Round 5 2014-2015 National History Bee Varsity
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Popular Movements and Violence in East Asia in the Nineteenth Century: Comparing the Ideological Foundations of Their Legitimation
Popular Movements and Violence in East Asia in the Nineteenth Century: Comparing the Ideological Foundations of their Legitimation Hang-seob Bae Sungkyun Journal of East Asian Studies, Volume 17, Number 2, October 2017, pp. 233-260 (Article) Published by Duke University Press For additional information about this article https://muse.jhu.edu/article/678111 [ Access provided at 6 Oct 2021 19:55 GMT with no institutional affiliation ] Sungkyun Journal of East Asian Studies Vol.17 No.2 © 2017 Academy of East Asian Studies. 233-260 DOI: 10.21866/esjeas.2017.17.2.006 Popular Movements and Violence in East Asia in the Nineteenth Century: Comparing the Ideological Foundations of their Legitimation Hang-seob BAE Sungkyunkwan University ABSTRACT In the nineteenth century, people in China, Korea, and Japan actively participated in popular protests. The rebellions in those countries had much in common, but one of the most striking differences is the degree of violence inflicted by these popular movements on their opponents. Chinese popular rebels were much more likely to kill or injure others than their counterparts in Korea and Japan. Such differences seem to be closely associated with the question of whether the rebel forces fought due to conflicting interests within the polity, or were seeking to build a new kingdom by pursuing a newly-risen religion while rejecting the existing ruling system and ideology that legitimized it. This paper will examine how the rebel forces based the legitimacy of their actions in relation to each country’s “political culture.” While popular movements in the West or the Taiping Heavenly Kingdom were based on the idea that God was more powerful than the secular ruler, popular movements in Korea or Japan did not have a transcendent source of authority that was superior to the monarch. -
Gustavplaybook.Pdf
GustavUnder theAdolf Lily the Banners Great 11 Dirschau 1627 • Honigfelde 1629 • Breitenfeld 1631 • Alte Veste 1632 • Lützen 1632 PLAY BOOK Table of Contents All Scenarios .................................................................. 2 Dramatis Personae.................................................. 36 Polish Wars Special Rules.............................................. 4 Swedish Kings and Queens .................................... 37 Dirschau / Tczew ............................................................ 5 The Swedish-Polish Wars of the 17th Centure ...... 38 Honingfelde / Trzciano................................................... 9 Polish Army of the 1620s ....................................... 38 Breitenfeld ...................................................................... 12 The Swedish Army of Gustav Adolf ...................... 38 Alte Veste ....................................................................... 20 Game Tactics III ............................................................. 41 Lützen .......................................................................... 26 Bibliography ................................................................... 44 Edgehill Variant .............................................................. 33 Counterscans .................................................................. 45 Historical Notes .............................................................. 36 Charts and Tables ........................................................... 48 GMT Games, LLC 0602 -
The Wallenstein Portrait Gallery
THE WALLENSTEIN PORTRAIT GALLERY IN THE CHEB MUSEUM A Catalogue of the Permanent Exhibition Cheb 1999 CONTENTS Introduction 5 Eva Dittertová The Wallenstein tradition at the Cheb Museum 7 Eva Dittertová Foreword to the opening of the exhibition, July 27th 1998 8 Danuta Učníková The Wallensteins 10 Stanislav Kasík The family portrait gallery 19 Pavel Blattný Notes on the choice and ordering of the paintings 23 Pavel Blattný The catalogue 25 Pavel Blattný Appendices: The 1749 inventory of paintings from Mnichovo Hradiště château 60 Specialist terms 62 Pavel Blattný Analogies, models, variations 65 Pavel Blattný Lucas van Valckenborch 73 Pavel Blattný Frans Luycx 74 Pavel Blattný 3 INTRODUCTION Eva Dittertová The departure point for the creation of this catalogue was the thesis completed by Pavel Blattný for the Institute of Art History of the Philosophical Faculty of Charles University, Prague, in 1997. His theme was somewhat wider, of course, being concerned with the problematique of the development of the representa- tive, noble portrait in full length in Central Europe in the 16th and 17th centuries, and the family gallery of forebears. The Wallenstein Collection served in this thesis as an example of the complex problems that such galleries of family forebears present in terms of Baroque historicism in Bohemia. The first demonstrable Wallenstein „family gallery“ is mentioned at Duchcov in 1731, the second at Mnichovo Hradiště in 1749; the latter ran to 16 pictures, and it is interesting that of the rich choices available among the members of the Wallenstein family, it covers virtually the same range as the Cheb collection (see the 1749 inventory from Mnichovo Hradiště). -
David Graham Rubem Amaral Jr
Sessions will be organized via Zoom. People will be free to attend "Road to SES Conference Coimbra" sessions, although only approved speakers will be permitted to deliver a paper (20 min. max., English only). The schedule was organized by the Organizing Committee. Sessions will be recorded and put on public display (unless the speakers withhold permission). PROGRAMME Session 1 | Thursday, 29 April, 2021 (18h Lisbon time) CHAIR: David Graham Rubem Amaral Jr. (Independent researcher): Applied emblems in the early paper- money and other old value papers in Portugal Francesco Del Sole (University of Salento): Architectural archetypes in emblematic culture between the 16th and 18th centuries Session 2 |Thursday, 27 May, 2021 (18h Lisbon time) CHAIR: Manuel Ferro Takao Kawanishi (University of Tokyo): The Study of the symbol of Holy Grail from Coimbra in Portugal to Japan Tamar Abramson (Tel Aviv University): The Donatello Code: Attis-Amorino as a Proto-Emblematic Riddle Session 3 | Thursday, 24 June, 2021 (18h Lisbon time) CHAIR: Elizabeth Black Liana Cheney (University of Massachusetts Lowell): “The Shepeard Buss”: Embroidery of Love and Sorrow Isabel Lloret (University Jaume I, Castellón): La educación militar de Don Fernando de Austria, a través de los emblemas. Session 4 | Thursday, 28 October, 2021 (18h Lisbon time) CHAIR: Simon McKeown Cezara Bobeica (University of Strasbourg): Visual and verbal strategies of occultation in Henry Peacham’s emblem book Minerva Britanna (1612) Giuditta Cirnigliaro (University Roma 3): Leonardo’s Emblems and Word-and Image Devices: A Digital Initiative Abstracts and Curricula Rubem Amaral Jr. Applied emblems in the early paper-money and other old value papers in Portugal As far as I could investigate, the United States of America and Portugal were the only countries to employ emblems/devices from emblem books in their earliest paper-money: the USA during the War of Independence (1775-1783); Portugal in the turn of the 18th to the 19th century (1797-1834). -
Wallenstein a Dramatic Poem
Open Book Classics Wallenstein A Dramatic Poem FRIEDRICH SCHILLER TRANSLATED BY FLORA KIMMICH, WITH AN INTRODUCTION BY ROGER PAULIN To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/513 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. ONLINE SURVEY In collaboration with Unglue.it we have set up a survey (only ten questions!) to learn more about how open access ebooks are discovered and used. We really value your participation, please take part! CLICK HERE Wallenstein A Dramatic Poem By Friedrich Schiller Translation and Notes to the Text by Flora Kimmich Introduction by Roger Paulin https://www.openbookpublishers.com Translation and Notes to the Text © 2017 Flora Kimmich. Introduction © 2017 Roger Paulin. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Friedrich Schiller. Wallenstein: A Dramatic Poem. Translation and Notes to the Text by Flora Kimmich. Introduction by Roger Paulin. Cambridge, UK: Open Book Publishers, 2017. http://dx.doi.org/10.11647/OBP.0101 -
Entry Task: Please Grab Your Timeline from Your Folder :)
Global Studies, December 1 Entry Task: Please grab your timeline from your folder :) Announcements: - Today: set up the Thirty Years’ War - Work on Timeline - only the top today! (Spain, England, and France) Global Studies, December 2 Entry Task: Please take out chart from yesterday - using stick figures, draw something from our notes so far on 30 Years’ War. Announcements: We’re using the white boards a few times today - keep them handy! - Today’s targets: the Thirty Years’ War - I can give a summary of the causes, key events, and effects of the 30 Years’ War. - I can organize the ideas and concepts using multimedia and graphics - Quick Review of Storyboardthat.com - Chromebooks: Please don’t pick up yet. Your drawing is not as important as your ideas! http://www.storyboardthat.com/ WHEN? 1618-1648 Thirty Years! WHERE? HOLY ROMAN EMPIRE Map by Astrokey44 Thirty Years War: Background ⦿ While the rulers of France, Spain, and Russia ruled absolutely, Central Europe was not there yet by the 1500s and 1600s Thirty Years’ War: Background ⦿ The Holy Roman Emperor had very little power since he was elected by the many German princes of his empire. France = Politically United Holy Roman Empire = Politically Divided And...don’t forget the impact of THE REFORMATION Thirty Years’ War: Background ⦿ Protestants vs. Catholics Spain= Holy Roman Religiously Empire = United Religiously Divided Read BACKGROUND chart at your table - right side Religion - how is this a factor? PEACE OF AUGSBURG 1555 Ruler of each province could decide religion Thirty Years’ War: Background ⦿ The Hapsburg family ruled the HRE since the 1450s, and they were Catholic, supported by the Pope. -
Alessandra Becucci, 2011© – Phd Candidate, European University Institute
Alessandra Becucci, 2011© – Phd candidate, European University Institute Paper presented at the 3rd Meeting of the European Network on the Theory and Practice of Biography ENTPB Biography as a Problem: New Perspectives 25-26 February 2011 – Florence, European University Institute Work in progress. Please do not quote or cite without the author’s permission A European identity: Ottavio Piccolomini (1599-1656), soldier, courtier, patron Alessandra Becucci, European University Institute The study of the cultural patronage of Ottavio Piccolomini Pieri d‟Aragona (1599-1656), Italian nobleman and soldier in the Habsburg army, as a key to understand the construction of his socio- political persona and his self fashioning1 as a soldier and a courtier at the Imperial court, accounts for the possibility to study an early modern life course in a transnational perspective. While the concept of self-fashioning as related to cultural patronage has been the object of several investigations, the study of early modern cultural investments made by Seventeenth century career soldiers has only been occasionally touched upon. As an Italian nobleman living the most of his life out of the native country, as a young pike bearer reaching the highest echelons of the imperial military hierarchy and court society, born a Sienese duke and dead an Imperial prince, Ottavio Piccolomini‟s features differentiate him from the better known typologies of art patrons, mainly by reason of the military activity, and the mobility related to it, marking his entire life2. When taking into consideration the peculiarities of his case, it is possible to try and reassess some of the ideas and conclusions drawn about Early modern cultural patronage, such as the definition of „art patron‟ itself. -
Holy Roman Empire
WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 1 V1V2 WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 CONTENT Historical Background Bohemian-Palatine War (1618–1623) Danish intervention (1625–1629) Swedish intervention (1630–1635) French intervention (1635 –1648) Peace of Westphalia SPECIAL RULES DEPLOYMENT Belligerents Commanders ARMY LISTS Baden Bohemia Brandenburg-Prussia Brunswick-Lüneburg Catholic League Croatia Denmark-Norway (1625-9) Denmark-Norway (1643-45) Electorate of the Palatinate (Kurpfalz) England France Hessen-Kassel Holy Roman Empire Hungarian Anti-Habsburg Rebels Hungary & Transylvania Ottoman Empire Polish-Lithuanian (1618-31) Later Polish (1632 -48) Protestant Mercenary (1618-26) Saxony Scotland Spain Sweden (1618 -29) Sweden (1630 -48) United Provinces Zaporozhian Cossacks BATTLES ORDERS OF BATTLE MISCELLANEOUS Community Manufacturers Thanks Books Many thanks to Siegfried Bajohr and the Kurpfalz Feldherren for the pictures of painted figures. You can see them and much more here: http://www.kurpfalz-feldherren.de/ Also thanks to the members of the Grimsby Wargames club for the pictures of painted figures. Homepage with a nice gallery this : http://grimsbywargamessociety.webs.com/ 2 V1V2 WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 3 V1V2 WAR & CONQUEST THE THIRTY YEARS WAR 1618-1648 The rulers of the nations neighboring the Holy Roman Empire HISTORICAL BACKGROUND also contributed to the outbreak of the Thirty Years' War: Spain was interested in the German states because it held the territories of the Spanish Netherlands on the western border of the Empire and states within Italy which were connected by land through the Spanish Road. The Dutch revolted against the Spanish domination during the 1560s, leading to a protracted war of independence that led to a truce only in 1609. -
Univerzita Pardubice Fakulta Filozofická Ottavio I. Piccolomini A
Univerzita Pardubice Fakulta Filozofická Ottavio I. Piccolominiajehovztahyk Itáliivletech1650 – 1656. VztahyOttavia Piccolominiho s toskánskourodinouve sv tle korespondence se synovcem Francescem Piccolomini. MagdalenaRajlichová Bakalá ská práce 2011 Prohlašuji: Tutoprácijsemvypracovalasamostatn .Veškeré literární pramenyainformace,které jsem vprácivyužila,jsouuvedené vseznamupoužité literatury. Bylajsemseznámenastím, že senamojiprácivztahují právaapovinnostivyplývající ze zákona .121/2000Sb.,autorskýzákon,zejména seskute ností, že UniverzitaPardubicemá právonauzav ení licen ní smlouvyoužití tétoprácejako školníhodílapodle § 60odst.1 autorského zákona,astím, že pokuddojdekužití tétopráce mnounebobudeposkytnuta licenceoužití jinémusubjektu,jeUniverzitaPardubiceoprávn naodemnepožadovat p im ený p ísp vekna úhradunáklad ,které navytvo ení dílavynaložila,atopodle okolnostíaž dojejichskute né výše. Souhlasímsprezen nímzp ístupn ním své práce vUniverzitní knihovn . VPardubicíchdne28.6.2010. MagdalenaRajlichová V nování apod kování jeur enovedoucímumépráce,Mgr.Vít zslavuPrchaloviza nadstandardní konzultaceataké mýmrodi m,vevšechohledechbedliv st ežícím sv j genetický odkaz.Dále d kujiJanu Tischlerovi, p ítelivnouziinadbytkuzatrp livostamému d de kovi,Bed ichuKortanovi,zapermanentní zájem,podporuavíruvezdárné zakon ení mého „longuedureé“ studia,kteréhosenedožil. Souhrn Bakalá ská práce sezabývá rodinnýmivztahycísa skéhomaršálaanáchodskéhoknížete Francesca Ottavia Piccolomini v Itálii, pedevším korespondencí sjeho synovcem Francescem,patricijemflorentskýmvletech1650 -
The Thirty Years' War: Examining the Origins and Effects of Corpus Christianum's Defining Conflict Justin Mcmurdie George Fox University, [email protected]
Digital Commons @ George Fox University Seminary Masters Theses Seminary 5-1-2014 The Thirty Years' War: Examining the Origins and Effects of Corpus Christianum's Defining Conflict Justin McMurdie George Fox University, [email protected] This research is a product of the Master of Arts in Theological Studies (MATS) program at George Fox University. Find out more about the program. Recommended Citation McMurdie, Justin, "The Thirty Years' War: Examining the Origins and Effects of Corpus Christianum's Defining Conflict" (2014). Seminary Masters Theses. Paper 16. http://digitalcommons.georgefox.edu/seminary_masters/16 This Thesis is brought to you for free and open access by the Seminary at Digital Commons @ George Fox University. It has been accepted for inclusion in Seminary Masters Theses by an authorized administrator of Digital Commons @ George Fox University. A MASTER’S THESIS SUBMITTED TO GEORGE FOX EVANGELICAL SEMINARY FOR CHTH – 571-572: THESIS RESEARCH AND WRITING DR. DAN BRUNNER (PRIMARY ADVISOR) SPRING 2014 BY JUSTIN MCMURDIE THE THIRTY YEARS’ WAR: EXAMINING THE ORIGINS AND EFFECTS OF CORPUS CHRISTIANUM’S DEFINING CONFLICT APRIL 4, 2014 Copyright © 2014 by Justin M. McMurdie All rights reserved CONTENTS INTRODUCTION 1 PART 1: THE RELIGIOUS AND POLITICAL BACKGROUND OF THE THIRTY YEARS’ WAR 6 Corpus Christianum: The Religious, Social, and Political Framework of the West from Constantine to the Reformation 6 The Protestant Reformation, Catholic Counter-Reformation, and Intractable Problems for the “Holy Roman Empire of the -
Ninness on Helfferich, 'Thirty Years' War: an Anthology of Sources'
H-German Ninness on Helfferich, 'Thirty Years' War: An Anthology of Sources' Review published on Thursday, January 13, 2011 Tryntje Helfferich, ed. and trans. Thirty Years' War: An Anthology of Sources. Indianapolis: Hackett Pub. Co., 2009. 352 pp. $42.00 (cloth), ISBN 978-0-87220-940-4; $14.95 (paper), ISBN 978-0-87220-939-8. Reviewed by Richard J. Ninness (Touro College)Published on H-German (January, 2011) Commissioned by Benita Blessing Documenting the Thirty Years' War It is well known that we need more translations of primary sources for the early modern era. The paucity of English-language material for this period in history is a problematic lacuna. TheThirty Year War: A Documentary History responds exactly to this problem that I have often talked about. With Tryntje Helfferich's book, an instructor looking for teaching material can now turn to a collection of documents that illustrate many important aspects of the war. Helfferich's book is divided into four sections. Section 1, "Outbreak of the Thirty Years War," deals with the immediate events in 1618 that began the war and includes documents up to 1623. The second section, "The Intervention of Denmark and Sweden," covers the phase of the war when Denmark intervened and was defeated, resulting in Catholic dominance. This section includes the Edict of Restitution and documents relating to Sweden's intervention in the war along with Emperor Ferdinand's problems with Albrecht von Wallenstein--which ultimately led to the general's assassination. The Long War's third section begins with the failed Peace of Prague and demonstrates how the war dragged on. -
The Humour of Spain (1894)
= 0O = CO Icvj CD 'C\J M_ .1 NTERMATIONAL O WSM ^nm VA K&) ^ > -^ £) rv \^ I k$£ Er*» fcf-">: T HUMOUR SERIES Edited by W. II. DIRCKS THE HUMOUR OF SPAIN ALREADY ISSUED FRENCH HUMOUR GERMAN HUMOUR ITALIAN HUMOUR AMERICAN HUMOUR DUTCH HUMOUR IRISH HUMOUR SPANISH HUMOUR BLACK EVESs. —P. olS. fHILE YOUfi DAUGHTER WALKS OVT WITH HER ^ HUM SELECTED, WITH AN IN- TRODUCTION AND NOTES, BY SUSETTE M. TAYLOR: ILLUSTRATIONS BY H. R. MILLAR LONDON WALTER SCOTT 1894 LTD LIBRARY S\ fK \» m ,,. — 1opo Hi" '• CONTENTS. Introduction ....... My Cid pledges two Cokfres full of Sand to the Jews Rachel and Vidas — Twelfth Century The Cowardice of the Infantes of Carrion when the Lion breaks loose— Thirteenth Ce7itury . The Cat turned Nun—Fourteenth Century . The Madman in the Bath—Don Juan Manuel The Naked King—Don Juan Manuel "Not even the Day of the Mud?"—Don Juan Manuel The Taming of the Shrew—Don Juan Manuel A Long Tale—Fifteenth Century Ei.ectio Nulla Debet Esse in Malis --/•>'/ n cuth Century The Biter Bit— Fifteenth Century 23 Calisto is smitten with Melibea's Charms—Rodrigo Cot, Love and Death ..... The Eaten Pancake—Lope tie Rueda 53 The Fair Celibate— Gil Vicente 3<i — CONTENTS. "The Table-Book and Travellers' Joy" — The Rustic and the Lackeys 38 The Contrary Wife 40 An Affectionate Wife . 42 Chastise with Good Words 42 The Accommodating Farmer 44 The Accommodating Lord 44 Diamond Cut Diamond . 44 The Best Hour to Dine 45 The Best Wife in the World 45 A Pious Wish 45 "The Book of Jokes"'—Travellers' Tales 54 Tales of Rogues— Lazaro declareth whose Son he was—Hurtado de Mendoza ......