DOCSLIB.ORG

16Th Pune International Film Festival ( 11Th-18Th January 2018 ) SR

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
16Th Pune International Film Festival ( 11Th-18Th January 2018 ) SR 16th Pune International Film Festival ( 11th-18th January 2018 ) SR. TITLE ORIGINAL TITLE RUNTIME YEAR DIRECTOR COUNTRY NO. OPENING FILM 1 Men Don't Cry Muskarci Ne Placu 97mins 2017 Alen Drljević Bosnia AWARDEES FILM 1 The Cursed Shapit 182 Min. 1982 Rajdutt Deshpande India 2 Made For Each Other Ek Duuje Ke Liye 167 Min. 1981 K. Balachander India 3 Sholay Sholay 162 Min. 1975 Ramesh Sippi WORLD COMPETITION 1 I Am Nobody Bir Sey Degilim 98mins 2017 Muharrem Özabat Turkey 2 Requiem For Mrs.J Rekvijem Za Gospodju J. 94mins 2017 Bojan Vuletic Serbia 3 FREE AND EASY FREE AND EASY 99mins 2017 JUN GENG CHINA 4 Women Of The Weeping River Women Of The Weeping River 95 Mins 2017 Sheron Dayoc Philippines & France 5 EUTHANIZER ARMOMURHAAJA 85 Mins 2017 Teemu Nikki Finland 6 Goliath 85 Mins 2017 Dominik Locher SWITZERLAND 7 THE LONGING HET VERLANGEN 90mins 2017 Joram LÜRSEN NETHERLANDS Argentina | Brazil | Spain | France | 8 Zama Zama 115mins 2017 Lucrecia Martel Netherlands | Portugal | Mexico | Usa 9 More Daha 115mins 2017 Onur Saylak Turkey 10 The Nothing Factory A Fabrica De Nada 177mins 2017 Pedro Pinho Portugal 11 I'm A Killer Jestem Mordercą 112mins 2016 Maciej Pieprzyca Poland 12 Djam Djam 97mins 2017 TONY GATLIF TURKEY GREECE FRANCE 13 The Quartette Kvarteto 93 2017 Miroslav Krobot Czech Republic 14 Nocturnal Times Pathirakalam 132mins 2017 Priyanandanan Tr India MARATHI COMPETITION 1 Faster Fene Faster Fene 130 Min. 2017 Aditya Sarpotdar India 2 The Leader Mhorkya 123 Min. 2017 Amar Bharat Deokar India 3 Ziprya Ziprya 130 Min. 2017 Kedar Vaidya India 4 Raw Lemon Kachha Limbu 110 Min. 2017 Prasad Oak India 5 Pickle Muramba 128 Min. 2017 Varun Narvekar India 6 The Fortunate One Nashibvan 145 Min. 2017 Amol Vasant Gole India 7 Pimple Pimple 92 Min. 2017 Gajendra Ahire India STUDENT COMPETITION : LIVE ACTION 1 500 Rupees 500 Rupees 15'48 Sec. 2017 India 2 Binodini Binodini 15'30 Sec. 2017 India 3 Chav Chav 15'40Sec. 2017 India 4 Dobery Dobery 27'06Sec. 2017 Bulgeria 5 Pickle Pickle 21'28 Sec. 2017 USA 6 Sopanam Sopanam 12 Min. 2017 India 7 Taxi Blues Taxi Blues 27'42Sec. 2017 China 8 Short Drop Short Drop 28 Min. 2017 USA 9 The Principal The Principal 24'21 Sec. 2017 Finland STUDENT COMPETITION : ANIMATION 1 A love Story A love Story 7'14Sec. 2017 UK 2 Amanda Amanda 8'5 Sec. 2017 Canada 3 Aquarium Aquarium 4'29 Sec. 2017 Argentina 4 Father Baba 5'16 Sec. 2017 India 5 Chilli Chilli 7'51 Sec. 2017 Slovakia 6 Flying Putzi Flying Putzi 6'35 Sec. 2017 Israel 7 Good Boy Good Boy 6'43 Sec. 2017 USA 8 I Come From Prairie I Come From Prairie 8'52 Sec. 2017 China 9 Jytte - A Danish Hero Jytte - A Danish Hero 15'58 Sec. 2017 Denmark 10 Kaichi Kaichi 2'4 Sec. 2017 India The Mystical Misfortune OF Professer The Mystical Misfortune OF Professer 11 5'5 Sec. 2017 Columbia Nicancor Nicancor 12 Ocean Ocean 15'37 Sec. 2017 Brazil 13 Once Upon A Line Once Upon A Line 7'9 Sec. 2017 USA 14 Sog Sog 10'14 Sec. 2017 Germany 15 Twin Islands Twin Islands 7 Min. 2017 France. GLOBAL CINEMA 1 DIANE HAS THE RIGHT SHAPE Diane a les épaules 87 2017 FABIEN GORGEART FRANCE 2 THE ART OF LOVING STUCKA KOCHANIA 120 2017 MARIA SADOWSKA POLAND 3 Jeune Femme MONTPARNASSE BIENVENUE 97 2017 Léonor SERRAILLE France 4 GRIMSEY GRIMSEY 70 2017 Richard GARCIA Spain/ Iceland IN LOVE WITH LOU – A 5 Lou Andreas-Salomé 113 2016 Cordula Kablitz-Post Germany | Austria | Italy | Switzerland PHILOSOPHER’S LIFE 6 120 beats per minute 120 battements par minute 140 2017 Robin Campillo France Nabil 7 Razzia Razzia 119 2017 France | Morocco | Belgium Ayouch 8 Colo Colo 136 2017 Teresa VILLAVERDE PORTUGAL 9 Lola Pater Lola Pater 95 2017 Nadir Moknèche France | Belgium 10 BLOODY MILK PETIT PAYSAN 90 2017 Hubert CHARUEL France 11 The Son of Snow Queen Syn Królowej Sniegu 85 2017 Robert Wichrowski Poland 12 The Black Crow Siyah karga 98 2016 M. Tayfur Aydin Turkey 13 Pedro Noula Pedro Noula 105 2016 Karolos Zonaras Greece 14 Atmosphere Station Istgahe Atmosfer 88 2017 Mehdi Jafari Iran 15 Anonymity Binami 81 2017 Alireza Samadi Iran 16 The Divine Order Die göttliche Ordnung 96 2017 Petra Biondina Volpe Switzerland 17 OLD STONE LAO SHI 80 2016 Johnny MA China 18 Return of the Honey Buzzard De Terugkeer van de Wespendief 90 2017 Stanley Kolk NETHERLANDS 19 Paradise Rai 131 2016 Andrei Konchalovsky Russia, Germany DEMONIOS TUS OJOS 20 SISTER OF MINE 95 2017 PEDRO AGUILERA Spain 21 BREADCRUMBS MIGAS DE PAN 109 2017 SPAIN, URUGUAY 22 Arrhythmia Aritmiya 116 2017 Boris Khlebnikov Russia, Finland,Germany 23 Silent Mist Silent Mist 101 2017 ZHANG Miaoyan France 24 SECRET INGREDIENT SECRET INGREDIENT 107 2016 Gjorce STAVRESKI MACEDONIA 25 DAYBREAK DITA ZE FILL 85 2017 Gentian Koci ALBANIA/GREECE 26 CIAO CIAO, QIAO QIAO 83 2017 SONG Chuan France, China 27 The other me Eterosgo 101 2016 Sotiris Tsafoulias Greece 28 The Third Murder Sandome no satsujin 125 2017 Kore-eda-Hirokazu Japan 29 Claire's Camera La caméra de Claire 69 2017 Sang-soo Hong France | South Korea Sanjeewa 30 BURNING BIRDS BURNING BIRDS 84 2016 FRANCE PUSHPAKUMARA 31 Western Western 119 2017 Valeska Grisebach Germany | Bulgaria | Austria 32 Charleston Charleston 117 2017 Andreï Cretulescu FRANCE, ROMANIA 33 THE LAST SUIT EL ULTIMO TRAJE 89 2017 Pablo Solarz Spain, Argentina 34 THE RECONCILIATION ZGODA 87 2017 MACIEJ SOBIESZCZAŃSKI Poland 35 Blossoming Into A Family MADOU-AFTER THE RAIN 126 2016 Hiroki Hayashi Japan 36 Elis Elis 115 2016 Hugo PRATA BRAZIL 37 ANA, MON AMOUR ANA, MON AMOUR 125 2017 Cãlin Peter Netzer Romania | Germany | France 38 IN TIMES OF FADING LIGHTS In Zeiten des abnehmenden Lichts 100 2016 Matti Geschonneck Germany Agnieszka Holland, Kasia 39 SPOOR Pokot 128 2017 Poland Adamik 40 ASPHYXIA KHAFEGI 105 2017 Fereydoun Jeyrani IRAN 41 On body and soul Testroleslelekrol 116 2017 Ildikó Enyedi Hungary 42 Bikini Blue Bikini Blue 90 2017 Jaroslaw Marszewski Poland France|Germany|Colombia|Norway|Q 43 WAJIB WAJIB 96 2017 Annemarie JacirPalestine atar|UAE 44 Three quarteter 3/4. 82 2017 Germany/ Bulgaria 45 Jupiters Moon Felesleges Ember 128 2017 Kornél Mundruczó Hungary 46 The Garden Store: Family Friend Zahradnictvi: Rodinnypritel 70 2017 Jan Hrebejk Czech 47 Diamond island Diamond island 101 2016 Davy CHOU combodia Caroline DERUAS 48 DAYDREAMS L'INDOMPTÉE 98 2016 FRANCE 49 Kills on wheels Kills on wheels 105 2016 Attila Till Hungary 50 The Square The Square 142 2017 Ruben Östlund Germany | France | Denmark COUNTRY FOCUS ITALY 1 THE 1000 EUROS GENERATION Generazione mille euro 101 2009 Massimo Venier ITALY 2 EASY Scialla! (Stai sereno) 95 2011 Francesco Bruni ITALY 3 A SPECIAL DAY Un giorno speciale 89 2012 Francesca Comencini ITALY AS WHITE AS MILK, AS RED AS Bianca come il latte, rossa come il 4 102 2013 Giacomo Campiotti ITALY BLOOD sangue 5 AWAY FROM ME Stai Lontana da Me 100 2013 Alessio Maria Federici ITALY Ferdinando 6 ReWined Vinodentro 92 2013 ITALY VicentiniOrgnani 7 thieves of soaps/ The Icicle Thief Ladri di saponette 90 1989 Maurizio Nichetti ITALY ARGENTINA 1 Wild Tales RELATOS SALVAJES 122 2014 Damián Szifron ARGENTINA 2 The Secret in their Eyes EL SECRETO DE SUS OJOS 129 2009 Juan José Campanella ARGENTINA 3 JUAN MOREIRA JUAN MOREIRA 103 1973 Leonardo Favio ARGENTINA 4 Nine Queens NUEVE REINAS 94 2000 Fabián Bielinsky ARGENTINA KALEDIOSCOPE 1 Rosita Rosita 90 2015 Frederikke Aspöck Denmark 2 Long Story Short Lang historie kort 100 2015 May el-Toukhy Denmark 3 The Commune Kollektivet 111 2016 Thomas Vinterberg Denmark | Sweden | Netherlands 4 Holy Cow La Vaca 97 2011 Mendel Samayoa Guatemala 5 The Assassin Cìkè Niè Yinniáng 105 2015 Hsiao-Hsien Hou Taiwan | China | Hong Kong | France 6 Tropicalia 87 2012 Marcelo Machado Brazil 7 4 Kings 4 Könige 95 2014 Theresa von Eltz Germany JURY FILMS Ceux qui font les révolutions à Mathieu Denis, Simon 1 THOSE WHO MAKE REVOLUTION. moitién'ont fait que se creuser un 184 2017 Canada Lavoie tombeau 2 The Delay La demora 84 2012 Rodrigo Plá Uruguay | Mexico | France 3 The Forsaken Land Sulanga Enu Pinisa 86 2009 Vimukthi Jayasundara Sri Lanka/France 4 OBJECTS IN THE MIRROR AJSAM DAR AYNE 94 2013 Nargess Abyar Iran Joanna Kos-Krauze, 5 BIRDS ARE SINGING IN KIGALI 113 2017 Poland PTAKI ŚPIEWAJĄ W KIGALI Krzysztof Krauze 6 Ratataplan Ratataplan 95 1979 Maurizio Nichetti Italy Dr Bijukumar 7 SOUND OF SILENCE SOUND OF SILENCE 89 2017 India Damondaran 8 Acid Tezaab 173 1988 Kamlesh Pandey India THEME SECTION YOUTH 1 BELINDA BELINDA 107 2017 MERIE DUMORA FRANCE Fellipe Gamarano 2 Gabriel and the Mountain Gabriel E A Montanha 127mins 2017 Brazil Barbosa 3 A Ciambra A Ciambra 120 2017 Jonas Carpignano France | Italy 4 They They 120 2017 Anahita Ghazvinizadeh USA | Qatar RETROSPECTIVE INGMAR BERGMAN 1 Autumn Sonata Hostsonaten 99 1978 Ingmar Bergman France| West Germany | Sweden | UK 2 Sawdust and Tinsel Gycklarnasafton 93 1956 Ingmar Bergman Sweden 3 The Silence Tystnaden 101 2016 Ingmar Bergman Seweden 4 Summer with Monika Sommaren Med Monika 96 1953 Ingmar Bergman Sweden 5 Through a Glass Darkly Sasom I en spegel 89 1961 Ingmar Bergman Sweden RAJ KAPOOR 1 Aag Aag 138 1948 Raj Kapoor India 2 Bobby Bobby 169 1973 Raj Kapoor India 3 My Name Is Joker Mera Naam Joker 224 1970 Raj Kapoor India 4 Confluence Sangam 238 1964 Raj Kapoor India 5 Mr. 420 Shree 420 168 1955 Raj Kapoor India ASIAN CINEMA 1 Disappearance Napadid Shodan 88 2017 ALI ASGARI IRAN |QATAR 2 SUFFERING OF NINKO NINKO NO JUNAN 70 2016 Norihiro Niwatsukino Japan 3 The Great Buddha + 102 2017 Hsin-yao Huang Taiwan 4 Ballad from Tibet Ballad from Tibet 100 2017 Wei Zhang China 5 THE DAY AFTER GEU-HU 92 2017 Sangsoo HONG KOREA(SOUTH) 6 The Bomb Bomba 94 2017 Ralston Jover Philippines 7 INFLAME KAYGI 94 2017 Ceylan Ozgun OZCELIK TURKEY INDIAN CINEMA 1 Ashwatthama Ashwatthama 120 2017 Pushpendra Singh India 2 Bisorjon Bisorjon 138 2017 Kaushik Ganguly India 3 Juze Juze 93 2017 Miransha Naik India 4 Cry Humanity Manusangada 93 2017 Amshan Kumar India 5 Clint Clint 138 2017 Harikumar India 6 Animal Pashu 132 2017 M.D.
Load more

Recommended publications
  • Half Title>NEW TRANSNATIONALISMS in CONTEMPORARY LATIN AMERICAN
    <half title>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS</half title> i Traditions in World Cinema General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema Linda Badley, R. Barton Palmer, and Steven Jay Schneider (eds) Japanese Horror Cinema Jay McRoy (ed.) New Punk Cinema Nicholas Rombes (ed.) African Filmmaking Roy Armes Palestinian Cinema Nurith Gertz and George Khleifi Czech and Slovak Cinema Peter Hames The New Neapolitan Cinema Alex Marlow-Mann American Smart Cinema Claire Perkins The International Film Musical Corey Creekmur and Linda Mokdad (eds) Italian Neorealist Cinema Torunn Haaland Magic Realist Cinema in East Central Europe Aga Skrodzka Italian Post-Neorealist Cinema Luca Barattoni Spanish Horror Film Antonio Lázaro-Reboll Post-beur Cinema ii Will Higbee New Taiwanese Cinema in Focus Flannery Wilson International Noir Homer B. Pettey and R. Barton Palmer (eds) Films on Ice Scott MacKenzie and Anna Westerståhl Stenport (eds) Nordic Genre Film Tommy Gustafsson and Pietari Kääpä (eds) Contemporary Japanese Cinema Since Hana-Bi Adam Bingham Chinese Martial Arts Cinema (2nd edition) Stephen Teo Slow Cinema Tiago de Luca and Nuno Barradas Jorge Expressionism in Cinema Olaf Brill and Gary D. Rhodes (eds) French Language Road Cinema: Borders,Diasporas, Migration and ‘NewEurope’ Michael Gott Transnational Film Remakes Iain Robert Smith and Constantine Verevis Coming-of-age Cinema in New Zealand Alistair Fox New Transnationalisms in Contemporary Latin American Cinemas Dolores Tierney www.euppublishing.com/series/tiwc iii <title page>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS Dolores Tierney <EUP title page logo> </title page> iv <imprint page> Edinburgh University Press is one of the leading university presses in the UK.
    [Show full text]
  • “Golden Age”: Sônia Braga, Gael García Bernal, and Ricardo Darín
    New Latin-American Stardom, the local/global stars of Latin American Cinema’s new “Golden Age”: Sônia Braga, Gael García Bernal, and Ricardo Darín Dolores Tierney, Victoria Ruétalo and Roberto Carlos Ortiz Editors’ Introduction The Latin American star system, like that in other regions, has emulated the Hollywood model in large measure because of its power to mobilize movie-going audiences. Various contributors to this collection have underscored particular ways in which regional film cultures have borrowed certain of Hollywood’s strategies to promote local star culture. Maite Conde’s discussion of fan magazines in Brazil in the 1920s (see Chapter 5), for instance, provides an early example of the ways the Hollywood star paradigm self-consciously served local interests in shaping a Brazilian national audience. Similarly, in Chapter 23 Alejandro Kelly’s focus on photography in star construction and the commercial promotion of particular stars helps us better appreciate the rich visual influence of cinema in shaping popular tastes and commodity culture in the region. In recent decades, with seminal works by Viera, López, Paranaguá and Tuñón, Latin American star studies have expanded their scope, generating sophisticated discourses on the ways in which individual stars maneuver their celebrity persona within the social, cultural and even moral projects of national and transnational communities. The authors of this chapter argue for a substantive alteration of that meta-discourse on stardom in which key Latin America actors are seen as not merely as ‘star texts’ but, to extend the metaphor, as centers of 1 ‘constellations’ of intermedial artistic and market networks in ways that transcend their status as mere entertainers.
    [Show full text]
  • Spanish Language Films in the Sfcc Library
    SPANISH LANGUAGE FILMS IN THE SFCC LIBRARY To help you select a movie that you will enjoy, it is recommended that you look at the description of films in the following pages. You may scroll down or press CTRL + click on any of the titles below to take you directly to the description of the movie. For more information (including some trailers), click through the link to the Internet Movie Database (www.imdb.com). All films are in general circulation and in DVD format unless otherwise noted. PLEASE NOTE: Many of these films contain nudity, sex, violence, or vulgarity. Just because a film has not been rated by the MMPA, does not mean it does not contain these elements. If you are looking for a film without those elements, consider viewing one of the films on the list on the last page of the document. A Better Life (2011) Age of Beauty / Belle epoque (1992) DVD/VHS All About My Mother / Todo sobre mi madre (1999) Alone / Solas (1999) And Your Mama Too / Y tu mamá también (2001) Aura, The / El aura (2005) Bad Education / La mala educación (2004) Before Night Falls / Antes que anochezca (2000) DVD/VHS Biutiful (2010) Bolivar I Am / Bolívar soy yo (2002) Broken Embraces / Abrazos rotos (2009) Broken Silence / Silencio roto (2001) Burnt Money / Plata quemada (2000) Butterfly / La lengua de las mariposas (1999) Camila (1984) VHS media office Captain Pantoja and the Special Services / Pantaleón y las visitadoras (2000) Carancho (2010) Cautiva (2003) Cell 211 / Celda 211 (2011) Chinese Take-Out(2011) Chronicles / Crónicas (2004) City of No Limits
    [Show full text]
  • Akbaba / Carancho Dokuz Kraliçe / Nine Queens Kóblic Aura / the Aura
    A conman caught by the police while pulling off a bill-changing scam is wisely freed Pera Film, yeni sezonu Arjantin’den suç filmleriyle karşılıyor. Arjantin by another and this operation bears a partnership in crime that will aim bigger: Başkonsolosluğu iş birliğiyle gerçekleşen Suç ve Ceza: Arjantin Hikâyeleri başlıklı Marcos and Juan decide to sell a forged set of rare stamps that are highly valuable, program, ülke gündemini sarsmış gerçek olaylardan, kurmaca suç ve suçlulara “The Nine Queens”. This breathtaking crime story, where it becomes more and more uzanan bir seçki sunuyor. İnsan psikolojisindeki çatlaklardan sızıp suça evrilen difficult to figure out who is conning whom, introduces its audience to various kişisel meseleler, politik ortamın doğurduğu karanlık çeteler, soğukkanlı katiller, characters, thieves, conmen and pickpockets. Rapidly becoming one of the classics 15 Eylül | September - yıllarca saklanmayı başarmış zeki suçlular… İnsan doğasındaki şiddet eğilimini, of Argentine cinema, The Nine Queens was remade by Hollywood in 2004 by the 7 Ekim | October 2017 insanları suç işlemeye iten toplumsal ve psikolojik etkenleri, suçlularla suçları name Criminal, as well as being inspirational for three Indian films. ortaya çıkarmaya çalışanların arasındaki ego çatışmalarını ve akıl oyunlarını, gerilim ve aksiyon dolu zekice anlatımlarla ortaya koyan filmler… Birçoğu ödüllü nefes kesen bir suç filmleri maratonu vadeden program, seçkideki filmlerin birçoğunda başrolde izleyeceğimiz yıldız oyuncu Ricardo Darín’e de bir saygı duruşu niteliğinde. Aura / The Aura #SuçveCeza Pera Film’s new season kicks off with crime and punishment stories from Argentina. Presented in collaboration with the Consulate General of Argentina, the program Crime and Punishment: Argentine Tales is a selection of staggering #CrimeandPunishment real-life and fictional stories of crime and criminals.
    [Show full text]
  • The Last Heist Revisited: Reimagining Hollywood Genre in Contemporary
    The last heist revisited: reimagining Downloaded from Hollywood genre in contemporary Argentine crime film http://screen.oxfordjournals.org/ RIELLE NAVITSKI In the context of a resurgence in film production in Argentina over the past decade, the internationally acclaimed art house films by nuevo cine at University of Georgia on September 8, 2014 argentino (New Argentine Cinema) directors such as Lucrecia Martel and Pablo Trapero have been overshadowed at the domestic box office by releases which reenvision Hollywood-style crime genre narratives in a local context. Many of the local productions that have had the greatest popular success – Fabián Bielinsky’s intricately plotted Nueve reinas/ Nine Queens (2000), for example, and Marcelo Piñeyro’s graphically violent Plata quemada/Burnt Money (2000) – capitalize on the dizzying plot twists, dynamic action sequences and highly colloquial dialogues of 1 1 See Foster Hirsch, Detours and Lost the heist film and neo-noir genres, drawing on the styles cultivated by Highways: a Map of Neo-Noir directors such as Bryan Singer, Christopher Nolan and Quentin Tarantino (New York, NY: Limelight, 1999), and Ronald Schwartz, Neo-Noir: in Hollywood during the 1990s and early 2000s. the New Film Noir Style from This diverse group of recent Argentine crime films, which I will Psycho to Collateral (Lanham, MD: collectively refer to as the ‘new policiales’,2 has given a new twist to Scarecrow, 2005). ‘ ’ ‘ ’ 2 The term implies a police conventional narrative tropes such as the perfect crime , the last job , and procedural, but is often used to ‘the big score’. Bielinsky’s Nine Queens and his 2005 follow-up El aura/ refer to a broad range of mystery The Aura focus respectively on an intricate scam and an elaborate casino films and thrillers.
    [Show full text]
  • Winter Quarter 2014 VLPA Courses Please Note: Class Times, Locations
    Winter Quarter 2014 VLPA courses Please note: class times, locations, fees, and course descriptions may change. Check the time schedule for updates. African-American Studies http://www.washington.edu/students/timeschd/WIN2014/afamst.html AFRAM 214 – African-American Literature, 1745-Present (5 credits) MW 3:30-5:20 Instructor: Habiba Ibrahim A chronological survey of Afro-American literature in all genres from its beginnings to the present day. Emphasizes Afro-American writing as a literary art; the cultural and historical context of Afro-American literary expression and the aesthetic criteria of Afro-American literature. Offered jointly with ENGL 258. AFRAM 220 – African-American Film Studies (5 credits) MW 11:30-12:50 F 11:30-1:20 Instructor: Sonnet Retman This course will examine the history and theory of African American filmmaking. We will explore the political and aesthetic debates central to African American film by focusing on different cinematic eras, genres and filmmakers, spanning the 1920s to our contemporary moment. Attending to independent and commercial contexts of production, we will focus primarily on black directors and producers as they confront and often confound popular representations of U.S. blackness in their own cinematic practice. We will consider the ways particular films and genres construct race, identity, and community through an engagement of class, gender, and sexuality. We will consider the implications of African American film beyond the nation, taking into account the African Diaspora and the global import of U.S. images of blackness through the medium of film. On occasion, we will view films that were not directed by African Americans if they have been important to the public discourse about U.S.
    [Show full text]
  • Branding Latin America Film Festivals and the International Circulation of Latin American Films
    Branding Latin America Film Festivals and the International Circulation of Latin American Films Laura Rodríguez Isaza Submitted in accordance with the requirements for the degree of Doctor in Philosophy The University of Leeds School of Modern Languages and Cultures Centre for World Cinemas October, 2012 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others . This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement . Except where otherwise noted, t his work is licensed under a Creative Commons Attribution -Non Commercial- Share Alike 2. 0 UK: England & Wales (CC BY -NC-SA 2.0). Full license conditions available at http://creativecommons.org/licenses/by -nc-sa/2.0/uk/ © 2012 The University of Leeds and Laura Rodríguez Isa za Acknowledgements I am indebted to many people for their support and encouragement to go throughout the different stages of this research. First of all, I would like to thank my supervisors at the Centre for World Cinemas of the University of Leeds without whose backing this research would not have been possible. I am especially indebted to Lúcia Nagib for her committed mentorship and encouragement to continue despite my frequent blockages. Her extensive knowledge and academic rigour enriched this research through a constant ex-change of ideas that helped me not only to express my arguments more clearly on paper but to develop further my thinking about the complexities of cinema as an object of study.
    [Show full text]
  • Video/Dvd Finder
    1 VIDEO/DVD FINDER This is an ALPHABETICAL listing of all of the videos and DVDs in the Learning Support Services collection. If a translation was available, both the original and translated titles are listed. If a title belongs to a multi-part series, each title is listed separately as well as being listed under the series title (e.g. “The Rise of Nationalism” from the series “Africa: A Voyage of Discovery” is listed under both “Rise of Nationalism, The” and “Africa: A Voyage of Discovery : The Rise of Nationalism.” Ignore initial articles such as a, der, des, el, l’, la las, le, les, los, the, un, una, etc. (e.g . look under “B” for “La belle et la bete.”) 2 Guide to Call Numbers AF=African MS=Medieval Studies AN=Anthropology MT=Meteorology AR=Arabic MU=Music AS=South Asian NO=Norwegian BL=Bulgarian PE=Persian BO=Biology PG=Portuguese BU=Burmese PH=Physics CH=Chinese PL=Polish CM=Chemistry PO=Psychology CZ=Czech PS=Political Science DA=Danish RU=Russian DU=Dutch SB=Serbo-Croatian EC=Economics SC=Scandinavian Studies ED=Education SD=Swedish EN=English SG=Sociology EW=Ewe SH=Swahili FL=Folklore SP=Spanish FN=Finish TA=Tagalog FR=French TH=Thai GG=Geography TK=Turkish GL=Geology TM=Tamil GR=German UB=Urban Studies HA=Hausa WS=Women’s Studies HE=Hebrew YO=Yoruba HI=Hindi HS=History ID=Interdepartmental IN=Indonesian IS=Islam IT=Italian JA=Japanese JO=Journalism KE=Korea KR=Krio LI=Linguistics MA=Math MG=Mongolian 3 September 5, 2019 $10 HORSE AND A $40 SADDLE, A FL1.020 10 To 11 (DVD) TK2.063 100% Arabica (DVD) FR2.059.211 100 Jahre deutscher
    [Show full text]
  • A Multi-Method Analysis of the Berlin International Film Festival and the World Cinema Fund
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses July 2018 A Multi-Method Analysis of the Berlin International Film Festival and the World Cinema Fund Eren Odabasi University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Film and Media Studies Commons Recommended Citation Odabasi, Eren, "A Multi-Method Analysis of the Berlin International Film Festival and the World Cinema Fund" (2018). Doctoral Dissertations. 1262. https://doi.org/10.7275/11930004.0 https://scholarworks.umass.edu/dissertations_2/1262 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A Multi-Method Analysis of the Berlin International Film Festival and the World Cinema Fund A Dissertation Presented by EREN ODABASI Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Department of Communication © Copyright by Eren Odabasi 2018 All Rights Reserved A Multi-Method Analysis of the Berlin International Film Festival and the World Cinema Fund A Dissertation Presented by EREN ODABASI Approved as to style and content by: ________________________________________________ Anne T. Ciecko, Chair ________________________________________________ Martin F. Norden, Member ________________________________________________ Jonathan R. Wynn, Member Mari Castañeda, Department Chair Department of Communication ACKNOWLEDGEMENTS I would like to express my deepest gratitude to my advisor Anne T.
    [Show full text]
  • Estruendos, Romances Y Clanes. La Oferta Cinematográfica De Películas Argentinas En Los Multicines De Buenos Aires (1997-2008)
    1 Estruendos, romances y clanes. La oferta cinematográfica de películas argentinas en los multicines de Buenos Aires (1997-2008) Por Lucía Rud* Resumen: Este artículo1 propone una alteración en los puntos de vista habituales de los estudios sobre el cine argentino de las últimas décadas: en lugar de analizar el Nuevo Cine Argentino (NCA), indaga sobre las películas de género y de corte industrial; en vez de hacer hincapié en el incremento de la producción cinematográfica del período, se enfoca en la exhibición de los films nacionales, estudiando la oferta cultural en relación con el consumo cultural. A partir de la distinción de las películas argentinas más proyectadas por los complejos multicines de la Ciudad Autónoma de Buenos Aires en el período 1997-2008, se pretende dar cuenta de una correlación entre los modos de producción y los modos de representación, en tanto se considera que las películas más exhibidas, de carácter industrial y producidas indirectamente por conglomerados mediáticos trasnacionales, sostienen un modo de representación conservador –tanto en sus aspectos estéticos y estilísticos como en el imaginario que presentan. Palabras clave: Exhibición, Buenos Aires, Cine argentino, 1997-2008 Abstract: Rather than analyzing the New Argentine Cinema (NCA), this paper explores mainstream genres of industrial cinema. Instead of focusing on the increase in film production, it focuses on the market by comparing the cultural offer with the cultural demand/ consumption. This article correlates film production and film screening by listing the films that were screened the most in Buenos Aires’ multiplexes during the 1997-2008 period, and concludes that the most popular films, which were indirectly produced by media conglomerates, convey stylistic and aesthetic conservative systems of representation.
    [Show full text]
  • Directed by Fabian Bielinsky
    Celluloid Dreams presents From the director of Nine Queens The Aura Directed by Fabian Bielinsky Synopsis "THE AURA" follows the journey of Espinoza, an introverted taxidermist who secretly dreams of executing the perfect robbery. On a hunting trip, in the calm of the Patagonian forest, his dreams are made reality with one squeeze of the trigger. Espinoza accidentally kills a man who turns out to be a real criminal and becomes heir to his scheme: the heist of an armored van carrying casino profits. Espinoza is eager to carry out the plan, but his inexperience puts him in real danger. Worse yet, he is an epileptic. Before each seizure, he is visited by the "aura"... Fabián Bielinsky Director After many years working in the Film and Advertising industry, Fabián Bielinsky made his debut as a Scriptwriter and Director of "Nine Queens." This film became an international success. It was sold to more than 32 countries, and made over U$S 15,000,000 at the box office - an unusually high number for a first work. Critics from several countries where the film was released, as well as the judges for the most important Festivals in the world, described it as one of the best productions of 2000.It also won 24 awards, including prizes for Best Film, Best Script and Best Director in Festivals all over the world. As a results of its international impact, Warner Brothers acquired the rights to do a remake called "Criminal", produced by Steven Soderbergh and directed by Gregory Jacobs and featuring John C. Reilly and Diego Luna.
    [Show full text]
  • Córdoba, Argentina
    Know Before You Go: A survival guide to Córdoba, Argentina Spanish Studies Abroad The Center for Cross~Cultural Study www.SpanishStudies.org Learn the Language... Travel the Land... Live the Life... TABLE OF CONTENTS Country Profile: Argentina ...................................................................................................................... 1-6 Country Overview: History, Quick Facts, Government, Educational System…………… ..................... 1-4 Córdoba Overview: History, Quick Facts, Economy, Language ........................................................... 5-6 Practical Information ............................................................................................................................. 6-10 Making Phone Calls .............................................................................................................................. 6-7 Emergency Contact Information ........................................................................................................... 7-8 Handling Money .................................................................................................................................... 8-9 Weather ............................................................................................................................................... 9-10 Being a North American Abroad ........................................................................................................ 10-13 Culture Shock ...................................................................................................................................
    [Show full text]