Item ID Number °1165 Journal/Book Title Year Month/Day Color Number

Total Page:16

File Type:pdf, Size:1020Kb

Item ID Number °1165 Journal/Book Title Year Month/Day Color Number Item ID Number °1165 Author Young, Alvin L. United States Air Force Occupational and Environmental Report/Article Title The Toxicology, Environmental Fate, and Human Risk of Herbicide Orange and its Associated Dioxin Journal/Book Title Year Month/Day Oct°ber Color D Number of Images 263 DeSCrlptOU NOtBS A'v'n *-• Young filed this item under the category "Human Exposure to Phenoxy Herbicides and TCDD" Thursday, April 05, 2001 Page 1165 of 1180 • 4 MTlftrO A-L. eVdL Report OEHLTR-78-92 r ^j-—-' j •••4>^ USAF OEHL TECHNICAL REPORT THE TOXICOLOGY, ENVIRONMENTAL FATE, AND HUMAN RISK OF HERBICIDE ORANGE AND ITS ASSOCIATED DIOXIN Alvin L. Young, Captain, USAF John A. Calcagni, Lieutenant Colonel, USAF, MC Charles E. Thalken, Lieutenant Colonel, USAF, VC James W. Tremblay, Major, USAF, BSC October 1978 Final Report I Approved for public release; distribution unlimited PREPARED FOR: The Surgeon General United States Air Force Washington, D.C. 20314 USAF Occupational and Environmental Health Laboratory Aerospace Medical Division (AFSC) Brooks Air Force Base, Texas 78235 NOTICES This report has been released to the National Technical Information Service, 5285 Port Royal Road, Springfield, Virginia 22161, for sale to the general public. *** Qualified requestors may obtain copies of this report from Defense Documentation Center (DDC), Cameron Station, Alexandria, Virginia 22314. *** This technical report has been reviewed and is approved for publication. WILLIAM E. MABSON, Colonel, USAF, BSC Commander UNCLASSIFIED SECURTtV'tVASSIFICATION OF THIS PAGE (When Data Entered) READ INSTRUCTIONS REPORT DOCUMENTATION PAGE BEFORE COMPLETING FORM 1. REPORT NUMBFR 2. GOVT ACCESSION NO 3. RECIPIENT'S CATALOG NUMBER USAF OEHL -78-92 it".; ':" C-inrt Subtitle) 5. TYPE OF REPORT & PERIOD COVERED The Toxicology, Environmental Fate and Human Risk Fin; I of Herbicide Orange and Its Associated Dioxin 6. PERFORMING ORG. REPORT NUMBER -.• i,- 3 • - • , . ?. AUTHOR,,, /\yvin L. young, Captain, USAF 8. CONTRACT OR GRANT NUMBERfa.) John A. Calcagni, Lieutenant Colonel, USAF, MC Charles E. Thai ken, Lieutenant Colonel, USAF, VC: James U. Tremblay, Major. USAF, BSC 9. PERFORMING ORGANIZATION NAME AND ADDRESS 10. PROGRAM ELEMENT, PROJECT, TASK US Air Force Occupational and Environmental Health ARc A & WORK UNIT NUMBERS Laboratpry Brooks AFB TX 78235 11. CONTROLLING OFFICE NAME AND ADDRESS 12. REPORT DATE The Surgeon General October 1978 US Air 'Force 13. NUMBER OF PAGES Washington, DC 20314 14 MONITORING AGENCY NAME 4 ADDRESS^/ different Iron Controlling Olficv) 15. SECURITY CLASS, (at this report) Unclassified 1Sa. DECLASSIFI CATION/ DOWN GRADING SCHEDULE 16. DISTRIBUTION STATEMENT (ol this Report) Approved for public release; distribution unlimited. 17. DISTRIBUTION STATEMENT (ol the abstract entered In Block 30, It different tram Report) 18. SUPPLEMENTARY NOTES Authors: A.L. Young, PhD J.W. Tremblay, P.E. J.A. CaVcagni, MD C.E. Thalken, DVM 19. KEY WORDS (Continue on reverse aide II nocessary and identity by block number) clorinated phenols Herbicide Orange toxicity - animal 2,4-dichlorophenoxyacetic acid (2,4-D) phenoxy herbicides toxicity - human dioxin Pacer HO environmental monitoring Ranch Hand herbicides South Vietnam 20. ABSTRACT fContinue on reverse aide If necnssary and Identify by block number) The use of herbicides in South Vietnam between 1962 and 1971 was reviewed, in- cluding the nature and quantities of herbicides used, their handling and applica- tion.' Emphasis was placed on Herbicide Orange, a 50:50 mixture of 2,4-dichloro- phenoxyacetic acid (2,4-D) and 2,4,5-trichlorophenoxyacetic acid (2,4,5-T), with its associated contaminant 2,3,7,8-tetrachlorodibenzo-p-dioxin (TCDD). The at- risK US military population in South Vietnam was defined to establish the potential for exposure in handling "and application of Herbicide Orange. The environmental fate of the phenoxy herbicides and TCDD was reviewed to evaluate EO.TIOM OF I- . ' 65 IS OBSOLETE UNCLASS I F I FD SS.CURITY CLASSI f: » iT, r;)AGE (Wien Deta Entt-rr ' UNCLASSIFIED SECURITY CLASSIFICATION OF THIS PAOBftWiwi £>•<« Entered) Item 19. Key Words (cont): 2,3,7,8-tetrachlorodibenzo-p-dioxin (TCDD) 2,4,5-trichlorophenoxyacetic acid (2,4,5-T) Item 20. Abstract (cont): the potential for human risk associated with exposure to areas previously treated with Herbicide Orange. The occupational and environmental aspects of the project to incinerate at sea 2.22 million gallons of Herbicide Orange durinc the summer of 1977 were summarized to assess the potential for human exposure in handling large quantities of the material. Scientific data were reviewed on incidents and episodes involving suspected poisoning of humans or animals by phenoxy herbicides or TCDD. Literature dealing with animal toxicology and the effects of human exposure to 2,4-D, 2,4,5-T and TCDD was reviewed to correlate exposures with symtomatology. iv UNCLASSIFIED SECURITY CLASSIFICATION OF THIS PAGEfHTion Data Entered) PREFACE The use of herbicides in support of tactical military operations in South Vietnam from 1961 to 1971 has had (and continues to have) a nega- tive impact on the use of pesticides by numerous facets of our society. fjrior to the Vietnam conflict, herbicides were considered invaluable to agriculture, innocuous to human life and of little environmental concern. Today, seven years after the last herbicide mission in Vietnam, these same herbicides are the center of scientific debate involving not only ecological but also medical, legal and political issues. The United States Environmental Protection Agency (EPA) has recently issued a Notice of Rebuttable Presumption Against Registration (RPAR) of pesticides con- taining one of these "Vietnam" herbicides, while at the same time some Veterans of the Vietnam Conflict have reported medical problems they claimed were the result of herbicide exposure while assigned to military duties in Vietnam. In April 1978, the Surgeon General of the United States Air Force (USAF) tasked personnel'of the USAF Occupational and Environmental Health Laboratory, Brooks AFB, Texas with updating previous scientific assessments of possible adverse effects to human health resulting from exposure to the herbicides, especially Herbicide Orange used in South Vietnam during the Vietnam Conflict. The present report was assembled using the latest available published scientific information, previously unpublished data, and observations from medical and scientific personnel intimately associated with the herbicides in question. The report reviews the use of phenoxy herbicides in Vietnam, their environmental fate, and pertinent animal and human toxicological studies. In addition, a description is given of the 1977 military operation for the disposal of Herbicide Orange emphasizing the facets of environ- mental monitoring and industrial hygiene. The document concludes with an assessment of the risk to human health following exposures to the phenoxy herbicides. Special emphasis was placed upon the chemistry, environmental fate and toxicology of the trichlorophenoxy herbicide contaminant, 2,3,7,8-tetrachlorodibenzo-p-dioxin (TCDD or dioxin). The authors are indebted to Kenneth C. Back, PhD, Chief Toxicology Branch, Toxic Hazards Division, United States Air Force 6570th Aerospace Medical Research Laboratory, Wright-Patterson AFB Ohio for his critical review of-this document and the many recommendations he made to improve the qualify of the discussions on toxicology. Special thanks are expressed to Rodney W. Bovey, PhD, United States Department of Agriculture", Texas A&M University, College Station, Texas, for his assistance in providing copies of the foreign literature on the phenoxy herbicides. The services of many staff members and consultants of the United States Air Force Occupational and Environmental Health Laboratory are acknowledged. Special acknowledgement is made to Mrs Joyce G. Kidd who served as the general editor, and to the following typists who willingly worked numerous overtime hours in preparing this manuscript: Ruth S. Bledsoe; Yolanda Carrisalez; Irma Ledesma; Lorraine M. Polonis; Nancy L. Ragan and Trina Roark. CONTENTS Page PREFACE v CHAPTER I .THE USE OF HERBICIDES IN SOUTH VIETNAM I. INTRODUCTION 1-1 II. THE HERBICIDES USED IN SOUTH VIETNAM 1-1 A. Historical 1-1 B. Descriptions of the Herbicides Used in Operation RANCH HAND 1-3 C. Quantities of Herbicides Sprayed in South Vietnam 1-8 D. Land Area Sprayed with Herbicides in South Vietnam 1-11 III. THE AIRCRAFT, SPRAY SYSTEMS AND MISSION CONCEPT IN OPERATION RANCH HAND I-11 A. Historical 1-11 B. Spray Systems and Characteristics of the RANCH HAND Aircraft 1-14 C. Mission Concepts 1-15 IV. PERTINENT DEPLOYMENT AND BIOLOGICAL FACTORS OF THE HERBICIDES 1-18 A. Use Patterns of Individual Military Herbicides 1-18 B. Canopy Penetration of Defoliants 1-20 « V. ESTIMATED QUANTITIES OF INDIVIDUAL CHEMICALS SPRAYED IN SOUTH VIETNAM A. Herbicide Orange and its Components 2,4-D, 2,4,5-T and TCDD 1-21 B. Military Projects that Involved Handling Herbicides Orange, Purple, Pink or Green 1-29 VI. SUMMARY 1-29 LITERATURE CITED 1-32 LIST OF TABLES 1. Selected physical, chemical and toxicological properties of the three major military herbicides used in South Vietnam, 1962 - 1971. 1-5 VI 1 2. Number of gallons of military herbicide procured by the U.S. Department of Defense and disseminated in South Vietnam during the period January 1962 - December 1964. 1-9 3. Estimated number of gal of military herbicide procured by the U.S. Department of Defense and disseminated in South Vietnam during the period January 1965 - February 1971. 1-10 4. Comparison of data from three sources of the estimated number of acres treated in South Vietnam during the period of January 1962 - February 1971. Data make noi allowance for multiple coverage. 1-12 5. The number of acres treated in South Vietnam, 1962 - 1971, with military herbicides within the three major vegeta- tional categories. Data represent areas receiving single or multiple coverage and for 90 percent of all areas treated. 1-13 6. Concentration, ppm, of TCDD in samples of Herbicides Orange and Purple. 1-23 7. Composition, percent, of selected samples of Herbicide Orange in relation to military specifications.
Recommended publications
  • Trojan Terrorism: Revenge Colonists Or Condition of Evolution? (To the Problem “Your/Alien”)
    Philosophy Study, April 2018, Vol. 8, No. 4, 191-208 doi: 10.17265/2159-5313/2018.04.005 D DAVID PUBLISHING Trojan Terrorism: Revenge Colonists or Condition of Evolution? (To the Problem “Your/Alien”) Menshikova Elena Rudolfovna Expert New Institute for Cultural Research Thinking about the problem of terrorism, the author finds its origins in the myth of the Trojan War, treating it as a battle for space, which was the primary basis for the civilizational leap—the expansion of the Greek world to the east, which led to the flourishing of Greek culture, creating a precedent of justified colonialism, provided strategy and tactics—the causal apology of violence—all subsequent wars, colonial campaigns, which was no exception for the migratory flows of the XX century, as a result of which the word “terrorism” sounded with by force of the song of B. Brecht. The theme of “space”—chucked away, lost, taken away, destroyed, compressed, anarchic, empty, boundless, virtual—remains vital in our time, when the limitless possibilities lead to the limitation of man himself, his emptiness, and “complete shortness” (Platonov), when the treaty as the basis of human existence is rejected, and when you become the Other yourself. The metaphysics of “violence” is buried in anthropology—in ignorance of one’s limits by man, in denying the boundaries of “another’s,” in unwillingness to ask a question and find the answer, in laziness and, in fact, in the loss of oneself. Keywords: myth, space, terrorism, Own/Alien’s, treaty, another, happiness The subtitle to the topic could be played cinematically: “Good, bad, evil: What is happiness, brother?”—then an allusion to the Scorsese’s western (“Il Buono, il brutto, il cattivo,” 1966) and Balabanov’s film (“Brother,” 1997), that became cultic at different times of the revolutionary 20th century, and as a result of social transformations experienced by a society divided by the ocean, history, and culture to different social formations.
    [Show full text]
  • Songs from the Second Floor 179 Chapter 9: Sin: Werckmeister Harmonies 193 Chapter 10: Guilt: Dog Days; You the Living; Import Export 205
    University of Bath PHD A 'Post-Historical' Cinema of Suspense: Jean-Luc Nancy and the Limits of Redemption Callow, James Award date: 2010 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 A „Post-Historical‟ Cinema of Suspense Jean-Luc Nancy and the Limits of Redemption James Callow A thesis submitted for the degree of Doctor of Philosophy University of Bath Department of European Studies and Modern Languages November 2010 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with the author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the prior written consent of the author.
    [Show full text]
  • Academy Invites 774 to Membership
    MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam
    [Show full text]
  • An Auteur Study of Kira Muratova Focusing on the Films Two in One and Melody for a Street Organ
    An Auteur Study of Kira Muratova Focusing on the Films Two in One and Melody for a Street Organ A Master’s Thesis for the Degree Master of Arts (Two Years) in Visual Culture Helena Tomasson Spring semester 2012 Supervisor: Ingrid Stigsdotter Helena Tomasson Abstract LUND UNIVERSITY DIVISION OF ART HISTORY AND VISUAL STUDIES/FILM STUDIES MASTER OF ARTS IN VISUAL CULTURE An Auteur Study of Kira Muratova Focusing on the Films Two in One and Melody for a Street Organ by Helena Tomasson This thesis is dedicated to the cinema art of Kira Muratova with the focus on the theme of grotesque. Kira Muratova shot films of different genres; mixing styles, creating a new reality of cinema, mixing audio-visualization of people with animals, classical literature with slang, including photography and pornography, installation, performance, opera and ballet. Due to this fact, her films provide rich objects of research in Visual Culture Studies. This study is concerned with the audio-visual effects, images and scenes connected to the theme of grotesque in the auteur cinema of Kira Muratova. Deliberately departing from the possible socio-historical context, the author of the project presents intertextuality of Muratova's film. This thesis includes a detailed analysis of images and shots of several films with a focus on grotesque and along with general description of the director’s main devices. It searches for meanings, denotations and connotations in the films’ images as the essential elements of the films. In addition to an overview of the whole art of director and auteur features, the project deals in more details with two recent films by Muratova— Two in One (2006) and Melody for a Street Organ (2009).
    [Show full text]
  • On Behalf of the Federal Agency of Culture and Cinematography I
    ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ Ë Ï‡ÒÒÓ‚˚ı On behalf of the Ministry of Culture and Mass ÍÓÏÏÛÌË͇ˆËÈ –ÓÒÒËÈÒÍÓÈ ‘‰‡ˆËË Communications of the Russian Federation I ÔË‚ÂÚÒÚ‚Û˛ ‚ÒÂı Û˜‡ÒÚÌËÍÓ‚ Ë „ÓÒÚÂÈ XVIII welcome all participants and visitors of the 18th ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ Open Russian Film Festival ´Kinotavrª! ´üËÌÓÚ‡‚ª! This annual event is an integral part of our ≈„Ó ÂÊ„ӉÌÓ Ôӂ‰ÂÌË ˇ‚ΡÂÚÒˇ ÌÂÓÚ˙ÂÏÎÂÏÓÈ State policy on the support of the national ˜‡ÒÚ¸˛ „ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÓÎËÚËÍË ÔÓ ÔÓ‰‰ÂÊÍ cinema. ´Kinotavrª can, without exaggeration, ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÂχÚÓ„‡Ù‡. ´üËÌÓÚ‡‚ª be called the most anticipated event in the ÏÓÊÌÓ ·ÂÁ ÔÂÛ‚Â΢ÂÌˡ ̇Á‚‡Ú¸ Ò‡Ï˚Ï Russian film-season. For the 17 years of its ÓÊˉ‡ÂÏ˚Ï ÒÓ·˚ÚËÂÏ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÒÂÁÓ̇. «‡ existence this main national cinema event has ÒÂÏ̇‰ˆ‡Ú¸ ÎÂÚ Ò‚ÓÂ„Ó ÒÛ˘ÂÒÚ‚Ó‚‡Ìˡ „·‚Ì˚È gained a strong position, both in the Russian ̇ˆËÓ̇θÌ˚È ÍËÌÓÒÏÓÚ Á‡‚Ó‚‡Î ÔÓ˜Ì˚È film world and abroad. ‡‚ÚÓËÚÂÚ, Í‡Í ‚ ÓÒÒËÈÒÍÓÈ The festival is developing fast, becoming more ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓÈ Ò‰Â, Ú‡Í Ë ‚ Á‡Û·ÂÊÌÓÈ. dynamic and alive, saturated and informative. ‘ÂÒÚË‚‡Î¸ ÒÚÂÏËÚÂθÌÓ ‡Á‚Ë‚‡ÂÚÒˇ, ÒÚ‡ÌÓ‚ˇÒ¸ The success of festival films among Russian ·ÓΠ‰Ë̇Ï˘Ì˚Ï Ë ÊË‚˚Ï, ̇Ò˚˘ÂÌÌ˚Ï Ë audiences once again confirms that there is a ËÌÙÓχÚË‚Ì˚Ï.
    [Show full text]
  • Mediaobrazovanie) Media Education (M Ediaobrazovanie
    Media Education (Mediaobrazovanie) Has been issued since 2005. ISSN 1994–4160. E–ISSN 1994–4195 2020, 60(1). Issued 4 times a year EDITORIAL BOARD Alexander Fedorov (Editor in Chief ), Prof., Ed.D., Rostov State University of Economics (Russia) Imre Szíjártó (Deputy Editor– in– Chief), PhD., Prof., Eszterházy Károly Fõiskola, Department of Film and Media Studies. Eger (Hungary) Ben Bachmair, Ph.D., Prof. i.r. Kassel University (Germany), Honorary Prof. of University of London (UK) Oleg Baranov, Ph.D., Prof., former Prof. of Tver State University Elena Bondarenko, Ph.D., docent of Russian Institute of Cinematography (VGIK), Moscow (Russia) David Buckingham, Ph.D., Prof., Loughborough University (United Kingdom) Emma Camarero, Ph.D., Department of Communication Studies, Universidad Loyola Andalucía (Spain) Irina Chelysheva, Ph.D., Assoc. Prof., Anton Chekhov Taganrog Institute (Russia) Alexei Demidov, head of ICO “Information for All”, Moscow (Russia) Svetlana Gudilina, Ph.D., Russian Academy of Education, Moscow (Russia) Tessa Jolls, President and CEO, Center for Media Literacy (USA) Nikolai Khilko, Ph.D., Omsk State University (Russia) Natalia Kirillova, Ph.D., Prof., Ural State University, Yekaterinburg (Russia) Sergei Korkonosenko, Ph.D., Prof., faculty of journalism, St– Petersburg State University (Russia) Alexander Korochensky, Ph.D., Prof., faculty of journalism, Belgorod State University (Russia) W. James Potter, Ph.D., Prof., University of California at Santa Barbara (USA) Robyn Quin, Ph.D., Prof., Curtin University, Bentley, WA (Australia) Alexander Sharikov, Ph.D., Prof. The Higher School of Economics, Moscow (Russia) Vladimir Sobkin, Acad., Ph.D., Prof., Head of Sociology Research Center, Moscow (Russia) Kathleen Tyner, Assoc. Prof., Department of Radio– Television– Film, The University of Texas at Austin (USA) Svetlana Urazova, PhD., Assoc.
    [Show full text]
  • Sight & Sound Annual Index 2017
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 27 January to December 2017 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 6:52(r) Amour (2012) 5:17; 6:17 Armano Iannucci Shows, The 11:42 Ask the Dust 2:5 Bakewell, Sarah 9:32 Film review titles are also interview with Koreeda Amours de minuit, Les 9:14 Armisen, Fred 8:38 Asmara, Abigail 11:22 Balaban, Bob 5:54 included and are indicated by Hirokazu 7:8-9 Ampolsk, Alan G. 6:40 Armstrong, Jesse 11:41 Asquith, Anthony 2:9; 5:41, Balasz, Béla 8:40 (r) after the reference; age and cinema Amy 11:38 Army 2:24 46; 10:10, 18, 44 Balch, Antony 2:10 (b) after reference indicates Hotel Salvation 9:8-9, 66(r) An Seohyun 7:32 Army of Shadows, The Assange, Julian Balcon, Michael 2:10; 5:42 a book review Age of Innocence, The (1993) 2:18 Anchors Aweigh 1:25 key sequence showing Risk 8:50-1, 56(r) Balfour, Betty use of abstraction 2:34 Anderson, Adisa 6:42 Melville’s iconicism 9:32, 38 Assassin, The (1961) 3:58 survey of her career A Age of Shadows, The 4:72(r) Anderson, Gillian 3:15 Arnold, Andrea 1:42; 6:8; Assassin, The (2015) 1:44 and films 11:21 Abacus Small Enough to Jail 8:60(r) Agony of Love (1966) 11:19 Anderson, Joseph 11:46 7:51; 9:9; 11:11 Assassination (1964) 2:18 Balin, Mireille 4:52 Abandon Normal Devices Agosto (2014) 5:59 Anderson, Judith 3:35 Arnold, David 1:8 Assassination of the Duke Ball, Wes 3:19 Festival 2017, Castleton 9:7 Ahlberg, Marc 11:19 Anderson, Paul Thomas Aronofsky, Darren 4:57 of Guise, The 7:95 Ballad of Narayama, The Abdi, Barkhad 12:24 Ahmed, Riz 1:53 1:11; 2:30; 4:15 mother! 11:5, 14, 76(r) Assassination of Trotsky, The 1:39 (1958) 11:47 Abel, Tom 12:9 Ahwesh, Peggy 12:19 Anderson, Paul W.S.
    [Show full text]
  • Psychiatry and Narcology
    Ministry of Health of Ukraine Ministry of Education and Science of Ukraine Kharkiv National Medical University V. N. Karazin Kharkiv National University PSYCHIATRY AND NARCOLOGY Tutorial for forieng medium students of higher medical schools and interns PSYCHIATRY AND NARCOLOGY: підручник для студентів медичних університетів та лікарів інтернів Recommended by KhNMU Academic Councile Protocol № 6 of 26.06.2020. Authors: Kozhyna H., Mishchenko Т., Maruta N., Gaichuk L., Haydabrus A., Korostiy V., Korovina L., Koshchii V., Leshchyna I., Minko O., Radchenko T., Semikina O., Sinaiko V., Shtryhol D., Skrynnyk O., Strelnikova I., Tieroshyna I., Vovk V., Zelenska K. Authors: Hanna M. Kozhyna Professor MD, PhD, DMSc Head of Department of Psychiatry, Narcology, Medical Psychology and Social Work Kharkiv National Medical University Tamara S. Mishchenko Professor MD, PhD, DMSc Head of Department of Clinical Neurology, Psychiatry and Narcology V. N. Karazin Kharkiv National University Nataliya O. Maruta Professor MD, PhD, DMSc Deputy Director on Scientific Work , Chief of Borberline Psychiatry Department of the Institute of Neurology, Psychiatry and Narcology of the NAMS of Ukraine Larysa M. Gaichuk MD, PhD, Associate Professor of the Department of Psychiatry, Narcology, Medical Psychology and Social Work Kharkiv National Medical University Andriy V. Haydabrus MD, PhD, Associate Professor of the Department of Clinical Neurology, Psychiatry and Narcology V. N. Karazin Kharkiv National University Volodymyr I. Korostiy Professor MD, PhD, DMSc, Professor of Department of Psychiatry, Narcology, Medical Psychology and Social Work Kharkiv National Medical University Liliia D. Korovina MD, PhD, Associate Professor of the Department of Psychiatry, Narcology, Medical Psychology and Social Work Kharkiv National Medical University Vladislava O.Koshchii MD, Assistant of Department of Psychiatry, Narcology, Medical Psychology and Social Work Kharkiv National Medical University Iryna V.
    [Show full text]
  • Le Voyage Dans La Lune (1902) the Great Train Robbery (1903) the Birth of a Nation (1915) Les Vampires (1915) Intolerance (1916) the Cabinet of Dr
    1001 MOVIES YOU MUST SEE BEFORE YOU DIE (2018) LE VOYAGE DANS LA LUNE (1902) THE GREAT TRAIN ROBBERY (1903) THE BIRTH OF A NATION (1915) LES VAMPIRES (1915) INTOLERANCE (1916) THE CABINET OF DR. CALIGARI (1919) BROKEN BLOSSOMS (1919) WITHIN OUR GATES (1920) THE PHANTOM CARRIAGE (1921) ORPHANS OF THE STORM (1921) LA SOURIANTE MADAME BEUDET (1922) DR. MABUSE, DER SPIELER PARTS 1 AND 2 (1922) NANOOK OF THE NORTH (1922) NOSFERATU, EINE SYMPHONIE DES GRAUENS (1922) HAXAN (1923) FOOLISH WIVES (1922) OUR HOSPITALITY (1923) THE WHEEL (1923) THE THIEF OF BAGDAD (1924) STRIKE (1924) GREED (1924) THE GREAT WHITE SILENCE (1924) SHERLOCK, JR. (1924) DER LETZTE MANN (1924) THE EAGLE (1925) THE PHANTOM OF THE OPERA (1925) THE BATTLESHIP POTEMKIN (1925) THE GOLD RUSH (1925) THE BIG PARADE (1925) THE ADVENTURES OF PRINCE ACHMED (1926) METROPOLIS (1927) SUNRISE (1927) THE GENERAL (1927) THE UNKNOWN (1927) OCTOBER (1927) THE JAZZ SINGER (1927) NAPOLEON (1927) THE KID BROTHER (1927) THE CROWD (1928) THE DOCKS OF NEW YORK (1928) UN CHIEN ANDALOU (1928) LA PASSION DE JEANNE D’ARC (1928) STEAMBOAT BILL, JR. (1928) STORM OVER ASIA (1928) BLACKMAIL (1929) THE MAN WITH THE MOVIE CAMERA (1929) PANDORA'S BOX (1929) A THROW OF DICE (1929) THE BLUE ANGEL (1930) L'AGE D'OR (1930) EARTH (1930) LITTLE CAESAR (1930) ALL QUIET ON THE WESTERN FRONT (1930) A NOUS LA LIBERTE (1931) LIMITE (1931) TABU (1931) DRACULA (1931) FRANKENSTEIN (1931) CITY LIGHTS (1931) THE PUBLIC ENEMY (1931) M (1931) VAMPYR (1932) LOVE ME TONIGHT (1932) BOUDU SAUVE DES EAUX (1932) I AM A FUGITIVE
    [Show full text]
  • National Gallery of Art Film Fall 19
    National Gallery of Art Film Fall 19 Special Events 11 Basilio Martín Patino 21 Woman with a Movie Camera: Shirley Clarke at 100 25 Film Noir: New 35mm Restorations 29 ArteCinema 33 Welcome to Absurdistan: Eastern European Cinema 1950 to 1989 35 We Tell: Fifty Years of Community Media 41 ArtFIFA: International Festival of Films on Art 45 Trapped p29 The fall season opens with works by Spanish mas- ter Basilio Martín Patino, a luminary of the Nuevo Cine Español of the 1960s, presented on the occa- sion of the eightieth anniversary of the Spanish Republican exile and the end of the Spanish Civil War in 1939. Avant-garde American artist Shirley Clarke is also celebrated during the fall season in the series Woman with a Movie Camera: Shirley Clarke at 100. Welcome to Absurdistan: Eastern European Cinema 1950 to 1989 recalls the theatrical and literary traditions of the absurd — a major influ- ence in the ultimate downfall of Soviet-dominated regimes in Eastern Europe in 1989. We Tell: Fifty Years of Community Media explores in a five-part program the importance of participatory community media in the United States. Tributes to two major international festivals devoted to the art documen- tary — ArteCinema in Naples, Italy, and ArtFIFA in Montreal, Quebec — present recent interpretations of contemporary art on screen. Other special events include Animation Beyond Cinema, with work by emerging artists from The Anìmator Festival in Poznań, Poland; new 35mm print restorations of films noirs; ciné-concerts; Washington premieres; and three films that are part of a city-wide festival, Films Across Borders: Stories of Water.
    [Show full text]
  • Rozdzielona Wspólnota – the Inoperative Community II
    Rozdzielona Wspólnota – The Inoperative Community II Rozdzielona Wspólnota – The Inoperative Community II is an exhibition of experimental narrative film and video made since 1968 that address ideas of community and the shifting nature of social relations. It draws on work made for cinema, television and the gallery, signalling the overlap- ping and entangled histories of these sites. Originally conceived for the gallery Raven Row in London, this new iteration for Muzeum Sztuki includes See last page of booklet for a map of the exhibition. a brand new exhibition design and a revised selection of works. The exhibition’s title combines both Polish and English translations of Jean-Luc Nancy’s 1983 essay, La Communauté désoeuvrée. The essay is translated as The Inoperative Community in English, and as The Divided Community in Polish. Both these translations diverge from the original meaning in French, pointing to one of the central themes of the exhibition: the contrasting socio-political contexts, on either side of the Iron Curtain, for the production and reception of avant-garde film since the end of the 1960s. These diverging translations also register the complexity of theoriz- ing notions of community from these different perspectives. The exhibition focuses on a period that could be described as the West’s long 1970s (1968–84) – all the works were either made during this time, revisit the aesthetic debates and theoretical discourses, or reflect on the social and political movements of the era. French philosopher Alain Badiou has characterised this period as the “red decade”, beginning with national liberation struggles, mass student movements and workers’ revolts, and ending with the abrupt foreclosure of possibilities presented by these events by the rise of neoliberalism.
    [Show full text]
  • Kira Muratova: the Magnificent Maverick
    Kira Muratova: The Magnificent Maverick Dina Iordanova DOI: 10.15664/fcj.v0i18.2266 Frames Cinema Journal, Issue 18 (June 2021) Kira Muratova: The Magnificent Maverick Dina Iordanova Kira Muratova (1934-2018) always stood out. She was unlike anyone else: not concerned with trying to fit in, always questioning rules, undermining routines, eternally innovative. In that, she was a maverick. A solitary and magnificent one.1 Continually one of a kind, the fact that she was confined to working in isolation in the deep provinces of Soviet cinema – and, after the collapse of the USSR, at a small Ukrainian studio – did not impede on her originality. During Soviet times, her work was regularly censored. Her interest in exploring relationships and feelings was denounced as “bourgeois.” Her films were not sent to international film festivals – which, in turn, deprived her from the opportunity to see what other, similarly avant-garde directors from around the world, were making. It was not until she was in her fifties – in the second half of the 1980s, the time of perestroika and glasnost – that her work came to be exhibited abroad: first at the women’s film festival in Creteil, and later on at Berlinale, Locarno, Venice where it garnered recognition and brought some secondary awards. Even Cannes organised a catch-up screening for one of her censored films, Среди серых камней/Among Grey Stones (1983), duly acknowledging that a major talent had worked locked away as a pearl in the dark – and had been overlooked. It was only in her final years, and posthumously, that brought recognition: with major panoramas of her work organised by the festivals in La Rochelle, Rotterdam, and elsewhere, and with screenings at the South Bank in London.2 In this belated appreciation, Muratova’s fate is not particularly different from the fate of other female filmmakers, whose work is pushed into oblivion and not really integrated in the re-circulation of cinematic material that constitutes our body of knowledge of film history.
    [Show full text]