Comparative Civilizations Review Volume 44 Number 44 Spring 2001 Article 6 4-1-2001 The Shahnameh of Ferdowsi: An Icon to National Identity Laina Farhat-Holzman
[email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/ccr Part of the Comparative Literature Commons, History Commons, International and Area Studies Commons, Political Science Commons, and the Sociology Commons Recommended Citation Farhat-Holzman, Laina (2001) "The Shahnameh of Ferdowsi: An Icon to National Identity," Comparative Civilizations Review: Vol. 44 : No. 44 , Article 6. Available at: https://scholarsarchive.byu.edu/ccr/vol44/iss44/6 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Comparative Civilizations Review by an authorized editor of BYU ScholarsArchive. For more information, please contact
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[email protected]. Farhat-Holzman: The Shahnameh of Ferdowsi: An Icon to National Identity 104 COMPARATIVE CIVILIZATIONS REVIEW The Shahnameh of Ferdowsi: An Icon to National Identity LAINA FARHAT-HOLZMAN Introduction Epic poems are part of the heritage of many peoples around the world. Long before writing became the mode of transmitting culture and history, story tellers (usually in verse and song) have enthralled their communities with the inherited tales of the ancestors. The unifying theme of all epics is some heroic action by a hero or heroes: individuals who took on challenges for which death was a possibility. Certain epics have been identified with specific creators: such as the Iliad attributed to Homer and the Aeneid, a work we know was written by Virgil.