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Ropewalk the Newsletter for Shipwrights of Central Ohio August 2019 Next Meeting: September 21, 2019 “Standing Rigging” – Jerry Amato
August Meeting August meeting started with Don Good spreading out a number of books he was either giving away to other shipwrights or contributing to the Friends of the Library book donations. Attendance was light but it was August and we had moved the th While one man cranks the spinner, the one holding the "top" walks backwards as the meeting to the 4 Saturday of the month due to no rope is twisted. From Edwin Tunis, The Young United States, 1783 to 1830 (New room at the library the weekend before. York: World Publishing Co., 1969), 82. Used by permission of the estate of Edwin Tunis Ropewalk The Newsletter for Shipwrights of Central Ohio August 2019 Next Meeting: September 21, 2019 “Standing Rigging” – Jerry Amato Table of Contents August Meeting ................................................. 1 Business ................................................................... 1 Ohio State Fair – 2019 ............................................... 1 4th Annual Model Shipbuilding Competition ........ 1 Featured Artist ........................................................ 1 Alan Phelps is still recovering from foot Ohio State Fair - 2020 ................................................ 2 surgery. We wish him a speedy recovery. Featured Artist ........................................................ 2 Ship Building Competition ..................................... 2 Business Youth Model Building Workshop .......................... 2 Ohio State Fair – 2019 2020 Involvement ................................................... 2 4th Annual -
Guidelines for Effective Institutional Piano Maintenance
Guidelines for Effective Institutional Piano Maintenance What is the Piano Technicians Guild? The Piano Technicians Guild (PTG) is a nonprofit, international organi- zation of piano technicians. The mission of PTG is to promote the highest possible standards of piano service by providing members with opportuni- ties for professional development, by recognizing technical competence through examinations and by advancing the interests of its members. Membership is open to all individuals with a professional or avocation- al interest in piano technology. A Registered Piano Technician (RPT) member has passed three rigor- ous examinations that assess the knowledge and skills required to tune, maintain, and repair pianos. Copies of this publication and other PTG materials may be purchased from: The Piano Technicians Guild, Inc. 4444 Forest Avenue Kansas City, KS 66106-3750 PH: (913) 432-9975 FAX: (913) 432-9986 [email protected] www.ptg.org 2004 Piano Technicians Guild, Inc. ii Table of Contents Foreword............................................................................................iv Introduction........................................................................................ v General Recommendations................................................................ 1 Staffing and Workload....................................................................... 3 The Contract Technician......................................................... 4 Minimum Qualifications and Training.................................... 5 Budgets.............................................................................................. -
Piano Manufacturing an Art and a Craft
Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Gesa Lücker (Concert pianist and professor of piano, University for Music and Drama, Hannover) Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Since time immemorial, music has accompanied mankind. The earliest instrumentological finds date back 50,000 years. The first known musical instrument with fibers under ten sion serving as strings and a resonator is the stick zither. From this small beginning, a vast array of plucked and struck stringed instruments evolved, eventually resulting in the first stringed keyboard instruments. With the invention of the hammer harpsichord (gravi cembalo col piano e forte, “harpsichord with piano and forte”, i.e. with the capability of dynamic modulation) in Italy by Bartolomeo Cristofori toward the beginning of the eighteenth century, the pianoforte was born, which over the following centuries evolved into the most versitile and widely disseminated musical instrument of all time. This was possible only in the context of the high level of devel- opment of artistry and craftsmanship worldwide, particu- larly in the German-speaking part of Europe. Since 1885, the Schimmel family has belonged to a circle of German manufacturers preserving the traditional art and craft of piano building, advancing it to ever greater perfection. Today Schimmel ranks first among the resident German piano manufacturers still owned and operated by Contents the original founding family, now in its fourth generation. Schimmel pianos enjoy an excellent reputation worldwide. 09 The Fascination of the Piano This booklet, now in its completely revised and 15 The Evolution of the Piano up dated eighth edition, was first published in 1985 on The Origin of Music and Stringed Instruments the occa sion of the centennial of Wilhelm Schimmel, 18 Early Stringed Instruments – Plucked Wood Pianofortefa brik GmbH. -
About the RPT Exams
About the RPT exams... Tuning Exam Registered Piano Technicians are This exam compares your tuning to a “master professionals who have committed themselves tuning” done by a team of examiners on the to the continual pursuit of excellence, both same piano you will tune. Electronic Tuning in technical service and ethical conduct. Aids are used to measure the master tuning Want to take The Piano Technicians Guild grants the and to measure your tuning for comparison. Registered Piano Technician (RPT) credential In Part 1 you aurally tune the middle two after a series of rigorous examinations that octaves, using a non-visual source for A440. the RPT test skill in piano tuning, regulation and In Part 2 you tune the remaining octaves by repair. Those capable of performing these any method you choose, including the use of tasks up to a recognized worldwide standard Electronic Tuning Aids. This exam takes about exams? receive the RPT credential. 4 hours. No organization has done more to upgrade the profession of the piano technician than Find an Examiner PTG. The work done by PTG members in Check with your local chapter president or developing the RPT Exams has been a major examination committee chair first to see if contribution to the advancement of higher there are local opportunities. Exam sites Prepare. include local chapters, Area Examination standards in the field. The written, tuning Boards, regional conferences and the Annual and technical exams are available exclusively PTG Convention & Technical Institute. You to PTG members in good standing. can also find contact information for chapter Practice. -
Blueprint for the Arts N Music Letter from the Chancellor
Grades PreK - 12 - PreK Grades For Teaching and Learning in Learning and Teaching For Office of Arts and Special Projects New York City Department of Education 52 Chambers Street, Room 205 New York, New York 10007 Phone: 212.374.0300 Fax: 212.374.5598 Email: [email protected] website: schools.nyc.gov/artseducation New York City Department of Education © 2005 Carmen Fariña, Chancellor Second Edition (2008) Contributors Third Edition (2015) Contributors Dorita Gibson, Senior Deputy Chancellor Phil Weinberg, Deputy Chancellor of Teaching Music Curriculum Development Co-Chairs Music Educators, Music Curriculum Development Co-Chairs New York City Department of Education and Learning Barbara Murray, Director of Music Programs Barbara Murray, Director of Music Anna Commitante, Senior Executive Director, Office of Arts and Special Projects, Donald Christiansen Robert Lamont, Music Consultant Curriculum, Instruction & Professional Learning New York City Department of Education Roberta Feldhusen Paul King, Executive Director, Office of Arts and Shellie Bransford, Music Consultant Janet Grice Special Projects Elizabeth Norman, Director of Education, Elizabeth Guglielmo Music Educators, St. Luke’s Orchestra New York City Department of Education First Edition (2004) Contributors Jaime Jacobs Gregory Pierson, Director of Education, Maria Schwab Eric Dalio Music Curriculum Development Co-Chairs Brooklyn Philharmonic Thomas Toriello Elaine Fauria Nancy Shankman, Director of Music/ George Wanat Ian Kanakaris Deputy Senior Instructional Manager for Arts Education Moishe Weidenfeld Music from the Inside Out Contributors Portia Lagares Thomas Cabaniss, Director of Education, Jerome Korman, Project Director, Music Consultant, New York Philharmonic Office of Arts and Special Projects Cultural and University Community Music Educators, Nancy Shankman, Director of Music, Deputy Senior Dr. -
Manual Pitch to Drop
PITCH RAISING Your piano, just like every piano, is designed to sound its best when tuned to A-440 (the A above middle C vibrates at 440 cycles per second), the international pitch standard. It has been designed to perform at a specific tension, and when strings stretch beyond, or drop below this tension, pitch adjustments are required to bring it back to A-440. It’s important to remember that maintaining your piano at standard pitch allows you to play along with other instruments which are all designed to this same standard. Through neglect, pianos may deviate from this standard, making them unsuitable to play with other instruments and causing them to lose market value. In addition, lower pitched instruments can compromise the pianist’s ear training. It’s important to note that pianos do not go flat or sharp uniformly. Some strings will invariably change more than others. If I Haven’t Had My Piano Tuned Regularly, MANUAL How Can I Get it Back in Good Playing Condition? After years of regular use, your piano may have fallen silent when the family member who studied moved away from home. Though your home is no longer filled with music, it’s important to remember your piano is still a living, breathing thing. Its wood continues to expand and contract with seasonal changes in temperature and humidity, and the string tension also fluctuates accordingly. If your piano has gone without tuning for an extended period, its pitch may have dropped far below the pitch at which it was designed to perform. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
Download the Veritas 2016 Catalogue
Distributors of fine hand tools and machinery TOOLS& MACHINERY For your nearest stockist call 03332 406 967 or visit brimarc.com CONTENTS Page Page Page Joinery Cutting Sharpening 2 Drilling 9 16 Guides Power Tool Marking 4 Vices 11 17 Accessories Measuring 5 Saws 12 Scraping 17 Workbench Carving 8 13 Spokeshaves 18 Accessories Other Dowelling 8 14 Chisels 19 Accessories Clamping 9 Plans 16 Planes 20 SHARPENING Lapping Powder (4oz) • 90 grit suitable for most lapping BUY applications HERE Glass Lapping Plate • 4oz containers Code Ex.vat Inc.vat • Safety glass BUY Steel Honing Plate Powder 90 Grit 113g(4oz) 477323 £2.93 £3.52 • Guaranteed flat HERE • Precision ground to a flatness tolerance of 0.127mm (0.005”) • 215 x 355 x 6.3mm (8-1/2” x 14” x 1/4”) • An excellent substrate for diamond paste (available separately) Code Ex.vat Inc.vat • Dimensionally stable, stays flat over a lifetime of ordinary use Glass Lapping Plate 476783 £6.45 £7.74 • Slight surface texture captures diamond grit • Size 204 x 76 x 9.5mm, weighs 1.1kg Lapping Plate • Made in Canada Code Ex.vat Inc.vat Steel Honing Plate 502403 £11.55 £13.86 BUY HERE BUY HERE • A substantial lapping plate 300mm x 104mm x 28mm & BUY Lapping Powder (2oz) 6.3kg in weight HERE • A range of grits available 90, 180, 280, 400 & 600 • Top ground flat to within 0.025mm(0.001”) over the entire • 2oz containers surface Lapping Code Ex.vat Inc.vat • Unique channel design, optimized for a figure-eight lapping Powder 90 Grit 56g(2oz) 477631 £2.19 £2.63 pattern Kit of 5 Powder 180 Grit 56g(2oz) 210531 -
Learning Aural Tuning of Pianos
An Introduction To Piano Servicing Norman Brickman, MPT March, 2021 Objectives ● To offer suggested guidelines for piano tuner-technicians: – To cut through the chase of multiple guidance being offered – To focus on the important job requirements – To enable best value-add to your customers – Suggested Do’s and Don’ts! 2 Main Learning Categories ● Main topical areas which piano tuner-technicians must grasp: – 1) Tuning ● A separate set of charts is available for “Learning Aural Piano Tuning” * – 2) General Guidance, with key principles ● This set of charts – Fourteen topics. Many are similar to “Do’s and Don’ts” – 3) Voicing / Tone Regulation ● A next set of charts – 4) Apprenticeship / bench work ● A vast and very important topic – See a few comments on this topic later in this chart set 3 * On my Web site. https://potomacpiano.com/tuning-articles. “Learning Aural Piano Tuning” Contents 1) Learn Tuning Pin Stability 2) Tuning Hammer Technique 3) Tune Ambidextrously 4) Muting and Unisons 5) Aural versus Electronic Tuning 6) Recognize Confusing Statements about Aural Tuning 7) Piano Technician Groups 8) Get Benchwork Experience 9) Learn the Value of Hearing Aids 10) Loose Tuning Pins 11) Humidity Control 12) Soundboard Cracks 13) Pitch Raise 14) Use of lanolin 4 (1) Learn Tuning Pin Stability ● Objective after tuning: – Stable pitch, even with loud playing ● Learn via practice to achieve: – Neutral pin twist – Neutral pin bend – String neutrality at friction (bearing) points – On a pitch rise: go sharp, ease flat ● Opposite for pitch decrease – Factor in length of non-speaking length ● The longer the length, the more change typically needed ● Strong key blows are NOT necessary – Learn the proper touch. -
Dr. Li Yeoh, M.P.T
DR. LI YEOH, M.P.T. 5 Westbrook Music Bulding ● Lincoln, NE 68588 ● (402) 472-2568 [email protected] ● http://arts.unl.edu/music/faculty/li-yeoh SUMMARY OF QUALIFICATIONS • Chief Piano Technician at University of Nebraska-Lincoln, Glenn Korff School of Music (GKSOM) • Lecturer, Piano Technology - MUSC 361/898 Fundamentals of Piano Design and Mechanics • Seasoned professional with significant 12-year field experience in advanced Piano Technology • Significant experience as a concert piano technician in world class concert preparation protocols • Strong commitment to teaching and recruitment of outstanding students in post-secondary institutions • Registered Piano Technician, Master Piano Technicians of America • Experts in Computer Piano Systems: Bösendorfer CEUS, Yamaha Disklavier & PianoDisc, etc. • Solid leadership, teamwork, strong organizational skills, project management and procurement • Highly focused, detail-oriented, good written and verbal communication skills • Computer literate, competence in Microsoft Office: Access, Excel, Outlook, PowerPoint, Word, etc. • Served and tuned for variety of renown artists such as Emanuel Ax, Joshua Bell, Tony Bennett, Jean-Efflam Bavouzet, Lucas Debargue, Ingrid Fliter, Marc-André Hamelin, Stephen Hough, Yo-Yo Ma, Idina Menzel, Jon Nakamatsu, Garrick Ohlsson, Mikhail Pletnev, Edward Polochick, Doc Severinsen, Yuja Wang, Pablo Ziegler, Jaap van Zweden, the Glenn Miller Orchestra, the Lincoln Symphony Orchestra, the New Orleans Jazz Orchestra, the New York’s Fiasco Theater, the Nebraska Chamber Players, the Russian National Orchestra, and etc. EDUCATION, HONORS & CERTIFICATIONS Doctor of Musical Arts Dec 2015 Graduate Teaching Fellow 2008 – 2012 Two-Year Certificate in Piano Technology May 2009 University of North Texas Denton, TX Major: Horn Performance Minor: Piano Technology GPA: 3.969 C.F. -
Music Student Handbook
Lone Star College-Kingwood Visual & Performing Arts Music Department Student Reference Book Welcome to the Music Department at Lone Star College-Kingwood! for a fraction of the cost of four-year colleges and universities. Whether you are a student taking classes towardsWe are glad a degree you are in here.music We or prideare simply ourselves enrolled on offering in one of high-quality our many other courses, course taught offerings, by first-rate this handbook instructors is designed to help you plan for success in your music classes. Remember that we are here to help you reach your academic goals. Send us an email or talk to us after class when you have a question or whenever something comes up - keep us in the loop. Our goal is your goal, and together we can make it happen! Table of Contents Welcome to the Music Department at Lone Star College-Kingwood! 2 Important Information for New Students 4 Music Department Full-Time Faculty 4 Music Department Faculty, continued 5 Division Staff 6 Music Field of Study, AA (AA_FMUS) 2019-2020 First Year First Semester 7 First Year Second Semester 7 Second Year First Semester 8 Second Year Second Semester 8 Minimum Acceptable Grades 9 For Transfer to 4-Year Academic Institutions 9 Professional Etiquette 9 Recital Attendance 9 Piano Proficiency Exam 10 Class Attendance 10 Ensemble Attendance Policy 11 Private Music Lessons 12 Studio Class & Student Recitals 12 Studio Class & Recital Expectations 12 Working with a Staff Pianist 13 Working with the staff pianist: 13 Practice Rooms 13 Lockers 14 Tutoring -
· Arrett Hack
· �ARRETT HACK Photographs by John.S. Sheldon The HANDPLANE Book The HANDPLANE Book GARRETT HACK Photographs by John S. Sheldon TheTauntonrn Press TauntonBOOKS & VIDEOS forfellow enthusiasts © 1999 by The Taunton Press, Inc. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 The Handplane Book was originally published in hardcover © 1997 by The Taunton Press, Inc. The Taunton Press, Inc., 63 South Main Street, PO Box 5506, Newtown, CT 06470-5506 e-mail: [email protected] Distributed by Publishers Group West. Library of Congress Cataloging-in-Publication Data Hack, Garrett. The handplane book / Garrett Hack. p. cm. "A Fine woodworking book" - T.p. verso. Includes bibliographical references and index. ISBN 1-56158-155-0 hardcover ISBN 1-56158-317-0 softcover 1. Planes (Hand tools). 2. Woodwork. I. Title. TT186.H33 1997 684'.082 - dc21 97-7943 CIP About Your Safety Working wood is inherently dangerous. Using hand or power tools improperly or ignoring standard safety practices can lead to permanent injury or even death. Don't try to perform operations you learn about here (or elsewhere) unless you're certain they are safe for you. If something about an operation doesn't feel right, don't do it. Look for another way. We want you to enjoy the craft, so please keep safety foremost in your mind whenever you're in the shop. To Helen and Vinny who saw the possibilities, Ned who encouraged me, and Hope who has kept me tuned and planing true ACKNOWLEDGMENTS No one can hope to bring together a book Helen Albert, for her insights and Noel Perrin, for his insights about all like this without help.