Sound out Loud Ensemble New Arts Venture Challenge Grant Proposal
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Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
Adams Other Mary on Stage
Boosey & Hawkes Music Publishers Limited February 2015 2015/1 Adams Other Mary on stage Included in this issue: “John Adams received a rapturous response for the world premiere staging MacMillan Concertos including new at ENO of his Passion oratorio, The Gospel According to the Other Mary. work for Colin Currie Bursting with fury, compassion and inspiration, this elemental score seems to carry the composer to a whole new level of expression.” So wrote The Independent of the work’s first full staging by Peter Sellars, in a production shared between English National Opera, Theater Bonn and Royal Swedish Opera. Joana Carniero Little summoned a vivid range of sonorities from Interview with the newly the orchestra, with fervent vocal portrayals signed US composer from Patricia Bardon as Mary, Meredith The final book by the late Bob Gilmore, Arwady as Martha and Russell Thomas Claude Vivier: A Composer’s Life, breaks as Lazarus. new ground as the first in-depth study of the composer (University of Rochester “…the music sweeps all before it. The distance that Press 978-1-58046-485-7). With Adams has travelled from his minimalist beginnings unrestricted access to Vivier’s archives, to this rich tapestry of a score is remarkable. Some of the passages for orchestra alone, such as the author drew upon interviews with the Lazarus’s death, ride on waves of emotion; and Canadian-born composer’s family, friends Adams has mastered the ability to keep the and colleagues to build a picture of a complex audience gripped over hour-long arcs of intensity… Photo: ENO/Richard Hubert Smith soul, while revealing the personal quest for Is it opera or oratorio? It hardly matters. -
Classical Season 2019 / 20
CLASSICAL SEASON 2019 / 20 Welcome Welcome to our 2019/20 Classical Season. We are proud to be at the centre of classical music in London, bringing the very best from leading classical artists from around the world to our three venues: our iconic concert hall, Royal Festival Hall, and our refurbished Queen Elizabeth Hall and Purcell Room. This promises to be another exciting season, bringing together world-class orchestras, new commissions and a much- loved repertoire. Our four resident orchestras, the London Philharmonic Orchestra, Philharmonia Orchestra, Orchestra of the Age of Enlightenment and London Sinfonietta, present standout series that are sure to prove, as ever, thought- provoking and enjoyable. I look forward to seeing you there. Elaine Bedell Chief Executive, Southbank Centre In 2020 we mark Beethoven’s 250th birthday, and our season highlights include performances of his most original and time-honoured works, a series about his influence on other composers, Beethoven & the Avant-Garde, curated by Artist in Residence pianist Pierre-Laurent Aimard, and a fresh look at his Symphony No.9, conducted by Associate Artist Marin Alsop and featuring over 400 performers including the National Youth Orchestra of Great Britain. Music and art spark off each other in a series of concerts alongside the Hayward Gallery’s upcoming Bridget Riley exhibition, featuring performances from Sean Shibe and Colin Currie, and music by Éliane Radigue, Julia Wolfe, Steve Reich and Georg Friedrich Haas. The Bergen Philharmonic Orchestra’s award-winning production of Peter Grimes promises to be another immersive experience: conducted by Edward Gardner, it features an all-star cast led by the incomparable Stuart Skelton as a definitive Grimes. -
Der Gerettete Alberich (Alberich Saved), Fantasy for Solo Percussion and Orchestra
27 Season 2012-2013 Thursday, March 21, at 8:00 Friday, March 22, at 2:00 The Philadelphia Orchestra Saturday, March 23, at 8:00 Andrey Boreyko Conductor Colin Currie Percussion Wagner/arr. Zumpe “Entry of the Gods into Valhalla,” from Das Rheingold Rouse Der gerettete Alberich (Alberich Saved), fantasy for solo percussion and orchestra Intermission Tchaikovsky Symphony No. 5 in E minor, Op. 64 I. Andante—Allegro con anima II. Andante cantabile, con alcuna licenza III. Valse: Allegro moderato IV. Andante maestoso—Allegro vivace This program runs approximately 1 hour, 50 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 2 PM. Visit www.wrti.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive Philadelphia is home and Carnegie Hall and the sound, beloved for its the Orchestra nurtures Kennedy Center while also keen ability to capture the an important relationship enjoying a three-week hearts and imaginations not only with patrons who residency in Saratoga of audiences, and admired support the main season Springs, N.Y., and a strong for an unrivaled legacy of at the Kimmel Center but partnership with the Bravo! “firsts” in music-making, also those who enjoy the Vail festival. The Philadelphia Orchestra Orchestra’s other area The ensemble maintains is one of the preeminent performances at the Mann an important Philadelphia orchestras in the world. Center, Penn’s Landing, tradition of presenting and other venues. The The Orchestra has educational programs for Philadelphia Orchestra cultivated an extraordinary students of all ages. -
Percussion Concerto”--Colin Currie, Performer; Jennifer Higdon, Composer (2008) Added to the National Registry: 2019 Essay by Christina Reitz (Guest Post)*
“Percussion Concerto”--Colin Currie, performer; Jennifer Higdon, composer (2008) Added to the National Registry: 2019 Essay by Christina Reitz (guest post)* Jennifer Higdon Jennifer Higdon (b. 1962), one of the most distinguished of American contemporary composers, has received numerous accolades and awards, including the Pulitzer Prize and three Grammy Awards for Best Classical Composition, the first occurring in 2009 for the “Percussion Concerto.” The “Percussion Concerto” dates from 2005 and was commissioned by the Philadelphia Orchestra, the Indianapolis Symphony Orchestra, and the Dallas Symphony Orchestra. The Philadelphia Orchestra, under the baton of Christoph Eschenbach, hosted the composition’s world premiere on November 25, 2005. Percussionist Colin Currie performed as the soloist at each of these concerts and is the work’s dedicatee. Currie is also the soloist on this 2008 recording with the London Philharmonic Orchestra led by Maestra Marin Alsop, a longtime friend and champion of Higdon’s works. Although Higdon’s primary instrument is the flute, she is experienced with percussion since her initial exposure to music occurred as a percussionist in Tennessee with the Heritage High School Marching Band. As such, one of the defining elements of her works remains rhythmic intensity. Higdon is probably most known for her orchestral works, but her numerous chamber compositions include those scored for percussion exclusively, including “The Grace of Presence” (vibraphone solo), “Like Clockwork” (percussion ensemble), “Splendid Wood” (marimba ensemble), and “ZONES” (percussion quartet or quintet and CD). The City of Brotherly Love is the composer’s current home and her adopted city since completing her Ph.D. at the University of Pennsylvania under the tutelage of George Crumb. -
Berkeleysymphonyprogram2016
Mountain View Cemetery Association, a historic Olmsted designed cemetery located in the foothills of Oakland and Piedmont, is pleased to announce the opening of Piedmont Funeral Services. We are now able to provide all funeral, cremation and celebratory services for our families and our community at our 223 acre historic location. For our families and friends, the single site combination of services makes the difficult process of making funeral arrangements a little easier. We’re able to provide every facet of service at our single location. We are also pleased to announce plans to open our new chapel and reception facility – the Water Pavilion in 2018. Situated between a landscaped garden and an expansive reflection pond, the Water Pavilion will be perfect for all celebrations and ceremonies. Features will include beautiful kitchen services, private and semi-private scalable rooms, garden and water views, sunlit spaces and artful details. The Water Pavilion is designed for you to create and fulfill your memorial service, wedding ceremony, lecture or other gatherings of friends and family. Soon, we will be accepting pre-planning arrangements. For more information, please telephone us at 510-658-2588 or visit us at mountainviewcemetery.org. Berkeley Symphony 2016/17 Season 5 Message from the Music Director 7 Message from the Board President 9 Message from the Executive Director 11 Board of Directors & Advisory Council 12 Orchestra 14 Season Sponsors 18 Berkeley Symphony Legacy Society 21 Program 23 Program Notes 35 Music Director: Joana Carneiro 39 Guest Conductor: Elim Chan 41 Artists’ Biographies 51 Berkeley Symphony 55 Music in the Schools 57 2016/17 Membership Benefits 59 Annual Membership Support 66 Broadcast Dates Mountain View Cemetery Association, a historic Olmsted designed cemetery located in the foothills of 69 Contact Oakland and Piedmont, is pleased to announce the opening of Piedmont Funeral Services. -
Michael Nyman Signs with Boosey & Hawkes
Boosey & Hawkes Music Publishers Limited 295 Regent Street London W1B 2JH Telephone 020-7580 2060 Fax 020-7637 3490 10 May 2004: for immediate release Website www.boosey.com Michael Nyman signs with Boosey & Hawkes New publishing contract covers concert and stage works, film and TV Michael Nyman, one of the most versatile, popular and successful composers of his generation, has signed a long-term exclusive publishing agreement with Boosey & Hawkes. The new contract covers all future works spanning the worlds of live performance, Photo: Sheila Rock film and TV. Michael Nyman statement Michael Nyman spoke of the new contract: “I feel I have arrived at my natural home, having a close affinity with the music of many Boosey & Hawkes composers ranging from Stravinsky to Steve Reich and Louis Andriessen. I look forward to a lively and fruitful collaboration.” Boosey & Hawkes statement Janis Susskind, Director of Composers & Repertoire at Boosey & Hawkes, commented: “We are delighted to welcome Michael Nyman to Boosey & Hawkes. He is a composer who knows no boundaries, maintaining his roots in experimental music while speaking to a wide audience. Our teams in Berlin, New York and London look forward to working with Michael to develop a range of international projects and explore new directions. We foresee a high-level engagement across all areas of the company – performance promotion, BooseyMedia, and printed music.” Nyman’s future plans Michael Nyman’s future projects include a new one-act stagework forming a prequel to Purcell’s Dido and Aeneas, concertos for percussionist Colin Currie and toy piano player Margaret Leng Tan, and an opera based on Tristram Shandy. -
HK Gruber: Percussion Concertos
COLIN CURRIE RECORDS HK GRUBER PERCUSSION CONCERTOS COLIN CURRIE JUANJO MENA JOHN STORGÅRDS BBC PHILHARMONIC 2 HK Gruber Rough Music Soloist Colin Currie Conductor Juanjo Mena BBC Philharmonic 1 I. Toberac 06:24 2 II. Shivaree 10:26 3 III. Charivari (pour Henri Sauguet, au tombeau de Monsieur le Pauvre) 08:30 4 HK Gruber into the open… 27:22 Soloist Colin Currie Conductor John Storgårds BBC Philharmonic Total 52:42 3 HK GRUBER of a percussion concerto. For the composer, antecedents were few, with concertos by André The Artful Anarchist Jolivet and Darius Milhaud (a work composed in 1929-30!) named as scant examples of the existing repertoire. A graduate of the Vienna Boys Choir, Nali was at that time seated on the Co-Principal Double Bass chair of the Vienna Radio Symphony Orchestra, and his Principal Timpanist colleague, Gerald Fromme, asked him about the possibility of a concerto. The work that was born of this friendship To write one masterpiece for solo percussion and and collaboration would be an astounding, brazenly orchestra may be regarded as an adventure; to write ambitious paradigm shift for the repertory, with two combines for a colossus. Such is the case for the taught technical expertise of the composition the dual works on this recording, which span the combining with that audacious and limitless musical full creative freedom, magic, daring and brilliance scope, featuring genuine daredevil heroics from a of Mr HK Gruber, or ‘Nali’ to those who know him. fully emancipated soloist. I would fall under his spell certainly in October 2001 in Leipzig, when we first worked together, but just For myself, immersed in this work for the first time as likely back in July 1999 when I attended the world in 2001 and many times since, I always take away premiere of his trumpet concerto Aerial at the BBC a myriad of excitement and delight from the music. -
Fgqvhtsnqz.Pdf
2017–2018 2017-2018 Season ARTIST SERIES JAZZ SERIES Jonathan Biss, Sasha Cooke, Lizz Wright piano mezzo soprano Friday, Nov. 3, Friday, Saturday, 2017 Oct. 6, 2017 Feb. 24, 2018 7:30 p.m. 8 p.m. 8 p.m. Storms/Nocturnes with LUJE Saturday, Nov. 4, 2017 7:30 p.m. Joshua Roman, cello, with JACK Quartet Colin Currie, percussion Vijay Iyer Sextet Friday, March 30, 2018 Saturday, April 21, 2018 8 p.m. Friday, May 11, 2018 8 p.m. 8 p.m. Joe Lovano Classic Quartet Friday, Feb. 2, 2018, 8 p.m. 2 3 Sasha Cooke, mezzo soprano ARTIST SERIES Saturday, Feb. 24, 2018, 8 p.m. Grammy Award–winning mezzo-soprano Sasha Cooke has been called a “luminous standout” (New York Times) and “equal parts poise, radiance and elegant directness” (Opera News). Cooke appears frequently this season singing Mahler, whose works she has sung to great acclaim on four different continents. Sought after by the world’s leading orchestras, opera companies and chamber music ensembles for her versatile repertoire and commitment to new music, Cooke’s season continues to bring world premiere performances and unique artistic collaborations. Cooke bookended her 2016–17 season with opera performances of Hänsel und Gretel at the Seattle Opera and a world premiere by composer Mason Bates and librettist Mark Campbell titled The (R)evolution of Steve Jobs at The Santa Fe Opera. Throughout the season, her orchestral engagements include the Chicago Symphony Orchestra with Riccardo Muti leading Prokofiev’s Ivan the Terrible, Bernstein’s Symphony No. 1 “Jeremiah” with Royal Concertgebouw Orchestra as well as Philadelphia Orchestra conducted by Yannick Nézet-Séguin at Carnegie Hall and a staged version of Verdi’s Requiem with Houston Grand Opera under Patrick Summers. -
Chin Alice and Mannequin
Boosey & Hawkes Music Publishers Limited June 2015 2015/2 Chin Alice and Mannequin Prokofieff Unsuk Chin has enjoyed a busy spring, with a multimedia staging of New York Included in this issue: Alice in Wonderland and first performances of her new orchestral archive Gruber work Mannequin. Interview on his new work The Serge Prokofiev Archive has relocated to New York for percussion and orchestra In the 150th anniversary year of Lewis Carroll’s classic book, and is now housed at the Photo: Prokofieff family Rare Books & Manuscript Library of Columbia Photo: Priska Ketterer performances of Unsuk Chin’s opera Alice in Wonderland drew packed University. This combines the collections from houses in Los Angeles and London. Goldsmiths College in London and the Following productions in Munich, Geneva, Bibliothéque Nationale in Paris, with materials Bielefeld and Saint Louis, the new staging by assembled over a century by Prokofieff and his multimedia artist Netia Jones was presented family. The archive move was launched with a by the Los Angeles Philharmonic at Walt New York concert in April attended by the Disney Hall and the BBC Symphony composer’s grandchildren, great-grandchildren Orchestra at the Barbican. and trustees of the Serge Prokofiev Foundation. “This is a wonderland of When the composer returned to the Soviet Union in 1936, the papers and manuscripts a score…” The Times he had accumulated during his time in the Simpson West were stored in Paris and were reclaimed Premieres of new works “With the ever-fertile musical imagination -
Percussion Cata Lo G U E Classical Percussion
© Philipp Rathmer CLASSICAL PERCUSSION CATA LO G U E CLASSICAL PERCUSSION Percussion instruments have always been a feature of traditional music and, more recently, as the backbone for popular and world music cultures. But music for the classical percussion department has taken enormous strides in the last half century, progressing from a monochromatic underscoring of rhythms to a highly complex palette of timbres that can depict delicacy or emit explosions of sound with a versatility that composers are increasingly keen to explore. The recordings in this catalogue present a mix of styles and roles for the prolific sounds of the percussion family, from chamber music to concerto platforms, with a seemingly inexhaustible range of expression. RECORDINGS BY LABEL Naxos – Listing by Composer..................................................................................................................3 Naxos – Collections ..............................................................................................................................12 Capriccio ...............................................................................................................................................15 Dynamic ................................................................................................................................................15 Musiques Suisses..................................................................................................................................18 Oehms ...................................................................................................................................................19 -
New Music for Orchestra
Johannes Boris Borowski (*1979) Unsuk Chin (*1961) Sérac (2014–15) 25’ Mannequin (2014–15) 25’ Releases 2014–16 for orchestra Tableaux vivants for orchestra WP: 16 Oct 2015 Baarsporthalle, Donaueschingen WP: 09 Apr 2015 The Sage, Gateshead SWR Sinfonieorchester Baden-Baden und Freiburg / National Youth Orchestra of GB / Ilan Volkov Peter Eötvös 3(II=afl,III=picc).3(III=corA).3(II=Ebcl).2.dbn—6.4.3.1—timp. 4(II=afl,III,IV=picc).4.4.3.dbn—8.4.3.btrbn.1—timp. perc(5):xyl/glsp/4metal bl/ratchet(sm)/vibraslap/vib/bell tree/ perc(4):marimba/vib/xyl/glsp/crot/t.bells/BD/SD/2bongo/4tom-t/ tamb/2SD(sm,lg)/claves/4pop bottle/fishing reel/t.bells/crot/ timbales/tamb/2lion’s roar/tam-t/cyms/hi-hat/2wdbl/whip/2rute/ 2guiro/2flexatone/6cym(3sm,2med,lg)/2wash board(metal)/ 2ratchet/glass chimes/wood chimes/metal chimes/paper— bass marimba/2spring/2tgl/2thunder sheet(med,lg)/4can/2tpl.bl/ strings(14.12.10.8.6) spring coil/plate bell/2cowbell/BD/tam-t(sm)/hi-hat/maracas— harp—cel—pft—strings(12.12.10.10.8) Elliott Carter (1908–2012) Nikos Christodoulou (*1959) The American Sublime (2011) 14’ Préludes – Book 2 (arr.2012) 40’ for baritone and ensemble by Claude Debussy Text: Wallace Stevens (E) arranged for orchestra by Nikos Christodoulou WP: 08 Mar 2015 Carnegie Hall, New York, NY WP: 21 Nov 2012 Megaron, Athens Evan Hughes, baritone / MET Chamber Ensemble / Greek Radio Symphony Orchestra / Nikos James Levine Christodoulou 2(II=picc).afl.bfl(=afl).1.corA.2.bcl.dbcl(=bcl).1.dbn—1.1.0.0— 3(II,III=picc).3(III=corA).4(III=bcl,IV=Ebcl).3(III=dbn)—4.3.3.1—