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1. Neptune and Cupid Plead with Vulcan for the Release of Venus and 2. Triumph of Bacchus, about 1560 Mars, about 1625–1636 Design overseen by Raphael (Raffaello Sanzio, Italian, 1483–1520), Design by an Unknown Northern Artist about 1518–1519 Border design by Francis Cleyn (German, 1582–1658), about Design and cartoon by Giovanni da Udine (Italian, 1487–1564) 1625–1628 in collaboration with other artists from the workshop of Raphael, Mortlake Tapestry Works (English, founded 1619) under the about 1518–1520 ownership of Sir Francis Crane (English, about 1579–1636) Brussels workshop of Frans Geubels (Flemish, flourished 1545– Wool, silk, and gilt metal-wrapped thread 1585) H: 440 x W: 585 cm (173 1/4 x 230 5/16 in.) Wool, silk, and gilt metal-wrapped thread Le Mobilier National, Paris H: 495 x W: 764 cm (194 7/8 x 300 13/16 in.) Image © Le Mobilier National. Photo by Lawrence Perquis Le Mobilier National, Paris EX.2015.6.3 Image © Le Mobilier National. Photo by Lawrence Perquis EX.2015.6.4 3. The Chariot of Triumph Drawn by Four Piebald Horses (also known 4. Constantius [I] Appoints Constantine as his Successor, about as The Golden Chariot), about 1606–1607 1625–1627 Design by Antoine Caron (French, 1521–1599), about 1563–1570 Design by Peter Paul Rubens (Flemish, 1577–1640), 1622 Border design attributed to Henri Lerambert (French, about Border design attributed to Laurent Guyot (French, about 1575– 1540/1550–1608), about 1606–1607 after 1644), about 1622–1623 Cartoon by Henri Lerambert (French, about 1540/1550–1608), Workshop of Faubourg Saint-Marcel (French, active 1607–1661) about 1606–1607 under the direction of entrepreneurs Marc de Comans (Flemish, Louvre workshop of Maurice I Dubout (French, died 1611) 1563–1644) and François de La Planche (Flemish, 1573–1627) Wool and silk Wool, silk, and gilt metal-wrapped thread H: 483 x W: 614 cm (190 3/16 x 241 3/4 in.) H: 458 x W: 407 cm (180 5/16 x 160 1/4 in.) Le Mobilier National, Paris Le Mobilier National, Paris Image © Le Mobilier National. Photo by Lawrence Perquis Image © Le Mobilier National. Photo by Lawrence Perquis EX.2015.6.5 EX.2015.6.6 The J. Paul Getty Trust 1200 Getty Center Drive, Suite 403 Tel 310 440 7360 www.getty.edu Communications Department Los Angeles, CA 90049-1681 Fax 310 440 7722 5. The Daughter of Jephthah, begun in the 1640s–complete by 1659 6. Autumn, before 1669 Design by Simon Vouet (French, 1590–1649), mid-to-late 1630s Design by Charles Le Brun (French, 1619–1690) with the Border design attributed, in part, to Jean Cotelle (French, 1607– collaboration of Adam Frans van der Meulen for the hunt scene in 1676), before 1643 the medallion (Flemish, 1632–1690), 1664 Louvre workshop of Maurice II Dubout (French, died 1656) Border design by Issac Moillon (French, 1614–1673), 1664 Wool and silk Cartoon attributed to Beaudrin Yvart (French, 1611–1690), by 1667 H: 480 x W: 595 cm (189 x 234 1/4 in.) Royal Furniture Factory of the Crown at the Gobelins (French, Le Mobilier National, Paris founded 1662–present) in the vertical-loom workshop of Jean Jans Image © Le Mobilier National. Photo by Lawrence Perquis the Elder (Flemish, about 1618–1691) EX.2015.6.7 Wool, silk, and gilt metal-wrapped thread H: 480 x W: 580 cm (189 x 228 3/8 in.) Le Mobilier National, Paris Image © Le Mobilier National. Photo by Lawrence Perquis EX.2015.6.8 7. The Entry of Alexander into Babylon, about 1665–probably by 1676 8. Cartoon Fragments for The Entry of Alexander into Babylon, before Design by Charles Le Brun (French, 1619–1690), by 1665 1690 Cartoon for the vertical loom by Henri Testelin (French, 1616–1695), Design by Charles Le Brun (French, 1619–1690), by 1665 about 1665 Cartoon for the horizontal loom by François Bonnemer (French, Royal Furniture Factory of the Crown at the Gobelins (French, founded 1637–1689), Guy-Louis Vernansal, (French, 1648–1729), Gabriel Revel 1662–present) in the vertical-loom workshop of Jean Jans the Elder (French, 1643–1712), and/or Joseph Yvart (French, 1649–1728) (Flemish, about 1618–1691), or Jean Jans the Younger (Flemish, about Oil on canvas 1644–1723), or Jean Lefebvre (French, active until 1700) Unframed, H: 317 x W: 387 cm (124 13/16 x 152 3/8 in.) Wool, silk, gilt metal– and silver-wrapped thread Le Mobilier National, Paris Object H: 495 x W: 810 cm (194 7/8 x 318 7/8 in.) Image © Le Mobilier National. Photo by Lawrence Perquis Le Mobilier National, Paris EX.2015.6.11 Image © Le Mobilier National. Photo by Lawrence Perquis EX.2015.6.10 9. The Battle of Arbela, about 1670–1676/1677 10. Winter, Cybele Begs for the Sun’s Return, 1692–1693 Design by Charles Le Brun (French, 1619–1690), 1669 Design by Pierre Mignard (French, 1612–1695), 1677–1678 Cartoon for the vertical loom by Louis Licherie (French, 1629– Border design by Rodolphe Parent (French, died 1694), about 1686 1687), Gabriel Revel (French, 1643–1712), and/or Joseph Yvart Cartoon attributed to Pierre Bourguignon (French, about 1630–1698) (French, 1649–1728), about 1669 and retouched by Pierre Mignard, before 1686 Royal Furniture Factory of the Crown at the Gobelins Manufactory Royal Furniture Factory of the Crown at the Gobelins (French, (French, founded 1662–present) in the vertical-loom workshop of founded 1662–present) in the vertical-loom workshop of Jean Jans Jean Jans the Younger (Flemish, about 1644–1723) or Jean Lefebvre the Younger (Flemish, about 1644–1723) (French, active until 1700) Wool, silk, and gilt metal-wrapped thread Wool, silk, gilt metal– and silver-wrapped thread H: 480 x W: 625 cm (189 x 246 1/16 in.) H: 480 x W: 367 cm (189 x 144 1/2 in.) Le Mobilier National, Paris Le Mobilier National, Paris Image © Le Mobilier National. Photo by Lawrence Perquis Image © Le Mobilier National. Photo by Lawrence Perquis EX.2015.6.13 EX.2015.6.12 11. Château of Monceaux / Month of December, about 1668–1676 12. Diptyque / I, 2001–2004 Design conceived by Charles Le Brun (French, 1619–1690), about Design and cartoon by Raymond Hains, about 2000 (French, 1665- by 1668 1926–2005) Cartoon for the vertical loom painted collaboratively by Beaudrin Yvart Beauvais Manufactory (French, founded 1664–present) on the (French, 1611–1690), Jean-Baptiste Monnoyer (French, 1636–1699), horizontal loom of Philippe Playe and Sylvie Schnell Pieter Boel (Flemish, 1626–1674), Guillaume Anguier (French, Wool and linen 1628–1708), Adam Frans van der Meulen, (Flemish, 1632–1690), and H: 225 x W: 280 cm (88 9/16 x 110 1/4 in.) others, by 1668 Le Mobilier National, Paris Royal Furniture Factory of the Crown at the Gobelins (French, founded Image © Le Mobilier National 1662–present) in the vertical-loom workshop of Jean Jans the Younger Artwork © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris (Flemish, about 1644–1723) or Jean Lefebvre (French, active until EX.2015.6.16 1700) Wool, silk, and gilt metal–wrapped thread H: 400 x W: 660 cm (157 1/2 x 259 13/16 in.) Le Mobilier National, Paris Image © Le Mobilier National. Photo by Lawrence Perquis EX.2015.6.15 13. The Reception of the Envoys from Carthage, possibly as early as 1544, no later than 1548 /1555 Design in the style of Giulio Romano (Giulio Pippi, Italian, before 1499–1546), possibly as early as the 1530s, no later than 1548/1555 Border design incorporating motifs by Tommaso Vincidor (Italian, died 1534–1536) Attributed to the Brussels workshop of the Dermoyen Family (Flemish, active 1529–1544 or 1550) Wool and silk H: 458.5 x W: 732.8 cm (180 1/2 x 288 1/2 in.) Hearst San Simeon State Historical Monument, San Simeon (California) Photograph by Victoria Garagliano/©Hearst Castle®/CA State Parks EX.2015.6.26.
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  • MASTER DRAWINGS Index to Volumes 1–55 1963–2017 Compiled by Maria Oldal Oldalm@Themorgan.Org

    MASTER DRAWINGS Index to Volumes 1–55 1963–2017 Compiled by Maria Oldal [email protected]

    MASTER DRAWINGS Index to Volumes 1–55 1963–2017 Compiled by Maria Oldal [email protected] The subject of articles or notes is printed in CAPITAL letters; book and exhibition catalogue titles are given in italics; volume numbers are in Roman numerals and in bold face. Included in individual artist entries are authentic works, studio works, copies, attributions, etc., arranged in sequential order within the citations for each volume. When an author has written reviews, that designation appears at the end of the review citations. Names of collectors are in italics. Abbreviated names of Italian churches are alphabetized as if fully spelled out: "Rome, S. <San> Pietro in Montorio" precedes "S. <Santa> Maria del Popolo." Concordance of Master Drawings volumes and year of publication: I 1963 XII 1974 XXIII–XXIV 1985–86 XXXV 1997 XLVI 2008 II 1964 XIII 1975 XXV 1987 XXXVI 1998 XLVII 2009 III 1965 XIV 1976 XXVI 1988 XXXVII 1999 XLVIII 2010 IV 1966 XV 1977 XXVII 1989 XXXVIII 2000 XLIX 2011 V 1967 XVI 1978 XXVIII 1990 XXXIX 2001 L 2012 VI 1968 XVII 1979 XXIX 1991 XL 2002 LI 2013 VII 1969 XVIII 1980 XXX 1992 XLI 2003 LII 2014 VIII 1970 XIX 1981 XXXI 1993 XLII 2004 LIII 2015 IX 1971 XX 1982 XXXII 1994 XLIII 2005 LIV 2016 X 1972 XXI 1983 XXXIII 1995 XLIV 2006 LV 2017 XI 1973 XXII 1984 XXXIV 1996 XLV 2007 À l’ombre des frondaisons d’Arcueil: Dessiner un jardin du XVIIe siècle, exh. cat. by Xavier Salmon et al. Review. LIV: 397–404 A. S.