Classical Season 2019 / 20
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Sound out Loud Ensemble New Arts Venture Challenge Grant Proposal
Sound Out Loud Ensemble New Arts Venture Challenge Grant Proposal April 5, 2016 Satoko Hayami DMA Candidate in Collaborative Piano, School of Music Executive Summary History and Makeup of Sound Out Loud Sound Out Loud (SOL) is a new music ensemble that recently launched in Madison. SOL is comprised of 7 forwardlooking, classically trained musicians, which includes 2 pianists, 1 percussionist, 1 flutist, 1 clarinetist, 1 violinist and 1 cellist. The group is lead by pianists Satoko Hayami and Kyle Johnson, a percussionist Garrett Mendelow. Mission SOL’s mission is to create a growing circle of musicians and audiences to share the excitement of the innovative, contemporary language of newly/recently composed classical music through a series of creative concerts and presentations primarily in the city of Madison. SOL also commissions works of young upcoming composers to enrich the repertoire of the genre. SOL believes that progressive new classical music expands the audience’s existing perspectives of music, and therefore further enhances their appreciation toward music in general. SOL also understands that new music’s relatable contemporary language helps the audience reconnect with conventional classical music, as inherited by contemporary classical music. Through commitment to contemporary classical music, SOL’s hope is to cultivate a sense of freedom toward classical music as well as toward other aspects of life, without the limitation of a conventional concept of music. Method SOL thrives to present highenergy performances of dynamic programs which are intellectually and emotionally inspirational for a wide array of audiences (including both classical music lovers and non classical music lovers). -
Trinity Episcopal Church Choir Invited to Perform Handel's Messiah at Carnegie Hall in New York City
FOR IMMEDIATE RELEASE: Trinity Episcopal Church Choir Invited to Perform Handel’s Messiah at Carnegie Hall in New York City New York, N.Y. – November 20, 2018 Outstanding music program Distinguished Concerts International New York City (DCINY) receives special invitation announced today that director Jennifer Wood and the Trinity Episcopal Church Choir have been invited to participate in a performance of Handel’s Messiah on the DCINY Concert Series in New York City. This performance in Isaac Stern Auditorium at Carnegie Hall on Sunday, December 1, 2019 is of the Thomas Beecham/Eugene Goossens’ 1959 Re-Orchestration for Full Symphony Orchestra. These outstanding musicians will join with other choristers to form the Distinguished Concerts Singers International, a choir of distinction. Conductor Dr. Jonathan Griffith will lead the performance and will serve as the clinician for the residency. Why the invitation was extended Dr. Jonathan Griffith, Artistic Director and Principal Conductor for DCINY states: “The Trinity Episcopal Choir received this invitation because of the quality and high level of musicianship demonstrated by the singers. It is quite an honor just to be invited to perform in New York. These wonderful musicians not only represent a high quality of music and education, but they also become ambassadors for the entire community. This is an event of extreme pride for everybody and deserving of the community’s recognition and support.” The singers will spend 5 days and 4 nights in New York City in preparation for their concert. “The singers will spend approximately 9-10 hours in rehearsals over the 5 day residency.” says Griffith. -
111053-54 Bk Bhmissa
111337-38 bk Cornelius EU 13/7/08 22:48 Page 12 Fatime must go to Zobeide, the Caliph’s wife, to ask for his wife’s funeral. Fatime explains to him what has for funeral money for her dead husband. She bids her happened, while out aloud they pretend to quarrel over dead husband farewell and sets off for the palace. the locked cupboard. They continue, with Abu Hassan 7 Abu Hassan sings of what he would do with money, playing the jealous husband, while Omar, in the CORNELIUS: The Barber of Baghdad entertaining, enjoying himself and lavishing money cupboard, is fearful of discovery. Fatime sees a palace too on his wife. servant approaching, and Abu Hassan tells her to lie 8 The door opens, and there stands Omar, the down, feet towards Mecca, allowing the messenger to WEBER: Abu Hassan Caliph’s money-lender, followed by other creditors, return to the palace with news of Fatime’s death, thus seeking money from Abu Hassan, whose debts have letting the Caliph win his bet with Zobeide. fallen due. Omar is unwilling to wait any longer, but # Rôles are reversed with the approach of a second Abu Hassan begs him to be patient, telling him that messenger, Zobeide’s servant and the narrator in the SCHW Fatime has gone to take money from Zobeide and whole piece, who finds Fatime mourning her husband; TH AR explaining how she admires Omar’s generosity and she shows the woman her husband’s body and is BE Z A K goodness. Omar is ready to help Fatime and deal with comforted to be told that she is young and pretty and S O Abu Hassan’s creditors, who leave with him. -
111053-54 Bk Bhmissa
8.111329-30 bk GypsyBaron_EU 12/12/08 1:04 PM Page 12 Johann Also available STRAUSS II The Gypsy Baron SCH TH WA E RZ AB K S O I P L F E 8.111254 8.111257 1 g 954 Recordin Elisabeth Schwarzkopf • Nicolai Gedda Erich Kunz • Erika Köth • Hermann Prey Philharmonia Chorus and Orchestra 8.111016-17 8.111036-37 Otto Ackermann 8.111329-30 12 8.111329-30 bk GypsyBaron_EU 12/12/08 1:04 PM Page 2 Great Operetta Recordings Act 3 ) They are congratulated by Homonay on their success, with Barinkay and Ottokar promoted to the & [The army has been victorious and there is general nobility as a reward for their bravery. Johann rejoicing, with Arsena singing of the difficulties of ¡ This removes any possible objections to the love and courting.] Zsupán, returning from battle, marriage of Saffi and Barinkay and of Arsena and STRAUSS II greets the company. Ottokar, so that all ends in general rejoicing. * He goes on to boast of his martial and other (1825-1899) exploits in Spain. Keith Anderson ( The victorious soldiers sing of their triumphs. The Gypsy Baron (Der Zigeunerbaron) Operetta in Three Acts • Libretto by Ignatz Schnitzer (1839-1921) Barinkay . Nicolai Gedda (tenor) Saffi . Elisabeth Schwarzkopf (soprano) Zsupán . Erich Kunz (baritone) Arsena . Erika Köth (soprano) Czipra . Gertrude Burgsthaler-Schuster (contralto) Carnero . Willy Ferenz (bass) • Karel Stepanek (speaking rôle) Mirabella . Monica Sinclair (contralto) • Lea Seidl (speaking rôle) Ottokar . Josef Schmidinger (bass) Count Homonay . Hermann Prey (baritone) Pali . Erich Paulik (bass) Philharmonia Chorus and Orchestra Otto Ackermann Recorded 18th-21st, 26th, 28th and 31st May, and 25th September, 1954 in Kingsway Hall, London First issued on Columbia 33CX 1329 and 1330 Reissue Producer and Audio Restoration Engineer: Mark Obert-Thorn 8.111329-30 211 8.111329-30 8.111329-30 bk GypsyBaron_EU 12/12/08 1:04 PM Page 10 increasing indignation. -
Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary -
Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska, -
Adams Other Mary on Stage
Boosey & Hawkes Music Publishers Limited February 2015 2015/1 Adams Other Mary on stage Included in this issue: “John Adams received a rapturous response for the world premiere staging MacMillan Concertos including new at ENO of his Passion oratorio, The Gospel According to the Other Mary. work for Colin Currie Bursting with fury, compassion and inspiration, this elemental score seems to carry the composer to a whole new level of expression.” So wrote The Independent of the work’s first full staging by Peter Sellars, in a production shared between English National Opera, Theater Bonn and Royal Swedish Opera. Joana Carniero Little summoned a vivid range of sonorities from Interview with the newly the orchestra, with fervent vocal portrayals signed US composer from Patricia Bardon as Mary, Meredith The final book by the late Bob Gilmore, Arwady as Martha and Russell Thomas Claude Vivier: A Composer’s Life, breaks as Lazarus. new ground as the first in-depth study of the composer (University of Rochester “…the music sweeps all before it. The distance that Press 978-1-58046-485-7). With Adams has travelled from his minimalist beginnings unrestricted access to Vivier’s archives, to this rich tapestry of a score is remarkable. Some of the passages for orchestra alone, such as the author drew upon interviews with the Lazarus’s death, ride on waves of emotion; and Canadian-born composer’s family, friends Adams has mastered the ability to keep the and colleagues to build a picture of a complex audience gripped over hour-long arcs of intensity… Photo: ENO/Richard Hubert Smith soul, while revealing the personal quest for Is it opera or oratorio? It hardly matters. -
Download Booklet
- PB - EVENING IN GRANADA CLAUDE DEBUSSY (1862-1918) CLAUDE DEBUSSY 1 La soirée dans Grenade L.100 No.2 (St. Germain-en-Laye, 1872 – Paris, 1918) Orchestrated by Leopold Stokowski 1 La soirée dans Grenade L.100 No.2 (orch. Stokowski) [6.28] Claude Debussy was the father of La soirée dans Grenade (“Evening in Granada”) 2 Clair de Lune L.75 No.3 (orch. Caplet) [5.01] “Impressionism” in music. Inspired by such – the second of the tripartite piano set Estampes French painters as Monet, Renoir and Degas, (meaning “Prints” or “Engravings”) – was 3 Pagodes L.100 No.1 (orch. Grainger) [5.25] and poets of the “Symbolist” school, including published in 1903. Like other French composers, 4 La fille aux cheveux de lin L.125 No.8 (orch. Gleichmann) [3.10] Mallarmé, Verlaine and Baudelaire, he produced such as Chabrier with España, Ravel with compositions which sought to suggest – rather Rapsodie Espagnole and Boléro and Lalo with Nocturnes L.91 Women’s Voices of the Philharmonia Chorus than to display – the fleeting aspects of colour his Symphonie Espagnole, Debussy had more 5 I. Nuages [8.08] and light on imaginary scenes and subjects. than a passing feeling for the romance of Spain 6 II. Fêtes [6.12] With vibrant timbres and half-lit dream-worlds, despite visiting the country only once, to see a 7 III. Sirènes [10.18] his music was at the opposite extreme to the bullfight in San Sebastian. His superb evocation grandiose orgies of sound so beloved by Wagner of a sensuous, half-lit twilight in Granada is a 8 Première rapsodie L.124b [8.42] and Richard Strauss. -
THE BROOKLYN PHILHARMONIA ~)~,,·C Rt U Rc ~J.~.. \0
BAm BROOKLYN ACADEMY OF MUSIC THE BROOKLYN PHILHARMONIA ~)~,,·c rt u rc ~J.~.._\0 a•• \~ r""l ,. " ¥"" .. "'" ..\1 YOUR MONEY GROWS LIKE MAGIC AT THE THE DIME SAVINGS BANK OF NEW YORK Wll4fl l()tC MANHATTAN • DOWNTOWN BROO!<LYN • BENSONHURST • FLATBUSH CONEY ISLAND • KINGS PLAZA • . VALLEY STREAM • MASSAPEQUA HUNTINGTON STATION BAM BROOKLYN ACADEMY OF MUSIC Opera House Friday, April 3, 1981 , 8:00pm Saturday, April 4, 1981 , 8:00pm Sunday, April 5, 1981 , 3:00pm THE BROOKLYN PHILHARMONIA LUKAS FOSS, MUSIC DIRECTOR Twenty-seventh Season 1980/81 LUKAS FOSS Conductor JANOS STARKER Cello BEETHOVEN Symphony No. 6 in F Major ("Pastoral"), Op. 68 (1808) Allegro rna non troppo ("Cheerful impressions awakened by arrival in the country") Andante molto moto ("Scene by the Brook") Allegro ("Merry gathering of Country-folk") Allegro ("Thunderstorm, tempset ") Allegretto (Shepherd's Hymn. Glad and grateful feelings after the storm") {Intermission} STRAUSS "Don Quixote" (Introduction, Theme with Variations, and Finale): Fantastic Variations on a Theme of Knightly Character, Op. 35 {1897) Janos Starker, Cello The Baldwin is the official piano of the Brooklyn Philharmonia This concert was made possible in pari with public funds from the City of New York Department of Cultural Affairs Administration the New Yo rk State Council on the Arts. and the National Endowment for the Arts Slowly it's beginning to dawn on between business and the local people are returning to the city. people that the city just may be a sane community. Property values are on the rise. Neigh alternative to gasoline shortages, Creating affordable housing by borhoods are on the upswing. -
Otto Klemperer on Film Based on a Compilation by Charles Barber
Otto Klemperer on Film based on a compilation by Charles Barber Rehearsal and Performance Films 1934 Los Angeles Philharmonic, Hollywood Bowl 3:00 repertoire unknown, in rehearsal with Lotte Lehmann et al. black and white, silent SOURCE: Film and Television Archive, UCLA Los Angeles Philharmonic, Huntington Library 2:00 black and white, silent 25 December 1934, radio broadcast SOURCE: Film and Television Archive, UCLA NOTE: An audio record of this performance exists. It has not been possible to match it to the film that has survived. 1936 Los Angeles Philharmonic, Forest Lawn at Glendale, California 9:00 Wagner: Parsifal—fragment; et al. black and white, sound Blythe Taylor Burns, soprano; Glendale Community Chorus, Joseph Klein, conductor; Albert Hay Malotte, Gaylord Carter, accompanists; William Farnum, speaker Easter sunrise service, 5:20 a.m., 12 April 1936 SOURCE: Hearst-Metrotone Archive, UCLA (newsreel) NOTE: The surviving film is in rough-cut form only. 1946 Radio Symphony Orchestra, Baden-Baden 1:00 Beethoven: Symphony No. 5—rehearsal black and white, sound 30 June 1946 SOURCE: Blick in die Welt, Frankfurt am Main (newsreel) NOTE: Defective synchronicity. 1958 Concertgebouw Orchestra, Amsterdam 25:00 Beethoven cycle, in rehearsal black and white, silent 12 May-1 June 1958 SOURCE: Private 1960 Philharmonia Orchestra, Musikvereinssaal, Vienna 1:30 Beethoven: Egmont Overture, in rehearsal black and white, sound 31 May 1960 SOURCE: Private (newsreel) 1 1964 New Philharmonia Orchestra, Royal Albert Hall, London 90:00 Beethoven: Symphony No. 9 Agnes Giebel, Marga Höffgen, Ernst Haefliger, Gustav Neidlinger; New Philharmonia Chorus television program Anthony Craxton, director black and white, sound 27 October 1964; broadcast on BBC, 8 November 1964 SOURCE: BBC, London NOTE: Commercially available on EMI Classics home video and laser disc. -
Mahler Benjamin Zander
Mahler Benjamin Zander Symphony No. 2 ‘Resurrection’ Philharmonia Orchestra Philharmonia Chorus · Miah Persson soprano · Sarah Connolly mezzo-soprano Mahler Symphony No. 2 ‘Resurrection’ Benjamin Zander Philharmonia Orchestra Recorded at Recording editing by Watford Colosseum, London, UK Thomas C. Moore, from 6 – 8 Jan 2012 Five/Four Productions, Ltd. Produced by Post-production by Elaine Martone and Gus Skinas, Super Audio Center David St. George Design by Engineered by gmtoucari.com Robert Friedrich, Cover image by Five/Four Productions, Ltd. Tony Rinaldo Assistant engineering by All other photos of Jonathan Stokes and Neil Hutchison, Benjamin Zander by Classic Sound, Ltd. Jesse Weiner David St. George has been involved in every aspect of this recording, as co-producer and most importantly as my musical collaborator, in a relationship of deep trust and mutual understanding, in which he has guided and inspired the music at every moment. Ben Zander Symphony No. 2 in C minor ‘Resurrection’ 1. I. Allegro maestoso 22:40 2. II. Andante moderato 10:01 3. III. In ruhig fliessender Bewegung 12:44 4. IV. Urlicht 5:47 5. V. Im Tempo des Scherzo 38:57 Total Time: 90:09 Off-stage brass conductor: Courtney Lewis Be sure to visit www.linnrecords.com/mahlerdiscussion for an extensive discussion by Benjamin Zander of Mahler’s Symphony No. 2, as well as other ancillary material available as free downloads. Gustav Mahler, photographed in 1892. GUSTAV MAHLER Symphony No. 2 in C minor (‘Resurrection’) Mahler began work on his Second Symphony when he was twenty-seven, still a young man. Yet the questions it raises and the solution it offers are not those of youth, but of maturity. -
Der Gerettete Alberich (Alberich Saved), Fantasy for Solo Percussion and Orchestra
27 Season 2012-2013 Thursday, March 21, at 8:00 Friday, March 22, at 2:00 The Philadelphia Orchestra Saturday, March 23, at 8:00 Andrey Boreyko Conductor Colin Currie Percussion Wagner/arr. Zumpe “Entry of the Gods into Valhalla,” from Das Rheingold Rouse Der gerettete Alberich (Alberich Saved), fantasy for solo percussion and orchestra Intermission Tchaikovsky Symphony No. 5 in E minor, Op. 64 I. Andante—Allegro con anima II. Andante cantabile, con alcuna licenza III. Valse: Allegro moderato IV. Andante maestoso—Allegro vivace This program runs approximately 1 hour, 50 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 2 PM. Visit www.wrti.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive Philadelphia is home and Carnegie Hall and the sound, beloved for its the Orchestra nurtures Kennedy Center while also keen ability to capture the an important relationship enjoying a three-week hearts and imaginations not only with patrons who residency in Saratoga of audiences, and admired support the main season Springs, N.Y., and a strong for an unrivaled legacy of at the Kimmel Center but partnership with the Bravo! “firsts” in music-making, also those who enjoy the Vail festival. The Philadelphia Orchestra Orchestra’s other area The ensemble maintains is one of the preeminent performances at the Mann an important Philadelphia orchestras in the world. Center, Penn’s Landing, tradition of presenting and other venues. The The Orchestra has educational programs for Philadelphia Orchestra cultivated an extraordinary students of all ages.