Turnage Coraline Takes the Stage
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Mozart Magic Philharmoniker
THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro). -
Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
Boston Symphony Orchestra Concert Programs, Season 130, 2010-2011
BOSTON SYM PHONY • 4 ORCH ESTRA MTSP III __ 2010-2011 SEASON WEEK 1 James Levine Music Director Bernard Haitink Conductor Emeritus Seiji Ozawa Music Director Laureate RMES TALE I S, LIFE AS A ^S Table of Contents Week i 15 BSO NEWS 21 ON DISPLAY IN SYMPHONY HALL 22 BSO MUSIC DIRECTOR JAMES LEVINE 24 THE BOSTON SYMPHONY ORCHESTRA 27 A BRIEF HISTORY OF THE BOSTON SYMPHONY ORCHESTRA 33 THIS WEEK'S PROGRAM 35 FROM THE MUSIC DIRECTOR Notes on the Program 39 Gustav Mahler 57 To Read and Hear More... Guest Artists 61 Layla Claire 62 Karen Cargill 64 Tanglewood Festival Chorus 67 John Oliver 70 SPONSORS AND DONORS 80 FUTURE PROGRAMS 82 SYMPHONY HALL EXIT PLAN 83 SYMPHONY HALL INFORMATION THIS WEEK S PRE-CONCERT TALKS ARE GIVEN BY BSO DIRECTOR OF PROGRAM PUBLICATIONS MARC MANDEL (OCTOBER 8, 12) AND ASSISTANT DIRECTOR OF PROGRAM PUBLICATIONS ROBERT KIRZINGER (OCTOBER 7, 9). program copyright ©2010 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Michael J. Lutch BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org THE JOURNEY TO THE PRIVATE CLOUD STARTS NOW EMC is proud to support the Boston Symphony Orchestra. Learn more atwww.EMC.com/bso. EMC where information lives endary. HARVARD EXTENSION SCHOOL Greek heroes and award-winning faculty. At Harvard Extension School, we have our share of legends. Whether you are interested in ancient mythology or some other awe-inspiring subject, we invite you to check out our evening and online courses. -
Program Notes: Inspiration & Impact
CABRILLO FESTIVAL Program Notes: Inspiration & Impact Lola Montez Does the and she glides from the stage of sensory and expressive overload. Spider Dance (2016) overwhelmed with applause, At its premiere in March of 2012, the first third and smashed spiders, John Adams of the piece was largely a trope on the Opus (b. 1947) and radiant with parti-colored skirts, [World Premiere] 131 C# minor quartet’s scherzo and suffered smiles, graces, cobwebs and glory. from just this problem. After a moody opening of tremolo strings and fragments of the Ninth Commissioned by the musicians of the Cabrillo Lola Montez Does the Spider Dance was Symphony signal octave-dropping motive, Festival Orchestra in honor of Marin Alsop commissioned by members of the Cabrillo Festival Orchestra in celebration of Marin the solo quartet emerged as if out of a haze, The Irish-born actress and dancer Eliza Gilbert Alsop’s twenty five seasons as music director, playing the driving foursquare figures of that (1821—1861) achieved international fame and it is dedicated to her. scherzo material that almost immediately went under the name “Lola Montez, the Spanish through a series of strange permutations. Dancer.” After a controversial career on the —John Adams continent, including a sojourn in Bavaria This original opening never satisfied me. The where she become both the lover as well as clarity of the solo quartet’s role was often political advisor to King Ludwig, she returned Absolute Jest (2011) buried beneath the orchestral activity resulting in what sounded to me too much like “chatter.” to London, where she eloped with and married John Adams (b. -
Sound out Loud Ensemble New Arts Venture Challenge Grant Proposal
Sound Out Loud Ensemble New Arts Venture Challenge Grant Proposal April 5, 2016 Satoko Hayami DMA Candidate in Collaborative Piano, School of Music Executive Summary History and Makeup of Sound Out Loud Sound Out Loud (SOL) is a new music ensemble that recently launched in Madison. SOL is comprised of 7 forwardlooking, classically trained musicians, which includes 2 pianists, 1 percussionist, 1 flutist, 1 clarinetist, 1 violinist and 1 cellist. The group is lead by pianists Satoko Hayami and Kyle Johnson, a percussionist Garrett Mendelow. Mission SOL’s mission is to create a growing circle of musicians and audiences to share the excitement of the innovative, contemporary language of newly/recently composed classical music through a series of creative concerts and presentations primarily in the city of Madison. SOL also commissions works of young upcoming composers to enrich the repertoire of the genre. SOL believes that progressive new classical music expands the audience’s existing perspectives of music, and therefore further enhances their appreciation toward music in general. SOL also understands that new music’s relatable contemporary language helps the audience reconnect with conventional classical music, as inherited by contemporary classical music. Through commitment to contemporary classical music, SOL’s hope is to cultivate a sense of freedom toward classical music as well as toward other aspects of life, without the limitation of a conventional concept of music. Method SOL thrives to present highenergy performances of dynamic programs which are intellectually and emotionally inspirational for a wide array of audiences (including both classical music lovers and non classical music lovers). -
THE CLEVELAN ORCHESTRA California Masterwor S
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Royal Hospital School Welcome to at the Music
September 2019 – June 2020 music at the royal hospital school welcome to music the at Music at RHS hospital school royal It is my pleasure to share this year’s RHS music programme which again reflects the ambition and talent of our Music Department and pupils. For those who have experienced a chapel service at RHS or witnessed the School’s marching band on Divisions, you will have some appreciation of how important music is to the pupils and to the key events in the school year. The positive benefits of music are well-documented - 2019 from improving well-being and bolstering the immune system, to developing co-ordination. For many of our / pupils it is a valuable counterbalance to the pressures 20 of work and a chance to build friendships through the collaborative nature of making music. This year the programme looks as rich as it is broad, providing opportunities not only for members of the School but also for wider participation. Highlights this year include the welcome return of the award-winning singer Matt Ford, to sing with the Chris Ingham Trio and the RHS Big Band. The joint concert with the British Army Band and the RHS Concert Band in February should also raise the roof! There is also a performance of Verdi’s Requiem with the RHS Chapel Choir, Holbrook Choral Society and the Ipswich Choral Society. Later in the year we present a semi-staged performance of one of the greatest English operas ever written, Dido and Aeneas; and an afternoon of fun and laughter with our annual Come and Sing event, featuring songs from a number of Disney classics. -
Box Office 0121 704 6962
spring 2019 4 1 E G PA E SE - E RN O TH LA UL VE TE : S O OT , PH BOX OFFICE 0121 704 6962 KID UR Y: O AILE thecoretheatresolihull.co.uk EN B STEPH 2 The cOre experience! What a packed season the Autumn has been, and it’s not over yet. Although the Spring season is just around the corner, our pantomime is just taking off and we are delighted to be partnered this year by Little Wolf Productions, an award- winning company who usher us into a new era of panto in Solihull with Sleeping Beauty which opens on Friday 14 December. With plenty of gift ideas for family and friends, we highly recommend giving tickets as gifts as everyone looks forward to a night out and our Box Office team pride themselves on having a show to suit everyone from 3 to 103! Take a glance opposite and don’t forget Valentine’s Day, Mother’s Day and Easter are just a few weeks away. Spring 2019 will be the season of ‘taking part’ at this venue, with plenty of new opportunities for all ages, why not try our new Monday morning Gentle Yoga class to wake up your week, join our Community Choir on Thursdays at lunchtime. For young people we have a new Saturday Art Club in the Courtyard for ages 8 - 14 years or get your whole family booked up for our very first Solihull Bookfest , from the organisers of the popular Bournville Bookfest, which attracts the very best names in family literature and all things books (see page 13). -
Full Orchestra
John Adams City Noir 2009 34 min for orchestra picc.3(III=picc).3.corA.3(III=bcl).bcl.asax.dbn--6.4.3.1--timp.perc(5):vib/lg sus.cym/SD/bongos; tuned gongs/sus.cym/glsp/mar/tam-t/BD/chimes/vib/low tom-toms/tgl/castanets/cowbell/clave/temple bl; chimes/glsp/tamb/med tam-t/2 timbales/sus.cym/crotales/xyl; BD/tuned gongs/med tam-t/2 sus.cym/mar/crotales/castanet/tgl/glsp; 2 tam-t/BD/sus.cym/tgl/temple block/SD/2 tom-t/timbale/bongo/conga/tuned gongs.trap set--pft--cel--2harps--strings 9790051097791 Orchestra (full score) John Adams photo © Christine Alicino World Premiere: 08 Oct 2009 Walt Disney Concert Hall, Los Angeles, CA, United States Los Angeles Philharmonic FULL ORCHESTRA Conductor: Gustavo Dudamel Availability: This work is available from Boosey & Hawkes for the world Absolute Jest 2011 25 min Doctor Atomic Symphony 25 min for string quartet and orchestra 2007 2.picc.2.corA.2.bcl.2.dbn-4.2.2.0-timp.perc(2):cowbell/xyl/BD/chimes/glsp/vib-harp-pft.c for orchestra el-strings 2.picc.3(III=corA).3(II=Ebcl, III=bcl).3(III=dbn) -4.4(IV=picc.tpt).3.1-harp-cel-timp-perc(4):crotales/chimes/SD/thunder sheet/glsp/BD/2 This work requires additional technological components and/or amplification. tam-t/2 susp.cym/tuned gongs-strings 9790051097326 (Full score) <u>NOTE</u>: Due to certain balance issues in the orchestration, it is strongly recommended that very light amplification of the solo quartet be used with the sound controlled through a mixing board located at the rear, behind the audience. -
Cole Porter Kiss Me, Kate Mp3, Flac, Wma
Cole Porter Kiss Me, Kate mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Stage & Screen Album: Kiss Me, Kate Country: US Released: 1990 Style: Musical MP3 version RAR size: 1211 mb FLAC version RAR size: 1203 mb WMA version RAR size: 1757 mb Rating: 4.7 Votes: 308 Other Formats: WMA VQF VOC AHX MMF DTS AC3 Tracklist A Act One B Act One C Act Two D Appendix Companies, etc. Manufactured By – Capitol Records, Inc. Manufactured For – Angel Records Credits Arranged By [Incidental Ballet Music] – Genevieve Pitot Chorus – Ambrosian Chorus* Chorus Master – John McCarthy Conductor – John McGlinn Libretto By [Book] – Bella Spewack, Sam* Music By, Lyrics By – Cole Porter Orchestra – London Sinfonietta Orchestrated By – Robert Russell Bennett Orchestrated By [Appendix Material] – Russell Warner Vocals [Bill Calhoun (Lucentio)] – George Dvorsky Vocals [Curtis (Appendix)] – Simon Green Vocals [First Man (Gangster)] – Robert Nichols Vocals [Fred Graham (Petruchio)] – Thomas Hampson Vocals [Gremio (Suitor)] – Davis Gaines Vocals [Hattie] – Karla Burns Vocals [Hortensio (Suitor)] – John Mark Ainsley Vocals [Lilli Vanessi (Katharine)] – Josephine Barstow Vocals [Lois Lane (Bianca)] – Kim Criswell Vocals [Paul] – Damon Evans Vocals [Second Man (Gangster)] – David Garrison Notes The first complete recording of Cole Porter's original, unabridged score. Cassette one length: 54:57 Cassette two length: 56:28 Manufactured for Angel Records by Capitol Records, Inc. Printed in the USA. XDR Dolby HX Pro B NR Barcode and Other Identifiers Barcode: 0 7777-54033-4 -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
Radio 3 Listings for 25 – 31 August 2012 Page 1
Radio 3 Listings for 25 – 31 August 2012 Page 1 of 22 SATURDAY 25 AUGUST 2012 Verdi, Giuseppe (1813-1901) Giovanna D'Arco - Sinfonia SAT 01:00 Through the Night (b01m18ys) Canadian Opera Company Orchestra, Richard Bradshaw Jonathan Swain presents a performance of Brahms' mighty (conductor) German Requiem given by the Orchestre des Champs-Elysées and conductor Philippe Herreweghe recorded in Warsaw in 4:38 AM 2011. Scarlatti, Domenico (1685-1757) Sonata (Kk.133) in C major 1:01 AM Andreas Staier (harpsichord) Brahms, Johannes [1833-1897] Ein Deutsches requiem Op.45 4:42 AM Ilse Eerens (soprano), Andrew Foster-Williams (baritone), Granados, Enrique (1867-1916) Collegium Vocale, Ghent, Orchestre des Champs-Elysées, 4 Tonadillas from 'Colección de tonadillas escritas en estilo Philippe Herreweghe (conductor) antiguo' Isabel Bayrakdarian (soprano), James Parker (piano) 2:03 AM Spohr, Ludwig (1784-1859) 4:51 AM Sechs deutsche lieder for soprano, clarinet and piano (Op.103) Beethoven, Ludwig van [1770 -1827] Jean Stilwell (mezzo-soprano), Amici Chamber Ensemble: Egmont, incidental music: Overture (Op.84) Joaquín Valdepeñas (clarinet), Patricia Parr (piano) BBC Symphony Orchestra, Jiri Belohlávek (conductor) 2:25 AM 5:01 AM Pezel, Johann Christoph (1639-1694) Bella, Ján Levoslav (1843-1936) German Dance Suite Overture to Hermania in Venus' cave Canadian Brass Slovak Radio Symphony Orchestra, Bratislava, Stefan Róbl (conductor) 2:33 AM Schubert, Franz (1797-1828), orchestrated. Anton Webern 5:09 AM (1883-1945) Beethoven, Ludwig van (1770-1827)