' Alexandèr Fraser Tytler on the Principies of Translation Ev£Ryman's
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1 (Disclaimers Moved to End of Document) the ILIAD of HOMER
(Disclaimers moved to end of document) THE ILIAD OF HOMER Rendered into English Prose for the use of those who cannot read the original by Samuel Butler BOOK I The quarrel between Agamemnon and Achilles--Achilles withdraws from the war, and sends his mother Thetis to ask Jove to help the Trojans--Scene between Jove and Juno on Olympus. Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest. Now Chryses had come to the ships of the Achaeans to free his daughter, and had brought with him a great ransom: moreover he bore in his hand the 1 sceptre of Apollo wreathed with a suppliant's wreath, and he besought the Achaeans, but most of all the two sons of Atreus, who were their chiefs. "Sons of Atreus," he cried, "and all other Achaeans, may the gods who dwell in Olympus grant you to sack the city of Priam, and to reach your homes in safety; but free my daughter, and accept a ransom for her, in reverence to Apollo, son of Jove." On this the rest of the Achaeans with one voice were for respecting the priest and taking the ransom that he offered; but not so Agamemnon, who spoke fiercely to him and sent him roughly away. -
Statius; with an English Translation by J.H. Mozley
THE LOEB CLASSICAL LIBRARY EDITED BY T. E. PAGE, LiTT.D. E. CAPPS, PH.D., LL.D. W. H. D. ROUSE, litt.d. STATIUS II ^cfi STATIUS f WITH AN ENGLISH TRANSLATION BY J. H. MOZLEY, M.A. SOMETIME SCHOLAR OF KING S COLLEGE, CAMBRIDGE USCTDEER IN CLASSICS AT EAST LONDON COLLEGE, UNIVERSITY OF LONDON IN TWO VOLUMES J.^ II THEBAID V-XII • ACHILLEID LONDON : WILLIAM HEINEMANN LTD NEW YORK: G. P. PUTNAM'S SONS MCMXXVIII ; Printed in Great Britain CONTENTS OF VOLUME II THEBAID BOOKS V-XII VOL. 11 THEBAIDOS LIBER V Pulsa sitis fluvio, populataque gurgitis altum^ agmina linquebant ripas amnemque minorem ; acrior et campum sonipes rapit et pedes arva implet ovans, rediere viris animique minaeque votaque, sanguineis mixtum ceu fontibus ignem 5 hausissent belli magnasque in proelia mentes. dispositi in turmas rursus legemque severi ordinis, ut cuique ante locus ductorque, monentur instaurare vias. tellus iam pulvere primo crescit, et armorum transmittunt fulgura silvae. 10 qualia trans pontum Phariis depvensa serenis rauca Paraetonio deeedunt agmina Nilo, quo^ fera cogit hiemps : illae clangore fugaei, umbra fretis arvisque, volant, sonat avius aether, iam Borean imbresque pati, iam nare solutis 15 amnibus et nudo iuvat aestivare sub Haemo. Hie rursus simili procerum vallante corona dux Talaionides, antiqua ut forte sub orno ^ altum P : alvum w (Z) mith alveum written over). ^ quo Vollmer : cum Pa,-. " i.e., cranes, cf. Virg. Aen. x. 264.. * The epithet is taken from a town named Paraetonium, on the Libyan coast west of the Delta. 2 THEBAID BOOK V Their thirst was quenched by the river, and the army haWng ravaged the water's depths was lea\"ing the banks and the diminished stream ; more briskly now the galloping steed scours the plain, and the infantrj' swarm exultant over the fields, inspired once more by courage and hope and warlike temper, as though from the blood-stained springs they had drunk the fire of battle and high resolution for the fray. -
Dares Phrygius' De Excidio Trojae Historia: Philological Commentary and Translation
Faculteit Letteren & Wijsbegeerte Dares Phrygius' De Excidio Trojae Historia: Philological Commentary and Translation Jonathan Cornil Scriptie voorgedragen tot het bekomen van de graad van Master in de Taal- en letterkunde (Latijn – Engels) 2011-2012 Promotor: Prof. Dr. W. Verbaal ii Table of Contents Table of Contents iii Foreword v Introduction vii Chapter I. De Excidio Trojae Historia: Philological and Historical Comments 1 A. Dares and His Historia: Shrouded in Mystery 2 1. Who Was ‘Dares the Phrygian’? 2 2. The Role of Cornelius Nepos 6 3. Time of Origin and Literary Environment 9 4. Analysing the Formal Characteristics 11 B. Dares as an Example of ‘Rewriting’ 15 1. Homeric Criticism and the Trojan Legacy in the Middle Ages 15 2. Dares’ Problematic Connection with Dictys Cretensis 20 3. Comments on the ‘Lost Greek Original’ 27 4. Conclusion 31 Chapter II. Translations 33 A. Translating Dares: Frustra Laborat, Qui Omnibus Placere Studet 34 1. Investigating DETH’s Style 34 2. My Own Translations: a Brief Comparison 39 3. A Concise Analysis of R.M. Frazer’s Translation 42 B. Translation I 50 C. Translation II 73 D. Notes 94 Bibliography 95 Appendix: the Latin DETH 99 iii iv Foreword About two years ago, I happened to be researching Cornelius Nepos’ biography of Miltiades as part of an assignment for a class devoted to the study of translating Greek and Latin texts. After heaping together everything I could find about him in the library, I came to the conclusion that I still needed more information. So I decided to embrace my identity as a loyal member of the ‘Internet generation’ and began my virtual journey through the World Wide Web in search of articles on Nepos. -
UNIVERSITY of CALIFORNIA Los Angeles Homer's Roads Not Taken
UNIVERSITY OF CALIFORNIA Los Angeles Homer’s Roads Not Taken Stories and Storytelling in the Iliad and Odyssey A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Craig Morrison Russell 2013 ABSTRACT OF THE DISSERTATION Homer’s Roads Not Taken Stories and Storytelling in the Iliad and Odyssey by Craig Morrison Russell Doctor of Philosophy in Classics University of California, Los Angeles, 2013 Professor Alex C. Purves, Chair This dissertation is a consideration of how narratives in the Iliad and Odyssey find their shapes. Applying insights from scholars working in the fields of narratology and oral poetics, I consider moments in Homeric epic when characters make stories out of their lives and tell them to each other. My focus is on the concept of “creativity” — the extent to which the poet and his characters create and alter the reality in which they live by controlling the shape of the reality they mould in their storytelling. The first two chapters each examine storytelling by internal characters. In the first chapter I read Achilles’ and Agamemnon’s quarrel as a set of competing attempts to create the authoritative narrative of the situation the Achaeans find themselves in, and Achilles’ retelling of the quarrel to Thetis as part of the move towards the acceptance of his version over that of Agamemnon or even the Homeric Narrator that occurs over the course of the epic. In the second chapter I consider the constant storytelling that [ii ] occurs at the end of the Odyssey as a competition between the families of Odysseus and the suitors to control the narrative that will be created out of Odysseus’s homecoming. -
Essay on the Principles of Translation
ANGELES ^^N^fc'i UNfV. OF CALIF. UBRARY. LOS h'> IWlLb GO -WITH 'THEE. &BE'THY-GVID£ IN -THY-M05r NEED [TOGOBY'THY'SIDE m f mm^ 1 fm\ f ill Itw 3 ifc1n Digitized by the Internet Arcliive in 2007 witli funding from IVIicrosoft Corporation littp://www.arcliive.org/details/essayonprincipleOOwoodiala EVERYMAN'S LIBRARY EDITED BY ERNEST RHYS ESSAYS ESSAY ON THE PRINCI- PLES OF TRANSLATION THE PUBLISHERS OF £f^61{r3^^3^S LIB%A%T WILL BE PLEASED TO SEND FREELY TO ALL APPLICANTS A LIST OF THE PUBLISHED AND PROJECTED VOLUMES TO BE COMPRISED UNDER THE FOLLOWING TWELVE HEADINGS: TRAVEL $ SCIENCE ^ FICTION THEOLOGY & PHILOSOPHY HISTORY ^ CLASSICAL FOR YOUNG PEOPLE ESSAYS ^ ORATORY POETRY & DRAMA BIOGRAPHY ROMANCE IN TWO STYLES OF BINDING, CLOTH, FLAT BACK, COLOURED TOP, AND LEATHER, ROUND CORNERS, GILT TOP. London: J. M. DENT & CO. New York: E. P. BUTTON & CO. ESSAYon tRe PRINCIPIESS^ TRANSIATiON k^ ^ALEXANDER FRASERrTYTlER LORD WGDD- HOUSELEEc^S LONDON-PUBLISHED byJMDENT- &CO AND IN NEW YORK BY EPDUTTON &CO Richard Clay & Sons, LiMiTEOt BREAD STREET HILL, E.C., AND EUNGAY SUFFOLK. —; STACK ANNEX INTRODUCTION ( ^Ql Alexander Fraser Tytler, Lord Woodhouselee, author of the present essay on Translation, and of various works on Universal and on Local History, was one of that Edinburgh circle which was revolving when Sir Walter Scott was a young probationer. Tytler was born at Edin- burgh, October 15, 1747, went to the High School there, and after two years at Kensington, under Elphinston Dr. Johnson's Elphinston—entered Edinburgh University (where he afterwards became Professor of Universal History). -
Revista CICSA Online, Serie Nouă, Anul V/2019
Consiliul Științific/ Scientific Board: Alexandru Avram – Prof. Dr. Université du Maine (LeMans), France Carol Căpiță – Prof. Dr. University of Bucharest Miron Ciho – Prof. Dr. University of Bucharest Andreas Gutsfeld – Prof. Dr. Université de Lorraine (Nancy 2), France Antal Lukacs – Prof. Dr. University of Bucharest Ecaterina Lung – Prof. Dr. University of Bucharest Gheorghe-Vlad Nistor – Prof. Dr. University of Bucharest Christoph Uehlinger – Prof. Dr. Universität Zürich, Switzerland Daniela Zaharia – Lect. Dr. University of Bucharest Comitetul de Redacție/ Editorial Board: Florica (Bohîlțea) Mihuț – University of Bucharest Luciana-Florentina Ghindă – University of Bucharest Simona Dragomir– University of Bucharest Mădălina-Teodora Comănescu – Site Administrator and IT Supervisor ISSN 2457 – 3809 ISSN –L 2457 – 3809 https://cicsaunibuc.wordpress.com/revista/revista-online 1 Cuprins/Contents Surse primare – Analize și comentarii/ Primary Sources – Analyses and Commentaries Prof. Univ. Dr. Miron CIHÓ – Texte magice egiptene antice (Ancient Egyptian Magical Texts)............................................................................................................................................... 4 Articole și studii/ Articles and Studies Elena Isabela POPA – Water. Instrument and Judge of the Mesopotamian Witch……………… 42 Vlad-Emanuel PĂTRĂŞESCU – Naaman and the Jordan. The Symbolic and Expiatory Role of the Water in the Old Testament Texts........................................................................................... -
ABSTRACT Hopkins's Homer: a Scholarly Edition of Gerard Manley
ABSTRACT Hopkins’s Homer: A Scholarly Edition of Gerard Manley Hopkins’s Dublin Notes on the Iliad Melinda Creech, Ph.D. Mentor: Joshua King, Ph.D. In a letter to his mother (13 January 1886), Gerard Manley Hopkins mentioned that he was “taking notes for one [a book] on Homer’s art.”(CW II 757). These notes on the Iliad, made while Hopkins was living in Dublin, on sixty-five pages of folded sheets of paper, are housed at Campion Hall, Oxford. In the Campion Hall manuscript, Hopkins makes this final statement: “After this I am going to make my notes mainly on my interleaved book. Feb. 12 ’86.” Those additional fifteen pages, interleaved into his copy of Homeri Ilias (1883), are housed at the Foley Library, Gonzaga University, Spokane, Washington. Taken together, the two sets of notes, consisting of 514 items and pertaining to fifty- seven pages in his edition of the Iliad, were written between November 1884 and ca. February 1886. A transcription of Hopkins’s notes, those housed at Campion Hall, and those housed at Gonzaga University, and a commentary on those notes comprises the bulk of the dissertation. These Dublin Notes on the Iliad, written by Hopkins during one of the darkest times of his life, when he was estranged from his country, his family, and his beloved Wales, provide a unique insight into the way he regarded the art of Homer’s poetry—the way Homer ordered the words, phrases, and lines that contributed to that poetry; the way that “stock” epithets were not stock at all, but expressed nuanced characteristics of the things and people they modified; the value Homer placed on the inscape of words, fitting each word into its place in the lines of dactylic hexameter—and the way Hopkins reflected his study of Homer in his own poetry, particularly the poetry he wrote and revised while living in Ireland. -
Choose the Best Answer
CONTEST CODE: 09 2015 TEXAS STATE JUNIOR CLASSICAL LEAGUE MYTHOLOGY TEST DIRECTIONS: Please mark the letter of the correct answer on your scantron answer sheet. 1. Earth-Shaker; god of the seas (A) Alcyoneus (B) Hades (C) Poseidon (D) Vulcan 2. The gods of Greece live on this mountain top (A) Aetna (B) Helicon (C) Olympus (D) Pelion 3. These woman were the Personification of beauty (A) Eumenides (B) Graces (C) Pierides (D) Telchines 4. A giant lion, invulnerable to weapons; he lived in this area when Heracles killed him (A) Erymanthus (B) Lerna (C) Nemea (D) Stymphalus 5. As an infant, he and his mother are put into a chest and dropped in the sea; rescued by a fisherman (A) Alpheus (B) Hippomenes (C) Melanion (D) Perseus 6. She was an Underworld goddess; a Titaness who had retained her position (A) Aurora (B) Hecate (C) Nemesis (D) Themis 7. This Gorgon’s stare could turn you into stone (A) Alecto (B) Euryale (C) Medusa (D) Terpsicrate 8. This powerful monster defeated Zeus at first, but was later conquered by the thunderbolts of Zeus (A) Cacus (B) Geryon (C) Phaea (D) Typhoeus 9. They were sent to punish the guilty and wicked (A) Fates (B) Furies (C) Graces (D) Graeae 10. Epimetheus accepted this woman as a gift from Zeus; but she was too curious and opened the box (A) Ariadne (B) Ismene (C) Leucothea (D) Pandora 11. She was the Muse of Comedy (A) Alecto (B) Euryale (C) Pemphredo (D) Thalia 12. He ignored his father’s instructions and flew too close to the sun; his wings fell apart (A) Cycnus (B) Icarus (C) Haemon (D) Xuthus 13. -
This Plea Is Not a Ploy to Get More Money to an Underfinanced Sector
--------------------- Gentiana Rosetti Maura Menegatti Franca Camurato Straumann Mai-Britt Schultz Annemie Geerts Doru Jijian Drevariuc Pepa Peneva Barbara Minden Sandro Novosel Mircea Martin Doris Funi Pedro Biscaia Jean-Franois Noville Adina Popescu Natalia Boiadjieva Pyne Frederick Laura Cockett Francisca Van Der Glas Jesper Harvest Marina Torres Naveira Giorgio Baracco Basma El Husseiny Lynn Caroline Brker Louise Blackwell Leslika Iacovidou Ludmila Szewczuk Xenophon Kelsey Renata Zeciene Menndez Agata Cis Silke Kirchhof Antonia Milcheva Elsa Proudhon Barruetabea Dagmar Gester Sophie Bugnon Mathias Lindner Andrew Mac Namara SIGNED BY Zoran Petrovski Cludio Silva Carfagno Jordi Roch Livia Amabilino Claudia Meschiari Elena Silvestri Gioele Pagliaccia Colimard Louise Mihai Iancu Tamara Orozco Ritchie Robertson Caroline Strubbe Stphane Olivier Eliane Bots Florent Perrin Frederick Lamothe Alexandre Andrea Wiarda Robert Julian Kindred Jaume Nadal Nina Jukic Gisela Weimann Mihon Niculescu Laura Alexandra Timofte Nicos Iacovides Maialen Gredilla Boujraf Farida Denise Hennessy-Mills Adolfo Domingo Ouedraogo Antoine D Ivan Gluevi Dilyana Daneva Milena Stagni Fran Mazon Ermis Theodorakis Daniela Demalde’ Adrien Godard Stuart Gill --------------------- Kliment Poposki Maja Kraigher Roger Christmann Andrea-Nartano Anton Merks Katleen Schueremans Daniela Esposito Antoni Donchev Lucy Healy-Kelly Gligor Horia Fernando De Torres Olinka Vitica Vistica Pedro Arroyo Nicolas Ancion Sarunas Surblys Diana Battisti Flesch Eloi Miklos Ambrozy Ian Beavis Mbe -
D E L L E P I a S T E C Ii E Si C O L T I V A
DELLE PIASTE C II E SI COLTIVANO s \ 5133 l R. ORTO BOTANICO DI NAPOLI CORREDATO DELLA PIANTA DEL MEDESIMO , E DI ANNOTAZIONI. NAPOLI TIPOGRAFIA DELL’ AQUILA DI V. PUZZIELLO Nei Chiostro S. Tommaso d’ Aquino. 1 8 4 5 , i i m i t i l i ! ! Diverse notizie trovandosi date fuori intorno al nostro Reai Orto Botanico, non sarà me stieri farne il soggetto di altro apposito ragionare. Tuttavia in grazia di coloro che lette non le abbiano nel D iscorso per me dettato all’ occasione della solenne apertura della scuola an nessa a questo Stabilimento (i) ; negli Annali Civili del Regno (a) , od in altre più recen ti pubblicazioni, gioverà rammentare come al primo cominciamenlo dell’ Orto attuale fosse data opera nel 1809 , col trasferirvi le poche piante riunite in un orticello che , a premu ra del mio predecessore Cav. Vincenzio Pelagna erasi introdotto nel giardino di Monte Olive- to , addetto poscia a mercato di commestibili. Prima di quel tempo un vero Orto botanico presso noi non esisteva , e risalir conviene fino al 1662 per rinvenirne qualche vestigio nel- 1’ Orio de' semplici della Montagnola , piantato a cura del governo della pia casa della SS. Annunziata. Non mancavano, egli è vero, prima e dopo di quel tempo distinte persone invaghite della coltura delle più rare e pregevoli piante ; che perciò famosi se ne rendevano in epoche più rirnote gli Orti del P in e lli e del P o r la , ed in tempi a noi più vicini quelli dei S a n s e v e n n i, de’ d r i l l i e de’ P o li ; non che le importanti collezioni di piante esotiche intro dotte nel R. -
Childhood (1900-1915)
CHAPTER ONE: Childhood (1900-1915) I '...men and women are not only themselves; they are also the region in which they were born, the city or apartment or farm in which they learnt to walk, the games they played as children, the old wives' tales they overheard, the food they ate, the schools they attended, the sports they followed, the poets they read, and the Gods they believed in. It is all these things which have made them what they are and these are things that you can't come to know by hearsay, you can only know them if you have lived them.' W.Somerset Maugham The Razor's Edge If Maugham's words intimate some of the challenges and limitations of biographical writing, they do so by bringing attention to the physicality of life, the materiality of culture and the specificity that time and place imprint on experience, the very 'chronotopic' nature of meaning that Bakhtin uses to relate life and literature (Bakhtin 1981). The epigraph asserts the sheer impossibility of knowing another life in any lived sense, a salutary antidote perhaps to a fashion in biography that often promises the reader privileged insight. Nevertheless, it can be asked how much can we know of a life, or even 'how much should we try to know?' (Donaldson 2004). What do more facts and details bring us in terms of knowing? What constitutes this knowing of another's life? The biographer Victoria Glendenning has argued that there is an over-fondness in biographical writing for minutiae and that without their crafting into a compelling narrative they are of little profit (Field 1996: 12). -
800 BC the ILIAD Homer Translated by Samuel Butler
800 BC THE ILIAD Homer translated by Samuel Butler Homer (~800 BC) - An Ionian Poet. Historians cannot agree where Homer was born, whether he was blind, whether he wrote both the “Iliad” and the “Odyssey”, or even if he actually existed. Whatever the case may be, the influence of the two enduring epics attributed to him is indisputable. The Iliad (800 BC) - An epic poem consisting of twenty-four books that deal with the last few days of the Trojan War. Here translated into prose by Samuel Butler. Table Of Contents BOOK I . 3 BOOK II . 12 BOOK III . 25 BOOK IV . 32 BOOK V . 40 BOOK VI . 53 BOOK VII . 61 BOOK VIII . 68 BOOK IX . 76 BOOK X . 87 BOOK XI . 96 BOOK XII . 109 BOOK XIII . 116 BOOK XIV . 129 BOOK XV . 137 BOOK XVI . 148 BOOK XVII . 162 BOOK XVIII . 173 BOOK XIX . 182 BOOK XX . 188 BOOK XXI . 196 BOOK XXII . 205 BOOK XXIII . 213 BOOK XXIV . 227 THE END . 238 BOOK I Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Jove fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another. And which of the gods was it that set them on to quarrel? It was the son of Jove and Leto; for he was angry with the king and sent a pestilence upon the host to plague the people, because the son of Atreus had dishonoured Chryses his priest.