The Guilder the Newsletter of the Columbus Chapter of the American Guild of Organists

Total Page:16

File Type:pdf, Size:1020Kb

The Guilder the Newsletter of the Columbus Chapter of the American Guild of Organists October 2016 The Guilder The Newsletter of the Columbus Chapter of the American Guild of Organists www.agocolumbus.org The mission of the American Guild of Organists is to enrich lives through organ and choral music. Two Terrific October Programs! Inside Dean’s Message .................... 2 There are two sets of Concerts ................................ 3 workshops and concerts Available Positions ............... 6 that are available to our Directory Advertisers ............ 6 members and guests during the month of October. The first is on At a Glance Saturday, October 1 with renowned concert organist Upcoming Programs... Bradley Welch, October 1 Bradley Welch at St. Bradley Welch Workshop Mark’s Episcopal Church, on Registration 2151 Dorset Road, Upper Arlington. Highly regarded as an impeccable Saturday, Oct.1, 1:00 p.m. virtuoso and a master of organ registration, Dr. Welch will present a Bradley Welch Concert workshop devoted to registration at 1:00 p.m. That evening at 7:30 pm, he Saturday, Oct.1, 7:30 p.m. will perform in a special concert for the re-dedication of the Casavant St. Mark’s Episcopal Church organ at St. Mark’s. Charles Callahan Workshop The second October event Saturday, Oct.22, 10:00 a.m. includes a workshop with Charles Callahan Concert composer Charles Callahan at Sunday, Oct.23, 4:00 p.m. 10:00 a.m. on Saturday, Broad Street United October 22, at Broad Street Methodist Church United Methodist Church, 501 East Broad Street, Submissions for the next Columbus. Dr. Callahan has Guilder are due by October hundreds of published works 7. to his credit. He was honored The November issue will be in 2014 by the AGO for his published on October 15 and Charles Callahan, October 22 and 23 contribution to the will include concert dates profession. He will also from October 15-December present a concert on Sunday, October 23, at 4:00 p.m., at Broad Street 1. Please send submissions UMC. Admission to the concert is free. to: You won’t want to miss any of these workshops or concerts. [email protected] October 2016 Page 2 Officers The Dean’s Comments Dean Mark Meuser After the hustle and bustle of the National AGO [email protected] Convention this summer, I was fortunate to be able to do some traveling that was a little less structured. My Sub-Dean wife and I spent several days in July visiting former Tom Gerke AGO Columbus Chapter member Mike Hardesty in [email protected] Norfolk, Virginia. Mike was a gracious host, showing us museums, historical sites, and, of course, several Secretary notable pipe organs around the city. Mark Stuart We toured the sanctuary of St. Paul’s Episcopal [email protected] Church in downtown Norfolk. Built in 1739, it Treasurer Mark Meuser endured British bombing, fire, occupation by Hessian troops, and extensive remodeling during the Victorian Albert Adcock era. The building survived all of that, [email protected] even though a cannon ball is still visible Chaplain in one of its walls. Happily, in 1913 St The Rev. Cynthia Adcock Paul’s was refurbished and restored to its original colonial design. The current [email protected] organ is in the rear balcony and was installed by Mander Organs of London, England, in 2006. It seemed more than a little ironic that they chose an organ Executive Committee builder from the same country that shot the cannon ball into the wall! Class of 2017 We also had the opportunity to visit Christ and St. Luke’s Jim Hildreth Episcopal Church in Norfolk. A huge stone edifice built in Nancy Renneckar 1909, Christ and St. Luke’s is a thriving congregation with Mary Ann Stephens a renowned music program. Kevin Kwan is the Organist and Music Director. Kevin previously served churches in Class of 2018 England and New York City and has concertized all over Brian Johnson the world. We were fortunate enough to meet him on our Janice Sprecher visit. He gave us an impromptu improvisation showcasing Christopher Warner the Casavant organ in the sanctuary. Installed in 1963, the Casavant was rebuilt and enlarged in 1996 by Orgues Class of 2019 Latourneau. Kathie Bracy Fortunately, you don’t have to drive to Virginia to visit Jason Keefer some really fine pipe organs. Many of you already know Ron Kenreich this because you took advantage of an opportunity to visit three of our local instruments on the AGO Organ Crawl on September 10. It was a great way to start off the year. I appreciated Mary Ann Stephens’ efforts in organizing that event. We will have two additional opportunities in October to hear two outstanding organists on two magnificent instruments. On October 1, Bradley Welch will present a workshop and concert at 1:00 p.m. and 7:30 p.m. respectively at St. Mark’s Episcopal Church in Upper Arlington. On October 22, Charles Callahan will present a workshop at 10:00 a.m. at Broad Street United Methodist Church. He will play a concert the following day at 4:00 pm. Both of these organists are nationally known and are sure to present stunning and informative programs. You won’t want to miss them. Warmly, Mark H. Meuser Dean, Columbus Chapter AGO October 2016 Page 3 Dean’s Committees Concerts and Other Events Communications Mark Stuart [email protected] Java & Jazz Dwight Lenox Trio Friday, September 16, 7:00 p.m. Education & Examinations St John’s United Church of Christ Robert Wisniewski [email protected] 59 East Mound Street, Columbus www.stjohnschurchcolumbus.org Guilder Editor & Publisher 614-224-8634 Sara Seidel Freewill offering. [email protected] Professional Concerns, Karen Peeler and Friends: Songs for a Lifetime—CANCELLED Placement & Substitutes Sunday, September 25 Chad Baker St. John’s Episcopal Church [email protected] 700 High Street, Worthington Registrar Unfortunately, the September date for Dr. Peeler’s concert has been cancelled; John Webb one of her accompanists broke her hand. The new date is May 21, 2017. [email protected] Webmaster Thom Miles: Inaugural Recital of the M.P. Rathke, Inc. Opus 8 Organ Anthony Fabro Sunday, September 25, 5:00 p.m. [email protected] Newtown United Methodist Church 3546 Church Street, Newtown 45244 Thom Miles is the organist at Lakeside Presbyterian Church. He retired in 2015 from his position as Organist/Director of Music at Isaac M. Wise Temple, AGO Mission Statement Cincinnati, a position he held for 30 years. Thom holds Bachelor of Music and Master of Music degrees from Colorado State University. He received the The mission of the American Premier Prix in Organ from the Montreal Conservatory of Music, and did Guild of Organists is to additional study at the University of Cincinnati College-Conservatory of Music. enrich lives through organ and choral music. Major teachers have included Robert Cavarra, Bernard Lagacé and Roberta Gary. To achieve this, we: Encourage excellence in Organ Registration Workshop with Dr. Bradley Welch the performance of organ Saturday, October 1, 1:00 p.m. and choral music; St. Mark's Episcopal Church Inspire, educate, and offer 2151 Dorset Road, Upper Arlington certification for organists www.saintmarkscolumbus.org and choral conductors; Prior to the evening's dedication concert of the enlarged Casavant organ, Dr. Bradley Welch will lead a workshop on organ registration, with a focus on choral Provide networking, fellowship, and mutual anthems and organ literature. Dr. Welch is well known for his sensitive and support; creative registration technique. If you would like to take part as a performer, or just have a particular piece/excerpt you would like Dr. Welch to address, please Nurture future generations contact Tyler W. Robertson ([email protected]). This workshop of organists; is generously sponsored by the Columbus chapter of the AGO. Promote the organ in its historic and evolving roles; and Engage wider audiences with organ and choral music. October 2016 Page 4 Welcome to Several Dedication Concert of the completed Casavant Organ, Op. 3616 Saturday, October 1, 7:30 p.m. New Chapter St. Mark's Episcopal Church Members! 2151 Dorset Road, Upper Arlington www.saintmarkscolumbus.org We have several members The much anticipated completion of the St. Mark's organ will be showcased in a who are new to our chapter dedication concert by Dr. Bradley Hunter Welch. Originally II/27 and built in since the end of the last 1987, the organ has been enlarged by Casavant to III/41. While a modest sized program year: organ, it now features a wealth of foundation stops in manuals and pedal as well as six different chorus and solo reeds. In addition, a grand hooded Tuba in the John Carter English style crowns the ensemble. The concert is free and open to the public. A Lauren Grangaard collection will be taken in support of the organ completion fund. Zebulon Highben Service of Consecration Stephen Trumbull Sunday, October 2, 11:00 a.m. St. John’s Lutheran Church Will Thacker 3220 Columbus Street, Grove City Please greet them warmly! The new Kegg Pipe Organ and the renovated chancel will be consecrated; choral music by K. Lee Scott, Austin Lovelace and Craig Phillips Their contact information will be in the new chapter G. Dene Barnard, organist directories, which will be Tuesday, October 4, 12:15 p.m. published soon. First Congregational Church 444 East Broad Street, Downtown www.concertsatfirstchurch.org Lunch is available following the 30 minute concert for a $5 donation. First Thursday Noontime Recital Series Thursday, October 6, 12:15 p.m. Asbury United Methodist Church 55 West Lincoln Avenue, Delaware This popular daytime recital series returns for a new season, featuring Dr.
Recommended publications
  • Guidelines for Effective Institutional Piano Maintenance
    Guidelines for Effective Institutional Piano Maintenance What is the Piano Technicians Guild? The Piano Technicians Guild (PTG) is a nonprofit, international organi- zation of piano technicians. The mission of PTG is to promote the highest possible standards of piano service by providing members with opportuni- ties for professional development, by recognizing technical competence through examinations and by advancing the interests of its members. Membership is open to all individuals with a professional or avocation- al interest in piano technology. A Registered Piano Technician (RPT) member has passed three rigor- ous examinations that assess the knowledge and skills required to tune, maintain, and repair pianos. Copies of this publication and other PTG materials may be purchased from: The Piano Technicians Guild, Inc. 4444 Forest Avenue Kansas City, KS 66106-3750 PH: (913) 432-9975 FAX: (913) 432-9986 [email protected] www.ptg.org 2004 Piano Technicians Guild, Inc. ii Table of Contents Foreword............................................................................................iv Introduction........................................................................................ v General Recommendations................................................................ 1 Staffing and Workload....................................................................... 3 The Contract Technician......................................................... 4 Minimum Qualifications and Training.................................... 5 Budgets..............................................................................................
    [Show full text]
  • Piano Manufacturing an Art and a Craft
    Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Gesa Lücker (Concert pianist and professor of piano, University for Music and Drama, Hannover) Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Since time immemorial, music has accompanied mankind. The earliest instrumentological finds date back 50,000 years. The first known musical instrument with fibers under ten sion serving as strings and a resonator is the stick zither. From this small beginning, a vast array of plucked and struck stringed instruments evolved, eventually resulting in the first stringed keyboard instruments. With the invention of the hammer harpsichord (gravi cembalo col piano e forte, “harpsichord with piano and forte”, i.e. with the capability of dynamic modulation) in Italy by Bartolomeo Cristofori toward the beginning of the eighteenth century, the pianoforte was born, which over the following centuries evolved into the most versitile and widely disseminated musical instrument of all time. This was possible only in the context of the high level of devel- opment of artistry and craftsmanship worldwide, particu- larly in the German-speaking part of Europe. Since 1885, the Schimmel family has belonged to a circle of German manufacturers preserving the traditional art and craft of piano building, advancing it to ever greater perfection. Today Schimmel ranks first among the resident German piano manufacturers still owned and operated by Contents the original founding family, now in its fourth generation. Schimmel pianos enjoy an excellent reputation worldwide. 09 The Fascination of the Piano This booklet, now in its completely revised and 15 The Evolution of the Piano up dated eighth edition, was first published in 1985 on The Origin of Music and Stringed Instruments the occa sion of the centennial of Wilhelm Schimmel, 18 Early Stringed Instruments – Plucked Wood Pianofortefa brik GmbH.
    [Show full text]
  • About the RPT Exams
    About the RPT exams... Tuning Exam Registered Piano Technicians are This exam compares your tuning to a “master professionals who have committed themselves tuning” done by a team of examiners on the to the continual pursuit of excellence, both same piano you will tune. Electronic Tuning in technical service and ethical conduct. Aids are used to measure the master tuning Want to take The Piano Technicians Guild grants the and to measure your tuning for comparison. Registered Piano Technician (RPT) credential In Part 1 you aurally tune the middle two after a series of rigorous examinations that octaves, using a non-visual source for A440. the RPT test skill in piano tuning, regulation and In Part 2 you tune the remaining octaves by repair. Those capable of performing these any method you choose, including the use of tasks up to a recognized worldwide standard Electronic Tuning Aids. This exam takes about exams? receive the RPT credential. 4 hours. No organization has done more to upgrade the profession of the piano technician than Find an Examiner PTG. The work done by PTG members in Check with your local chapter president or developing the RPT Exams has been a major examination committee chair first to see if contribution to the advancement of higher there are local opportunities. Exam sites Prepare. include local chapters, Area Examination standards in the field. The written, tuning Boards, regional conferences and the Annual and technical exams are available exclusively PTG Convention & Technical Institute. You to PTG members in good standing. can also find contact information for chapter Practice.
    [Show full text]
  • Blueprint for the Arts N Music Letter from the Chancellor
    Grades PreK - 12 - PreK Grades For Teaching and Learning in Learning and Teaching For Office of Arts and Special Projects New York City Department of Education 52 Chambers Street, Room 205 New York, New York 10007 Phone: 212.374.0300 Fax: 212.374.5598 Email: [email protected] website: schools.nyc.gov/artseducation New York City Department of Education © 2005 Carmen Fariña, Chancellor Second Edition (2008) Contributors Third Edition (2015) Contributors Dorita Gibson, Senior Deputy Chancellor Phil Weinberg, Deputy Chancellor of Teaching Music Curriculum Development Co-Chairs Music Educators, Music Curriculum Development Co-Chairs New York City Department of Education and Learning Barbara Murray, Director of Music Programs Barbara Murray, Director of Music Anna Commitante, Senior Executive Director, Office of Arts and Special Projects, Donald Christiansen Robert Lamont, Music Consultant Curriculum, Instruction & Professional Learning New York City Department of Education Roberta Feldhusen Paul King, Executive Director, Office of Arts and Shellie Bransford, Music Consultant Janet Grice Special Projects Elizabeth Norman, Director of Education, Elizabeth Guglielmo Music Educators, St. Luke’s Orchestra New York City Department of Education First Edition (2004) Contributors Jaime Jacobs Gregory Pierson, Director of Education, Maria Schwab Eric Dalio Music Curriculum Development Co-Chairs Brooklyn Philharmonic Thomas Toriello Elaine Fauria Nancy Shankman, Director of Music/ George Wanat Ian Kanakaris Deputy Senior Instructional Manager for Arts Education Moishe Weidenfeld Music from the Inside Out Contributors Portia Lagares Thomas Cabaniss, Director of Education, Jerome Korman, Project Director, Music Consultant, New York Philharmonic Office of Arts and Special Projects Cultural and University Community Music Educators, Nancy Shankman, Director of Music, Deputy Senior Dr.
    [Show full text]
  • Manual Pitch to Drop
    PITCH RAISING Your piano, just like every piano, is designed to sound its best when tuned to A-440 (the A above middle C vibrates at 440 cycles per second), the international pitch standard. It has been designed to perform at a specific tension, and when strings stretch beyond, or drop below this tension, pitch adjustments are required to bring it back to A-440. It’s important to remember that maintaining your piano at standard pitch allows you to play along with other instruments which are all designed to this same standard. Through neglect, pianos may deviate from this standard, making them unsuitable to play with other instruments and causing them to lose market value. In addition, lower pitched instruments can compromise the pianist’s ear training. It’s important to note that pianos do not go flat or sharp uniformly. Some strings will invariably change more than others. If I Haven’t Had My Piano Tuned Regularly, MANUAL How Can I Get it Back in Good Playing Condition? After years of regular use, your piano may have fallen silent when the family member who studied moved away from home. Though your home is no longer filled with music, it’s important to remember your piano is still a living, breathing thing. Its wood continues to expand and contract with seasonal changes in temperature and humidity, and the string tension also fluctuates accordingly. If your piano has gone without tuning for an extended period, its pitch may have dropped far below the pitch at which it was designed to perform.
    [Show full text]
  • Howe Collection of Musical Instrument Literature ARS.0167
    http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items.
    [Show full text]
  • Learning Aural Tuning of Pianos
    An Introduction To Piano Servicing Norman Brickman, MPT March, 2021 Objectives ● To offer suggested guidelines for piano tuner-technicians: – To cut through the chase of multiple guidance being offered – To focus on the important job requirements – To enable best value-add to your customers – Suggested Do’s and Don’ts! 2 Main Learning Categories ● Main topical areas which piano tuner-technicians must grasp: – 1) Tuning ● A separate set of charts is available for “Learning Aural Piano Tuning” * – 2) General Guidance, with key principles ● This set of charts – Fourteen topics. Many are similar to “Do’s and Don’ts” – 3) Voicing / Tone Regulation ● A next set of charts – 4) Apprenticeship / bench work ● A vast and very important topic – See a few comments on this topic later in this chart set 3 * On my Web site. https://potomacpiano.com/tuning-articles. “Learning Aural Piano Tuning” Contents 1) Learn Tuning Pin Stability 2) Tuning Hammer Technique 3) Tune Ambidextrously 4) Muting and Unisons 5) Aural versus Electronic Tuning 6) Recognize Confusing Statements about Aural Tuning 7) Piano Technician Groups 8) Get Benchwork Experience 9) Learn the Value of Hearing Aids 10) Loose Tuning Pins 11) Humidity Control 12) Soundboard Cracks 13) Pitch Raise 14) Use of lanolin 4 (1) Learn Tuning Pin Stability ● Objective after tuning: – Stable pitch, even with loud playing ● Learn via practice to achieve: – Neutral pin twist – Neutral pin bend – String neutrality at friction (bearing) points – On a pitch rise: go sharp, ease flat ● Opposite for pitch decrease – Factor in length of non-speaking length ● The longer the length, the more change typically needed ● Strong key blows are NOT necessary – Learn the proper touch.
    [Show full text]
  • Dr. Li Yeoh, M.P.T
    DR. LI YEOH, M.P.T. 5 Westbrook Music Bulding ● Lincoln, NE 68588 ● (402) 472-2568 [email protected] ● http://arts.unl.edu/music/faculty/li-yeoh SUMMARY OF QUALIFICATIONS • Chief Piano Technician at University of Nebraska-Lincoln, Glenn Korff School of Music (GKSOM) • Lecturer, Piano Technology - MUSC 361/898 Fundamentals of Piano Design and Mechanics • Seasoned professional with significant 12-year field experience in advanced Piano Technology • Significant experience as a concert piano technician in world class concert preparation protocols • Strong commitment to teaching and recruitment of outstanding students in post-secondary institutions • Registered Piano Technician, Master Piano Technicians of America • Experts in Computer Piano Systems: Bösendorfer CEUS, Yamaha Disklavier & PianoDisc, etc. • Solid leadership, teamwork, strong organizational skills, project management and procurement • Highly focused, detail-oriented, good written and verbal communication skills • Computer literate, competence in Microsoft Office: Access, Excel, Outlook, PowerPoint, Word, etc. • Served and tuned for variety of renown artists such as Emanuel Ax, Joshua Bell, Tony Bennett, Jean-Efflam Bavouzet, Lucas Debargue, Ingrid Fliter, Marc-André Hamelin, Stephen Hough, Yo-Yo Ma, Idina Menzel, Jon Nakamatsu, Garrick Ohlsson, Mikhail Pletnev, Edward Polochick, Doc Severinsen, Yuja Wang, Pablo Ziegler, Jaap van Zweden, the Glenn Miller Orchestra, the Lincoln Symphony Orchestra, the New Orleans Jazz Orchestra, the New York’s Fiasco Theater, the Nebraska Chamber Players, the Russian National Orchestra, and etc. EDUCATION, HONORS & CERTIFICATIONS Doctor of Musical Arts Dec 2015 Graduate Teaching Fellow 2008 – 2012 Two-Year Certificate in Piano Technology May 2009 University of North Texas Denton, TX Major: Horn Performance Minor: Piano Technology GPA: 3.969 C.F.
    [Show full text]
  • Music Student Handbook
    Lone Star College-Kingwood Visual & Performing Arts Music Department Student Reference Book Welcome to the Music Department at Lone Star College-Kingwood! for a fraction of the cost of four-year colleges and universities. Whether you are a student taking classes towardsWe are glad a degree you are in here.music We or prideare simply ourselves enrolled on offering in one of high-quality our many other courses, course taught offerings, by first-rate this handbook instructors is designed to help you plan for success in your music classes. Remember that we are here to help you reach your academic goals. Send us an email or talk to us after class when you have a question or whenever something comes up - keep us in the loop. Our goal is your goal, and together we can make it happen! Table of Contents Welcome to the Music Department at Lone Star College-Kingwood! 2 Important Information for New Students 4 Music Department Full-Time Faculty 4 Music Department Faculty, continued 5 Division Staff 6 Music Field of Study, AA (AA_FMUS) 2019-2020 First Year First Semester 7 First Year Second Semester 7 Second Year First Semester 8 Second Year Second Semester 8 Minimum Acceptable Grades 9 For Transfer to 4-Year Academic Institutions 9 Professional Etiquette 9 Recital Attendance 9 Piano Proficiency Exam 10 Class Attendance 10 Ensemble Attendance Policy 11 Private Music Lessons 12 Studio Class & Student Recitals 12 Studio Class & Recital Expectations 12 Working with a Staff Pianist 13 Working with the staff pianist: 13 Practice Rooms 13 Lockers 14 Tutoring
    [Show full text]
  • Influencing Reed Pitch Ask the Hohner Service Center
    Har monica happenings A quarterly publication of the Society for the Preservation and Advancement of the Harmonica The 2011 spah Convention Issue! Fall, 2011 Vol. 45 No. 4 Harmonica happenings In this issue: Vol. 45, No. 4, Fall 2011 ©2007, The Society for the Preservation and Advancement of the Harmonica. Cover photos by Danielle Bradley, Ernie Roberts and JP All rights reserved. No portion of this Pagán. publication may be reproduced in any form without permission in writing from SPAH, Inc. Printed in U.S.A. Harmonica Happenings Contents: is published quarterly by SPAH, Inc., a nonprofit organization, incorporated in the State of Michigan on October 23, 1963. 6 SPAH 2011 THROUGH MY EYES & EARS— What SPAH is like... if you’re Charles Spranklin. SPAH correspondence should be sent to: SPAH, Inc. P.O. Box 865 12 CONVENTION CHATTER— Troy, MI 48099-0865 SPAH convention attendees tell their stories EDITOR & PUBLISHER JP Pagán ASSOC. EDITOR Jaine Rodack 15 SPAH 2011 IN PHOTOS— COPY EDITOR Danny Wilson SPAH BOARD OF DIRECTORS 26 THE STATE OF THE CHORD— Tom Stryker President Manfred Wewers covers the history of the chord harmonica. L.J. Atkison Vice President Eugene Hansen Treasurer Elizabeth Atkison Secretary 32 SECURING THE MAGIC CHORD— Roger Bale Membership Director The story of the chord that Al Fiore used to play “Peg O’ My JP Pagán Magazine Editor Heart.” Bob Cohen Webmaster Paul Metris Sergeant at Arms 34 CD Review Norm Dobson International Liaison Chris Bauer’s new album is just in time for the holidays. Danny Wilson SPAH Historian Paul Davies Advisor COMMITTEES Harmonicas & Health Terry Rand Chairman Entertainment Winslow Yerxa Chairman SPAH Advisory Committee L.J.
    [Show full text]
  • Annual Report
    North Bennet Street School Annual Report Fiscal Year 2016 Our challenge is to make an outstanding crafts-based education widely available. Welcome to This past year, we are proud to have made North Bennet Street School. significant progress on this goal by: Expanding our public presence with new exhibitions and events Engaging the community through Last year at this time we had just completed including doubling the size of the full-time low- and no-cost service projects a year-long look toward the future of the Carpentry program and broadening our School, and the result, the Strategic Action audience with an expanded Continuing Broadening our audience via new Plan FY 2016 –FY 2020, was published in Education program. There are profiles of Continuing Education classes our FY 2015 Annual Report. The plan set generous donors who have funded program out two overarching goals: to fully realize the enhancements, and stories of talented students Connecting with alumni through job programmatic potential of our new building and who have practiced their craft in myriad ways. fairs and trade shows to secure the long term financial sustainability of the School. This year’s report also describes a few of the Enhancing our programs with support ways that we have increased our visibility in from individuals, businesses, and non- At the end of the Plan’s first year, I am pleased the community, with our ongoing internship profit partners to report progress toward both goals. On the programs, public exhibitions, and the financial front, we have added nearly $3.6 Preservation Carpentry program’s partnership million to our endowment and we are in the with the National Building Museum in initial stages of a capital campaign to raise funds Washington, D.C.
    [Show full text]
  • Piano Technician IV
    Piano Technician IV PEIMS Code: N1170200 Abbreviation: PINTECH4 Grade Level(s): 11-12 Award of Credit: 1.0 Approved Innovative Course • Districts must have local board approval to implement innovative courses. • In accordance with Texas Administrative Code (TAC) §74.27, school districts must provide instruction in all essential knowledge and skills identified in this innovative course. • Innovative courses may only satisfy elective credit toward graduation requirements. • Please refer to TAC §74.13 for guidance on endorsements. Course Description: The Piano Technician IV course is the completion course in piano tuning and technical skills with an emphasis on refining tuning, repairs, introducing voicing and business management practices. The Piano Technician IV courses will provide students with the knowledge, skills, and technologies required for employment in the music industry as a piano tuner or piano technician. Students will perfect tuning theory in practice, string repairs/replacement, piano moving, cabinetry repair, voicing, regulation, action repair, financial literacy, professional conduct, and OSHA safety protocols. Upon successful completion of the set of Piano Technician courses, the skills taught will allow students to begin advanced study at trade or postsecondary schools, as well as begin working at institutions and piano dealers as a fully competent piano technician. Essential Knowledge and Skills: (a) General Requirements: This course is recommended for students in Grade 12. Required prerequisite completion of Piano Technician III. Students shall be awarded one credit for successful completion of this course. (b) Introduction. (1) Fine arts instruction provides content aligned with challenging academic standards and relevant technical knowledge and skills for students to further their education and succeed in the current piano tuning/technician profession.
    [Show full text]