2019 Sustainability Report
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Media Prima Project
Media Prima Project A complex system made simple TABLE OF CONTENS 1. INTRODUCTION ............................................................................................................ 4 2. REQUESTED FEATURES ............................................................................................. 5 3. PROPOSED SOLUTION ................................................................................................ 6 4. ETERE ARCHITECTURE ............................................................................................... 6 4.1 A DISTRIBUTED SYSTEM............................................................................................................................. 6 4.2 ETERE GUI WITH SECONDARY EVENTS ....................................................................................................... 7 4.3 MAIN CLONE REDUNDANCY ........................................................................................................................ 8 4.4 ET0558-B REDUNDANCY SWITCH .............................................................................................................. 9 5. NLE INTEGRATION USING ETERE WEB ..................................................................... 9 5.1 FIREWALL AND DMZ ................................................................................................................................ 10 5.2 ETERE TAPELESS CONCEPT ..................................................................................................................... 10 5.3 ETERE LOGS -
O U R O D Y S S
ANNUAL REPORT 2017 OUR ODYSSEY MediaPrima AT A GLANCE CONTENTS WHO WE ARE HOW WE ARE GOVERNED 4 Corporate Profile 91 Corporate Governance Overview Statement 6 Our Milestones 109 Additional Compliance Information 9 Corporate Structure 110 Statement on Risk Management and Internal Control 10 Organisation Structure 121 Audit Committee Report 12 Snapshots of 2017 127 Risk Management Committee Report 16 Awards and Recognition 2017 OUR NUMBERS OUR PERFORMANCE REVIEW 130 Financial Statements 20 Group Chairman’s Statement 24 Group Managing Director’s Statement-MD&A ADDITIONAL INFORMATION 30 Review of Operations 213 Analysis of Shareholdings 54 Segmental Analysis 216 Top 10 Properties Held by the Group 55 Statement of Value Added & Distribution of Value Added 217 Corporate Information 56 Viewership, Listenership & Readership Data 57 Share Price Chart 58 Group Financial Review AGM INFORMATION 219 Notice of Annual General Meeting 221 Statement Accompanying Notice of Annual General OUR COMMITMENT TO SUSTAINABILITY Meeting 60 Sustainability Report 222 Financial Calendar 75 Investor Relations • Proxy Form OUR LEADERSHIP • Group Directory 76 Our Board of Directors 78 Directors' Profile 86 Senior Management Team OUR ODYSSEY As digital disruption takes full form, we at Media Prima aim to embrace the many opportunities that come with it. In 2017, Media Prima embarked on our Odyssey Transformation Plan – a strategic initiative to reinvent the Group to become the leading digital-first content and commerce entity. In doing this, we will continue to enrich lives by informing, entertaining and engaging across all media, just as how we have been doing for decades. The only difference is that we are doing them all with a strong focus on digital platform. -
IPR 2019 MCMC.Pdf
STATUTORY REQUIREMENTS In accordance with Part V, Chapter 15, Sections 123 – 125 of the Communications and Multimedia Act 1998, and Part II, Section 6 of Postal Services Act 2012, Malaysian Communications and Multimedia Commission hereby publishes and has transmitted to the Minister of Communications and Multimedia a copy of this Industry Performance Report (IPR) for the year ended 31 December 2019. MALAYSIAN COMMUNICATIONS AND MULTIMEDIA COMMISSION, 2020 The information or material in this publication is protected under copyright and save where otherwise stated, may be reproduced for non-commercial use provided it is reproduced accurately and not used in a misleading context. Where any material is reproduced, MCMC as the source of the material must be identified and the copyright status acknowledged. The permission to reproduce does not extend to any information or material the copyright of which belongs to any other person, organisation or third party. Authorisation or permission to reproduce such information or material must be obtained from the copyright holders concerned. This work is based on sources believed to be reliable, but MCMC does not warrant the accuracy or completeness of any information for any purpose and cannot accept responsibility for any error or omission. Published by: Malaysian Communications and Multimedia Commission MCMC Tower 1 Jalan Impact Cyber 6 63000 Cyberjaya, Selangor Darul Ehsan T: +60 3 86 88 80 00 F: +60 3 86 88 10 00 Toll Free: 1-800-888-030 W: www.mcmc.gov.my ISSN 1823 – 3724 Note: Numbers and percentages may not add up due to rounding practices. Information and figures given are accurate as per current date and time report was produced. -
Rev Asia Display
MEDIA PRIMA OMNIA SDN. BHD. (436623-M) (formerly known as 'Able Communications Sdn. Bhd.') Balai Berita, Anjung Riong, 31, Jalan Riong, Bangsar, 59100 Kuala Lumpur Tel: 1300 300 672 | www.mediaprima.com.my DIGITAL ADS REV ASIA DISPLAY BUY VIRALCHAM SELL BY DURATION EXCEPT FOR MOBILE CARDS/GROW/SPIN/SCROLL PLAY/AI Estimated Impressions Ad Unit SoV Location Duration Rate Card Rate Card CPM per Week Leaderboard 20% 60,000 7 RM3,000.00 RoS (Mobile + Desktop) Showcase/MRec 20% 60,000 7 RM3,000.00 Premium Execution: Skinner 100% RoS Desktop 30,000 7 RM6,000.00 Premium Execution: Billboard 100% RoS Desktop 30,000 7 RM6,000.00 Premium Execution: Takeover 100% RoS Desktop 30,000 7 RM10,000.00 Premium Takeover: Navigation bar 100% RoS (Mobile + Desktop) 500,000 7 RM60,000.00 Sizmek Swipe Leaderboard 100% RoS Mobile 150,000 7 RM80.00 Mobile Cards/Mobile Grow* 100% RoS Mobile 150,000 7 RM70.00 Mobile Spin/Mobile Scroll Play* 100% RoS Mobile 150,000 7 RM70.00 Mobile Cards/Mobile Grow (with video ad)* 100% RoS Mobile 150,000 7 RM80.00 Mobile Spin/Mobile Scroll Play (with video ad)* 100% RoS Mobile 150,000 7 RM80.00 AI In-Image Units NA RoS Mobile 150,000 7 RM100.00 *Additional production cost of RM3,500 (cards+grow) and RM5,000 (Spin+Scroll play) applies if client does not have ready materials ROJAKLAH SELL BY DURATION EXCEPT FOR MOBILE CARDS/GROW/SPIN/SCROLL PLAY/AI Estimated Impressions Ad Unit SoV Location Duration Rate Card Rate Card CPM per Week Leaderboard 20% 60,000 7 RM3,000.00 RoS (Mobile + Desktop) Showcase/MRec 20% 60,000 7 RM3,000.00 Premium -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
Berjaya Marks Its Presence in Japan with the Grand Opening of Four Seasons Hotel and Hotel Residences Kyoto
Berjaya Corporation Berhad’s Quarterly Newsletter - Issue 4, 2016 KDN No : PP 7432/02/2013(031932) BERJAYA MARKS ITS PRESENCE IN JAPAN WITH THE GRAND OPENING OF FOUR SEASONS HOTEL AND HOTEL RESIDENCES KYOTO From left: Berjaya Times Square CEO Chryseis Tan, Berjaya Group Chairman/CEO Dato’ Sri Robin Tan, Madam Low Siew Beng, Puan Sri Datin Seri Esther Tan, Tan Sri Dato’ Seri Vincent Tan, Princess of Johor Her Highness Tunku Tun Aminah Maimunah Iskandariah, His Majesty Sultan Ibrahim ibni Almarhum Sultan Iskandar, Daisaku Kadokawa, Isadore Sharp and Governer of Kyoto prefecture Keiji Yamada during the Japanese tradition of sake barrel breaking ceremony. On 29 November 2016, Berjaya Corporation Berhad of Four Seasons Hotels and Resorts. and we are very much looking forward to further (“Berjaya”) launched its first Japanese property with building our reputation within the Japanese market,” the grand opening of Four Seasons Hotel and Hotel The event put the full spectrum of onsite services on continued TSVT. Residences Kyoto (“Four Seasons Kyoto”). The hotel display, including a tour of the property, facilities, and marks the much-anticipated entry of Berjaya into Japan, residential apartments. Guests enjoyed an opening Mr Isadore Sharp said, “Four Seasons Hotel Kyoto is one of the world’s fastest-growing tourist destinations. reception featuring a rousing Taiko Drum performance. a stunning addition to our global portfolio, designed to This was followed by speeches by Tan Sri Dato’ Seri ensure guests enjoy the highest standards of quality and Four Seasons Kyoto, which had its soft opening on Vincent Tan (“TSVT”), Mr Isadore Sharp and Mr Daisaku the most genuine and personal service – the markers of 15th October 2016, is owned by Kyoto Higashiyama Kadakawa. -
The Survival of Malaysia's National Television Within a Changing
The Innovation Journal: The Public Sector Innovation Journal, Vol. 16(3), 2011, article 2. The Survival of Malaysia’s National Television Within a Changing Mediascape Fuziah Kartini Hassan Basri Abdul Latiff Ahmad Emma Mirza Wati Mohamad Arina Anis Azlan Hasrul Hashim School of Media and Communication Studies Faculty of Social Sciences and Humanities Universiti Kebangsaan Malaysia 43600. Bangi Selangor MALAYSIA The Innovation Journal: The Public Sector Innovation Journal, Vol. 16(3), 2011, article 2. The Survival of Malaysia’s National Television Within a Changing Mediascape Fuziah Kartini Hassan Basri, Abdul Latiff Ahmad, Emma Mirza Wati Mohamad, Arina Anis Azlan and Hasrul Hashim ABSTRACT National television is the term used to describe television broadcasting owned and maintained for the public by the national government, and usually aimed at educational, informational and cultural programming. By this definition, Radio Televisyen Malaysia’s TV1 is the national television in Malaysia and until 1984 was the only television broadcast offered to Malaysians. With the privatization policy, new and private stations were established, and RTM eventually faced competition. The advent of direct satellite broadcasting saw another development in the country—the establishment of Astro in 1998. The direct-to-user satellite broadcaster currently carries over 100 channels, including 8 HD channels, thus creating many more choices for viewers. More importantly, Astro carries the global media directly into our homes. International offerings such as CNN, BBC, CCTV, HBO, MTV, FOX, ESPN, Star Sports, and Star World are now within the push of a button for most Malaysians. Astro is a success story, but there were also a few failed attempts along the way such as MetroVision, MegaTV and MiTV. -
Media Prima Berhad AR2019
Media Prima Berhad INVESTOR RELATIONS “MEDIA PRIMA IS COMMITTED TO MAINTAINING HIGH STANDARDS IN THE DISSEMINATION OF RELEVANT AND MATERIAL INFORMATION ON THE GROUP IN ORDER TO MAINTAIN EFFECTIVE, COMPREHENSIVE AND TIMELY DISCLOSURE OF INFORMATION.” Engaging the Investment Community We acknowledge the importance of effective, transparent and regular communication with our investment community, to provide a clear picture are paramount for a well-functioning analyses of the Group and its operating of the Group’s performance and governance framework. businesses, and the outlook for the position. Media Prima is committed to following financial period. high standards in the dissemination of We maintain various communication relevant and material information on channels to ensure that our analysts, We host analyst and investor briefings the Group in order to maintain effective, investors and stakeholders have a to present our first half and full-year comprehensive and timely disclosure of sound understanding of the Group’s results, chaired by our Group Managing information. performance and position while we Director, supported by our Group Chief navigate a fluid business environment. Financial Officer, and attended by Senior Throughout 2019, we proactively Management. Through these briefings, engaged with analysts, fund managers Our key financial results and operating we aim to provide transparent and and investors, to keep them updated on metrics are released publicly to Bursa effective dialogue with our analysts our performance, strategies, as well Securities on a quarterly basis. Our and investors through a comprehensive as industry changes and outlook, while quarterly reports consist of detailed presentation, followed by a question and practising interactive and two-way information relating to financial answer session. -
Editshare Powers VOD Production
CASE STUDY | BROADCAST MALAYSIA | APAC EditShare Powers VOD Production - Media Prima’s Catch-Up TV Media Prima Berhad is the biggest media company in Malaysia, with four highly-rated television stations, radio stations, newspapers and outdoor advertising businesses. With the launch of its new “Catch-Up TV” service, Media Prima is tapping into the Internet to expand the reach and brand loyalty for its television programs. Missed a favorite show? No problem. Just log onto the TV station website from a computer with broadband or high speed Internet connectivity and select the program you want to see from the “Catch- Up TV” menu to view on line. The free, video-on-demand service is generating a lot of interest with nearly 3 million download requests each week. THE CHALLENGE Media Prima needed a streamlined systems are Networked Attached For the Internet user, all it takes workflow to handle the online Storage (NAS) devices that are is a quick click. But Media Prima’s content production. highly optimised for video editing New Media department had – both in their hardware and their software. EditShare integrates to overcome several, major THE SOLUTION production and delivery hurdles seamlessly with the industry’s Benedict Yee from distributor when creating the infrastructure leading editing products, including Graphics Vision (M) Sdn Bhd and workflow for the VOD service. Avid, Apple and the Grass Valley proposed EditShare’s collaborative Every day, more than 120 episodes Edius systems preferred by Media storage solution as the production would be transitioned from the Prima. Operating on Gigabit hub for the Catch-Up service. -
Monopoly in Malaysia Television Market: Effect on Malaysian Film Producers
Humanities and Social Sciences Review, CD-ROM. ISSN: 2165-6258 :: 04(03):297–304 (2015) MONOPOLY IN MALAYSIA TELEVISION MARKET: EFFECT ON MALAYSIAN FILM PRODUCERS Zairul Anuar bin Md. Dawam, Rosli Sareya, Adley Bromeo Bianus and M. Fazmi Hisham Universiti Malaysia Sabah Shahizan Ali Universiti Kebangsaan Malaysia The emergence of television in Malaysia has created new market opportunity for local production companies to sell products or television shows they have produced. Television has now become a bigger market compared to the film market for cinema screening. This is contributed by the increasing number of television channels in Malaysia which has eight free television channels i.e. TV1, TV2, TVi, TV3, NTV7, 8TV, TV9 and TV Al-Hijrah. Paid television network named ASTRO satellite television which serves more than 170 television channels has also provided new market opportunity through the channels of Astro Ria, Astro Prima and Astro Mustika. ASTRO also provides market opportunity for producers to broadcast recent films premiered in cinema through the pay per view channel known as Astro First. However, the ownership of television channels by particular company is feared to prompt monopoly in television market. This article discusses the effect on Malaysian film producers or production companies in Malaysia television market. Among issues being discussed are procedure to purchase television programme by government television network i.e. Radio dan Televisyen Malaysia (RTM), issue of low price purchase, ownership of products copyright by private television network and continually increment in subscription price by the first satellite television in Malaysia, ASTRO. Keywords: Television market, Monopoly, Film, Producer, ASTRO, RTM, Media Prima, TV3. -
DFA INVESTMENT DIMENSIONS GROUP INC Form NPORT-EX Filed
SECURITIES AND EXCHANGE COMMISSION FORM NPORT-EX Filing Date: 2019-09-30 | Period of Report: 2019-07-31 SEC Accession No. 0001752724-19-129424 (HTML Version on secdatabase.com) FILER DFA INVESTMENT DIMENSIONS GROUP INC Mailing Address Business Address 6300 BEE CAVE ROAD 6300 BEE CAVE ROAD CIK:355437| IRS No.: 363129984 | State of Incorp.:MD | Fiscal Year End: 1031 BUILDING ONE BUILDING ONE Type: NPORT-EX | Act: 40 | File No.: 811-03258 | Film No.: 191125055 AUSTIN TX 78746 AUSTIN TX 78746 (512) 306-7400 Copyright © 2021 www.secdatabase.com. All Rights Reserved. Please Consider the Environment Before Printing This Document SELECTIVELY HEDGED GLOBAL EQUITY PORTFOLIO SCHEDULE OF INVESTMENTS July 31, 2019 (Unaudited) Shares Value† AFFILIATED INVESTMENT COMPANIES — (100.0%) Investment in U.S. Core Equity 2 Portfolio of DFA Investment Dimensions Group Inc. 9,403,760 $211,302,493 Investment in International Core Equity Portfolio of DFA Investment Dimensions Group Inc. 10,310,486 130,840,067 Investment in Emerging Markets Core Equity Portfolio of DFA Investment Dimensions Group Inc. 3,534,273 72,028,480 TOTAL INVESTMENTS IN AFFILIATED INVESTMENT COMPANIES (Cost $342,503,851)^^ $414,171,040 As of July 31, 2019, Selectively Hedged Global Equity Portfolio had entered into the following forward currency contracts and the net unrealized forward currency gain (loss) is reflected in the accompanying financial statements: Unrealized Foreign Exchange Settlement Appreciation Currency Purchased Currency Sold Counterparty Date (Depreciation) USD 18,823,847 GBP 14,866,173 Citibank, N.A. 08/01/19 $ 745,099 USD 3,344,317 SEK 31,085,997 Bank of America Corp. -
Music Authors' Copyright Protection (Macp) Berhad
MUSIC AUTHORS’ COPYRIGHT PROTECTION (MACP) BERHAD Distribution Rules of General & Digital Royalties 2016 April 2017 No. Table of Contents Pages 1. Pool Division 3 2. Frequency of Distribution 3 3. Timing of Distribution 3 4. Minimum Payment 3 5. Distribution Numbering System 3 - 4 6. Calculation of Net Distributable Royalties 4 7. Unlogged Performance Allocation (UPA) 4 - 5 8. Programme Returns 5 - 7 9. Division of fees 7 - 9 9.1 Guidelines relating to Non-Member’s share 9.2 Guidelines relating to Performances 9.3 Guidelines relating to Sub-Published works 9.4 Guidelines relating to Arrangement 10. Music Classification 9 - 10 10.1 Featured Work 10.2 Programme Music 11. Points Awards Table 11 12. Special Accounts 11 - 12 12.1 Public Domain Special Account (PD) 12.2 Non-member Special Account (NM) 12.3 Dispute Special Account (DIS) 12.4 Credit In Suspense (CIS) 13. Dramatico-musical works 12 13.1 Overseas Works 13.2 Local Works 14. Royalties received from affiliated societies 13 15. Adjustments 13 16. AMALFI Resolution of CISAC 13 2 | P a g e 1. Pool Division General General pool involves performance royalties (public performances and broadcast) collected in a fiscal year allocated into 6 main pools. They are General Licences, Concerts, Film, Television, Radio and Others. Separate codes are created for major concerts. Digital Digital pool involves performing and mechanical royalties collected in the distribution period for Ring Back Tone/Ring Tones, Streaming and Downloading services. 2. Frequency of Distribution General Performing royalties shall be distributed once a year. Digital Digital royalties shall be distributed twice a year.