANDA Columbia River 218026 ; LC: 99999 CD: Cocktail Hour 20. Then I’ll Be Happy K/T: Brown/ Clare/ Friend 3:07 TOMMY DORSEY Bluebird 07863 66156; LC: 00316 CD: The Post-War Years 21. My Babe K/T: Willie Dixon 2:19 THE GAYLORDS Jasmine 654; LC: 99999 CD: Tell Me You’re Mine Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 2 WDR 3 Jazz & World, 31. Dezember 2019 Silvesterjazz mit Götz Alsmann 13:04-15:00 Stand: 02.12.2019 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 22. Blues My Naughty K/T: Swanstone/ McCarron/ Morgan 2:03 Sweetie Gives To Me 22:04wie-24 Titel:00 21 THE GAYLORDS 23. Don’t Get Around Much K/T: Ellington/ Russell 2:58 Anymore London 44005; LC: 07654 JOHNNY KEATON LP: Percussive Moods 24. No Moon At All K/T: Dave Mann/ Redd Evans 2:28 MEL TORMÉ Verve 62144; LC: 00383 LP: Swingin’ On The Moon 25. Mambo With Killer Joe K/T: Luis Barreto 2:38 TITO RODRIGUEZ Tumbao 021; LC: 99999 CD: Mambo Gee Gee 26. Alone Together K/T: Arthur Schwartz/ Howard Dietz 2:00 VIC DAMONE Columbia 1368; LC: 00162 LP: This Game Of Love 27. Isle Of Capri K/T: Gross/ Kennedy 2:36 JACKIE LEE Coral 94083; LC: 00171 EP: Dancing The Boogie Woogie 28. Be Mine (Little Baby) K/T: Luis Prima/ Sam Butera 2:34 LOUIS PRIMA Bear Family 17318; LC: 05197 CD: Louis Prima Rocks 29. Trompette D’Occasion K/T: Boris Vian/ Henri Salvador 2:37 HENRI SALVADOR Baraclay583781; LC: 00126 CD: Best Of Henri Salvador 30. Mon Ange Gardien K/T: B. Michel/ Henri Salvador 2:31 HENRI SALVADOR wie Titel 29 31. Night Train K/T: Jimmy Forrest 5:01 RAY ANTHONY wie Titel 17 32. Dickie’s Dream K/T: Count Basie/ Lester Young 5:30 SHORTY ROGERS London LTZ K 15056; LC: 07654 LP: Martians Come Back 33. One Note Samba K/T: A.C. Jobim/ Mendonca 6:02 COLEMAN HAWKINS wie Titel 12 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 3 WDR 3 Jazz & World, 31. Dezember 2019 Silvesterjazz mit Götz Alsmann 13:04-15:00 Stand: 02.12.2019 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 34. Round Midnight K/T: Thelonious Monk 5:55 22:04-24:00 LATIN JAZZ QUINTET Tru-Sound 15003; LC: 99999 LP: Hot Sauce Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 4 .
Load more

Recommended publications
  • The Connection Between Jazz and Drug Abuse: a Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’S, 50’S, and 60’S
    University of Denver Digital Commons @ DU Musicology and Ethnomusicology: Student Scholarship Musicology and Ethnomusicology 11-2019 The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s Aaron Olson University of Denver, [email protected] Follow this and additional works at: https://digitalcommons.du.edu/musicology_student Part of the Musicology Commons Recommended Citation Olson, Aaron, "The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s" (2019). Musicology and Ethnomusicology: Student Scholarship. 52. https://digitalcommons.du.edu/musicology_student/52 This work is licensed under a Creative Commons Attribution 4.0 License. This Bibliography is brought to you for free and open access by the Musicology and Ethnomusicology at Digital Commons @ DU. It has been accepted for inclusion in Musicology and Ethnomusicology: Student Scholarship by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. The Connection Between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s This bibliography is available at Digital Commons @ DU: https://digitalcommons.du.edu/musicology_student/52 The Connection between Jazz and Drug Abuse: A Comparative Look at the Effects of Widespread Narcotics Abuse on Jazz Music in the 40’s, 50’s, and 60’s. An Annotated Bibliography By: Aaron Olson November, 2019 From the 1940s to the 1960s drug abuse in the jazz community was almost at epidemic proportions.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) "Our subcultural shit-music": Dutch jazz, representation, and cultural politics Rusch, L. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Rusch, L. (2016). "Our subcultural shit-music": Dutch jazz, representation, and cultural politics. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 1.&Community,&scenes&and&narratives& In"1978,"journalists"and"musicians"associated"with"the"Stichting"Jazz"in"the"Netherlands" (Foundation"for"Jazz"in"the"Netherlands,"from"here"on:"SJN)"and"the"Jazz/Press"magazine" published"Jazz-&-Geïmproviseerde-Muziek-in-Nederland,"a"“companion"to"the"Dutch"jazz"
    [Show full text]
  • 94 DOWNBEAT JUNE 2019 42Nd ANNUAL
    94 DOWNBEAT JUNE 2019 42nd ANNUAL JUNE 2019 DOWNBEAT 95 JeJenna McLean, from the University of Northern Colorado in Greeley, is the Graduate College Wininner in the Vocal Jazz Soloist category. She is also the recipient of an Outstanding Arrangement honor. 42nd Student Music Awards WELCOME TO THE 42nd ANNUAL DOWNBEAT STUDENT MUSIC AWARDS The UNT Jazz Singers from the University of North Texas in Denton are a winner in the Graduate College division of the Large Vocal Jazz Ensemble category. WELCOME TO THE FUTURE. WE’RE PROUD after year. (The same is true for certain junior to present the results of the 42nd Annual high schools, high schools and after-school DownBeat Student Music Awards (SMAs). In programs.) Such sustained success cannot be this section of the magazine, you will read the attributed to the work of one visionary pro- 102 | JAZZ INSTRUMENTAL SOLOIST names and see the photos of some of the finest gram director or one great teacher. Ongoing young musicians on the planet. success on this scale results from the collec- 108 | LARGE JAZZ ENSEMBLE Some of these youngsters are on the path tive efforts of faculty members who perpetu- to becoming the jazz stars and/or jazz edu- ally nurture a culture of excellence. 116 | VOCAL JAZZ SOLOIST cators of tomorrow. (New music I’m cur- DownBeat reached out to Dana Landry, rently enjoying includes the 2019 albums by director of jazz studies at the University of 124 | BLUES/POP/ROCK GROUP Norah Jones, Brad Mehldau, Chris Potter and Northern Colorado, to inquire about the keys 132 | JAZZ ARRANGEMENT Kendrick Scott—all former SMA competitors.) to building an atmosphere of excellence.
    [Show full text]
  • Chet Baker Pretty/Groovy Mp3, Flac, Wma
    Chet Baker Pretty/Groovy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Pretty/Groovy Country: US Released: 1958 MP3 version RAR size: 1735 mb FLAC version RAR size: 1189 mb WMA version RAR size: 1592 mb Rating: 4.8 Votes: 397 Other Formats: APE FLAC WMA MP2 AUD AIFF APE Tracklist A1 Look For The Silver Lining A2 Time After Time A3 Travelin' Light A4 My Funny Valentine A5 There Will Never Be Another You A6 The Thrill Is Gone A7 But Not For Me B1 Band Aid B2 The Lamp Is Low B3 Carson City Stage B4 Long Ago And Far Away B5 Easy To Love B6 Winter Wonderland B7 Batter Up Credits Bass – Carson Smith Clarinet – Jimmy Giuffre Drums – Larry Bunker Guitar – David Wheat Photography By, Design – Bill Shaefer Piano – Russ Freeman Saxophone – Bill Perkins Trumpet – Chet Baker Notes Plain labels with writing on both sides. Barcode and Other Identifiers Matrix / Runout: Side A : PJ-ST-774 H Matrix / Runout: Side B : PJ-ST-775 H Other versions Category Artist Title (Format) Label Category Country Year Chet Pretty/Groovy (LP, World Pacific WP-1249 WP-1249 US 1958 Baker Comp) Records Chet Pretty/Groovy (LP, LPM 2082 Music LPM 2082 Italy Unknown Baker Comp) TOCJ-9443, Chet Pretty / Groovy (CD, World Pacific, TOCJ-9443, Japan 2002 WP-1249 Baker Comp, Ltd, RE, RM) World Pacific WP-1249 World Pacific K18P-9262, Chet Pretty/Groovy (LP, K18P-9262, Records, Japan 1983 WP-1249 Baker Comp, RE) WP-1249 Pacific Jazz World Pacific PJ 1249, Chet Pretty/Groovy (LP, PJ 1249, Records, Japan 1991 PJ-1249 Baker Comp, Mono, RE) PJ-1249 Pacific Jazz Related Music albums to Pretty/Groovy by Chet Baker Chet Baker - The Thrill Is Gone My Ideal Chet Baker - Baker's Holiday: Chet Baker Sings And Plays Billie Holiday Chet Baker - The Best Of Chet Baker Matt Dusk - My Funny Valentine: The Chet Baker Songbook Chet BAKER - Sings and plays with bud shank russ freeman and strings Chet Baker - Deep In A Dream - The Ultimate Chet Baker Collection Chet Baker - Chet Baker Chet Baker - Chet Baker In Tokyo Chet Baker - The Very Best Of Chet Baker Chet Baker Quartet - Chet Baker Quartet.
    [Show full text]
  • Wavelength (December 1981)
    University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 12-1981 Wavelength (December 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (December 1981) 14 https://scholarworks.uno.edu/wavelength/14 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ML I .~jq Lc. Coli. Easy Christmas Shopping Send a year's worth of New Orleans music. to your friends. Send $10 for each subscription to Wavelength, P.O. Box 15667, New Orleans, LA 10115 ·--------------------------------------------------r-----------------------------------------------------· Name ___ Name Address Address City, State, Zip ___ City, State, Zip ----­ Gift From Gift From ISSUE NO. 14 • DECEMBER 1981 SONYA JBL "I'm not sure, but I'm almost positive, that all music came from New Orleans. " meets West to bring you the Ernie K-Doe, 1979 East best in high-fideUty reproduction. Features What's Old? What's New ..... 12 Vinyl Junkie . ............... 13 Inflation In Music Business ..... 14 Reggae .............. .. ...... 15 New New Orleans Releases ..... 17 Jed Palmer .................. 2 3 A Night At Jed's ............. 25 Mr. Google Eyes . ............. 26 Toots . ..................... 35 AFO ....................... 37 Wavelength Band Guide . ...... 39 Columns Letters ............. ....... .. 7 Top20 ....................... 9 December ................ ... 11 Books ...................... 47 Rare Record ........... ...... 48 Jazz ....... .... ............. 49 Reviews ..................... 51 Classifieds ................... 61 Last Page ................... 62 Cover illustration by Skip Bolen. Publlsller, Patrick Berry. Editor, Connie Atkinson.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Miller Discography [J D Uv in Peris, Conf
    D O W N BEAT February 24. 1954 February PERSPECTIVES Feather Tells Woes Of Lunch, Too? New York — Apollo Theater _________ ________________ By Ralph J- Gleason ■nd all points north! Jazz Club U.S.A. Tour Stag« show» huvr disappear«^) Is the band business coming back? Well, I don’t think any­ By Leonard Feather ♦------------------------------------------------ irons the Broadway scene, and one can legitimately claim to know the answer to that one, shows, (2) Gene Wright and Bobby the Apollo in Harlem is flow The but there are some indications which point to a resurgence Oslo, Norway — If you’ve1 White, Buddy DeFraneo’ii bassist about the only theater to fea­ | of interest in the big units. ever told yourself what a ball1 and drummer, had to work on bor­ ture name bands. And many New t rowed equipment because their in­ Yorkers will learn this when Gh To begin with, the days of the it must be to tour Europe with Lionel Hampton applies his pro­ single acts, the vocalists, and struments were snowbound in New a jazz unit, you ought to be; York, (3) Billie Holiday, after a motional mallet* to the problem. Miller the featured instrumentalists, are along on the “Jazz Club U.S. A.” bound, by the nature of the beast, ( long series of hassels about who Hamp goes into the Apollo jaunt, now engaged in a 28-day should accompany her, had nc time for a week starting Feb. 12, and Tradi Biography to be numbered. Most of the real tussle with customs officials in nine draws in the vocal field have priced ' to rehears« with Carl Drinkard, for that period he'll station his had a r countries.
    [Show full text]
  • Scholarships…A Mission, Not an Option! by Don Bestor, Jr
    Winter, 2012 The Fort Pierce Jazz & Blues Society Newsletter Volume XVI MISSION: To promote the growth, appreciation and performance of Jazz & Blues – great American music art forms – through scholarships, workshops, clinics, weekly jazz jams and community outreach programs. Scholarships…a mission, not an option! By Don Bestor, Jr. prospective scholarship applicants to basis requires an extra effort to affect President get involved. Our very well put together positive results. This is just part of what A while ago, one scholarship program, I might add, is goes on “behind the scenes.” None of of our regular fans headed by one of our Board members, this deters our determination to get on approached me Mr. Al Hager, an award-winning educa- with what we’re here to accomplish. and asked if we were still sponsor- tor for more than 25 years! Please allow me to yell the answer ing students on their way to college in To manage an organization like the to the question of us being pro-active in the form of scholarships. That ques- Jazz and Blues Society of Fort Pierce the scholarship program: "YES!" We tion took me by surprise because that is an honor and it is something that remain committed to providing scholar- is why many of us dedicate our time I’m very respectful of. As you may or ships to those high school seniors who to this organization. The Society ac- may not know, many things happen, qualify for our program and we are so tively pursues student applicants with transpire, pop-up and sometimes it can very proud to be able to do that! We a monthly letter to every band director happen every day.
    [Show full text]
  • Stage Door Swings Brochure
    . 0 A G 6 E C R 2 G , O 1 FEATURING A H . T T D C I O I S F A N O E O A P T B R I . P P G The Palladium Big 3 Orchestra S M . N N R U O E O Featuring the combined orchestras N P L of Tito Puente, Machito and Tito Rodriguez presents Manteca - The Afro-Cuban Music of The Dizzy Gillespie Big Band FROM with special guest Candido CUBAN FIRE Brazilliance featuring TO SKETCHES Bud Shank OF SPAIN The Music of Chico O’ Farrill Big Band Directed by Arturo O’Farrill Bill Holman Band- Echoes of Aranjuez 8 3 0 Armando Peraza 0 - 8 Stan Kenton’s Cuban Fire 0 8 0 Viva Tirado- 9 e The Gerald Wilson Orchestra t A u t C i Jose Rizo’s Jazz on , t s h the Latin Side All-Stars n c I a z Francisco Aguabella e z B a Justo Almario J g n s o Shorty Rogers Big Band- e l L , e Afro-Cuban Influence 8 g 3 n Viva Zapata-The Latin Side of 0 A 8 The Lighthouse All-Stars s x o o L Jack Costanzo B . e O h Sketches of Spain . P T The classic Gil Evans-Miles Davis October 9-12, 2008 collaboration featuring Bobby Shew Hyatt Regency Newport Beach Johnny Richards’ Rites of Diablo 1107 Jamboree Road www.lajazzinstitute.org Newport Beach, CA The Estrada Brothers- Tribute to Cal Tjader about the LOS PLATINUM VIP PACKAGE! ANGELES The VIP package includes priority seats in the DATES HOW TO amphitheater and ballroom (first come, first served JAZZ FESTIVAL | October 9-12, 2008 PURCHASE TICKETS basis) plus a Wednesday Night bonus concert.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
    [Show full text]
  • Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
    DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954
    Capitol Albums, 501 to 600 and Series Labels Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954. A Man and his Music Capitol L-502 Skitch Henderson Released May, 1954. Unreleased/unknown Capitol 503 Ray Anthony Plays for Dancing Capitol EAP-1-504 Ray Anthony Released June, 1954. Unreleased/unknown Capitol 505 I Get So Lonely Capitol EAP-1-506 The Four Knights Released June, 1954. Dixieland Capitol EAP-1-507 Pee Wee Hunt Released May, 1954. Stan Kenton Plays the Compositions of Pete Rugolo Capitol EAP-1-508 Stan Kenton Released June, 1954. Music, Martinis, and Memories Capitol EAP 1 through 4-509 = W-509 Jackie Gleason Released August, 1954. Later pressed as two double-EP’s, EBF-1-509 and EBF-2-509. Later pressed as two ten-inch LP’s, H1-509 and H2-509. Young at Heart Capitol EAP-1-510 Frank Sinatra Released March, 1954. And Awaaay We Go! Capitol H-511 Jackie Gleason Released May, 1954. No Reservations Capitol H-512 Frances Faye Released July, 1954. Barrelhouse, Boogie and the Blues Capitol H-513 Ella Mae Morse Released 1954. Nat King Cole 10th Anniversary Album Capitol W-514 Nat King Cole Released May, 1954. White label with purple print. Although Jackie Gleason’s Music, Martinis, and Memories has a lower catalog number, this LP was the first album in the W- series. At the time this was an experimental and novel idea. The records contained sixteen songs – twice what one found on a ten-inch LP. However, the album cost less than two ten- inch albums, making it more economical to buy the W- series album in the larger size.
    [Show full text]