Steven Wilson the Raven That Refused to Sing (And Other Stories) Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Steven Wilson The Raven That Refused To Sing (And Other Stories) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: The Raven That Refused To Sing (And Other Stories) Country: US Released: 2013 Style: Art Rock, Prog Rock, Avant-garde Jazz MP3 version RAR size: 1924 mb FLAC version RAR size: 1236 mb WMA version RAR size: 1872 mb Rating: 4.2 Votes: 145 Other Formats: WMA FLAC AIFF MPC DMF MP4 ASF Tracklist 1 Luminol 12:10 2 Drive Home 7:37 3 The Holy Drinker 10:13 4 The Pin Drop 5:03 5 The Watchmaker 11:42 6 The Raven That Refused To Sing 7:57 Companies, etc. Published By – Hands Off It's Mine Publishing Recorded At – Eastwest Studios Recorded At – Angel Studio Overdubbed At – Discipline Global Mobile Overdubbed At – No Man's Land Mixed At – No Man's Land Phonographic Copyright (p) – Steven Wilson Copyright (c) – Steven Wilson Manufactured By – Arvato, Mexico – 49754 Distributed By – Oz Productions Credits Arranged By [Strings] – Dave Stewart Bass Guitar – Steven Wilson (tracks: 3) Bass Guitar, Backing Vocals – Nick Beggs Chapman Stick – Nick Beggs (tracks: 3) Design – Carl Glover Electric Piano [Fender Rhodes], Organ [Hammond], Piano, Synthesizer [Minimoog] – Adam Holzmann* Engineer [Assistant] – Brendan Dekora Flute, Saxophone, Clarinet – Theo Travis Guitar [Haw-Haw Guitar] – Alan Parsons (tracks: 3) Illustration – Hajo Mueller Lead Guitar – Guthrie Govan Management – Andy Leff Producer [Associate], Engineer [Recording] – Alan Parsons Producer, Mixed By – Steven Wilson Soloist [Strings] – Perry Montague-Mason Strings – The London Session Orchestra Vocals [Additional] – Jakko Jakszyk* (tracks: 1, 5) Vocals, Mellotron, Keyboards, Guitar – Steven Wilson Written-By – Steven Wilson Notes Special edition of the album presented in a jewel case with cardboard slip cover, including a 16 page booklet illustrated by Hajo Mueller and containing lyrics and credits. Barcode and Other Identifiers Barcode: 802644824222 Matrix / Runout: SR07847 arvato 49754 100464529 Mould SID Code: IFPI 0819 Mastering SID Code: IFPI LP74 Label Code: 01757 Other versions Category Artist Title (Format) Label Category Country Year The Raven That Refused To Sing Steven (And Other Stories) (CD, Album KSCOPE240 Kscope KSCOPE240 UK 2013 Wilson + CD, Ltd + DVD-V, Album, Multichannel, ) The Raven That Refused To Sing Steven KSCOPE242 (And Other Stories) (CD, Album, Kscope KSCOPE242 UK 2013 Wilson Sli) The Raven That Refused To Sing Steven UK & KSCOPE835 (And Other Stories) (2xLP, Kscope KSCOPE835 2013 Wilson Europe Album) Steven The Raven That Refused To Sing UK & KSCOPE242 Kscope KSCOPE242 2013 Wilson (And Other Stories) (CD, Album) Europe The Raven That Refused To Sing Steven Not On none (And Other Stories) (6xFile, none Unknown Wilson Label FLAC, Album) Related Music albums to The Raven That Refused To Sing (And Other Stories) by Steven Wilson No-Man - Lost Songs: Volume One Steven Wilson - Cover Version II Steven Wilson - Drive Home Steven Wilson & Dirk Serries - Continuum II / The Continuum Recyclings, Volume II Porcupine Tree - Signify Steven Wilson - Cover Version V Steven Wilson / Various - Visions Presents Steven Wilson U.P. Wilson - This Is U.P. Wilson Steven Wilson - Hand. Cannot. Erase. Porcupine Tree - Fear Of A Blank Planet.

Copy Link

Recommended publications

Jazz Services National Touring Support Scheme Data 1992 – 2011
Jazz Services National Touring Support Scheme Data 1992 – 2011 Presented By: Steve French Computer Consultant Jazz Services 132 Southwark Street London SE1 0SW Telephone: 0207 928 9089 Email: [email protected] Website: www.jazzservices.org.uk Facebook: British Jazz Twitter:@jazzservices 15th March 2012 Table of Contents FOREWORD ......................................................................................................................... 3 1. GENERAL ACTIVITY: FINANCIAL YEARS 1992-2011.................................................... 4 1.1 TABLE 1: Data Relating to the Financial Years April to March 1992/2011 .............................. 4 1.2 TABLE 1: Notes to the figures .................................................................................................. 5 2. BAND ACTIVITY: FINANCIAL YEARS 1992-2011 ........................................................... 6 2.1 TABLE 2: Data Relating to Band Award for Financial Years April to March 1992/2011 .......... 6 2.2 TABLE 2: Notes to the figures .................................................................................................. 7 3. REGIONAL STATISTICS 1992-2011 ................................................................................ 8 3.1 TABLE 3: Number of gigs by Financial Year and Region ........................................................ 8 3.2 TABLE 4: Gigs by Financial Year and Region as a Percentage 1992-2011 ............................ 9 3.3 TABLE 5: Number of gigs by Financial Year and Region as a % 1992-2011 .......................
[Show full text]
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra.
[Show full text]
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz,
[Show full text]
Freier Download BA 67 Als
BAD 67 ALCHEMY 1 Martin Büsser gewidmet 1968 - 2010 2 WHAT A DIFFERENCE A NIGHT MAKES Ah, Serenade kommt tatsächlich von sereno. Weil sie unter heiterem Himmel stattfindet. Der 10. August 2010 ist so ein Abend, ideal, um ihn beim WÜRZ- BURGER HAFENSOMMER mit dem PORTICO QUARTET zu genießen. Vier le- ger gekleidete Jungmänner entern die schwimmende Bühne hinter dem Heiz- kraftwerk und beginnen, die genial verhuschten Federwölkchen über uns abzu- malen. Duncan Bellamy an den Drums, Milo Fitzpatrick am Kontrabass, Nick Mul- vey klöppelt auf etwas, das sich Hang Drums nennt und aussieht wie drei Wok- pfannen und Jack Wyllie bläst abwechselnd Tenor- und Sopranosaxophon. Sie präsentieren ihr Isla-Programm und wenige Takte genügen, um auf den voll be- setzten Treppenstufen zu begreifen, warum die Londoner für den Mercury Prize 2008 nominiert waren, auf Peter Gabriels Label Real World publizieren und eu- ropaweit als Darlings herumgereicht werden. Der melodische Sound des Hang, einer Percussion-Novität von Panart in Bern, verbreitet mit repetitiven, harmoni- schen Mustern aus nur einer Handvoll Tönen die Wärme und den hypnotischen Sog von Trinidad-Steel-Drums, erinnert stellenweise an Harfenarpeggios, mit bloßen Händen gespielt auch an eine Mbira. Das Quartett lässt in seinen Mustern Debussy und Nyman mit Tortoise vexieren. Fitzpatrick zupft warme Bassriffs. Bellamy tickelt, tüpfelt und wischt dazu funkelnde und federleichte Beats. Und schon ist jeweils der schönste Groove beieinander, etwa bei ‚Dawn Patrol‘ mit seinem simplen Pizzikatodrive, in den Wyllie hell und sanglich betörend einfädelt. Der Clou sind jedoch klangliche Accessoires, die er mit Delay- und Loop-Effekten unterlegt, einfach das Klacken der Klappenmechanik, lang gezogene oder kas- kadierende Dauertöne, das Fiepen einer Melodica.
[Show full text]
April 2010 Bboxfoord • Xedwardsrtone • Igrovton •Elitrtle Walndingfieled • Nwewton Sgreen Vol 10 No 4 BBC SHOWCASE for BOXFORD BAND FINLAY HUNTERS ACHIEVEMENT AWARD
April 2010 BBoxfoord • xEdwardsRtone • iGrovton •eLitrtle WalNdingfieled • Nwewton sGreen Vol 10 No 4 BBC SHOWCASE FOR BOXFORD BAND FINLAY HUNTERS ACHIEVEMENT AWARD Left to right: Mark Willis, Chris Athorne, Robert Lait and Lee Wilkins Boxford band This Boy Wonders featured on the BBC Introducing series on Radio Suffolk last month, playing two songs live. The show, broadcast from The Fleece, was hosted by presenters Graeme Mac and Richard Haugh. The four piece band featuring Chris Athorne (Vocals & Lead Guitar), Lee Wilkins (Rhythm Guitar), Robert Lait (Bass) and Mark Willis Above: Finlay receiving his award from Robert Audley, Chairman of Prolog (Drums) also played a 45 minute set on the night which was recorded by (sponsors) and Jennie Jenkins, Chair of Babergh District Council. BBC engineers for broadcast on the show later this year. All band Finlays citation read:- members are resident in the village. FINLAY has worked tirelessly to restore the Village Hall for the benefit This Boy Wonders were joined on the night by Haverhill outfit, of the village. Over the years the Hall had deteriorated and Finlay was Umbrella Assassins, whose sound harked back to the thrash punk of the instrumental in getting it re-decorated in order to secure further 1980’s. bookings. His greatest achievement was over the past year where, The BBC show marked a high point for the Boxford band, who were supported by his committee, he led a costly project to construct a new formed at the end of 2008. The two songs broadcast, ‘All I Know’ and roof on the hall which involved renewing all the electrics.
[Show full text]
Auto Reconnaissance
The Tangent – Auto Reconnaissance (60:18, CD, LP+CD, Digital, InsideOut / Sony Music, 2020) Zufälligerweise drehte sich in letzter Zeit ein Großteil der Tangent Diskografie im heimischen CD Player. Befasst man sich so geballt und vor allem längere Zeit ausführlich mit der Band / dem Projekt von Andy Tillison, dann bleibt vor allem hängen, dass die musikalische Qualität über all die Jahre eigentlich immer stimmte. Klar gab es auch bei The Tangent ein paar Ausreißer, doch deren Retro Prog mit Canterbury Anleihen, dem immer andere Zutaten in moderaten Dosen beigemischt wurde, hat durchaus eine gewisse Eigenständigkeit und vor allem seine sofort erkennbare Eigenheiten bewahrt. Da bildet glücklicherweise „Auto Reconnaissance“ keine Ausnahme. Eingespielt vom einigermaßen konstanten Line-Up Andy Tillison – Gesang, Keyboards, Jonas Reingold – Bass, Theo Travis – Saxophon & Flöte, Luke Machin – Gitarre und Steve Roberts – Schlagzeug durchzieht das Album eine deutlichere Ausrichtung hin zum Jazz Rock, was sich bereits beim Vorgänger „Proxy“ erkennen ließ. Hinzu kommen als auflockernde Elemente stellenweise funkige Rhythmen, eine gewisse Laid-Back Atmosphäre mit luftigen Arrangements, wie auf der anderen Seite einige recht schräge Momente und eine gehörige Prise Humor ihren Platz finden. Vor allem die Abrechnung mit der englischen Brexit Politik, sowie einer gleichzeitigen Liebeserklärung an die englische Heimat im 28-minütigen „Lie Back & Think Of England“ offenbart das ganze musikalische Potenzial dieser englisch-schwedischen Zusammenarbeit. Während kürzere Titel wie die beiden vorab veröffentlichten ‚Life On Hold‘ oder ‚The Tower Of Babel‘ mit lässiger Up Tempo Rhythmik und direkter Musikalität sofort ins Ohr gehen, zünden die längeren Titel nicht unbedingt sofort. Gerade das über 15- minütige ‚Jinxed In Jersey‘, die vertonte, etwas andere Stadtbesichtigung von New York mit einigen hörspielartigen Sequenzen, weist doch gewisse Längen auf, steigert sich aber vor allem in den letzten 5 Minuten zu einer fulminanten Instrumentalorgie.
[Show full text]
Catalogue a ‐ Z
Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I.
[Show full text]
Steven Wilson Get All You Deserve Mp3, Flac, Wma
Steven Wilson Get All You Deserve mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Get All You Deserve Country: UK & Europe Released: 2012 Style: Art Rock, Prog Rock, Experimental, Avantgarde, Jazz-Rock MP3 version RAR size: 1914 mb FLAC version RAR size: 1528 mb WMA version RAR size: 1913 mb Rating: 4.3 Votes: 524 Other Formats: AC3 FLAC VOX RA VQF MP4 MPC Tracklist CD1-1 No Twilight Within The Courts Of The Sun 10:23 CD1-2 Index 5:01 CD1-3 Deform To Form A Star 8:40 CD1-4 Sectarian 7:42 CD1-5 Postcard 4:53 CD1-6 Remainder The Black Dog 10:03 CD1-7 Harmony Korine 5:07 CD1-8 Abandoner 5:03 CD1-9 Like Dust I Have Cleared From My Eye 6:32 CD2-1 Luminol 12:19 CD2-2 Veneno Para Las Hadas 7:01 CD2-3 No Part Of Me 6:10 CD2-4 Raider II 26:02 CD2-5 Get All You Deserve 7:23 - - BD-1 Intro ('Citadel') BD-2 No Twilight Within The Courts Of The Sun BD-3 Index BD-4 Deform To Form A Star BD-5 Sectarian BD-6 Postcard BD-7 Remainder The Black Dog BD-8 Harmony Korine BD-9 Abandoner BD-10 Like Dust I Have Cleared From My Eye BD-11 Luminol BD-12 Veneno Para Las Hadas BD-13 No Part Of Me BD-14 Raider II BD-15 Get All You Deserve BD-16 Outro ('Litany') Extras BD-17 Gallery BD-18 Road Movie (By Adam Holzman) - - DVD-1 Intro ('Citadel') DVD-2 No Twilight Within The Courts Of The Sun DVD-3 Index DVD-4 Deform To Form A Star DVD-5 Sectarian DVD-6 Postcard DVD-7 Remainder The Black Dog DVD-8 Harmony Korine DVD-9 Abandoner DVD-10 Like Dust I Have Cleared From My Eye DVD-11 Luminol DVD-12 Veneno Para Las Hadas DVD-13 No Part Of Me DVD-14 Raider II DVD-15 Get All You Deserve DVD-16 Outro ('Litany') Extras DVD-17 Gallery DVD-18 Road Movie (By Adam Holzman) Companies, etc.
[Show full text]
October 06 Press Release.Indd
25/9/06 Press release - BJ Cole and Theo Travis join Steve Lawson for October’s Recycle Collective night. Legendary pedal steel player and celebrated saxophonist join solo bassist for an unmissable evening of improvised organic electronica. Once again, The Recycle Collective presents London’s most vital gig of the month as on October 12th, Steve Lawson’s improvised music night plays host to pedal steel legend BJ Cole and saxophonist/flautist Theo Travis. With a session credit list that reads like a who’s who of rock and pop from the last 40 years, BJ Cole could easily spent his time happily gracing the record- ings of rock’s glitterati, but BJ has long been a celebrated solo artist, from his groundbreaking 70s album ‘New Hovering Dog’, through the seminal ambient work ‘Transparent Music’ (recently reissued on CD), to more recent collabora- tions with DJ Luke Vibert and his latest solo album ‘Trouble In Paradise’. A hugely influential and respected musician, and widely regarded as one of the world’s leading exponents of the pedal steel, BJ’s visits to the Recycle Collective are always cause for celebration. In recent years, Theo Travis has expanded his status from being one of the most celebrated jazz saxophonists in the country to also become one of the leading lights in progressive music circles, working with David Sylvian, Porcupine Tree, Gong, The Tangent and filling the shoes of the late great Elton Dean in Soft Machine Legacy. Theo’s a formidable improvisor, and his unique use of looped and layered alto flute along side soprano and tenor saxophone lends a distinctive and instantly recogniseable flavour to any project he’s involved with, including his duet CD with Steve Lawson, entitled ‘For The Love Of Open Spaces’.
[Show full text]
Download De Pdf Van Mania 369
www.platomania.nl 14 augustus 2020 - nr. 369 Het blad van/voor muziekliefhebbers NO RISK DISC Fontaines D.C. MANIA major muscle • independent spirit proudly presents Oscar Jerome 14.08 ‘Breathe Deep’ is het debuut- album van de UK jazz gitaar- virtuoso en vocalist Oscar Jerome. Op het album zijn onder andere samenwerkingen te horen met singer-songwriter Lianne La Havas en zijn me- de-bandleden van Kokoroko. Chef’Special Tom Misch & 06.03 Yussef Dayes Na het met een Edison en platina bekroonde album Amigo 24.04 NO komt Chef’Special met de troon- Er werd vol smacht op deze re- opvolger UNFOLD die in lease gewacht. De vaandeldra- Nederland op nr. 1 in de album- gers van de UK Jazz stoppen dit RISK charts stond in de eerste week. genre in nieuw jasje en dat is te horen op What Kinda Music. DISC FONTAINES DC Tame Impala A Hero’s Death 14.02 (Partisan/PIAS) LP coloured, 2LP Deluxe, CD Het genie Kevin Parker is terug Angst is een sterke drijfveer. We hebben er van weggeweest. Na het mega succes van zijn vorige album de titeltrack A Hero’s Death aan te danken, ‘Currents’ neemt hij opnieuw en daarmee het gelijknamige, tweede album iedereen mee op zijn psychede- van Fontaines D.C., nauwelijks een jaar na het lische muzikale trip genaamd met lof overladen debuutalbum Dogrel. Want, ‘The Slow Rush’. zo legt frontman Grian Chatten uit: ‘Ik werd verteerd door de noodzaak om iets anders te shows en namen hun toevlucht in schrijfsessies schrijven, om de angst te verlichten dat ik het thuis in Dublin.
[Show full text]
Ian Hunter Acqua Fragile
MAT2020 - quarantadue - 1217 - quarantadue MAT2020 ACQUA FRAGILE IAN HUNTER 2DAYS PROG +1 VERGANTI PFM Dicembre 2017 Ultimo numero del 2017 per MAT2020, come sempre nutrito e ricco di novità musicali. Partiamo dai live con la descrizione dell’ultimo Festival Prog di Veruno realizzata da Evandro MAT 2020 - MusicArTeam racconta... Piantelli, a cui si unisce il reportage fotografico di Valter Boati. [email protected] Per la serie “L’angolo del fan” Roberto Attanasio ci racconta il concerto di Spotorno (SV) dei Angelo De Negri Claudio Simonetti’s Goblin mentre Antonio Pellegrini propone il suo feeling relativo al con- General Manager and Web Designer certo di Ian Hunter a Mezzago. Athos Enrile 1st Vice General Manager and Chief Editor E veniamo ai nuovi album: la new entry Luca Nappo presenta il nuovo lavoro dei Goblin, Al- Massimo ‘Max’ Pacini berto Sgarlato introduce l’esordio discografico del batteristaAndrea Orlando, Valentino But- 2nd Vice General Manager, Chief Editor and Webmaster ti scrive dei WOBBLER e di IS PROJECT, Andrea Zappaterra dei NORTHERN LINES, Evandro Piantelli sviscera il terzo disco degli Unreal City, Gianni Sapia ci prepara al mondo dei Ku.dA, Marta Benedetti, Paolo ‘Revo’ Revello Andrea Pintelli intervista e spiega l’esordio dei torinesi Verganti, Antonello Giovannelli ci Administration riporta al vecchio/nuovo BANCO con una recensione di “Io sono nato libero”+ “La libertà dif- ficile” a cui segue l’intervista di Max Rock Polis a Vittorio Nocenzi; sempre Polis dice la sua su Web Journalists: un lavoro su cui molto si è dibattuto, il nuovoPFM , e con un po’ di lavoro straordinario arriva Roberto Attanasio all’album fresco di uscita dei GLAD TREE; Athos Enrile ritorna sul nuovissimo CD di Acqua Carlo Bisio Valentino Butti Fragile; a conclusione delle review un incrocio particolare tra due musicisti - Luca Acquino e Angelica Grippa Luca Roseto - realizzato da Edmondo Romano.
[Show full text]
Steven Wilson
STEVEN WILSON Indicado ao Grammy, o artista inglês apresenta o terceiro álbum solo em São Paulo, dia 20 de maio, no Teatro Bradesco O renomado músico e produtor inglês Steven Wilson - fundador, vocalista, guitarrista e compositor da banda de rock progressivo Porcupine Tree - faz única apresentação em São Paulo, dia 20 de maio, segunda-feira às 21h no Teatro Bradesco. Três vezes indicado ao Grammy, ele apresenta ao público o aclamado álbum The Raven That Refused To Sing (And Other Stories), que recebeu ótimas críticas no mundo inteiro. Esta será a segunda passagem do artista pelo Brasil; desta vez, ele virá acompanhado por Guthrie Govan (guitarra), Adam Holzman (teclado), Theo Travis (flauta/sax), Nick Beggs (baixo/ stick) e Chad Wackerman (bateria). Com exceção do baterista, são os mesmos músicos com quem ele gravou The Raven That Refused To Sing (And Other Stories), álbum produzido pelo lendário Alan Parsons e lançado em fevereiro de 2013. Assista ao clipe da música “The Raven That Refused to Sing”: STEVEN WILSON Um dos artistas mais ecléticos e prolíficos do rock, Steven Wilson escreve, grava e produz música desde os 10 anos de idade. Natural de Hemel Hempstead, na Inglaterra, ele entrou em contato com a música muito cedo; quando tinha apenas 8 anos, seu pai escutava "Dark Side of the Moon", do Pink Floyd, e sua mãe, "Love to Love You Baby", da Donna Summer. Esses dois álbuns foram fundamentais para o seu direcionamento musical. Suas primeiras fitas demo surgiram em meados dos anos 80, quando Steven ainda estava na escola, e, ao final da década, ele criou os dois projetos que contribuíram para a sua entrada no mundo profissional da música: Porcupine Tree e No-Man.
[Show full text]