Doctor Who: in the Blood Free
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Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo. -
Maids and Masters: the Distribution of Power in Doctor Who Series Three
Maids and Masters: The Distribution of Power in Doctor Who Series Three Courtney Stoker is a cisgendered white woman living in the United States. After getting her M.A. in English, she started working as an adjunct instructor to pay for her writing habit. Her research and writing focus on feminism, science fiction and fan studies. She is a bit of an expert on cosplay as a fan practice, particularly femme cosplay in the Doctor Who fan community, and has been interviewed on the subject at io9 and the now- defunct The Sexist. She recently started Doctor Her, a group feminist Doctor Who fan blog (www.doctorher.com). What’s so compelling about the Doctor? Why do so many different kinds of people jump in the TARDIS to travel with him? Is it his boyish SERIES charm, his goodness, his sense of humor? I would argue that for most of the companions in the new series, the most attractive part of the Time Lord is his power. To convince Rose to leave her life for adventure, the ninth Doctor expands on the power he has: “Did I mention that it travels in time?” Later, Martha says to the 3 crowd in the tenement in Last of the Time Lords, “I know what he can do.” That’s her vote of confidence for the Doctor, how she convinces the people of the Doctor’s importance: what he can do, not how good or brave he is. The adventure the Doctor offers his companion is insepara- ble from his power, from his ability to manipulate space and time, from his ability to threaten and fight enemies unimaginably evil and power- ful. -
2016 Topps Doctor Who Extraterrestrial
Base Cards 1 The First Doctor 34 Judoon 67 Dragonfire 2 The Second Doctor 35 The Family of Blood 68 Silver Nemesis 3 The Third Doctor 36 The Adipose 69 Ghost Light 4 The Fourth Doctor 37 Vashta 70 The End of the World 5 The Fifth Doctor 38 Tritovores 71 Aliens of London 6 The Sixth Doctor 39 Prisoner Zero 72 Dalek 7 The Seventh Doctor 40 The Tenza 73 The Parting of the Ways 8 The Eighth Doctor 41 The Silence 74 School Reunion 9 The War Doctor 42 The Wooden King 75 The Impossible Planet 10 The Ninth Doctor 43 The Great Intelligence 76 "42" 11 The Tenth Doctor 44 Ice Warrior Skaldak 77 Utopia 12 The Eleventh Doctor 45 Strax 78 Planet of the Ood 13 The Twelfth Doctor 46 Slitheen 79 The Sontaran Stratagem 14 Susan 47 Zygons 80 The Doctor's Daughter 15 Zoe 48 Sycorax 81 Midnight 16 Sarah Jane 49 The Master 82 Journey's End 17 Ace 50 Missy 83 The Waters of Mars 18 Rose 51 The Daleks 84 Victory of the Daleks 19 Captain Jack 52 The Sensorites 85 The Pandorica Opens 20 Martha 53 The Dalek Invasion of Earth 86 Closing Time 21 Donna 54 Tomb of the Cybermen 87 A Town Called Mercy 22 Amy 55 The Invasion 88 The Power of Three 23 Rory 56 The Claws of Axos 89 The Rings of Akhaten 24 Clara 57 Frontier in Space 90 The Night of the Doctor 25 Osgood 58 The Time Warrior 91 The Time of the Doctor 26 River 59 Death to the Daleks 92 Into the Dalek 27 Davros 60 Pyramids of Mars 93 Time Heist 28 Rassilon 61 The Keeper of Traken 94 In the Forest of the Night 29 The Ood 62 The Five Doctors 95 Before the Flood 30 The Weeping Angels 63 Resurrection of the Daleks 96 -
Doctor Who Assistants
COMPANIONS FIFTY YEARS OF DOCTOR WHO ASSISTANTS An unofficial non-fiction reference book based on the BBC television programme Doctor Who Andy Frankham-Allen CANDY JAR BOOKS . CARDIFF A Chaloner & Russell Company 2013 The right of Andy Frankham-Allen to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Copyright © Andy Frankham-Allen 2013 Additional material: Richard Kelly Editor: Shaun Russell Assistant Editors: Hayley Cox & Justin Chaloner Doctor Who is © British Broadcasting Corporation, 1963, 2013. Published by Candy Jar Books 113-116 Bute Street, Cardiff Bay, CF10 5EQ www.candyjarbooks.co.uk A catalogue record of this book is available from the British Library All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. Dedicated to the memory of... Jacqueline Hill Adrienne Hill Michael Craze Caroline John Elisabeth Sladen Mary Tamm and Nicholas Courtney Companions forever gone, but always remembered. ‘I only take the best.’ The Doctor (The Long Game) Foreword hen I was very young I fell in love with Doctor Who – it Wwas a series that ‘spoke’ to me unlike anything else I had ever seen. -
Doctor Who “Human Nature” “The Family of Blood”
Doctor Who “Human Nature” “The Family of Blood” The Time Lords (sometimes called the Lords of Time) were the rulers of the planet Gallifrey before the last Time War. The Time Lords had one of the oldest and mightiest civilisations in the universe. As the Time Lords, they held absolute power for some ten million years. Gallifrey had two suns and the planet is mainly red. Time Lords had the ability to watch over time of the unverse, see through cause and effect, and promised not to interfere it. It was believed that the Last Great Time War between the Time Lords and the Daleks cause the destruction of both races. Both the Time Lords and the Daleks were all entirely wiped out and the killer was the Doctor. Daleks was a species that had no emotion except hate, and they would slaughter the universe with their superior technologies after they had destroyed Gallifrey, the Doctor had to choose between bad (Gallifrey and the Daleks fall at the same time) and very bad (allow the Daleks slaughter the universe), and he chose the former, ended the Last Great Time War, and became the last of his specie and killer of his own kind. He has traveled in the TARDIS ever since. The Time Lords can cheat death by regenerating their bodies, meaning accelerating the body cells and growing whole new bodies inside out. The memories will stay the same but the personality will be different. Even without regeneration, the Time Lords had a much longer life span than human beings. -
NIGHT 11 MARTHA and JOAN, Held at Gunpoint
INT. DANCE HALL/EXT. DANCE HALL - NIGHT 11 MARTHA and JOAN, held at gunpoint - But hidden away, behind some ONLOOKERS, TIM hears... VOICES ...escape... And spellbound, he opens the watch - PRAC LIGHT - Fast - BAINES is suddenly filled with the scent, intoxicated, lifts his head up (not specifically looking at Tim, more overwhelmed) - BAINES - it's him - ! - fast - JENNY lifts her head, sniffs deep - - fast - the LITTLE GIRL - lifts her head, sniffs deep - - and CLARK too, sniffs, hisses - - in that second, MARTHA grabs hold of Jenny. Twists her round, so that Martha's standing behind Jenny, gripping on to her by her hair, holding the gun, pointing it at Baines - MARTHA All right! One more move and I shoot - - and Tim shuts the watch, fast, shocked - the Family not seeing him, turning to Martha - BAINES Oh, the maid is full of fire! MARTHA And you can shut up - ! She fires the gun - FX: BOLT across the room - Martha aiming into empty space, SMALL PRAC EXPLOSION on the wall where the bolt hits - But it's enough to get the Family's attention. CLARK Be careful, Son of Mine. All of this was done for you, to live forever, don't get yourself hurt. Baines points his gun at Martha & Jenny. BAINES I could shoot you down. MARTHA Try it. We'll die together. BAINES Would you really pull the trigger? You look too scared. MARTHA Yeah, scared, and holding a gun, good combination! D'you want to risk it? And Baines lowers his gun. MARTHA (CONT'D) Doctor, get everyone out, there's a door at the side, over there, go on, do it - Mr Smith, I mean you! SMITH But I don't. -
The Blood Doctor Pdf Free Download
THE BLOOD DOCTOR PDF, EPUB, EBOOK Barbara Vine | 369 pages | 11 Nov 2003 | Pan MacMillan | 9781400032525 | English | London, United Kingdom The Blood Doctor PDF Book A single copy of these materials may be reprinted for noncommercial personal use only. Whelton PK, et al. The Family eventually tracked him there and landed nearby. Alex Park 44 episodes, Tamlyn Tomita Advertising revenue supports our not-for-profit mission. On hand, the Family of Blood used energy guns that fired green energy that disintegrated humanoid tissue — the weapons apparently consisted of a living creature within a shell that shot the beam when pierced by the trigger. Contents [ show ]. Categories :. Episode List. Pharmacologic treatment of hypertension. Mayo Clinic Marketplace Check out these best-sellers and special offers on books and newsletters from Mayo Clinic. As a barroom fight sends Dr. See also Medication-free hypertension control 6 surprising signs you may have obstructive sleep apnea After a flood, are food and medicines safe to use? Types of blood pressure medications. These medications prevent your brain from sending signals to your nervous system to speed up your heart rate and narrow your blood vessels. The Doctor, in the guise of Mr Smith, is convinced that his parents were called Sydney and Verity, the writer's reference to the programme's original creators Verity Lambert and Sydney Newman. The dawn phenomenon: What can you do? Blood pressure: Is it affected by cold weather? Drug addiction substance use disorder High blood pressure and exercise Fibromuscular dysplasia Free blood pressure machines: Are they accurate? Sometimes additional medication is needed to achieve your blood pressure goal. -
Andrew Cooper (Liverpool Hope Universityi)
Panoptikum nr 11 (18) 2012 Andrew Cooper (Liverpool Hope Universityi) Adapting to Survive: The Cultural Regeneration of Doctor Who Doctor Who is the longest running science fiction television show in history and next year celebrates its 50th anniversary. This essay will explore two key el- ements which can be attributed to the shows survival; its ability to reflect cul- tural demands and its ability to adapt works for television from other mediums. Originally designed to ensure the survival of the show after the lead actor left, regeneration has been a key part of Doctor Who. Not only has the Doctor himself regenerated, now ten times, but his enemies, T.A.R.D.I.S. and the whole design of the show have had to regenerate in order to survive. Each new actor playing the Doctor „inflect the »Doctorish« qualities in significant different ways, providing new possibilities”1 as well as refreshing the audience with different perspectives on one continuing story. The show has had to change to fit modern technology, both involving interactive technology, such as webisodes, as well as up to date special ef- fects. For Doctor Who to remain successful therefore it has to be able to regenerate to its ever changing audience. In 1963 the producers of Doctor Who needed a monster for its second serial, thus on the 21st December 1963 Terry Nation’s Daleks made their first appearance. The Daleks, created only 20 years after the Second World War were based on the Nazis. This is why in 1975’s Genesis of the Daleks the Dalek’s creator Davros draws parallels with Adolf Hitler. -
Scream of the Shalka Sampler
The Black Archive #10 SCREAM OF THE SHALKA SAMPLER By Jon Arnold Published March 2017 by Obverse Books Cover Design © Cody Schell Text © Jon Arnold, 2017 Range Editor: Philip Purser-Hallard Jon would like to thank: Phil Purser-Hallard for asking me back Simon Clark, James Goss, Jonathan Clements, Paul Scoones and Paul Driscoll for their much appreciated assistance Mark Donovan, for the Withnail joke Carolyn and Eddie, for patience Jon Arnold has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. Also available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl by Simon Bucher-Jones The Black Archive #6: Ghost Light by Jonathan Dennis The Black Archive #7: The Mind Robber by Andrew Hickey The Black Archive #8: Black Orchid by Ian Millsted The Black Archive #9: The God CompleX by Paul Driscoll Coming soon The Black Archive #11: The Evil of the Daleks by Simon Guerrier The Black Archive #12: Pyramids of Mars by Kate Orman The Black Archive #13: Human Nature / The Family of Blood by Naomi Jacobs and Philip Purser- Hallard ‘OR ARE YOU JUST THE SAME AS ALL THE OTHER SHEEP?’ ‘Alison Cheney is an everywoman […] someone for you and me to identify with while the Doctor is being mysterious and difficult.’ [Paul Cornell]1 The idea of the everywoman (or everyman) companion became somewhat lost from Doctor Who with the departure of Sarah Jane Smith. -
The Top 10 Doctor Who Episodes BBC America Pole Taken in 2013
The Top 10 Doctor Who Episodes BBC America pole taken in 2013 At the time of the 50th anniversary, there were an incredible 738 individual episodes of Doctor Who, making up a total 239 different stories. Unsurprisingly, then, over those five decades the fandom as a whole has tended to find it difficult to pin down exactly which is the undisputed “best episode.” The show means so many different things to so many different people, that the concept of a favorite episode can vary wildly depending on what a particular viewer actually looks for in the show. As such, while Doctor Who Magazine readers voted “The Caves of Androzani” as their number one story back in 2009, for the superfans polled in 2013 it didn’t even make the top 10. That’s not to say it isn’t highly-regarded—just that the range of choices were so varied that the tiniest margins could bump an episode up or down the list. Indeed, as many as 87 different episodes were nominated somewhere in the top fives of our jury. 10: Inferno (classic Who) This eight part serial is the one time the classic series dabbled with the concept of alternative timelines, in this 1970 Third Doctor story by Don Houghton, it was such a definitive take that it proved difficult to return to this theme. *9: The Empty Child/The Doctor Dances (“Everybody Lives!”) This two part episode holds a special place in the hearts of fans since it allows the ninth Doctor, so damaged by his experiences in the Time War, to actually glow with delight. -
Doctor Who Companion’S Toolkit
FANDOM FORWARD DOCTOR WHO COMPANION’S TOOLKIT 1 Fandom Forward is a project of the Harry Potter Alliance. Founded in 2005, the Harry Potter Alliance is an international non-profit that turns fans into heroes by making activism accessible through the power of story. This toolkit provides resources for fans of Doctor Who to think more deeply about the social issues represented in the story and take action in our own world. Contact us: [email protected] #FandomForward @TheHPAlliance 2 CONTENTS Introduction Facilitator Tips Representation Issue 1: Feminism Talk it Out Take Action Issue 2: Indigenous Rights Talk it Out Take Action Issue 3: War Talk it Out Take Action Resources Thanks 3 INTRODUCTION “Somewhere there’s danger, somewhere there’s injustice, somewhere else, the tea’s getting cold.” The universe is a wonderful, terrifying, ever-expanding adventure. There’s injustice to overcome, people to save, communities to empower, and a lot to learn. Through the Doctor and their companions’ journeys, we learn that no matter the cost it’s important to try our very best to help people because every life is important. And, thanks to the Doctor, we know we can’t help everyone by ourselves. We have to rely on our friends, our communities, and the help of strangers to make the biggest impact. While no journey is ever easy, we hope you’ll take this one with us. In this Companion’s Toolkit, we’ll be talking about feminism, indigenous rights, and the history and effects of war. These topics can be difficult, and solutions to the problems we’re addressing aren’t always clear, but that doesn’t mean we can’t try. -
HUMAN NATURE / the FAMILY of BLOOD Sampler
The Black Archive #13 HUMAN NATURE / THE FAMILY OF BLOOD Sampler By Naomi Jacobs and Philip Purser-Hallard Also Available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl by Simon Bucher-Jones The Black Archive #6: Ghost Light by Jonathan Dennis The Black Archive #7: The Mind Robber by Andrew Hickey The Black Archive #8: Black Orchid by Ian Millsted The Black Archive #9: The God Complex by Paul Driscoll The Black Archive #10: Scream of the Shalka by Jon Arnold The Black Archive #11: The Evil of the Daleks by Simon Guerrier The Black Archive #12: Pyramids of Mars by Kate Orman Coming Soon The Black Archive #14: The Ultimate Foe by James Cooray Smith The Black Archive #15: Carnival of Monsters by Ian Potter The Black Archive #16: The Twin Dilemma by Gordon Ridout The Black Archive #17: Full Circle by John Toon The Black Archive #18: Marco Polo by Dene October The Black Archive #19: The Impossible Planet / The Satan Pit by Simon Bucher-Jones The Black Archive #20: Face the Raven by Sarah Groenewegen The Black Archive #21: Heaven Sent by Kara Dennison The Black Archive #22: Hell Bent by Alyssa Franke The Black Archive #23: The Curse of Fenric by Una McCormack The Black Archive #24: The Time Warrior by Matthew Kilburn The Black Archive #25: Doctor Who (1996) by Paul Driscoll The Black Archive #26: The Dæmons by Matt Barber Published September 2017 by Obverse Books Cover Design © Cody Schell Text © Naomi Jacobs and Philip Purser-Hallard, 2017 Range editor: Philip Purser-Hallard Naomi and Philip would like to thank: Sunday Swift for consultation on Chapter 2, and James Cooray Smith and Stuart Douglas for editing assistance Naomi Jacobs and Philip Purser-Hallard have asserted their right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988.