2013 Honorary Fellow Theater
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Features Animation Documentaries
FEATURES ANIMATION DOCUMENTARIES 2008 / 2009 TAblE OF CONTENTS Features 2008 /2009 2 Features Coming Soon 10 Animation 2008 / 2009 22 Animation Coming Soon 32 Documentaries 2008 / 2009 44 Documentaries Coming Soon 61 Index of English Titles 84 Index of Original Titles 85 Index of Directors 86 Index of Production Companies 87 Addresses of Production Companies 88 Useful Addresses 90 Front Cover, Back Cover Little Robbers, directed by Armands Zvirbulis Editorial Board Zigita Saulīte, Elita Kalnaella, Sarma Gaide, Lelda Ozola, Kristīne Matīsa, Juris Freidenbergs © National Film Centre of Latvia and MEDIA Desk Latvia, 2009 FEATURES ANIMATION DOCUMENTARIES FEATURE Amateur Title Amateur Original Title Amatieris Feature, 2008, HD, 1:1.85, colour, Dolby SR, 85’ Director Jānis Nords Screenplay Jānis Nords Cinematographer Aadel Nodeh Farahani Production Designer Vita Radziņa Original Music Alexis Bennett Sound Jevgēņijs Kobzevs Editor Jānis Nords Producer Jūlija Pasnaka, Ilze Neidere Production Company Red Cats Film Studio Main Cast Edgars Samītis, For Victor, a bright but bored journalism student, the summer comes with bad news – his Ksenija Sundejeva, Regīna Razuma girlfriend Yvette is leaving for art school in Amsterdam. Victor desperately wants to go with National Premiere 10.04.2008 her to live the bohemian life, but he has just three months to raise some money. He turns to International Premiere 10.2008, a dangerous business to fulfil his dream. Cotbuss IFF, Germany Jānis NORDS Features: Amateur 2008 / Rendezvous (short) 2005 / The Peace Makers -
Congregation Ohev Shalom Marlboro, NJ
Temple Topics Congregation Ohev Shalom Marlboro, NJ Adar/Nisan 5778 MARCH 2018 In This Issue A Potpourri of Jewish Interest MJC Officers .................. p. 2 A Potpourri of Jewish Interest A Potpourri of Jewish Interest Rabbi Pont ....................... p. 4 A Potpourri of Jewish Interest A Potpourri of Jewish Interest President ........................ p. 6 Please join us on a fascinating educational journey to discuss the complexities that Please join usPlease on ajoin fascinating us on a fascinating educational educational journeyjourney to discussto discuss the complexities the complexities that that shape our Jewish life. All programs will be held at the Marlboro Jewish Center. shape our Jewish life. All programs will be held at the Marlboro Jewish Center. shape our JewishPlease join life. us on All a fascinating programs educational will be journey held to at discuss the theMarlboro complexities Jewish that Center. Cantor Krieger ........ p. 7 & 18 Pleaseshape joinour usJewish on a life.fascinating All programs educational will bejourney held at to the discuss Marlboro the complexities Jewish Center. that shape our Jewish life. All programsTHETHE will beDEFIANTDEFIANT held at the MarlboroONES ONES Jewish Center. shape our Jewish life. All programsTUESDAY, will be held at MARCH the Marlboro 6 -Jewish 7:00 Center.- 8:15 PM THETHETUESDAY, DEFIANTDEFIANT MARCH ONES 6 ONES- 7:00 - 8:15 PM TUESDAY,TheTHETUESDAY,The Civil DEFIANT RightsRights MARCH Movement MARCHMovement ONES 6 and - and7:00 the 6 theJewish -- 8:15 Jewish7:00 Community PM Community- 8:15 PM Executive Director .......... p. 8 As we approach the 50th Anniversaryth of Dr. King’s death, AsTheTUESDAY, we Civil approach Rights MARCH Movement the 50 6Anniversary and - 7:00 the Jewish- 8:15 of Community Dr. -
Prishtina Insight Months After Police from the EU Drop the Case Until October 27
Opinion: Europe is to Blame For Balkan Asylum Crisis October 14 - 27, 2011 Issue No. 73 www.prishtinainsight.com Price € 1 NEWS No Justice Kosovo Hails for Kosovo Promise of Woman EU Visa Talks Forced to > page 3 NEWS Abort Baby Dino the Painter – The Man Who Sold Six years after her parents-in-law allegedly Kosovo forced her to abort her first baby, and then took her second one from her, M B blames police, the courts and social workers for ignoring her plight. See Page 5 Kosovo Factory Sale > page 7 NEIGHBOURHOOD Albania Struggles Broke Privatization Law To Curb Sex- A once flourishing car parts factory in Prishtina appears to have been sold at a bargain price to people under a fraud Selective Abortions investigation – violating the country’s law on privatization. > page 11 September 2010 took place three on whether to hold a full trial or - nearly three months after EULEX By Prishtina Insight months after police from the EU drop the case until October 27. police opened its investigation into INSIDE PRISHTINA rule of law mission, EULEX, raided Real estate experts meanwhile Devolli and its owners. osovo’s Privatization Devolli Group offices as part of one have told Prishtina Insight that the EU police raided Devolli offices Indian Spices Up Agency, PAK, broke two key of the highest profile anti-corrup- site alone of the factory - which on July 15, 2010, with an authoriza- Krules in the sale of the state- tion investigation staged in Kosovo. was sold for 2 million euro - was tion provided by a EULEX judge Prishtina owned Suspension Factory to The raid formed part of a probe worth more than twice that and under the supervision of the Devolli Group, one of Kosovo’s into an allegedly corrupt mobile amount. -
Annual Report 2016 - 2017 Ejf Advisory Council Members
ANNUAL REPORT 2016 - 2017 EJF ADVISORY COUNCIL MEMBERS Chairman Moshe Kantor Secretary General Ariella Woitchik Treasurer Vladimir Kantor Advisory Council: Albert Aalo Alexander Oscar Jonathan Arkush Petr Papoušek Yohan Benizri Leslaw Piszweski Yaakov D. Bleich Igor Rintel Boris Cerin Berta Romano-Nikolikj Vladimir Chernitsky Dan Rosenberg Asmussen Jakob Finci Robert Sabadoš Ishak Ibrahimzadeh Gabriel Steinhardt Alla Jakobson Arkady Suharenko Ervin Kohn Aurel Vainer Ognjen Kraus Aron Verständing Tomas Kraus Herbert Winter Faina Kukliansky Ami Yeshurun Yaron Nadbornik Dear Friends, A central principle of the Jewish people is the spirit of community and solidarity. This is expressed in many ways. Wherever Jews have lived, they have built synagogues and schools, and have established social and charitable organisations. Today, the concept of community has changed. While dispersed geographically throughout Europe, we live lives that are intimately connected through social media and mass com- munications. It is right that we feel an empathy and a responsibility to this expanded and wider community as once we felt it only to our imme- diate physical neighbourhood. The European Jewish Fund takes the traditional model of Jewish philanthropy and expands it in a way that meets today’s denition of Jewish community. It aims at linking those from afar with the targeted resources to meet their specic needs and aspirations, spreading Jewish education, culture and social interac- tion, building a united Jewish community for the 21st century in all its diversity. The EJF takes the traditional I thank all our grantees for enabling the Euro- pean Jewish Fund to be part of this Jewish life in model of Jewish philanthropy Europe and encourage you to provide further opportunities for us to assist all our communi- and expands it in a way that ties in our collective mission. -
Foreign Visitors and the Post-Stalin Soviet State
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Porous Empire: Foreign Visitors And The Post-Stalin Soviet State Alex Hazanov Hazanov University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons Recommended Citation Hazanov, Alex Hazanov, "Porous Empire: Foreign Visitors And The Post-Stalin Soviet State" (2016). Publicly Accessible Penn Dissertations. 2330. https://repository.upenn.edu/edissertations/2330 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2330 For more information, please contact [email protected]. Porous Empire: Foreign Visitors And The Post-Stalin Soviet State Abstract “Porous Empire” is a study of the relationship between Soviet institutions, Soviet society and the millions of foreigners who visited the USSR between the mid-1950s and the mid-1980s. “Porous Empire” traces how Soviet economic, propaganda, and state security institutions, all shaped during the isolationist Stalin period, struggled to accommodate their practices to millions of visitors with material expectations and assumed legal rights radically unlike those of Soviet citizens. While much recent Soviet historiography focuses on the ways in which the post-Stalin opening to the outside world led to the erosion of official Soviet ideology, I argue that ideological attitudes inherited from the Stalin era structured institutional responses to a growing foreign presence in Soviet life. Therefore, while Soviet institutions had to accommodate their economic practices to the growing numbers of tourists and other visitors inside the Soviet borders and were forced to concede the existence of contact zones between foreigners and Soviet citizens that loosened some of the absolute sovereignty claims of the Soviet party-statem, they remained loyal to visions of Soviet economic independence, committed to fighting the cultural Cold War, and profoundly suspicious of the outside world. -
Festival Dei Popoli
Festival dei Popoli FESTIVAL INTERNAZIONALE DEL FILM DOCUMENTARIO 49° FESTIVAL DEI POPOLI FESTIVAL INTERNAZIONALE DEL FILM DOCUMENTARIO “Quando queste apparecchiature saranno consegnate al pubblico, quando tutti potranno fotografare i loro cari non più nella loro immo- bilità, ma nei loro movimenti, nelle loro azioni, nei loro gesti familiari, con la parola sulle labbra, la morte cesserà di essere assoluta.” “When this equipment is given to the public, when everyone can photograph their loved ones not standing still, but moving, acting, making familiar gestures, with their words on their lips, then death will cease to be absolute.” Autore sconosciuto | Unknown writer, La poste, dicembre 1895 Da Le Cinéma: naissance d’un art, 1895-1920 a cura di Daniel Banda e José Mouré Champs Arts, Flammarion, Parigi 2008 FIRENZE 14-21 NOVEMBRE 2008 www.festivaldeipopoli.org FESTIVAL INTERNAZIONALE DEL FILM DOCUMENTARIO Festival dei Popoli Festival Festival dei Popoli Istituto Italiano per il Film di Documentazione Sociale ONLUS Borgo Pinti, 82r 50121 Firenze - Italia MODERATORI DIBATTITI IN SALA VIDEOLIBRARY tel. +39 055 244778 Carlo Chatrian Marco Cipollini fax +39 055 241364 Daniele Dottorini CON LA COLLABORAZIONE DI [email protected] Giuseppe Gariazzo Caterina Sarubbi www.festivaldeipopoli.org Vittorio Iervese Giona A. Nazzaro SITO WEB Lorenzo Meriggi MODERATRICE "L'EREDITÀ DI NANOOK" Cristina Piccino GRAFICA PROMOZIONALE Michele Ruini COMITATO DIRETTIVO UFFICIO STAMPA LOCALE PERSONALE DI SALA Giorgio Bonsanti (presidente) -
Limmud FSU - a 2017 Retrospective
Limmud FSU - A 2017 Retrospective Now that Limmud FSU is well into its second decade, we are once again, proud to present this report on our activities in Into our Second 2017. Over 9,000 people attended our ten events. The first was in London (for the whole of Western Europe – a Limmud FSU festival that will change its venue to various locations in the Decade coming years); followed by Toronto, Moscow, New York, Chișinău (perhaps better known in Jewish history as Kishinev), Odessa, San Francisco, St. Petersburg, and Eilat. In addition we mounted a special event dedicated to the memory of the late Elie Wiesel in his birth place, Sighet in ש א Romania. Details of each of these festivals and celebrations will .be found in the following pages ח ד ,Limmud FSU has established itself as the leading educational ר cultural and social meeting place for young Jews with Russian- speaking origins from around the world and as such, each annual event in the various locations is a major and eagerly ח awaited event and celebration of Jewish life and identity. We ג ס look forward to its continued and growing success in the years א .to come ב Aaron G. Frenkel Sandra F. Cahn ככג mm President Chair, Fundraising Committee Chaim Chesler Matthew Bronfman Roman Kogan Chair, International Founder and Chair, Executive Executive Director Steering Committee Committee Limmud FSU 2017 Our Events in 2017 The growth of Limmud FSU, from the spark of an idea for a unique pro- gram of informal Jewish education for Russian-speaking Jewry, has evolved into a lively locally driven volunteer organization with individual events in ten locations in 2017. -
Call for Applications 9Th International Children Theatre Festival "BITOLINO"
Call for Applications 9th International children theatre festival "BITOLINO" Bitola, 06-08 October 2019 BABEC THEATRE BITOLA is announcing an open competition for participation in the competitive programme of the 9th International children theatre festival "BITOLINO" which is going to be held 06-08 October 2019. Theaters participants in last eight editions of the “BITOLINO” festival: "Tiyatrotem" theatre, Istanbul, Turkey "Dodona theatre", Pristina, Kosovo "Anton Panov" theatre, Strumica, Macedonia "Telling tales" , West Yorkshire, England "Pan theatre", Lugano, Switzerland "Mala scena" theatre, Zagreb, Croatia "Drama puppet theatre", Vratsa, Bulgaria "Theatre for children at Narva Gates", Saint Petersburg, Russia “Mini theater”, Ljubljana, Slovenia “Shilo theater”, Sofia, Bulgaria “Babec theater”, Bitola, Macedonia "Bereze" theatre, Istanbul, Turkey "David Zuazola puppets company", Santiago, Chile "Youth theatre Sarajevo" , Sarajevo, Bosnia and Herzegovina "Artropos" , Chubut, Argentina "Ariel” theatre, Sofia, Bulgaria “Children’s cultural centre”, Belgrade, Serbia “The Key theatre”, Tel Aviv, Israel “Tandarica animation theatre”, Bucharest, Romania “Schedia teatro”, Marcallo. Italy “ La Bazooka“, Delavigne, France „Teater Sagohuset“ ,Lund, Sweden „Masque Theatre“, Bethlehem, USA „ Ruti Tamir Mime and Theater Company“, Modiin, Israel „ Theater Feuerblau“ , Graz, Аustria “Mimos Marionette Theate”r, Yerevan, Armenia „ Compagnie alleRetour“ , Caen, France “ Small delights company“ , Brussel, Belgium "Centre ACA theatre", Tirana, Аlbania “Marian Bacev and Arcadia Fusion Art”, Sofia, Bulgaria “Nada theater”, Ruma, Serbia “Tarla faresi”, Izmir, Turkey All puppet and children's theatres, as well as all those theatres which have performances for children in their repertoire, are invited to send their applications to Festival Head Office address: Babec theatre Bitola Nikola Kirov Majski 33 7000 Bitola Republic of Macedonia or to: [email protected],by 01 May 2019 at the latest. -
Aliyah of Estonian Jews
Mark Rybak 1 Aliyah of Estonian Jews. Situation of Jews in Estonia in the second half of the XIX century In 1710 – 1917 Estonia was a part of the Russian Empire. It was outside the Pale of Settlement (area where Jews were allowed to live). This partially explains why the number of Jews in Estonia was relatively small. However, in 1865 Emperor Alexander II issued a decree that allowed certain groups of Jews to settle anywhere in Russia. These groups included the so-called Nikolai soldiers with their families, first guild merchants, professionals with high education etc. Jewish population of Estonia started to grow, and by 1897 reached 3837 (0.4% of the total population). In the 1870s a part of the Jewish intelligentsia still believed that it is possible to solve “the Jewish problem” by a partial or a total assimilation. The crisis and the disappointment came at the beginning of the 1880s when antisemitism in Russia grew significantly. The persecution of Jews, the notorious Pale of Settlement that restricted the free movement, a difficult economic situation and, finally, the pogroms of 1881-1882 brought the wave of massive emigration of Jews from Russia, mainly from the areas of the Pale of Settlement. Between 1881-1908 about 1,250,000 Russian Jews emigrated to America and about 20,000 to Palestine. 1 Aliyah in Hebrew means "ascent" or "going up". Jewish tradition views traveling to the land of Israel as an ascent, both geographically and metaphysically. Anyone traveling to Eretz Israel from Egypt, Babylonia or the Mediterranean basin, where many Jews lived in early rabbinic times, climbed to a higher altitude. -
Introduction to Volume II Jay Winter
Cambridge University Press 978-0-521-76653-1 - The Cambridge History of the First World War: Volume II: The State Edited by Jay Winter Excerpt More information Introduction to Volume II jay winter The First World War was a test of the legitimacy of the states which waged it. They had to provide the weapons and manpower needed to win the war, and at the same time ensure that the war effort did not reduce the population to hunger, misery and despair. With the major exception of Russia, the Allies passed the test of legitimacy, winning the war on the battlefields while maintaining adequate standards of living among the civilians whom the armies were purportedly defending. The Central Powers failed that test, and as a consequence, the major imperial powers in that alliance – Germany, Austria-Hungary and Ottoman Turkey – collapsed. This volume tells the story of the First World War as a test of state and imperial power, but it also considers ways in which the structure of the state and its relationship to civil society were transformed by the conflict. Carl Schmitt defined the sovereign as he who has the right to declare a state of exception, a time when normal legal, bureaucratic and political rules are 1 suspended. The greatest, most catastrophic, state of exception to date in world history was the First World War, and the radical concentration of power in the hands of an array of executive and military leaders in wartime had lasting effects on the history of all combatant states thereafter. One implication of Schmitt’s view, which he developed in the immediate aftermath of the war, was the collapse of parliamentarianism as a way of waging war, either external or internal. -
Encountering Shakespeare Elsewhere Digital Distribution, Audience Reception, and the Changing Value of Shakespeare in Performance
DOCTORAL THESIS Encountering Shakespeare elsewhere digital distribution, audience reception, and the changing value of Shakespeare in performance. Nicholas, Rachael Award date: 2020 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 Encountering Shakespeare Elsewhere: Digital Distribution, Audience Reception, and the Changing Value of Shakespeare in Performance Rachael Nicholas, BA (Hons), MA A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Drama, Theatre and Performance University of Roehampton 2019 The research for this project was submitted for ethics consideration under the reference DTP 17/026 in the Department of Drama, Theatre & Performance, and was approved under the procedures of the University of Roehampton’s Ethics Committee on 13.06.17. 1 Abstract Since the launch of National Theatre Live in 2009, digital distribution has made it possible for audiences to access theatre productions across a range of reception sites. -
Education Pack
NIE – New International Encounter NORTH NORTH NORTH Education pack 1. Background to the production 2. Production synopsis 3. Press reviews 4. Key elements of NIE productions 5. Workshops 6. Educational tools – suggested activities 7. History 8. InFormation about NIE theatre company 9. Appendix For more details or Further information please contact NIE’s Producer Sarah Crompton: E: [email protected] T: (01223) 403 343 W: www.nie-theatre.com 1. Background to the production Established in 2001, NIE is an award winning international and multilingual theatre company, gaining recognition and critical success for new work through tours in Europe and the UK. NIE has won festival prizes in Serbia, Norway, UK, Bosnia and the Czech Republic, and has toured to 29 countries spanning 3 continents. Using their trademark mix of physical theatre, storytelling, multiple languages, a European ensemble and live music, NIE will take you on a comic, tragic and absurd Journey up in the air and down onto the cold polar ice. Actors shout over the howling wind, transform the stage into an arctic wilderness, eat polar bear brains, and somebody gets very wet. Development oF the production North North North began development in 2011 with a visit to Svalbard, the Northernmost inhabited place in the world. The company twice visited this landscape, once during 24 hour sunlight, and once during 24 darkness. The show was then developed at Dikkemark in Norway, North Wall Arts Centre, Oxford, and The Key Theatre, Peterborough. It premiered at The Key Theatre in May 2013 and will be touring the UK in October 2013 and March 2014.