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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Course FS-16 LITERARY and CULTURAL TRADITIONS in SPANISH-SPEAKING COMMUNITIES (45 Class Hours) (Second Semester) Lecturer: Dr
Course FS-16 LITERARY AND CULTURAL TRADITIONS IN SPANISH-SPEAKING COMMUNITIES (45 class hours) (Second semester) Lecturer: Dr. Salomé Lora Bravo ([email protected]) Substitute Lecturer: Dr. Yolanda Congosto Martín ([email protected]) Language, literature, as well as culture in general, constitute the key aspects of the identity of peoples; it is for this reason that, in order to learn a foreign language, having knowledge of the culture associated with it also gains relevance: knowing who, what, when and why ( in terms of political, religious, education-related, historical, geographical, etc. issues), knowing about (events, developments, and social concerns), as well as knowing how (that same society acts, speaks, and manifests itself). OBJECTIVES The main objective of this Course is to bring students into contact with the existing range of Spanish-speaking communities by providing them with real, thorough knowledge regarding their literary and cultural traditions, while also furnishing information on: Their values and beliefs. How they are manifested. What makes up life on a day-to-day basis, as well as their customs. Their popular traditions. What is sought as a result is that students develop: A tolerant and open-minded attitude toward other cultures. A thinking-person’s attitude toward social and cultural similarities and differences. The ability to become involved in an intercultural milieu. Empathy toward people from a wide range of different cultures. Real skills in dealing with how culture and society are seen to interact. METHODOLOGY This Course has been conceived of with highly practical intentions in mind, while deliberately tendering to students communicative and cultural interaction within real contexts. -
Memory, History, and Entrapment in the Temporal Gateway Film
Lives in Limbo: Memory, History, and Entrapment in the Temporal Gateway Film Sarah Casey Benyahia A thesis submitted for the Degree of Doctor of Philosophy (PhD) Department of Literature, Film, and Theatre Studies University of Essex October 2018 Abstract This thesis examines the ways in which contemporary cinema from a range of different countries, incorporating a variety of styles and genres, explores the relationship to the past of people living in the present who are affected by traumatic national histories. These films, which I’ve grouped under the term ‘temporal gateway’, focus on the ways in which characters’ experiences of temporality are fragmented, and cause and effect relationships are loosened as a result of their situations. Rather than a recreation of historical events, these films are concerned with questions of how to remember the past without being defined and trapped by it: often exploring past events at a remove through techniques of flashback and mise-en-abyme. This thesis argues that a fuller understanding of how relationships to the past are represented in what have traditionally been seen as different ‘national’ cinemas is enabled by the hybridity and indeterminacy of the temporal gateway films, which don’t fit neatly into existing categories discussed and defined in memory studies. This thesis employs an interdisciplinary approach in order to draw out the features of the temporal gateway film, demonstrating how the central protagonist, the character whose life is in limbo, personifies the experience of living through the past in the present. This experience relates to the specifics of a post-trauma society but also to a wider encounter with disrupted temporality as a feature of contemporary life. -
The Diving Bell and the Butterfly June 2016
PROGRAMME THE DIVING BELL AND THE BUTTERFLY JUNE 2016 “possibly Britain’s most beautiful cinema..” (BBC) Britain’s Best Cinema – Guardian Film Awards 2014 JUNE 2016 • ISSUE 135 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm BEST IN JUNE CONTENTS Films At A Glance 16-17 Rants and Pants 26-27 BOX OFFICE: 01442 877759 Mon to Sat 10.30-6.30 The Diving Bell and The Butterfly Sun 4.30-5.30 Remains one of our most powerful, beautiful films. (2008) Don’t miss. Page 18 SEAT PRICES Circle £9.00 FILMS OF THE MONTH Concessions £7.50 Table £11.00 Concessions £9.50 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 All matinees £5, £6.50, £10 (box) Disabled and flat access: through SEE more. DO more. the gate on High Street (right of apartments) Truman Mustang 50% OFF YOUR SECOND PAIR A fabulous South American tragi- They’re saying this is the must-film Terms and conditions apply Director: James Hannaway comedy embracing all the worth in to see… so come and see. 01442 877999 life and death. Page 10 Page 13 Also available with Advertising: Chloe Butler 01442 877999 (From Space) Artwork: Demiurge Design 01296 668739 The Rex High Street (Three Close Lane) Berkhamsted, Herts HP4 2FG www.therexberkhamsted.com Troublemakers: Race The Story Of Land Art The timely story of Jesse Owens. “ Unhesitatingly The Rex Miss this and you might as well Hitler should have taken more 24 Bridge Street, Hemel Hempstead 25 Stoneycroft, Hemel Hempstead is the best cinema I have stop breathing… Breathtaking care of his skin. -
La TV Que Era De Los Argentinos. (Historia De La Televisión Perdida)
Revista Latina de Comunicación Social 2 – febrero de 1998 Edita: Laboratorio de Tecnologías de la Información y Nuevos Análisis de Comunicación Social Depósito Legal: TF-135-98 / ISSN: 1138-5820 Año 1º – Director: Dr. José Manuel de Pablos Coello, catedrático de Periodismo Facultad de Ciencias de la Información: Pirámide del Campus de Guajara - Universidad de La Laguna 38200 La Laguna (Tenerife, Canarias; España) Teléfonos: (34) 922 31 72 31 / 41 - Fax: (34) 922 31 72 54 La TV que era de los argentinos. (Historia de la televisión perdida) Lic. Paulina Beatriz Emanuelli © Universidad Nacional de Córdoba - Argentina [email protected] "... La primera imagen que se vio en los televisores argentinos fue la de Eva y Juan Domingo Perón, en el acto del 17 de octubre de 1951 en la plaza de Mayo, el día en que una desfalleciente Evita renunció a la vicepresidencia. Sus palabras fueron interrumpidas varias veces por el llanto y conmovieron al país: "Yo no valgo por lo que hice; yo no valgo por lo que soy ni por lo que tenga. Yo tengo una sola cosa que vale y la llevo en mi corazón: el amor de mi pueblo" (Apiscella y Casciero: 1995, 3). Así nació la primera imagen de la televisión argentina, impregnada de emoción y plena de fuerte contenido político. Estas características en su nacimiento marcaron la realidad de su futuro. Porque la televisión en Argentina nació y evolucionó de acuerdo a la vida política, institucional y económica de la nación. Su desarrollo se produjo en medio de profundos debates políticos, cambios económicos y cierta inmovilidad en el campo de lo legal producto de las constantes interrupciones de la vida democrática. -
SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL for More Information Go To
NEWS FROM EGEDA US Phone: 310 246 0531 Fax: 310 246 1343 Email: [email protected] SPANISH MOVIES IN USA – JUNE 2013 LOS ANGELES LOS ANGELES INTERNATIONAL FILM FEST For more information go to http://filmguide.lafilmfest.com/tixSYS/2013/xslguide/eventnote.php?EventNumber=5446 I’m So Excited! Thu, June 13 – 7:30 PM (Opening Night) at Regal Cinemas, 1000 W. Olympic Blvd. Dir. Pedro Almodovar - Spain|2012|90 min. Cast: Antonio de la Torre, Hugo Silva, Miguel Ángel Silvestre, Laya Martí, Javier Cámara, Carlos Areces, Raúl Arévalo, José María Yazpik, Guillermo Toledo, José Luis Torrijo, Lola Dueñas, Cecilia Roth, Blanca Suárez When a passenger jet headed for Mexico--which you are free to take or leave as a metaphor for Spain today--develops dangerous mechanical problems, all hell breaks loose in business class. Here we meet an amazing assortment of Almodóvarian characters, including a psychic, a chic dominatrix, a crooked businessman and a soap star. Tending to their peculiar, increasingly frantic needs are a trio of high camp stewards who react to the crisis in ways only the mischievous director could dream up--like lacing their passengers drinks with mescaline. Fasten your seat belts as this bawdy, pointed farce takes us up, up and away. Opens on Friday june 28th in New York & Los Angeles…!!! SEATTLE SEATTLE INTERNATIONAL FILM FESTIVAL For more information go to http://www.siff.net/festival-2013/films-a-to-z?country=Spain Yesterday Never ends Sat, June 1 – 5:30 PM at SIFF Cinema Uptown, 511 Queen Anne Avenue N Dir. Isabel Coixet - Spain|2013|108 min. -
Un Recorrido Por La Filmografía Hispano-Argentina De Ricardo Darín
Un recorrido por la filmografía hispano-argentina de Ricardo Darín 53 UN RECORRIDO POR LA FILMOGRAFÍA HISPANO-ARGENTINA DE RICARDO DARÍN Nereida RÓDENAS LOPERA Universidad de Alicante RESUMEN Ricardo Darín (1957) es uno de los intérpretes argentinos con mayor repercusión internacional a causa de su amplia y variada carrera actoral. Debutó en la pequeña pantalla en 1968 y, desde entonces, ha participado en más de una decena de representaciones teatrales, entre las que destaca Art; así como en más de una treintena de series. También lo podemos encontrar en más de cuarenta películas, entre las que destacan El secreto de sus ojos, El hijo de la novia, Tesis sobre un homicidio y Relatos salvajes, entre otras. Si bien es cierto que participa mayoritariamente en filmes argentinos, también ha protagonizado numerosas co-producciones hispanoamericanas, así como exclusivamente españolas. El objetivo de este artículo es hacer un recorrido por la filmografía hispano-argentina del actor, así como realizar una sinopsis del largometraje y los galardones que recibió el bonaerense por su labor actoral. Palabras clave: Ricardo Darín, filmografía, trayectoria profesional, co-producciones hispano-argentinas. ABSTRACT Ricardo Darín (1957) is one of the Argentinean interpreters with the greatest international impact because of his wide and varied acting career. He debuted on the small screen in 1968 and, since then, has participated in more than a dozen theatrical performances, including Art; as well as in more than thirty series. We can also find it in more than forty films, among which El secreto de sus ojos, El hijo de la novia, Tesis sobre un homicidio and Relatos salvajes,, among others. -
MERCEDES ALFONSIN Mobile Phone: 54 911 4189 3922 [email protected] Www
MERCEDES ALFONSIN Mobile Phone: 54 911 4189 3922 [email protected] www. mercedesalfonsin.com.ar PRODUCTION DESIGNER “L’usine de Films Amateurs” th November 4th- December 30 2017 La USINA DEL ARTE. BUENOS AIRES Dir.: Michel Gondry “Shrek the Musical” July 14- August 15. MaiPo Theatre, Buenos Aires. THE STAGE COMPANY Dir.: Carla Calabrese *Best Musical 2015 Hugo’s Awards- Feature length projects “El Amor menos pensado” November 17-May 18. Argentine. PATAGONIK FILM GROUP Dir: Juan Vera. “El Futbol o yo” November 16-May 17. Argentine. PATAGONIK FILM GROUP Dir: Marcos Carnevale. “Los que Aman, Odian” August 16-February 17. Argentine. * Best Art Direction- Condor Awards 2018 *Nominated Best Art Direction- Sur Awards 2017 PATAGONIK FILM GROUP Dir: Alejandro Maci. “ El Faro de las Orcas” August 15-Aprll 16. Argentine-Spain. WANDA VISION ESPAÑA-HISTORIAS CINEMATOGRAFICAS ARGENTINA Dir.: Gerardo Olivares “ Chiamatemi Francesco-Il Papa della gente-” August 14-Aprll 15. Argentine-Italy TAODUE ITALIA/METROPOLIS FILMS ARGENTINA Dir.: Daniele Luchetti “ Sexo Facil y Peliculas Tristes” August 13’-December 13’ PATAGONIK FILM GROUP- LA ZONA SPAIN Dir.: Alejo Flah Page 1 of 7 PRODUCTION DESIGNER Feature length projects (cont.) “ 2+2” January 12’-April 12’ *Nominated Best Art Direction Sur Awards 2012 PATAGONIK FILM GROUP Dir.: Diego KaPlan “ Little Heroes” March 11’- December 11’ Post-Production PAMPA FILMS-IN POST WE TRUST Dir.: Juan Pablo Buscarini “ IGUALITA A MI” January 10'-April 10' PATAGONIK FILM GROUP Dir: Diego KaPlan “ CARANCHO” July -
Half Title>NEW TRANSNATIONALISMS in CONTEMPORARY LATIN AMERICAN
<half title>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS</half title> i Traditions in World Cinema General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema Linda Badley, R. Barton Palmer, and Steven Jay Schneider (eds) Japanese Horror Cinema Jay McRoy (ed.) New Punk Cinema Nicholas Rombes (ed.) African Filmmaking Roy Armes Palestinian Cinema Nurith Gertz and George Khleifi Czech and Slovak Cinema Peter Hames The New Neapolitan Cinema Alex Marlow-Mann American Smart Cinema Claire Perkins The International Film Musical Corey Creekmur and Linda Mokdad (eds) Italian Neorealist Cinema Torunn Haaland Magic Realist Cinema in East Central Europe Aga Skrodzka Italian Post-Neorealist Cinema Luca Barattoni Spanish Horror Film Antonio Lázaro-Reboll Post-beur Cinema ii Will Higbee New Taiwanese Cinema in Focus Flannery Wilson International Noir Homer B. Pettey and R. Barton Palmer (eds) Films on Ice Scott MacKenzie and Anna Westerståhl Stenport (eds) Nordic Genre Film Tommy Gustafsson and Pietari Kääpä (eds) Contemporary Japanese Cinema Since Hana-Bi Adam Bingham Chinese Martial Arts Cinema (2nd edition) Stephen Teo Slow Cinema Tiago de Luca and Nuno Barradas Jorge Expressionism in Cinema Olaf Brill and Gary D. Rhodes (eds) French Language Road Cinema: Borders,Diasporas, Migration and ‘NewEurope’ Michael Gott Transnational Film Remakes Iain Robert Smith and Constantine Verevis Coming-of-age Cinema in New Zealand Alistair Fox New Transnationalisms in Contemporary Latin American Cinemas Dolores Tierney www.euppublishing.com/series/tiwc iii <title page>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS Dolores Tierney <EUP title page logo> </title page> iv <imprint page> Edinburgh University Press is one of the leading university presses in the UK. -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
“Golden Age”: Sônia Braga, Gael García Bernal, and Ricardo Darín
New Latin-American Stardom, the local/global stars of Latin American Cinema’s new “Golden Age”: Sônia Braga, Gael García Bernal, and Ricardo Darín Dolores Tierney, Victoria Ruétalo and Roberto Carlos Ortiz Editors’ Introduction The Latin American star system, like that in other regions, has emulated the Hollywood model in large measure because of its power to mobilize movie-going audiences. Various contributors to this collection have underscored particular ways in which regional film cultures have borrowed certain of Hollywood’s strategies to promote local star culture. Maite Conde’s discussion of fan magazines in Brazil in the 1920s (see Chapter 5), for instance, provides an early example of the ways the Hollywood star paradigm self-consciously served local interests in shaping a Brazilian national audience. Similarly, in Chapter 23 Alejandro Kelly’s focus on photography in star construction and the commercial promotion of particular stars helps us better appreciate the rich visual influence of cinema in shaping popular tastes and commodity culture in the region. In recent decades, with seminal works by Viera, López, Paranaguá and Tuñón, Latin American star studies have expanded their scope, generating sophisticated discourses on the ways in which individual stars maneuver their celebrity persona within the social, cultural and even moral projects of national and transnational communities. The authors of this chapter argue for a substantive alteration of that meta-discourse on stardom in which key Latin America actors are seen as not merely as ‘star texts’ but, to extend the metaphor, as centers of 1 ‘constellations’ of intermedial artistic and market networks in ways that transcend their status as mere entertainers. -
Spanish Language Films in the Sfcc Library
SPANISH LANGUAGE FILMS IN THE SFCC LIBRARY To help you select a movie that you will enjoy, it is recommended that you look at the description of films in the following pages. You may scroll down or press CTRL + click on any of the titles below to take you directly to the description of the movie. For more information (including some trailers), click through the link to the Internet Movie Database (www.imdb.com). All films are in general circulation and in DVD format unless otherwise noted. PLEASE NOTE: Many of these films contain nudity, sex, violence, or vulgarity. Just because a film has not been rated by the MMPA, does not mean it does not contain these elements. If you are looking for a film without those elements, consider viewing one of the films on the list on the last page of the document. A Better Life (2011) Age of Beauty / Belle epoque (1992) DVD/VHS All About My Mother / Todo sobre mi madre (1999) Alone / Solas (1999) And Your Mama Too / Y tu mamá también (2001) Aura, The / El aura (2005) Bad Education / La mala educación (2004) Before Night Falls / Antes que anochezca (2000) DVD/VHS Biutiful (2010) Bolivar I Am / Bolívar soy yo (2002) Broken Embraces / Abrazos rotos (2009) Broken Silence / Silencio roto (2001) Burnt Money / Plata quemada (2000) Butterfly / La lengua de las mariposas (1999) Camila (1984) VHS media office Captain Pantoja and the Special Services / Pantaleón y las visitadoras (2000) Carancho (2010) Cautiva (2003) Cell 211 / Celda 211 (2011) Chinese Take-Out(2011) Chronicles / Crónicas (2004) City of No Limits