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Politics and History of 20Th Century Europe Shifted Radically, Swinging Like a Pendulum in a Dramatic Cause and Effect Relationship
Politics and history of 20th Century Europe shifted radically, swinging like a pendulum in a dramatic cause and effect relationship. I explored the correlation between art movements and revolutions, focusing specifically on Russian Constructivism and the Russian Revolution in the 1920s, as well as the Punk movement in East Germany that instigated the Fall of the Berlin Wall. I am fascinated by the structural similarities of these movements, and their shared desire of egalitarianism, which progressed with the support of opposing political ideologies. I chose fashion design because it was at the forefront of both Constructivism and Punk, and because it is what I hope to pursue as a career. After designing a full collection in 2D, I wanted to challenge myself by bringing one of my garments to life. The top is a plaster cast cut in half and shaped with epoxy and a lace up mechanism so that it can be worn. A paste made of plaster and paper pulp serves to attach the pieces of metal and create a rough texture that produces the illusion of a concrete wall. For the skirt, I created 11 spheres of various sizes by layering and stitching together different shades of white, cream, off-white, grey, and beige colored fabrics, with barbed wire and hardware cloth, that I then stuffed with Polyfil. The piece is wearable, and meant to constrict one’s freedom of movement - just like the German Democratic Party constricted freedom of speech in East Germany. The bottom portion is meant to suffocate the body in a different approach, with huge, outlandish, forms like the ones admired by the Constructivists. -
The Futurist Moment : Avant-Garde, Avant Guerre, and the Language of Rupture
MARJORIE PERLOFF Avant-Garde, Avant Guerre, and the Language of Rupture THE UNIVERSITY OF CHICAGO PRESS CHICAGO AND LONDON FUTURIST Marjorie Perloff is professor of English and comparative literature at Stanford University. She is the author of many articles and books, including The Dance of the Intellect: Studies in the Poetry of the Pound Tradition and The Poetics of Indeterminacy: Rimbaud to Cage. Published with the assistance of the J. Paul Getty Trust Permission to quote from the following sources is gratefully acknowledged: Ezra Pound, Personae. Copyright 1926 by Ezra Pound. Used by permission of New Directions Publishing Corp. Ezra Pound, Collected Early Poems. Copyright 1976 by the Trustees of the Ezra Pound Literary Property Trust. All rights reserved. Used by permission of New Directions Publishing Corp. Ezra Pound, The Cantos of Ezra Pound. Copyright 1934, 1948, 1956 by Ezra Pound. Used by permission of New Directions Publishing Corp. Blaise Cendrars, Selected Writings. Copyright 1962, 1966 by Walter Albert. Used by permission of New Directions Publishing Corp. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1986 by The University of Chicago All rights reserved. Published 1986 Printed in the United States of America 95 94 93 92 91 90 89 88 87 86 54321 Library of Congress Cataloging-in-Publication Data Perloff, Marjorie. The futurist moment. Bibliography: p. Includes index. 1. Futurism. 2. Arts, Modern—20th century. I. Title. NX600.F8P46 1986 700'. 94 86-3147 ISBN 0-226-65731-0 For DAVID ANTIN CONTENTS List of Illustrations ix Abbreviations xiii Preface xvii 1. -
Shapiro Auctions
Shapiro Auctions RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS Tuesday - June 15, 2010 RUSSIAN ART AUCTION INCLUDING POSTERS & BOOKS 1: GUBAREV ET AL USD 800 - 1,200 GUBAREV, Petr Kirillovich et al. A collection of 66 lithographs of Russian military insignia and arms, from various works, ca. 1840-1860. Of varying sizes, the majority measuring 432 x 317mm (17 x 12 1/2 in.) 2: GUBAREV ET AL USD 1,000 - 1,500 GUBAREV, Petr Kirillovich et al. A collection of 116 lithographs of Russian military standards, banners, and flags from the 18th to the mid-19th centuries, from various works, ca. 1830-1840. Of varying sizes, the majority measuring 434 x 318mm (17 1/8 x 12 1/2 in.) 3: RUSSIAN CHROMOLITHOGRAPHS, C1870 USD 1,500 - 2,000 A collection of 39 color chromolithographs of Russian military uniforms predominantly of Infantry Divisions and related Artillery Brigades, ca. 1870. Of various sizes, the majority measuring 360 x 550mm (14 1/4 x 21 5/8 in.) 4: PIRATSKII, KONSTANTIN USD 3,500 - 4,500 PIRATSKII, Konstantin. A collection of 64 color chromolithographs by Lemercier after Piratskii from Rossiskie Voiska [The Russian Armies], ca. 1870. Overall: 471 x 340mm (18 1/2 x 13 3/8 in.) 5: GUBAREV ET AL USD 1,200 - 1,500 A collection of 30 lithographs of Russian military uniforms [23 in color], including illustrations by Peter Kirillovich Gubarev et al, ca. 1840-1850. Of varying sizes, the majority measuring 400 x 285mm (15 3/4 x 11 1/4 in.), 6: DURAND, ANDRE USD 2,500 - 3,000 DURAND, André. -
Governance on Russia's Early-Modern Frontier
ABSOLUTISM AND EMPIRE: GOVERNANCE ON RUSSIA’S EARLY-MODERN FRONTIER DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Paul Romaniello, B. A., M. A. The Ohio State University 2003 Examination Committee: Approved by Dr. Eve Levin, Advisor Dr. Geoffrey Parker Advisor Dr. David Hoffmann Department of History Dr. Nicholas Breyfogle ABSTRACT The conquest of the Khanate of Kazan’ was a pivotal event in the development of Muscovy. Moscow gained possession over a previously independent political entity with a multiethnic and multiconfessional populace. The Muscovite political system adapted to the unique circumstances of its expanding frontier and prepared for the continuing expansion to its east through Siberia and to the south down to the Caspian port city of Astrakhan. Muscovy’s government attempted to incorporate quickly its new land and peoples within the preexisting structures of the state. Though Muscovy had been multiethnic from its origins, the Middle Volga Region introduced a sizeable Muslim population for the first time, an event of great import following the Muslim conquest of Constantinople in the previous century. Kazan’s social composition paralleled Moscow’s; the city and its environs contained elites, peasants, and slaves. While the Muslim elite quickly converted to Russian Orthodoxy to preserve their social status, much of the local population did not, leaving Moscow’s frontier populated with animists and Muslims, who had stronger cultural connections to their nomadic neighbors than their Orthodox rulers. The state had two major goals for the Middle Volga Region. -
Yonas and Yavanas in Indian Literature Yonas and Yavanas in Indian Literature
YONAS AND YAVANAS IN INDIAN LITERATURE YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Studia Orientalia 116 YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Helsinki 2015 Yonas and Yavanas in Indian Literature Klaus Karttunen Studia Orientalia, vol. 116 Copyright © 2015 by the Finnish Oriental Society Editor Lotta Aunio Co-Editor Sari Nieminen Advisory Editorial Board Axel Fleisch (African Studies) Jaakko Hämeen-Anttila (Arabic and Islamic Studies) Tapani Harviainen (Semitic Studies) Arvi Hurskainen (African Studies) Juha Janhunen (Altaic and East Asian Studies) Hannu Juusola (Middle Eastern and Semitic Studies) Klaus Karttunen (South Asian Studies) Kaj Öhrnberg (Arabic and Islamic Studies) Heikki Palva (Arabic Linguistics) Asko Parpola (South Asian Studies) Simo Parpola (Assyriology) Rein Raud (Japanese Studies) Saana Svärd (Assyriology) Jaana Toivari-Viitala (Egyptology) Typesetting Lotta Aunio ISSN 0039-3282 ISBN 978-951-9380-88-9 Juvenes Print – Suomen Yliopistopaino Oy Tampere 2015 CONTENTS PREFACE .......................................................................................................... XV PART I: REFERENCES IN TEXTS A. EPIC AND CLASSICAL SANSKRIT ..................................................................... 3 1. Epics ....................................................................................................................3 Mahābhārata .........................................................................................................3 Rāmāyaṇa ............................................................................................................25 -
Role of Revolutionary Leadership in Iran to Its Foreign Policy
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2009 Role Of Revolutionary Leadership In Iran To Its Foreign Policy Aida Latorre University of Central Florida Part of the Political Science Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Latorre, Aida, "Role Of Revolutionary Leadership In Iran To Its Foreign Policy" (2009). Electronic Theses and Dissertations, 2004-2019. 4113. https://stars.library.ucf.edu/etd/4113 ROLE OF REVOLUTIONARY LEADERSHIP IN IRAN ON ITS FOREIGN POLICY by AIDA MARIA LATORRE B.A. University of Central Florida, 2006 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Political Science in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2009 ABSTRACT This study investigated the role of different leadership styles within Iran and how such leadership changes influenced Iranian foreign policy. The study utilized event-data analysis of Iranian history and current events and discussed the role of realist and idealist to the development of Iran into the regional power it is today as well as how Western relations played a role in developing Iranian foreign policy, particularly with regard to its nuclear development. The main body of the study drew from the dynamics within Iran, its relations with the West, relations with Israel, and relations with other foreign powers. -
Pregnant Males, Barren Mothers, and Religious Transvestism Transcending Gender in the Songs and Practices of “Heterodox” Bengali Lineages
Carola Erika Lorea International Institute for Asian Studies Pregnant Males, Barren Mothers, and Religious Transvestism Transcending Gender in the Songs and Practices of “Heterodox” Bengali Lineages Realizing the constructed nature of gender is often described as a twen- tieth-century Western phenomenon. Nevertheless, in several South Asian religious traditions, practitioners are instructed through songs and oral teach- ings to exchange and ultimately transcend gender identities. In this article I discuss the practices aimed at transcending gender identity among some contemporary Bengali lineages that have been defined as “heterodox” by nineteenth-century reformers. Several lineages in West Bengal and Bangla- desh perform cross-dressing and meditative identification with the opposite sex. I discuss such practices using songs, riddles, and oral sources collected during fieldwork conducted between 2011 and 2015. I then briefly trace the history of religious transvestism in South Asian literature, while contextual- izing this practice within Vaishnava and Sufi traditions. Finally, I discuss how similar phenomena have been interpreted by modern and postmodern schol- arship to conclude with a conceptual framework for interpreting “pregnant males” and “barren mothers” in light of contemporary gender theories, with reference to performativity and ritual liminality. Keywords: āropa—Baul—cross-dressing—Fakir––gender-reversal—sakhī— Sufi—Vaishnava Asian Ethnology Volume 77, Numbers 1&2 • 2018, 169–213 © Nanzan University Anthropological Institute “Before holding the feet of your guru, oh Panju hold the feet of your woman” —Bengali song by Panju Shah (1851–1914) The twentieth-century “discovery” of the constructed nature of gender as a set of social, cultural, and bio-political factors constitutes one of the most important theoretical turning points in postmodern and postcolonial times, bearing meth- odological consequences in numerous disciplines.1 Indeed, the concern for the constructed nature of gender has virtually ushered in a new interdisciplinary field of study. -
Manufactured Proletariat: Constructivism and the Stalinist Company Town
86'rH ACSA ANNUAL MEETING AND TECHNOLOGY CONFERENCE 655 Manufactured Proletariat: Constructivism and the Stalinist Company Town GREG CASTILLO University of California, Berkeley A procession of clashing architectural styles documents the "From the Constructivists to the World."' El Lissitzky, who USSR's attempt to devise the environment for a socialist helped found Switzerland's Constructivist architectural asso- "new man." Of these, Constructivism is conventionally seen ciation (but declined to join its Soviet equivalent), declared as an emblem of the Great Utopia, a vision of this project the factory "the crucible of socialization for the urban popu- predating its totalitarian metamorphosis. But, for areputation lation" and "the university for the new Socialist man."J as the antithesis of "Stalinist" architecture, Constructivism's Constructivists venerated machine environments for their timing is problematic, to say the least. Constructivism came ordained capacity to transform human nature. Aleksandr into its own during the First Five-Year Plan (1928-32), an era Vesnin praisedengineering's invention of "objects of genius" that witnessed the rise of Stalin's "cult of personality" and his and called for artists to create devices equal in the "potential campaigns to collectivize agriculture and industrialize at energy of their psycho-physiological influence on the con- breakneck speed. This period, marked by the emergence of sciousness of the indi~idual."~The factory was considered the Stalinist state, corresponds to the building of the most potent specimen of the "social condenser" - building Constructivism's canonic monuments.' types that, while fulfilling basic social needs, instilled social- In servicing the First Five-Year Plan, Constructivist archi- ist modes of behavior and thought. -
Qt0m64w57q.Pdf
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Ideologies of Pure Abstraction Permalink https://escholarship.org/uc/item/0m64w57q Author Kim, Amy Chun Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Ideologies of Pure Abstraction By Amy Chun Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Whitney Davis, Chair Professor Todd Olson Professor Robert Kaufman Spring 2015 Ideologies of Pure Abstraction © 2015 Amy Chun Kim Abstract Ideologies of Pure Abstraction by Amy Chun Kim Doctor of Philosophy in History of Art University of California, Berkeley Professor Whitney Davis, Chair This dissertation presents a history of the development of abstract art in the 1920s and 1930s, the period of its expansion and consolidation as an identifiable movement and practice of art. I argue that the emergence of the category of abstract art in the 1920s is grounded in a voluntaristic impulse to remake the world. I argue that the consolidation of abstract art as a movement emerged out of the Parisian reception of a new Soviet art practice that contained a political impetus that was subsequently obscured as this moment passed. The occultation of this historical context laid the groundwork for the postwar “multiplication” of the meanings of abstraction, and the later tendency to associate its early programmatic aspirations with a more apolitical mysticism. Abstraction has a long and varied history as both a conceptual-aesthetic practice and as an ideal. -
The Purge of Modern Trends
PATRICIA RAILING The Purge of Modern Trends Patricia Railing has published widely on the Russian Avant-Garde. She is $IRECTOR OF !RTISTS s "OOKWORKS THAT PUBLISHES REPRINTS OF EARLY TH CENTURY artists’ books and writings, as well as studies on the Russian Avant-Garde. Her Alexandra Exter Paints appeared in October 2011 and her doctoral thesis, Kazimir Malevich – Suprematism as Pure Sensation (Université de Paris 1 – Sorbonne, Philosophy of Art) will soon appear under the title, Malevich Paints – The Seeing Eye. 7KDWWKHDUWVIURPSDLQWLQJWROLWHUDWXUHWRWKHDWUH ³RUJDQLVDWLRQV PLJKW FKDQJH WR EHLQJ DQ LQVWUXPHQW IRU WKH WR PXVLF VKRXOG EH FRQVLGHUHG VR SRZHUIXO WKDW PD[LPXPPRELOLVDWLRQRI6RYLHWZULWHUVDQGDUWLVWVIRUWKHWDVNV 34 WKH\ KDG WR EH VXEYHUWHG WR WKH DXWKRULW\ RI WKH 6WDOLQLVW RIVRFLDOLVWFRQVWUXFWLRQ´1 UHJLPHVD\VPRUHDERXWWKHHIIHFWVRIWKHDUWVRQWKHKXPDQ EHLQJWKDQZRXOGEHDGPLWWHGLQPRGHUQ:HVWHUQVRFLHWLHV 7KXVWKHDUWVFDPHXQGHUWKHIXOOFRQWURORIWKH6WDWHDQGLIQRW )RUWKHPDUWLVXVXVDOO\FRQVLGHUHGDOX[XU\DSOD\WKLQJDQ DFWXDOO\GHVWUR\HGZKLFKVRPHDUWZDVLWFRXOGDWOHDVWEHPDGH LQYHVWPHQWRUVLPSO\LUUHOHYDQW WRFRQIRUPRUWRGLVDSSHDU ,Q5XVVLDIURPWKHVDUWZDVYLWDOEHFDXVHLWVUROH :KDWHYHUFRXOGQRWEHFODVVL¿HGDV³SUROHWDULDW´DQGZKDWHYHU ZDVWRDQQRXQFHDQGFRQYLQFHWKHSRSXODUPDVVHVDERXWWKH FRXOG EH FODVVL¿HG DV ³ERXUJHRLV´ ZHUH XQGHU WKUHDW :KHWKHU QHZ SROLWLFDO UHJLPH7KH SHDVDQW DQG WKH SUROHWDULDW ZHUH )UHQFK,PSUHVVLRQLVP3RVW,PSUHVVLRQLVP)DXYLVPDQG&XELVPRU WREHSHUVXDVLYHO\SRUWUD\HGDQGWKXVDUWEHFDPHWKHWRRO 5XVVLDQ,PSUHVVLRQLVPWR6XSUHPDWLVPDQG&RQVWUXFWLYLVPDOOZHUH IRU SURSDJDQGD &RLQFLGHQWO\ -
Second-Generation Persians' Participation in The
SECOND-GENERATION PERSIANS’ PARTICIPATION IN THE OKLAHOMA DIALECT By SHIMA DOKHTZEYNAL Bachelor of Arts in English Translation Allameh Tabataba’i University Tehran, Iran 2011 Masters of Arts in English Translation Allameh Tabataba’i University Tehran, Iran 2013 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS July, 2020 SECOND-GENERATION PERSIANS’ PARTICIPATION IN THE OKLAHOMA DIALECT Thesis Approved: Dr. Dennis R. Preston Thesis Adviser Dr. An Cheng Dr. Valerie Freeman ii ACKNOWLEDGEMENTS First and foremost, my deep gratitude goes to my thesis advisor, Dr. Dennis Preston. Without his inspiration, guidance and his unwavering belief in my capabilities as a graduate student, I would not be able to appreciate variationist linguistics and to find the necessary passion and the motivation to embark on this project. I would also like to thank my committee member, Dr. An Cheng, who is my MA committee member. I learned much about research design from his course titled “Introduction to Graduate Studies.” His suggestions on the first drafts of this research project were invaluable and have made this project better than it was. I also owe gratitude to Dr. Valerie Freeman, my MA committee member and mentor. I would like to thank her for her constant support during all stages of my thesis. She welcomed me to her office every week to discuss my progress. My admiration for her research and her mentorship has certainly influenced my own work. She has demonstrated to me, with herself as an example, what it means to be not just a good, but an extraordinary mentor. -
ETD Template
The Anniversaries of the October Revolution, 1918-1927: Politics and Imagery by Susan M. Corbesero B.A., Pennsylvania State University, 1985 M.A., University of Pittsburgh, 1988 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Susan Marie Corbesero It was defended on November 18, 2005 and approved by William J. Chase Seymour Drescher Helena Goscilo Gregor Thum William J. Chase Dissertation Director ii The Anniversary of the October Revolution, 1918-1927: Politics and Imagery Susan M. Corbesero, PhD University of Pittsburgh, 2005 This dissertation explores the politics and imagery in the anniversary celebrations of the October Revolution in Moscow and Leningrad from 1918 to 1927. Central to Bolshevik efforts to take political and symbolic control of society, these early celebrations not only provided a vehicle for agitation on behalf of the Soviet regime, but also reflected changing popular and official perceptions of the meanings and goals of October. This study argues that politicians, cultural producers, and the urban public contributed to the design and meaning of the political anniversaries, engendering a negotiation of culture between the new Soviet state and its participants. Like the Revolution they sought to commemorate, the October celebrations unleashed and were shaped by both constructive and destructive forces. A combination of variable party and administrative controls, harsh economic realities, competing cultural strategies, and limitations of the existing mass media also influenced the Bolshevik commemorative projects.