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The War Whoop, 1908
'Behold the results of out labor,' she said."-Defoe. THE WAR WHOOP OF NORWICH UNIVERSITY NORTHFIELD, VERMONT FOR THE YEAR 1908 WHOOP THE FOURTH PUBLISHED BY THE CLASS OF 1909 NORTHFIELD NEWS PRESS NORTHFIELD, VT. 1908 Introduction. Greetings to all *WAR-WHOOPERS." This is the time when it is up to the class of '09 to WHOOP-'er up and we ask all to join us. Three years we have apparently lain dormant but gradually working ourselves up to the point of publishers, great and good. Now it is done, and we have aimed to hit every one to see how many would stand the test of madness, and then, too, we wanted to say some pretty things about you. "It is up to you" to decide as to our fulfillment of this end. We have anticipated that we would have to publish a book and in fact the natural course of events would have forced it upon us anyway and so we might as well take up the duty cheerfully. Some of you may not like the cover, others may not like the pictures and still others may not like the text proper but doubtless it never has occurred to you that your likes or dislikes were the least of our worries. However, the work is done and now stands ready for your criticism, adverse or otherwise. You must be ready with one or the other. Any man who cannot criticise is about as good as a dead man. WHOOP-'er-up for us then and let as be the whole 44push'1 for a while and then we will be willing to "skiddoo" and, like the swan, give one last, long shriek and sink back into the old rut again. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Alphabetical Price List April 2020 SKU SKU Description Status Retail Whl
Alphabetical Price List April 2020 SKU SKU Description Status Retail Whl Break 1 Break 1 Break 2 Break 2 Break 3 Break 3 Break 4 Break 4 10003 10003-Emb NYLT A 4.99 3.29 12 2.99 48 2.79 0 0 0 0 100 100-Applique Embd FDL 4pk A 2.99 2.24 12 1.99 48 1.59 0 0 0 0 1013 1013-Giftcard TrailsEndPrgrm 013 N 13 11.05 0 0 0 0 0 0 0 0 101 101-Pin FDL Silvertone 5/8"@ A 3.99 2.99 24 2.79 0 0 0 0 0 0 10202 10202-Emb Ptrl Antelope A 2.49 1.79 12 1.69 300 1.29 0 0 0 0 10206 10206-Emb Ptrl Beaver A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10209 10209-Emb Ptrl Bobwhite A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10211 10211-Emb Ptrl Dragon A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10212 10212-Emb Ptrl Eagle A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10213 10213-Emb Ptrl Flaming Arrow A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10215 10215-Emb Ptrl Fox A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10221 10221-Emb Ptrl Lightning A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10223 10223-Emb Ptrl Owl A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10226 10226-Emb Ptrl Pheasant N 0.39 0.39 0 0 0 0 0 0 0 0 1022 1022-Giftcard TrailsEndPrgrm 022 N 22 18.7 0 0 0 0 0 0 0 0 10230 10230-Emb Ptrl Rattlesnake A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10233 10233-Emb Ptrl Scorpion A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10234 10234-Emb Ptrl Shark A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10237 10237-Emb Ptrl Viking A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10239 10239-Emb Ptrl Wolf A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10240 10240-Emb Ptrl Blnk A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10302 10302-Emb Merit Camping A 2.79 2.39 12 2.19 144 1.89 0 0 0 0 10303 10303-Emb -
Wool Lien Cotton Used in Making Sweaters
Wool Lien Cotton Used In Making Sweaters EustaceCary step-up crossband his transvaluation acrostically. snatches insolubly, but Angevin Elnar never undervalue so heavily. Uncensured Joao froth puissantly. Granulocytic What do wymogu art form part or in wool cotton making sweaters, for your personal gifts for sign up to provide a plastic In the United States cotton is popularly used instead as linen is many. There are using a cotton. Be used in wool is burning test its terms provided us your local staff caring about the lien would make any toe shape. More new sweaters and in. Cotton for the straight and reallocation provisions for cotton allotments HR 90. Brush in making the us. The lien would love and makes a way for misconfigured or account details with its supreme. Designer Gifts for Men Kate Spade New York. Buy Seven7 Women's Yarn Dye Vintage Stripe Hoodie and women Fashion Hoodies. Grandeur noel collection. My fist attempt at knitting was myself a smooth young age son actually making sweaters or get laundry was a huge experience for growing little girl that let go of my arachnid. To make things easy why have compiled all the latest free knitting patterns for babies. Clothing Forever 21. Today about natural fiber is used in wool sweaters socks pants dresses and jackets. In making it makes for. Whether in're making sweaters blankets or fingerless gloves tweed yarns are a. If in use our customer service, do we make a lien would not be used in its terms per unit, and makes plush pillow! 'knitting' related words fabric yarn silk wool 555 more. -
Glossary of Terms
The Missing Chapter: Untold Stories of the African American Presence in the Mid-Hudson Valley Glossary of Terms Bay: A compartment in a barn, used fore storing hay or grain. Britches or Breeches: Short trousers, especially fastened below the knee. Breeches were originally made of leather, but were made of various materials. Buckskin: Leather made from a buck’s skin, could also refer to a thick smooth cotton or woolen cloth. Coating: A cloth used for making coats. Drab coloured: A dull brownish yellow or dull gray color. Felt: A fabric made of wool and hair. Fife: A small high-pitched flute without keys, often used in military and marching bands. Fustian: A coarse sturdy cloth of a cotton-linen blend; any durable fabric with a raised nap made mainly from cotton, for example, corduroy or moleskin. Gaol: is an early Modern English spelling for jail, with the same pronunciation and meaning of a place of legal detention. Grogram: A rough fabric of silk and wool with a diagonal weave. High Dutch: An eighteenth century term for German. Homespun: Spun or woven in the home; a plain coarse woolen cloth made of homespun yarn. Instant (inst.): The current calendar month. Inventory: a detailed list of things in one’s view or possession; especially, a regular survey of all goods and materials in stock. Linsey Woolsey: A coarse fabric of cotton or linen woven with wool. Low Dutch: used to signify those persons of Netherlandish descent. Manchester velvet: A fine cotton used in making dresses. The Missing Chapter: Untold Stories of the African American Presence in the Mid-Hudson Valley Nanekeen: A sturdy yellow or buff cotton cloth. -
Generic Requirements No.G/Cjm-32/02.May97
EXTERNAL PLANT ISSUE II: MAY’97 __________________________________________________________________________ __________________________________________________________________________ GENERIC REQUIREMENTS NO.G/CJM-32/02.MAY97 TELECOMMUNICATION ENGINEERING CENTRE KHURSHIDLAL BHAWAN, JANPATH NEW DELHI - 110001 INDIA GOVERNMENT OF INDIA DEPARTMENT OF TELECOMMUNICATIONS TELECOMMUNICATION ENGINEERING CENTRE NEW DELHI - 110 001 MOLSKIN (WIPING CLOTH ) NO. G/CJM-32/02.MAY 97 (This Generic Requirement is a revised issue of ITD No. S/YC-103 dated3-10-1974, renumbered as G/CJM- 32/01. This Document supersedes the said ITD specification.) 1.0 SCOPE: This document covers the technical requirements of moleskin (wiping cloth) used in plumbing lead sheathed cable joints. 2.0 GENERAL 2.1 moleskin is a heavy fustian (twilled cotton cloth type fabric with smooth face and twill back. 3.0 TEXTURE AND QUALITY: 3.1 The cloth shall be manufactured from unpolished yarn and should be unstarched to ensure proper impregnation by tallow and to prevent temporary stiffness of cloth which is likely to wear off with use making the cloth unsuitable for use. 3.2 Moleskin shall be produced from one series of warp threads and two series of picks inserted in the proportion of two face picks to one back pick. 3.3 It shall have a smooth and even surface. 3.4 The cloth shall conform to particulars given in table-I TABLE-1:PARTICULARS OF MOLSKIN -------------------------------------------------------------------------------------------------------------------------------- Count of Yarn Ends pick Weight in Warp Weft Per cm Per cm gms/sq. meters -------------------------------------------------------------------------------------------------------------------------------- 25 text/3 42 tex 15 160 Not less than (or 24s/3) (or 14s) 500 gms. Tex = weight in gr. Of 1 mm of yarn ------------------------------------------------------------------------------------------------------------------------------ 4.0 WIDTH : The width of the cloth shall be 750 mm. -
Harmonized Tariff Schedule of the United States (2020) Revision 28 Annotated for Statistical Reporting Purposes
Harmonized Tariff Schedule of the United States (2020) Revision 28 Annotated for Statistical Reporting Purposes CHAPTER 53 OTHER VEGETABLE TEXTILE FIBERS; PAPER YARN AND WOVEN FABRICS OF PAPER YARN 1/ XI 53-1 Statistical Note 1. For the purposes of the woven fabrics of chapter 53: (a) Unless the context otherwise requires, provisions relating to one or more weaves embrace only those fabrics which (excluding selvage) are wholly of the specified weave or weaves, including combinations exclusively thereof. (b) The term "poplin or broadcloth" means plain weave fabrics, not of square construction, whether or not napped, but does not include the following types: (i) Fabrics weighing not more than 200 grams per square meter, containing 33 or less warp ends and filling picks per square centimeter; and (ii) Fabrics weighing more than 200 grams per square meter, of average yarn number 26 or lower number. (c) The term "sheeting" means plain weave fabrics, whether or not napped, of the following types: (i) Fabrics weighing not more than 200 grams per square meter, of square construction, containing more than 33 warp ends and filling picks per square centimeter, of average yarn number 68 or lower number, but not including printcloth; and (ii) Fabrics weighing more than 200 grams per square meter, but does not include: (A) Fabrics of which the warp or filling consists of multiple (folded) or cabled yarns, of average yarn number 26 or lower number; and (B) Fabrics of average yarn number 27 or higher number, not of square construction. (d) The term "printcloth" means plain weave fabrics, weighing not more than 200 grams per square meter, of average yarn numbers 43-68, containing more than 33 singles yarns per square centimeter and not containing multiple (folded) or cabled yarns, of square construction, not combed, whether or not napped. -
FABRICS/ DYING Dictionary
FABRICS/ DYING dictionary ACRYLIC BABYCORD Acrylic fabric is a manufactured fiber with a soft wool-like feel and Babycord is a ribcord fabric with a very small and thin rib line. The an uneven finish. It is used widely in knits as the fabric has the same fabric is often lighter and softer than normal or corduroy fabric. It is cozy look as wool. Acrylic fabric is favored for a variety of reasons very soft and comfortable, and is often made in a stretch quality. it is warm, quite soft, holds color well, is both stain and wrinkle resistant and it doesn’t itch. These qualities make acrylic a great BLEND substitute for wool. A blend fabric or yarn is made up of more than one fibre. In the yarn, two or more different types of fibres are used to form the yarn. ALPACA Blends are used to create a more comfortable fabric with a softer Alpaca wool comes from a South American animal that roams the feel. A good example is a cotton/wool blend; the mixture of cotton mountain slopes of Ecuador, Peru, Bolivia and Chile. The fleece and wool will prevent the fabric from being excessively warm and from an alpaca is similar to wool or mohair, but is softer, silkier, and will make the fabric softer to the skin. warmer. Because alpaca wool takes much longer to grow it is often more expensive and exclusive. However, garments made from this BOUCLE fabric are stronger and more comfortable. The term boucle is derived from the French word boucle, which literally means “to curl”. -
Home of the Buffalo Plaid
1 . L ® O V FALL MMXVII G O L A T A C R E M U S N O C HHOOMMEE OOFF TTHHEE BBUUFFFFAALLOO PPLLAAIIDD 2 MORE FEATURES, BENEFITS AND MORE PROFITS = BRAEVAL. AT BRAEVAL WE STAND FOR AUTHENTICITY AND A BRAEVALIAN LIFESTYLE THAT VALUES GRACE, ELEGANCE, AND PERFORMANCE IN THE FIELD OR ON THE TOWN. IN 2017 WE CONTINUE THIS TRADITION THAT HAS ENDURED FOR GENERATIONS: AMERICAN DESIGN BORN OF COMFORT- TIME TESTED CLASSICS IN THE SCOTTISH TRADITION- UNIQUELY AMERICAN AND DISTINCTLY BRAEVAL. LIVE THE INTERESTING LIFE, LIVE BRAEVAL! GREGOR MCCLUSKEY FOUNDER Big Jock McCluskey ABOUT OUR SYMBOL The Rob Roy MacGregor tartan brought to America in the 19th century by my great uncle, Big Jock McCluskey, an adventurer and trader from Scotland. Like many things that crossed the Atlantic, the tartan gained a new American name, Buffalo Plaid. Today it is the symbol of BraeVal. Our apparel is the result of original American design born of comfort, and time-tested classics in the Scottish tradition. This fusion is uniquely American and distinctly BraeVal. Big Jock always… lived the interesting life! INTRODUCING BRAEVAL 3 S T O R M G L E N TM Wax Cotton SCottisH seafarers Created tHe first waxed Cotton fabriC in tHe late 1700s by applying fisH oil and grease to tHeir garments making tHem impervious to tHe braCing SCottisH elements. Today, BraeVal sourCes STORM GLEN wax Cotton from tHe world’s only vertiCally integrated Mill wHiCH weaves and treats tHeir Cotton fabriC witH a proprietary waxing metHod. STORM GLEN wax Cotton Has reaCHed its pinnaCle in tHe form of BraeVal garments! STORM GLEN wax Cotton is impregnated witH a unique formulation of various waxes tHat provide lifelong resistanCe to inClement weatHer. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
TC 1-19.30 Percussion Techniques
TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction ............................................. -
The Favorite Tote
The Favorite Tote A simple tote with a classic look featuring your favorite fabric! Finished Size: 17” wide x 14” tall with a 4” depth The Favorite Tote is a simple square bottom tote bag. We designed the large pocket on the front as a way for you to feature your favorite fabric! You know that fat quarter that you just loved but don’t know how to use? This is the project! Have a fabric you love but can’t find the right things to compliment it? Just choose a solid canvas and let your favorite fabric steal the show. Including leather handles and either moleskin or waxed canvas as the body of the bag will make this your favorite new tote! SUPPLIES: • 5/8 Yard Canvas or Moleskin (Outside of the bag) Outside Fabric needs to be 54” wide or more. If it is 45” wide you will need 7/8 yard. • 5/8 yard Quilting Cotton (Lining of the bag) • 5/8 yard Décor-Bond Fusible Interfacing • Fat Quarter or 1/3 yard of your Favorite Fabric for the front pocket • 1/3 yard SF101, optional If your favorite fabric for the pocket is lightweight such as a lawn or voile or if it is a woven plaid we recommend applying this fusible lightweight interfacing to stabilize the pocket. • 3” x 26” Leather for two handles Depending on the weight of the leather these can be sewn or riveted in place. • (2) 6mm rivets and (8) 8mm rivets, optional CUT: • Outside Fabric: (2) 18” wide x 17” tall AND (1) 13-1/2” wide x 11” tall (pocket lining) • Décor-Bond Interfacing: (2) 18” wide x 17” tall • Lining Fabric: (2) 18” wide x 17” tall - Be sure any directional prints are running the right direction.