Recapiti Delle Forze Di Polizia Nel Comune Di Roma
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Michelangelo's Locations
1 3 4 He also adds the central balcony and the pope’s Michelangelo modifies the facades of Palazzo dei The project was completed by Tiberio Calcagni Cupola and Basilica di San Pietro Cappella Sistina Cappella Paolina crest, surmounted by the keys and tiara, on the Conservatori by adding a portico, and Palazzo and Giacomo Della Porta. The brothers Piazza San Pietro Musei Vaticani, Città del Vaticano Musei Vaticani, Città del Vaticano facade. Michelangelo also plans a bridge across Senatorio with a staircase leading straight to the Guido Ascanio and Alessandro Sforza, who the Tiber that connects the Palace with villa Chigi first floor. He then builds Palazzo Nuovo giving commissioned the work, are buried in the two The long lasting works to build Saint Peter’s Basilica The chapel, dedicated to the Assumption, was Few steps from the Sistine Chapel, in the heart of (Farnesina). The work was never completed due a slightly trapezoidal shape to the square and big side niches of the chapel. Its elliptical-shaped as we know it today, started at the beginning of built on the upper floor of a fortified area of the Apostolic Palaces, is the Chapel of Saints Peter to the high costs, only a first part remains, known plans the marble basement in the middle of it, space with its sail vaults and its domes supported the XVI century, at the behest of Julius II, whose Vatican Apostolic Palace, under pope Sixtus and Paul also known as Pauline Chapel, which is as Arco dei Farnesi, along the beautiful Via Giulia. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
A Literary Journey to Rome
A Literary Journey to Rome A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Christina Höfferer All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7328-4 ISBN (13): 978-1-4438-7328-4 CONTENTS When the Signora Bachmann Came: A Roman Reportage ......................... 1 Street Art Feminism: Alice Pasquini Spray Paints the Walls of Rome ....... 7 Eataly: The Temple of Slow-food Close to the Pyramide ......................... 11 24 Hours at Ponte Milvio: The Lovers’ Bridge ......................................... 15 The English in Rome: The Keats-Shelley House at the Spanish Steps ...... 21 An Espresso with the Senator: High-level Politics at Caffè Sant'Eustachio ........................................................................................... 25 Ferragosto: When the Romans Leave Rome ............................................. 29 Myths and Legends, Truth and Fiction: How Secret is the Vatican Archive? ................................................................................................... -
ROMAN ARCHITEXTURE: the IDEA of the MONUMENT in the ROMAN IMAGINATION of the AUGUSTAN AGE by Nicholas James Geller a Dissertatio
ROMAN ARCHITEXTURE: THE IDEA OF THE MONUMENT IN THE ROMAN IMAGINATION OF THE AUGUSTAN AGE by Nicholas James Geller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Associate Professor Basil J. Dufallo, Chair Associate Professor Ruth Rothaus Caston Professor Bruce W. Frier Associate Professor Achim Timmermann ACKNOWLEDGEMENTS This dissertation would not have been possible without the support and encouragement of many people both within and outside of academia. I would first of all like to thank all those on my committee for reading drafts of my work and providing constructive feedback, especially Basil Dufallo and Ruth R. Caston, both of who read my chapters at early stages and pushed me to find what I wanted to say – and say it well. I also cannot thank enough all the graduate students in the Department of Classical Studies at the University of Michigan for their support and friendship over the years, without either of which I would have never made it this far. Marin Turk in Slavic Languages and Literature deserves my gratitude, as well, for reading over drafts of my chapters and providing insightful commentary from a non-classicist perspective. And I of course must thank the Department of Classical Studies and Rackham Graduate School for all the financial support that I have received over the years which gave me time and the peace of mind to develop my ideas and write the dissertation that follows. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………………ii LIST OF ABBREVIATIONS……………………………………………………………………iv ABSTRACT……………………………………………………………………………………....v CHAPTER I. -
Writing Rome
TRAVEL SEMINAR TO ROME JACKIE MURRAY “Writing Rome” (TX201) is a one-credit travel seminar that will introduce students to interdisciplinary perspectives on Rome. “All roads lead to Rome.” This maxim guides our study tour of the Eternal City. In “Writing Rome” students will travel to KAITLIN CURLEY ANDERS, Rome and compare the city constructed in texts with the city constructed of brick, concrete, marble, wood, and metal. This travel seminar will offer tours of the major ancient sites (includ- ing the Fora, the Palatine, the Colosseum, the Pantheon), as well as the Vatican, the major museums, churches and palazzi, Fascist monuments, the Jewish quarter and other locales ripe with the PHOTOS BY: DAN CURLEY, DAN CURLEY, PHOTOS BY: historical and cultural layering that is the city’s hallmark. In addi- OFF-CAMPUS STUDY & EXCHANGES tion, students will keep travel journals and produce a culminat- ing essay (or other written work) about their experiences on the tour, thereby continuing the tradition of writing Rome. WHY ROME? Rome is the Eternal City, a cradle of western culture, and the root of the English word “romance.” Founded on April 21, 753 BCE (or so tradition tells us), the city was the heart of the Roman Republic and the Roman Empire, and today serves as the capitol of Italy. Creative Thought Matters Bustling, dense, layered, and sublime, Rome has withstood tyrants, invasions, disasters, and the ravages of the centuries. The Roman story is the story of civilization itself, with chapters ? written by citizens and foreigners alike. Now you are the author. COURSE SCHEDULE “Reading Rome,” the 3-credit lecture and discussion-based course, will be taught on the Skidmore College campus during the Spring 2011 semester. -
Progetto Per Un Parco Integrato Delle Mura Storiche
ROMA PARCO INTEGRATO DELLE MURA STORICHE Mura Aureliane - Mura da Paolo III a Urbano VIII Esterno delle Mura lungo viale Metronio Mura storiche di Roma 2 Pianta di Roma di Giovanni Battista Nolli - 1748 3 Mura di Roma, Grande Raccordo Anulare e anello ciclabile 4 Piano Regolatore Generale di Roma - 2003/2008 5 Ambiti di programmazione strategica: quadro di unione 1-Tevere 2-Mura 3-Anello ferroviario 1 4-Parco dell’Appia 5-Asse nord-sud 5 2 3 4 6 Pianta di Pietro Visconti (Archeologo) e Carlo Pestrini (Incisore)- 1827 7 Quadro di unione Forma Urbis Romae di Rodolfo Lanciani - 1893/1901 8 Piano Regolatore Generale di Roma - 1883 9 Piano Regolatore Generale di Roma - 1909 10 Piano Regolatore Generale di Roma - 1931 11 Piano Regolatore Generale di Roma - 1961 12 Stralcio Piano Regolatore Generale di Roma - 1961 13 Intersezioni delle Mura con gli assi viari storici e ambiti di progettazione 2 1 - Corso_Flaminia 2 - XX Settembre_Salario 3 - Laterano_Appio 4 - Caracalla_Appia Antica 1 5 - Marmorata_Ostiense 6 - Trastevere_Gianicolo Aurelia antica 6 5 3 4 14 Centralità lungo le Mura storiche 15 Parchi e ambiti di valorizzazione ambientale Villa Borghese Villa Doria Pamphili Parco dell’Appia 16 Ambito di programmazione strategica Mura - Risorse 17 Ambito di programmazione strategica Mura - Obiettivi 18 Progetto «Porte del Tempo» Museo del Sito UNESCO a Porta del Museo dei Bersaglieri Popolo di Porta Pia Museo garibaldino e repubblica Romana a Porta Portese e Porta San Pancrazio Museo delle Mura Museo della resistenza a Porta San a Porta Ostiense Sebastiano 19 Porta del Popolo (Flaminia) 20 Porta San Sebastiano (Appia Antica) 21 Porta San Paolo (Ostiense) 22 Parco lineare integrato 23 Schema direttore generale del progetto urbano delle Mura 24 Parco lineare integrato delle Mura - Progetti realizzati e approvati Responsabili del procedimento: Arch. -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
Extraordinary Jubilee of Mercy 2015-2016
EEXXTTRRAAOORRDDIINNAARRYY JJUUBBIILLEEEE ooff MMEERRCCYY The Extraordinary Jubilee of Mercy 2015-2016 Pope Francis, who is moved by the human, social and cultural issues of our times, wished to give the City of Rome and the Universal Church a special and extraordinary Holy Year of Grace, Mercy and Peace. The “Misericordiae VulTus” Bull of indicTion The Apostolic Exhortation Evangelii Gaudium, which continues to be the programmatic outline for the pontificate of Pope Francis, offers a meaningful expression of the very essence of the Extraordinary Jubilee which was announced on 11 April 2015: “The Church has an endless desire to show mercy, the fruit of its own experience of the power of the Father’s infinite mercy” (EG 24). It is with this desire in mind that we should re-read the Bull of Indiction of the Jubilee, Misericordiae Vultus, in which Pope Fran- cis details the aims of the Holy Year. As we know, the two dates already marked out are 8 December 2015, the Solemnity of the Immaculate Conception, the day of the opening of the Holy Door of St. Peter’s Basilica, and 20 November 2016, the Solemnity of Our Lord Jesus Christ, King of the Universe, which will conclude the Holy Year. Between these two dates a calendar of celebrations will see many different events take place. The Pope wants this Jubilee to be experienced in Rome as well as in local Churches; this brings partic- ular attention to the life of the individual Churches and their needs, so that initiatives are not just additions to the calendar but rather complementary. -
50Th Anniversary Guest Instructions
50th Anniversary Guest Instructions Welcome to the ICCS’s 50th Anniversary Celebration! Below are instructions for your tours and the gala dinner. Please see our staff and volunteers, if you have any questions. Tours Bring hats, water bottles, and sunscreen for all outdoor tours. The reverse side of your name badge lists the tours for which you are registered. Your name badge will serve as your ticket for all tours. We will also have lists of guests for each tour at each site. Check in with the tour leader at each site when you arrive. You may not switch tours. Tours will begin promptly at the times specified below. If you need to leave a tour early, you may do so. If you are on a bus or boat tour, please inform the tour leader before you go. City bus tickets may be purchased at tobacco and newspaper shops. Saturday Tours Below are the meeting times and places for all the Saturday tours: Archaeo-Culinary Tour: 9:00 Meet at the Piazza Testaccio fountain. Children’s Tour of the Capitoline Museums 9:30 Meet at Piazza del Campidoglio near the statue of Marcus Aurelius. Grown-ups Tour of the Sculpture Galleries, Capitoline Museums 9:30 Meet at Piazza del Campidoglio near the statue of Marcus Aurelius. Non-Catholic Cemetery Tour 10:00 Meet at the entrance of the Cemetery on Via Caio Cestio, 6. Near the Pyramid. Pantheon Tour: 10:00 Meet at the corner of Via Pantheon and Via Orfani in P.zza della Rotonda. Villa Doria Pamphili Tour: 9:00 Meet at the Centro. -
SERVIZIO DI RACCOLTA DEL CARTONE VIE COMMERCIALI DA SERVIRE MUNICIPIO 1 N VIE TRATTO 1 Via Nazionale
SERVIZIO DI RACCOLTA DEL CARTONE VIE COMMERCIALI DA SERVIRE MUNICIPIO 1 N VIE TRATTO 1 Via Nazionale 2 Via dei Serpenti 3 Largo Corrado Ricci 4 Via del Boschetto 5 Via Cavour 6 Via Galvani 7 Via Zabaglia 8 Via Luca della Robbia 9 Via Marmorata 10 Viale Aventino 11 Via Dei Cerchi 12 Via di San Teodoro 13 Piazza del Popolo 14 Via del Corso 15 Largo Chigi 16 Via del Tritone 17 Via Vittoria 18 Via della Croce 19 Via delle Carrozze 20 Via dei Condotti 21 Via Borgognona 22 Via Frattina 23 Via della Vite 24 Piazza di Spagna 25 Via del Babuino 26 Via Mario de' Fiori 27 Via di Ripetta 28 Via Tomacelli 29 Via della Fontanella Borghese 30 Piazza S. Lorenzo in Lucina 31 Via di Campo Marzio 32 Via Sistina 33 Piazza Barberini 34 Via Barberini 35 Via Avignonesi 36 Via della Purificazione 37 Via due Macelli 38 Via Francesco Crispi 39 Via Veneto 40 Via Marsala 41 zona Pantheon 42 zona Trevi 43 Piazza Navona 44 corso Vittorio Emanuele II 45 Piazza della Repubblica 46 Via del Viminale 47 Via Torino 48 Piazza dell'Esquilino 49 Via Gioberti 50 Via Turati 51 Via Volturno 52 Via Cola di Rienzo 53 Via della Conciliazione 54 Borgo Pio 55 Via del Mascherino 56 Via di Porta Angelica 57 Via dei Gracchi 58 Via degli Scipioni 59 Viale Germanico 60 Viale Ottaviano 61 Viale Giulio Cesare 62 Via Candia 63 Piazza Testaccio 64 Via Andrea Doria 65 Via Sabotino 66 Viale Giuseppe Mazzini 67 Via Tunisi 68 via Cicerone 69 Piazza Cavour MUNICIPIO 2 N VIE TRATTO 1 VIALE DELLE PROVINCE 2 VIALE IPPOCRATE 3 VIA RAVENNA 4 VIA CATANZARO 5 VIA CATANIA 6 VIALE LIBIA 7 VIALE SOMALIA 8 VIALE ERITREA 9 PIAZZA VESCOVIO 10 PIAZZA SANTA EMERENZIANA 11 VIA TRIPOLI 12 CORSO TRIESTE 13 VIA NEMORENSE 14 VIA CHIANA 15 VIALE PARIOLI 16 VIALE REGINA MARGHERITA DA VIA NOMENTANA A PIAZZA UNGHERIA 17 CORSO D'ITALIA 18 VIA FLAMINIA DA PIAZZALE FLAMINIO A VIALE P. -
Stra D E V Ic Oli Piazze Chie Se O Ra Torj Pub B Lici 1 Sant'andrea E
Type/element Original name English translation Number Rione Strade Vicoli Piazze Chiese Oratorj Pubblici 1 Sant'Andrea e Bernardino dei Rigattieri Junk dealers 70 1 Monti 1 S. Lorenzo in Miranda degli Speziali Pharmacist 81 1 Monti 1 Piazza delle Carrette Carts (produce market) 87 1 Monti 1 Sant'Agata dei Tessitori Fabric weavers 92 1 Monti 1 S. M. del Riscatto degli Acquavitari e Tabaccari Spirit- and Tobacco-sellers 95 1 Monti 1 SS. Martina e Luca de’ Pittori Painters 97 1 Monti 1 Vicolo de’ Carbonari Charcoal-sellers 104 1 Monti 1 Piazza di Macel di Corvi Slaughter house (Butcher) 112 1 Monti 1 Strada delle Carrette Carts (produce market) 142 1 Monti 1 S. M. di Loreto de’ Fornari Italiani Bakers 274 2 Trevi 1 Piazza de' due Macelli Two slaughter houses 369 3 Colonna 1 Strada de’ Sediari Chair makers 414 4 Campomarzo 1 Strada delle Carrozze Coach renters 417 4 Campomarzo 1 SS. Biagio e Cecilia de' Materassari Mattress-makers 450 4 Campomarzo 1 Strada del Macello Slaughter house (Butcher) 458 4 Campomarzo 1 Piazza delle Carrette Carts (produce market) 464 4 Campomarzo 1 S. Gregorio de’ Muratori Masons 495 4 Campomarzo 1 S. Gregorio de’ Muratori Masons 496 4 Campomarzo 1 Vicolo de’ Cimatori Fabric-croppers 554 5 Ponte 1 Strada de’ Coronari Crown/rosary-makers 585 5 Ponte 1 S. Biagio degli Osti Hosts 592 5 Ponte 1 Santa Elisabetta Un. Garzoni Ted. Fornari Baker’s boys 631 6 Parione 1 Strada de’ Chiavari Key-makers 632 6 Parione 1 Santa Barbara de’ Librari Booksellers 634 6 Parione 1 Piazza Pollaroli Poultry-sellers 639 6 Parione 1 Strada de’ Baullari Trunk -makers 640 6 Parione 1 Vicolo de’ Leutari Lute-makers 644 6 Parione 1 Piazza de' Cimatori Fabric croppers 648 6 Parione 1 Vicolo de’ Cartari Paper-makers 658 6 Parione 1 Vicolo de’ Cappellari Hat-makers 685 7 Regola 1 Sant’Eligio degli Orefici Goldsmiths 690 7 Regola 1 S. -
Rome Travel Rome
TRAVEL ROME With a couple of days in hand, where better to round off a Mediterranean cruise vacation than in the Eternal City? VERNE MAREE fuelled up on espresso and this capital’s signature pasta carbonara before tackling some of the world’s most awesome sites. 216 January13 January13 217 TRAVEL Getting Around Vaguely heading for the River Tiber, We were delighted with the location of we passed the residence of the Italian our hotel, Leon’s Place, a convenient five head of state on Quirinal Hill, one of the minutes’ walk from two Metropolitana Seven Hills of Rome, where we admired (metro) stations: Repubblica on the The Horse Tamers, a very large heroic red line and Castro Pretorio on the fourth-century sculpture featuring an blue line; they’re the only two lines, so unheroically small fig leaf. you’ve got the city pretty much covered. After we’d hurled our one-euro coins At the first kiosk we saw, we invested in over the heads of the crowds into the the €30 RomaPass that gives tourists Trevi Fountain, someone told us we unlimited transport on all buses, metros should have thrown them over our and trams, entry to the first two sights shoulders to get the desired outcome: and more. our return to Rome someday. Too late. But here I must be candid. In life, you Next up was the spectacularly showy reach a point where you have more Victor Emmanuel Monument in money than energy. When that happens, Piazza Venezia: weirdly, it seems you you take a cab (€7 to €20) instead of can’t go anywhere in Rome without braving the crowded metro or wasting passing this monstrosity.