Le Strade Di Roma Nel Medioevo
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Progetto Per Un Parco Integrato Delle Mura Storiche
ROMA PARCO INTEGRATO DELLE MURA STORICHE Mura Aureliane - Mura da Paolo III a Urbano VIII Esterno delle Mura lungo viale Metronio Mura storiche di Roma 2 Pianta di Roma di Giovanni Battista Nolli - 1748 3 Mura di Roma, Grande Raccordo Anulare e anello ciclabile 4 Piano Regolatore Generale di Roma - 2003/2008 5 Ambiti di programmazione strategica: quadro di unione 1-Tevere 2-Mura 3-Anello ferroviario 1 4-Parco dell’Appia 5-Asse nord-sud 5 2 3 4 6 Pianta di Pietro Visconti (Archeologo) e Carlo Pestrini (Incisore)- 1827 7 Quadro di unione Forma Urbis Romae di Rodolfo Lanciani - 1893/1901 8 Piano Regolatore Generale di Roma - 1883 9 Piano Regolatore Generale di Roma - 1909 10 Piano Regolatore Generale di Roma - 1931 11 Piano Regolatore Generale di Roma - 1961 12 Stralcio Piano Regolatore Generale di Roma - 1961 13 Intersezioni delle Mura con gli assi viari storici e ambiti di progettazione 2 1 - Corso_Flaminia 2 - XX Settembre_Salario 3 - Laterano_Appio 4 - Caracalla_Appia Antica 1 5 - Marmorata_Ostiense 6 - Trastevere_Gianicolo Aurelia antica 6 5 3 4 14 Centralità lungo le Mura storiche 15 Parchi e ambiti di valorizzazione ambientale Villa Borghese Villa Doria Pamphili Parco dell’Appia 16 Ambito di programmazione strategica Mura - Risorse 17 Ambito di programmazione strategica Mura - Obiettivi 18 Progetto «Porte del Tempo» Museo del Sito UNESCO a Porta del Museo dei Bersaglieri Popolo di Porta Pia Museo garibaldino e repubblica Romana a Porta Portese e Porta San Pancrazio Museo delle Mura Museo della resistenza a Porta San a Porta Ostiense Sebastiano 19 Porta del Popolo (Flaminia) 20 Porta San Sebastiano (Appia Antica) 21 Porta San Paolo (Ostiense) 22 Parco lineare integrato 23 Schema direttore generale del progetto urbano delle Mura 24 Parco lineare integrato delle Mura - Progetti realizzati e approvati Responsabili del procedimento: Arch. -
The Use of Mortar Dating in Archaeological Studies of Classical and Medieval Structures
The Use of Mortar Dating in Archaeological Studies of Classical and Medieval Structures Åsa Ringbom, John Hale, Jan Heinemeier, Alf Lindroos and Fiona Brock There are many anonymous buildings dating from the Classical and Medieval periods where their date of construction cannot be confirmed by written sources or artefacts such as coins. Mortar is different from other dateable materials in that it is abundant during the construction process. Mortar dating - if successful - could provide an important chronological key in archaeology. Since 1994 the interdisciplinary International Mortar Dating Project has been devoted to developing a method of dating lime mortar and concrete-like materials. 14C has been analyzed in mortars from Medieval churches in the Åland Islands in the archipelago between Finland and Sweden and also from Classical Archaeology (i.e. ancient buildings in Italy, Spain and Portugal from the time of the Roman Empire and from Medieval structures in Rome itself). The methodological development of this technique has been both complicated and time consuming, and is therefore best illustrated by a chronological account of our work. The methodological principles have been known since the 1960s (Labeyrie and Delibrias 1964), but many factors have stopped its use in practice including carbon forms influencing the results. However, testing mortar during the 1980s in the ruins of the Franciscan convent of Kökar (in the outer Åland archipelago) was sufficiently encouraging for us to continue refining the method within the Project of the Åland Churches that started in 1990. In the beginning the 14C dating was done with a conventional radiocarbon counting technique that involved using large one kilogram samples; but in 1994 this was replaced by analysis performed by the AMS (Accelerator Mass Spectrometer) (Heinemeier et al. -
Xxv Edizione Della Maratona Di Roma
XXV EDIZIONE DELLA MARATONA DI ROMA Domenica 7 aprile in occasione della 25esima edizione della Maratona di Roma il trasporto pubblico subirà variazioni di servizio. Ecco la guida al trasporto: COME MUOVERSI IL GIORNO DELLA GARA: nella giornata di domenica la rete di trasporto pubblico centrale e semicentrale sarà modificata per lasciare spazio ai maratoneti. Occorrerà fare attenzione, quindi, al percorso della propria linea di bus. I particolari sono in questa guida PER SPOSTARSI IN CITTA’ METROPOLITANE E FERROVIE: il servizio della metropolitana e delle ferrovie non subirà variazioni, per muoversi nelle zone interessate dalla maratona, quindi, converrà usare le linee su ferro. La stazione Colosseo, resterà chiusa da inizio servizio e sino a cessate esigenze, per raggiungere la zona di via dei Fori Imperiali, sono utilizzabili anche le stazioni Cavour o Circo Massimo. SITUAZIONE DEL TRASPORTO PUBBLICO IN TEMPO REALE: per tutta la durata della manifestazione, la situazione in tempo reale del trasporto pubblico sarà disponibile sul sito www.atac.roma.it – sezione tempo reale - e sul profilo Twitter di Atac spa @infoatac, accessibile all’indirizzo www.twitter.com/infoatac e, su WhatsApp inviando una richiesta di informazioni al numero 335.1990679 WhatsApp 335.1990679 www.atac.roma.it @infoatac - www.twitter.com/infoatac XXV EDIZIONE DELLA MARATONA DI ROMA GUIDA AL TRASPORTO IN OCCASIONE DELLA 25ESIMA EDIZIONE DELL MARATONA DI ROMA DOMENICA 7 APRILE 2019 LINEA MODIFICA DELL’OPERATIVO DI SERVIZIO Dalle 14.00 alle 17.15 Direzione Termini: -
Il Percorso Con I Mezzi Pubblici the Route Using Public Transportation *
IL PERCORSO CON I MEZZI PUBBLICI THE ROUTE USING PUBLIC TRANSPORTATION * Parco degli acquedotti (Park of the Aqueducts) - Via Lemonia, 256 800 m SUBAUGUSTA Metro A (4 fermate/stops) QUADRARO - PORTA FURBA 650 m Arco (Arch of) di Porta Furba - Via Tuscolana 547 50 m Fontana di (Fountain of) Porta Furba - Via Tuscolana 545 650 m ARCO DI TRAVERTINO Metro A (5 fermate/stops) SAN GIOVANNI 50 m P.LE APPIO 51 (4 fermate/stops) LODI 250 m Acquedotto del (Aqueduct of the) Mandrione - Piazza Lodi 250 m CASILINA/GALLARATE 50 (1 fermata/stop) CASILINA/P.LE LABICANO 200 m Porta Maggiore - Piazzale Labicano Porta Maggiore - Piazzale Labicano 300 m PORTA MAGGIORE GIARDINETTI (1 fermata/stop) S.BIBIANA 450 m Arco di (Arch of) Sisto V - Piazzale Sisto V 500 m GIOLITTI 70 (2 fermate/stops) REPUBBLICA 100 m Fontana delle (Fountain of) Najadi - Piazza della Repubblica 300 m Fontana del (Fountain of) Mosè - Piazza San Bernardo 600 m Fontane di (Fountain of) Piazza Barberini - Piazza Barberini 100 m Quattro Fontane - Piazza delle Quattro Fontane 700 m Fontana dei (Fountain of the) Dioscuri - Piazza del Quirinale 300 m MILANO/NAZIONALE 71 (4 fermate/stops) S. MARIA MAGGIORE 714 (5 fermate/stops) L.GO AMBA ARADAM 100 m Fontana della (Fountain of the)Navicella - Via della Navicella Fontana della (Fountain of the)Navicella - Via della Navicella 100 m NAVICELLA/PORTA METRONIA 81 (6 fermate/stops) CERCHI/BOCCA DELLA VERITA' 300 m Fontana dei (Fountain of the)Tritoni - Piazza Bocca della Verità 100 m LGT AVENTINO 23 (3 fermate/stops) LGT VALLATI/PETTINARI 650 m Fontana -
From Rome to New York Background to the Urban Proposals of Le Corbusier
JOURNAL OF ARCHITECTURE AND URBANISM ISSN 2029-7955 / eISSN 2029-7947 2016 Volume 40(3): 240–249 doi: 10.3846/20297955.2016.1210052 To this day I am accused of being a revolutionary, however, I must confess that I’ve only had one teacher, the past, and one discipline, the study of the past Le Corbusier FROM ROME TO NEW YORK BACKGROUND TO THE URBAN PROPOSALS OF LE CORBUSIER Ricardo DAZA National University, Arts, Carrera 30 № 45, Bogotá, 11001000 Colombia; Andes University, Architecture, Carrera 1 № 18A-12, Bogotá, 11001000 Colombia E-mail: [email protected] Received 17 December 2015; accepted 01 June 2016 Abstract. The paper argues that urban proposals of Le Corbusier arise from the study of the history of architecture. Through a com- parison of his journey impressions with his urban projects, this paper demonstrates that the ideas and perceptions that determined Le Corbusier proposals were extracted and interpreted from the study that the young architect carried out of the settlements and cities of Eastern Europe and the Mediterranean in his well-known Voyage d’Orient. Keywords: Le Corbusier, Jeanneret, Voyage, Orient, Pompeii, Buenos Aires, Domino, Rome, New York, Chandigarh. Introduction city is determined by two intersecting axes that give If you study some of the urban proposals of Le rise to a monumental centre.1 The entrances to the Corbusier, such as La Ville Contemporaine (1922), city are highlighted by enormous arches on the ends the Buenos Aires Business City (1929), the studies of the north-south axis. It is possible that the idea to urbanize Rio de Janeiro (1929) and New York of marking the entrances out with arches could have (1935), or the city of Chandigarh (1950), it could be come from Le Corbusier’s review of the city of Pompeii. -
Building in Early Medieval Rome, 500-1000 AD
BUILDING IN EARLY MEDIEVAL ROME, 500 - 1000 AD Robert Coates-Stephens PhD, Archaeology Institute of Archaeology, University College London ProQuest Number: 10017236 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017236 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The thesis concerns the organisation and typology of building construction in Rome during the period 500 - 1000 AD. Part 1 - the organisation - contains three chapters on: ( 1) the finance and administration of building; ( 2 ) the materials of construction; and (3) the workforce (including here architects and architectural tracts). Part 2 - the typology - again contains three chapters on: ( 1) ecclesiastical architecture; ( 2 ) fortifications and aqueducts; and (3) domestic architecture. Using textual sources from the period (papal registers, property deeds, technical tracts and historical works), archaeological data from the Renaissance to the present day, and much new archaeological survey-work carried out in Rome and the surrounding country, I have outlined a new model for the development of architecture in the period. This emphasises the periods directly preceding and succeeding the age of the so-called "Carolingian Renaissance", pointing out new evidence for the architectural activity in these supposed dark ages. -
MUSSOLINI's ITALIAN and ITALIAN AMERICAN STUDIES Stanislao G
MUSSOLINI'S ITALIAN AND ITALIAN AMERICAN STUDIES Stanislao G. Pugliese Hofstra University Series Editor This publishing initiative seeks to bring the latest scholarship in Italian and Ital ian American history, literature, cinema, and cultural studies to a large audience of specialists, general readers, and students. I&IAS will feature works on mod ern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices in the academy. This endeavor will help to shape the evolving fields of Italian and Italian American Studies by re emphasizing the connection between the two. The following editorial board of esteemed senior scholars are advisors to the series editor. REBECCA WEST JOHN A. DAVIS University of Chicago University of Connecticut FRED GARDAPHE PHILIP V. CANNISTRARO Stony Brook University Queens College and the Graduate School, CUNY JOSEPHINE GATTUSO HENDIN VICTORIA DeGRAZIA New York University Columbia University Queer Italia: Same-Sex Desire in Italian Literature and Film edited by Gary P. Cestaro July 2004 Frank Sinatra: History, Identity, and Italian American Culture edited by Stanislao G. Pugliese October 2004 The Legacy ofPrimo Levi edited by Stanislao G. Pugliese December 2004 Italian Colonialism edited by Ruth Ben-Ghiat and Mia Fuller July 2005 Mussolini's Rome: Rebuilding the Eternal City Borden W Painter Jr. July 2005 Representing Sacco and Vanzetti edited by Jerome A. Delamater and Mary Ann Trasciatti forthcoming, September 2005 Carlo Tresca: Portrait ofa Rebel Nunzio Pernicone forthcoming, October 2005 MUSSOLINI'S Rebuilding the Eternal City BORDEN W. PAINTER, JR. MUSSOLINI'S ROME Copyright © Borden Painter, 2005. Softcover reprint of the hardcover 1st edition 2005 978-1-4039-6604-9 All rights reserved. -
Ave Roma Immortalis, Vol. 1, by Francis Marion Crawford This Ebook Is for the Use of Anyone Anywhere at No Cost and with Almost No Restrictions Whatsoever
Roma Immortalis, Vol. 1, by Francis Marion Crawford 1 Roma Immortalis, Vol. 1, by Francis Marion Crawford Project Gutenberg's Ave Roma Immortalis, Vol. 1, by Francis Marion Crawford This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Ave Roma Immortalis, Vol. 1 Studies from the Chronicles of Rome Author: Francis Marion Crawford Release Date: April 26, 2009 [EBook #28614] Language: English Roma Immortalis, Vol. 1, by Francis Marion Crawford 2 Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK AVE ROMA IMMORTALIS, VOL. 1 *** Produced by Juliet Sutherland, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. AVE ROMA IMMORTALIS STUDIES FROM THE CHRONICLES OF ROME BY FRANCIS MARION CRAWFORD IN TWO VOLUMES VOL. I New York THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., LTD. 1899 All rights reserved Copyright, 1898, By The Macmillan Company. Set up and electrotyped October, 1898. Reprinted November, December, 1898. Norwood Press J. S. Cushing & Co.--Berwick & Smith Norwood, Mass., U.S.A. TABLE OF CONTENTS Roma Immortalis, Vol. 1, by Francis Marion Crawford 3 VOLUME I PAGE THE MAKING OF THE CITY 1 THE EMPIRE 22 THE CITY OF AUGUSTUS 57 THE MIDDLE AGE 78 THE FOURTEEN REGIONS 100 REGION I MONTI 106 REGION II TREVI 155 REGION III COLONNA 190 REGION IV CAMPO MARZO 243 REGION V PONTE 274 REGION VI PARIONE 297 LIST OF PHOTOGRAVURE PLATES VOLUME I Map of Rome Frontispiece FACING PAGE The Wall of Romulus 4 Roma Immortalis, Vol. -
Roma, Torre Dei Conti. Ricerca, Formazione, Progetto, a Cura Di Elisabetta Pallottino Rivista Quadrimestrale Edita Da Carocci Editore S.P.A., Roma
Ricerche di Storia dell’arte n. 108/2012 Serie “Conservazione e restauro” Roma, Torre dei Conti. Ricerca, formazione, progetto, a cura di Elisabetta Pallottino Rivista quadrimestrale edita da Carocci editore S.p.A., Roma I fascicoli dedicati alla storia dell’arte (Serie: Arti visive) si alternano ad un fascicolo dedicato ai temi della conservazione e del restauro (Serie: Conservazione e Restauro) Direttore responsabile: Antonio Pinelli Comitato direttivo: Paolo Marconi, Antonio Pinelli Progetto grafico: Paolo Lecci Serie Arti visive Direttore: Antonio Pinelli Comitato di redazione: Silvia Bordini, Silvia Carandini, Luciana Cassanelli, Michela di Macco, Maria Letizia Gualandi, Maria Grazia Messina, Jolanda Nigro Covre, Orietta Rossi Serie Conservazione e Restauro Direttore: Paolo Marconi Comitato di redazione: Francesco Paolo Fiore, Elisabetta Pallottino, Alberto Maria Racheli Abbonamento annuale 2013: Italia + 65,00; Europa + 83,00; Paesi extra-europei + 94,50. Prezzo di un fascicolo: Italia n. singolo + 29,00; n. doppio + 56,50; Europa n. singolo + 36,50; n. doppio + 63,00; Paesi extra-europei n. singolo + 40,00; n. doppio + 69,50. Fascicoli arretrati: Italia n. singolo + 38,50; n. doppio + 63,50; Europa n. singolo + 45,50; n. doppio + 66,00; Paesi extra-europei n. singolo + 46,50; n. doppio + 76,50. Gli abbonamenti si possono sottoscrivere mediante versamento sul ccp 77228005 intestato a Carocci editore S.p.A., corso Vittorio Emanuele II, 229, 00186 Roma, o inviando un assegno bancario non trasferibile intestato a Carocci editore S.p.A., o tramite bonifico bancario sul c/c 000001409096 del Monte dei Paschi di Siena, filiale di Roma cod. 8710, Via Sicilia 203/A, 00187 Roma, IBAN IT92C0103003301000001409096 - SWIFT BIC: PASCITM1Z70. -
Mercati De Traianoi Trajan's Market Museo Dei Fori Imperiali
Mercati de Traianoi Trajan’s Market Museo dei Fori Imperiali Via Quattro (4) Novembre 94, 00187 (Across from Hotel) 9:30 AM – 7:30 PM 13 € Trajan's Market was probably built in 100-110 AD by Apollodorus of Damascus, an architect who always followed Trajan in his adventures and to whom Trajan entrusted the planning of his Forum, and inaugurated in 113 AD. During the Middle Ages the complex was transformed by adding floor levels, still visible today, and defensive elements such as the Torre delle Milizie, the "militia tower" built in 1200. A convent, which was later built in this area, was demolished at the beginning of the twentieth century to restore Trajan's Markets to the city of Rome. Trajan's Market (Latin: Mercatus Traiani, Italian: Mercati di Traiano) is a large complex of ruins in the city of Rome, Italy, located on the Via dei Fori Imperiali, at the opposite end to the Colosseum. The surviving buildings and structures, built as an integral part of Trajan's Forum and nestled against the excavated flank of the Quirinal Hill, present a living model of life in the Roman capital and a glimpse at the restoration in the city, which reveals new treasures and insights about Ancient Roman architecture. Thought to be the world's oldest shopping mall, the arcades in Trajan's Market are now believed by many to be administrative offices for Emperor Trajan. The shops and apartments were built in a multi-level structure and it is still possible to visit several of the levels. -
Modern and Post-Modern Rome in Irish Travel Writing an Overview
English Literature [online] ISSN 2420-823X Vol. 3 – December 2016 [print] ISSN 2385-1635 Modern and Post-Modern Rome in Irish Travel Writing An Overview Donatella Badin (Università degli Studi di Torino, Italia) Abstract Rome, after being an inescapable stopover on the European Grand Tour for centuries, has changed its iconic physiognomy attracting a different public and awakening different emotions. Irish travellers of the past had visited Rome mostly because of its classical associations and religious significance. The palimpsest of antiquity and modernity that Rome is nowadays, instead, offers a glittering surface of globalisation reminiscent of the Celtic Tiger to modern Irish visitors such as Elizabeth Bowen, Colm Tóibín, Sean and Julia O’Faolain. Yet, all four writers in their search for a fixed point that might allow them to grasp the contemporary essence of the city also preserve some remnants of an earlier, colonial approach.1 Keywords Irish Literature. Rome. Bowen. Tóibín. O’Faolain. Much has been written about the presence of Italy in English and American literatures. The Renaissance gave birth to generations of Machiavellian vil- lains; the Gothic novel thrived on representations of a sublime and immoral country; Grand Tour travellers left countless reports about the classical grandeur, the architectural elegance, the natural beauties but also the shortcomings of the peninsula. Much work remains, however, to be done regarding a postcolonial vision of Italy as opposed to a Eurocentric or, at best, a Western view that has favoured the classical, artistic and religious features of the country seen as part of a common cultural legacy. The in- terest of postcolonial writers, instead, tends to focus on modern Italy. -
On the Left of the Loggia of Psyche Is the Room of the Frieze, Round Which Is a Fresco of Mythological Scenes Painted by Baldassarre Peruzzi
On the left of the Loggia of Psyche is the Room of the Frieze, round which is a fresco of mythological scenes painted by Baldassarre Peruzzi. The labours of Hercules, the myth of Orpheus, Mercury with the heifers of Apollo, and the Rape of Europa are particularly remarkable for their wealth of detail. On the right is the Hall of Galathea, which contains Raffaello's famous fresco representing the triumph of the nymph Galathea, on a shell pulled by dolphins. All around there are delicate and idealized landscapes painted by Gaspare Dughet. A light and elegant staircase leads from the entrance hall to the first floor and into the wonderful Salone delle Prospettive designed by Peruzzi. Here the walls seem to open on to shining landscapes, framed by columns, and an amazing sense of reality is achieved. From the windows on the first floor there is a beautiful view of the gardens. A pleasant stroll under the laurel bower leads to a marble plaque which bears the inscription: Quisquis huc accedis: quod tibi horridum videtur mihi amoenum est; si placet, maneas, si taedet abeas, utrumque gratum. [Trad.: Whoever enters here: what seems horrid to you is pleasant to me. If you like it, stay, if it bores you, go away; both are equally pleasing to me. ] Villa Farnesina Via Carlo Poma, 2 www.thekeytorome.it The key to Rome S.r.l. 00195 - Roma info @thekeytorome.it P.Iva e C.F.: 10184631009 phone + 39.334.3202344 Fax + 39.06.36008995 Raffaello, Trionfo di Galatea Via Carlo Poma, 2 www.thekeytorome.it The key to Rome S.r.l.