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EXTRAORDINARY NIGHts SINCE 500 B.C. MAY EXTRAORDINARY NIGHts SINCE 500 B.C. 27 - 28 - 29 - 30 Last day of Pompei POMPEI POMPEI FESTIVAL AUGUST SEPTEMBER FESTIVAL 4 Tosca 1 Giselle 5 La traviata 2 La Traviata After the great success of the first edition 6 Nabucco 3 Nabucco 7 Carmen Suite 4 Il lago dei Cigni of the Pompei Festival, with the Opera La 8 La Traviata 5 La Traviata Boheme, starring the world-famous tenor 9 Tosca 6 Tosca Vittorio Grigolo, and the ballet Carmen, 11 Giselle 8 Carmen Suite 12 La traviata 9 La Traviata by february 28th and after resonance the event is having on 13 Nabucco 10 Nabucco international televisions, the great Opera is 14 Il lago dei Cigni 11 Giselle 15 La Traviata 12 La Traviata back at Teatro Grande degli Scavi in Pompei 40% 16 Tosca 13 Tosca DISCOUNT NOW ONLINE for a new extraordinary and spectacular 18 Carmen Suite 14 Il lago dei Cigni BUY 19 La Traviata 15 Nabucco summer. www.ticketone.it 20 Nabucco 16 La Traviata In 2015, the Festival is going to present 21 Giselle 17 Tosca three popular operas - La Traviata, Tosca 22 La Traviata 18 Carmen Suite and Nabucco -, three ballets - Giselle, Swan 23 Tosca 19 La Traviata 25 Il lago dei Cigni 20 Nabucco Lake and Carmen Suite - a festival dedicated 26 La Traviata to China - with two Chinese operas, directed 27 Nabucco 28 Carmen Suite by by Zhang Yimou - and the three-act opera 29 La Traviata “The last Day of Pompeii” by Giovanni Pacini. 30 Tosca As in the past season there will be the participation of international stars also flanked by young people starting their careers and participation of great national and foreign orchestras. The art direction is entrusted to Maestro Alberto Veronesi. [email protected] May - August - September 2015 www.pompeifestival.com +39.02.89096651 TEatRO GRANDE DEGLI SCAVI - POMPEI Pompei Festival PROGRAM Last day of Pompei Nabucco Carmen Suite Opera in three acts by Giovanni Pacini Lyric Drama in four parts Ballet Orchestra and Chorus by Giuseppe Verdi music by Georges Bizet Teatro Bellini di Catania Orchestra and Chorus Pompei Opera Ballet di Pompei Opera 27, 28, 29, 30 MAY 6, 13, 20, 27 AUGUST 7, 18, 28 AUGUST 3, 10, 15, 20 SEPTEMBER 8, 18 SEPTEMBER Tosca Opera in three acts by Swan Lake Giselle Giacomo Puccini Ballet Ballet Orchestra and Chorus Pompei Opera music by Pëtr Il’ič Čajkovskij music by Adolphe Charles Adam Ballet Pompei Opera Ballet di Pompei Opera 4, 9, 16, 23, 30 AUGUST 6,13, 17 SEPTEMBER 14, 25 AUGUST 11, 21 AUGUST 4, 14 SEPTEMBER 1, 11 SEPTEMBER La Traviata Opera in three acts by Giuseppe Verdi Orchestra and Chorus Pompei Opera 5, 8, 12, 15, 19, 22, 26, 29 AUGUST 2, 5, 9,12,16,19 SEPTEMBER.

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Pacini, Parody and Il Pirata Alexander Weatherson
“Nell’orror di mie sciagure” Pacini, parody and Il pirata Alexander Weatherson Rivalry takes many often-disconcerting forms. In the closed and highly competitive world of the cartellone it could be bitter, occasionally desperate. Only in the hands of an inveterate tease could it be amusing. Or tragi-comic, which might in fact be a better description. That there was a huge gulf socially between Vincenzo Bellini and Giovanni Pacini is not in any doubt, the latter - in the wake of his highly publicised liaison with Pauline Bonaparte, sister of Napoleon - enjoyed the kind of notoriety that nowadays would earn him the constant attention of the media, he was a high-profile figure and positively reveled in this status. Musically too there was a gulf. On the stage since his sixteenth year he was also an exceptionally experienced composer who had enjoyed collaboration with, and the confidence of, Rossini. No further professional accolade would have been necessary during the early decades of the nineteenth century On 20 November 1826 - his account in his memoirs Le mie memorie artistiche1 is typically convoluted - Giovanni Pacini was escorted around the Conservatorio di S. Pietro a Majella of Naples by Niccolò Zingarelli the day after the resounding success of his Niobe, itself on the anniversary of the prima of his even more triumphant L’ultimo giorno di Pompei, both at the Real Teatro S.Carlo. In the Refettorio degli alunni he encountered Bellini for what seems to have been the first time2 among a crowd of other students who threw bottles and plates in the air in his honour.3 That the meeting between the concittadini did not go well, this enthusiasm notwithstanding, can be taken for granted.
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Pacini with an “A”: Maria, Regina D'inghilterra in Boston
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Downloadable PDF
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/437 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Verdi in Victorian London Massimo Zicari https://www.openbookpublishers.com © 2016 Massimo Zicari This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Massimo Zicari, Verdi in Victorian London. Cambridge, UK: Open Book Publishers, 2016. http://dx.doi.org/10.11647/OBP.0090 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/isbn/9781783742134#copyright Further details about CC BY licenses are available at https://creativecommons.org/ licenses/by/4.0/ All external links were active on 28/6/2016 unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://www.openbookpublishers.com/isbn/9781783742134#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.
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