Miller Discography [J D Uv in Peris, Conf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
TELEVISION Radio
■ l ; r name ot OoHiboro Rav ard Tick- I ▼HE PANFORD HERAT." DAYLIGHT SATING . store, and that wa intend ta EXTENDED register esld nsme with the ■j<ej,k t. Page 6 Thure. Mar. 17, 1955 h r e m u t a m M i of mo Circuit Court. Bemlnola THE OLD HOME TOWN By STANLEY NEW YORK CP) - Th* City County. Flor Ids. In aecoroance TELEVISION Council hit voted to extend day with the provielon of the Flctlt- 1 •. -re Statute, lo-wltt Pcctlun w d « o- t v o n l a v d o r o lO A T PJ light saving time here thi* yvar <•■*!**« tv lla in Wltbaul Si Dm i 11:00 Valiant Lady 14101 Florida Statutes OJl. Seminole Hi A- P. KinlRW i ’ ji i fb TH laillAT POL 11:11 Lots e f U fa to OeL 80 instead of emiirv it the By YVONNE CULLEN t it “Mr and Mrm.” 11.10 Starch far Tea last Sunday in September, as pre E. B. Smith Everyone wai clad to tee Mr. i l l Viewers Dltest 11:41 Guiding Light - - r 4 l» Rrcwlnr 'rouad with Etelas :0« Kitchen Show viously, ___________ Notice l» Htreby Given that I | tl Mcrrli back with ut. even If only t.tt Cartoon Corniest :M Welcome Traeslern an engaged In business at 1116 for a ihort while. He’i really been J '■* Film Feet A Fancy !:00 Rohsrt Cl la v ls Sanford. Fla. IUnder «! . I 19 Adventure with l.’rcv Wall 1:1* Houswearty mined by all of at around S. -
Big Band Arrangers of the Swing Era Selected List
Big Band Arrangers of the Swing Era Selected list Band leader Arrangers Tex Beneke Henry Mancini Jimmy Dorsey Tutti Camarata Sonny Burke Tommy Dorsey Paul Weston Sy Oliver Axel Stordahl Benny Goodman Eddie Sauter Buster Harding Fletcher Henderson Horace Heidt Frank DeVol Woody Herman Heil Hefti Ralph Burns Igor Stravinsky Harry James Leroy Holmes Dave Mathews Isham Jones Gordon Jenkins Hal Kemp John Scott Trotter Elliot Lawrence Gerry Mulligan Ray McKinley Eddie Sauter Red Norvo Eddie Sauter Artie Shaw Ray Conniff Johnny Mandel Buster Harding Charlie Spivak Nelson Riddle Claude Thornhill Gil Evans Leader/Arranger Arranger Count Basie Buster Smith Jimmy Mundy Andy Gibson Herschel Evans Cab Calloway Foots Thomas Harry White Duke Ellington Billy Strayhorn Earl Hines Jimmy Mundy Budd Johnson Stan Kenton Pete Rugolo Bill Holman Andy Kirk Mary Lou Williams Earl Thompson Glen Miller Bill Finegan Billy May Claude Thornhill Gil Evans Bill Borden Gerry Mulligan Chick Webb Edgar Sampson Charlie Dixon Andy Gibson Herschel Evans Leader/Arranger Les Brown Benny Carter Larry Clinton Will Hudson Elliot Lawrence Russ Morgan Ray Noble Boyd Raeburn Raymond Scott Musicians in Bands that were Important Arrangers Leader Arranger Instrument Bob Crosby Bob Haggart bass Matty Matlock saxophone Deane Kincaide saxophone Jimmy Dorsey Tutti Camarata trumpet Joe Lipman piano Woody Herman Heil Hefti trumpet Ralph Burns piano Hal Kemp John Scott Trotter piano Gene Krupa Gerry Mulligan saxophone Jimmy Lunceford Sy Oliver trumpet Glen Miller Henry Mancini piano Artie Shaw Ray Conniff trombone Johnny Mandel trombone Charlie Spivak Nelson Riddle trombone . -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
GLENN MILLER (1904 – 1944) Miller Was an American Jazz Musician
GLENN MILLER (1904 – 1944) Miller was an American jazz musician (trombone), arranger, composer, and bandleader in the swing era. He was one of the best-selling recording artists from 1939 to 1943, leading one of the best known Big Bands. While he was traveling to entertain U.S. troops in France during World War II, Glenn Miller disappeared in bad weather over the English Channel. He was born in Iowa. His parents soon moved their family from Iowa first to Nebraska, then to Missouri, and eventually, to Fort Morgan, Colorado. In each of these new cities, Miller's musical development took a new step. During his family's stay in Nebraska, Miller's father brought him a mandolin, which the boy soon traded for an old horn. While in Missouri, he first started playing the trombone as a member of a town band. When his family moved to Fort Morgan in 1918, Miller nourished his musical talents by joining his high school band. He formed his own band and found success in 1938. Glenn Miller and his orchestra enjoyed amazing popularity and commercial success. The Glenn Miller Orchestra recorded more than 60 top hits. Glenn Miller's Orchestra attained its popularity because of the band's unique style and sound. Miller himself claimed, "A band ought to have a sound all of its own. It ought to have a personality." Indeed, Miller's orchestra distinguished itself from other big bands in many ways. While jazz music is characterized by its spontaneity and use of improvisation, The Glenn Miller Orchestra played swing music, an offshoot of jazz that favors orchestration rather than improvisation. -
Sun Valley Serenade Orchestra Wives
Sun Valley Serenade Orchestra Wives t’s funny how music can define an entire come one of Miller’s biggest hits, “Chattanooga We also get some wonderful Harry Warren and era, and Glenn Miller’s unique sound did Choo Choo,” which, in the film, is a spectacu- Mack Gordon songs, including “At Last” (the Ijust that. It is not possible to think of World lar production number with Dandridge and The castoff from Sun Valley Serenade), “Serenade War II without thinking of the Miller sound. It Nicholas Brothers. Another great new song, “At in Blue,” “People Like You and Me,” and the was everywhere – pouring out of jukeboxes, Last,” was also recorded for the film, but wasn’t instant classic, “I’ve Got a Gal in Kalamazoo.” radios, record players. Miller had been strug- used, except as background music for several The latter was, like “Chattanooga Choo Choo,” gling in the mid-1930s and was dejected, but scenes. The song itself would end up in the nominated for an Oscar for Best Song. It knew he had to come up with a unique sound next Miller film. lost to a little Irving Berlin song called “White to separate him from all the others – and, of Christmas.” course, the sound he came up with was spec- “Chattanooga Choo Choo” hit number one on tacular and the people ate it up. His song the Billboard chart in December of 1941 and George Montgomery’s trumpet playing was “Tuxedo Junction” sold 115,000 copies in one stayed there for nine weeks. The song was dubbed by Miller band member, Johnny Best week when it was released. -
Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954
Capitol Albums, 501 to 600 and Series Labels Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954. A Man and his Music Capitol L-502 Skitch Henderson Released May, 1954. Unreleased/unknown Capitol 503 Ray Anthony Plays for Dancing Capitol EAP-1-504 Ray Anthony Released June, 1954. Unreleased/unknown Capitol 505 I Get So Lonely Capitol EAP-1-506 The Four Knights Released June, 1954. Dixieland Capitol EAP-1-507 Pee Wee Hunt Released May, 1954. Stan Kenton Plays the Compositions of Pete Rugolo Capitol EAP-1-508 Stan Kenton Released June, 1954. Music, Martinis, and Memories Capitol EAP 1 through 4-509 = W-509 Jackie Gleason Released August, 1954. Later pressed as two double-EP’s, EBF-1-509 and EBF-2-509. Later pressed as two ten-inch LP’s, H1-509 and H2-509. Young at Heart Capitol EAP-1-510 Frank Sinatra Released March, 1954. And Awaaay We Go! Capitol H-511 Jackie Gleason Released May, 1954. No Reservations Capitol H-512 Frances Faye Released July, 1954. Barrelhouse, Boogie and the Blues Capitol H-513 Ella Mae Morse Released 1954. Nat King Cole 10th Anniversary Album Capitol W-514 Nat King Cole Released May, 1954. White label with purple print. Although Jackie Gleason’s Music, Martinis, and Memories has a lower catalog number, this LP was the first album in the W- series. At the time this was an experimental and novel idea. The records contained sixteen songs – twice what one found on a ten-inch LP. However, the album cost less than two ten- inch albums, making it more economical to buy the W- series album in the larger size. -
Chattanooga Choo Choo Tex Beneke Glenn Miller Version 6 Horns Sheet Music
Chattanooga Choo Choo Tex Beneke Glenn Miller Version 6 Horns Sheet Music Download chattanooga choo choo tex beneke glenn miller version 6 horns sheet music pdf now available in our library. We give you 6 pages partial preview of chattanooga choo choo tex beneke glenn miller version 6 horns sheet music that you can try for free. This music notes has been read 3939 times and last read at 2021-09-27 12:05:15. In order to continue read the entire sheet music of chattanooga choo choo tex beneke glenn miller version 6 horns you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano Vocal Guitar, Alto Saxophone, Alto Voice, Baritone Saxophone, Bass Guitar, Horn, Tenor Saxophone, Tenor Voice, Trombone Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Chattanooga Choo Choo Sheet Music For 6 Guitars Chattanooga Choo Choo Sheet Music For 6 Guitars sheet music has been read 3763 times. Chattanooga choo choo sheet music for 6 guitars arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 09:47:24. [ Read More ] Chattanooga Choo Choo Pennsylvania Goodbye Medley Chattanooga Choo Choo Pennsylvania Goodbye Medley sheet music has been read 2795 times. Chattanooga choo choo pennsylvania goodbye medley arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-09-26 22:26:29. [ Read More ] Chattanooga Choo Choo The Andrews Sisters Chattanooga Choo Choo The Andrews Sisters sheet music has been read 7613 times. -
Glenn Miller Orchestra Brings Serenade Sounds to UCSD's Price Center Ballroom at 8 P.M
Glenn Miller Orchestra brings serenade sounds to UCSD's Price Center Ballroom at 8 P.M. March 8 February 13, 1998 Media Contact: Ruth Baily at University Events, (619) 534-0497, [email protected] or Jan Jennings, (619) 822-1684, [email protected] GLENN MILLER ORCHESTRA BRINGS SERENADE SOUNDS TO UCSD'S PRICE CENTER BALLROOM AT 8 P.M. MARCH 8 The classic sounds of Moonlight Serenade will fill the Price Center at the University of California, San Diego when the Glenn Miller Orchestra performs March 8 beginning at 8 p.m. The most sought after Big Band in the world, constantly on the road, the Glenn Miller Orchestra returns to UCSD after two years, and now, as then, invites easy listening, and better yet, dancing in the Price Center Ballroom. Trombonist Larry O'Brien directs the 19-member band including five saxophone players, four trumpeters, four trombonists, three rhythm musicians (piano, bass and drums) and two vocalists. The results original Glenn Miller arrangements, as well as modern selections, many of them in the big-band style. "Mostly we play the old songs," says O'Brien. "We manage to insert new ones from time to time, but these are songs that lend themselves to the Miller sound." In addition to Miller's theme song, Moonlight Serenade, originally written by the musician as an exercise for a course in arranging long before he organized his band in 1938, golden oldies include Stardust, Rhapsody in Blue, A String of Pearls, Tangerine, The Nearness of You, Come Rain or Come Shine, Begin the Beguine and Chattanooga Choo Choo. -
Glenn Millers Back!
The band grew out of a conviction by manager Willard Alexander, based Glenn Millers Back! on the reception to The Glenn Miller Story movie and the RCA limited edi tion Miller albums, that a Miller-styled With Ray McKinley At Helm, band had a valid spot in the current music scene. He got m touch with Mis. Miller and suggested another try at The Band Finds Biz Is Great launching a Miller band. She agreed, after aflKming that the band would be led by McKinley. Ray By Dom Cerulli Brown Jug than for any number in the took over the book and started out to book,” he grinned. “Now tnat tune THERE’S A Glenn Miller band back fill the chairs. was never really one of Glenn's big “Personnel is the biggest problem a m the ballrooms again. records, at least not as big as In the At the helm is drummer Ray Mc bandleader has to face today,” McKin Kinley, who tirst met Miller when they Mood or Chattanooga Chou Choo. But ley said. “Lenny Hambro was invalua it was a big part of the movie. played together from time to time ih ble when we were recruiting. He’s the “We play it sometimes two, three band’s manager, too, and believe me, the old Ben Pollack band and who times a night.” worked together in the Miller army air our books always match up. I don’t McKINlEY SAID other most-re think he gets much time to sleep, force band up to the time of Glenn’s quested tunes in the Miller book in disappearance over the English Channel though.” cluded In the Mood, String of Pearls, in December, 1944. -
The Newsletter of the Department of Music
Georgia Southern University Digital Commons@Georgia Southern Music Department Newsletters Music Department News Publications 9-2020 Key Notes: The Newsletter of the Department of Music Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/music-newsletter Part of the Music Commons Recommended Citation Georgia Southern University, "Key Notes: The Newsletter of the Department of Music" (2020). Music Department Newsletters. 56. https://digitalcommons.georgiasouthern.edu/music-newsletter/56 This newsletter is brought to you for free and open access by the Music Department News Publications at Digital Commons@Georgia Southern. It has been accepted for inclusion in Music Department Newsletters by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. View this email in your browser Professor of Music Named to be an Endorsing Artist for M & M Custom Trombones, LLC Dr. Rick Mason is the Associate Professor of Trombone, Director of the GS Jazz Ensemble, and Brass Area Head at Georgia Southern University in Statesboro, Georgia. He is a former free-lance musician in the Los Angeles area, having performed with the bands of Bill Watrous, Ray Anthony, Al Hirt, Glenn Miller, Bill Holman, Jimmy Dorsey, Dick Cary, and Bill Tole. Rick also served as bass trombonist with the Burbank Symphony and La Mirada Orchestra. He has recorded in several of the major studios in Hollywood including Capitol Records, A&M Records, 20th Century Fox, Universal Studios, Walt Disney Studios, and Warner Brothers Studios. Rick has performed live concerts with Bob Hope, Sammy Davis Jr., Rosemary Clooney, Mel Torme, Toni Tenille, Joan Rivers, Billy Eckstine, Jack Jones, Phillis Diller, Dudley Moore, the Temptations & Four Tops, Frank Sinatra Jr. -
Helen D. Miller, Individually and As Executrix of Alton G
18 Misc.2d 626 (1959) Helen D. Miller, Individually and as Executrix of Alton G. Miller, Plaintiff, v. Universal Pictures Company, Inc. et al., Defendants. Supreme Court, Special and Trial Term, New York County. May 22, 1959. David Mackay, Jesse Climenko and Herbert L. Scharf for plaintiff. Adolph Schimel and Edgar M. Rubin for Universal Pictures Company, Inc., defendant. Cohen & Sandomire (Henry Cohen of counsel), for Decca Records, Inc., defendant. HENRY EPSTEIN, J. Plaintiff is the widow and executrix of the late Glenn Miller, well-known orchestra leader and musician. Miller died in 1944 while in military service. For some years prior to his entry into war activities Miller had created original arrangements of musical selections, had developed a well-known style and performance associated in the public mind with his own name — Glenn Miller. From 1938 to 1944 these musical performances grew rapidly in popular favor. In 1939 and 1941 Miller contracted to grant Radio Corporation of America ("R. C. A." hereafter) exclusive right to use of his name and likeness in producing advertising and selling phonograph records. This exclusive right covered seven of the eight numbers used in the motion picture "The Glenn Miller Story". It covered all but a very few numbers played by Miller's orchestra before he had developed his unique style. The sales by R. C. A. of the individual Miller records of these numbers to the date of the instant action ranged from some 300,000 to over 2 million on all of which Miller, and since his death his estate, have received royalties.