Native Contributions to the First 100 Years in Celebration of Native American Heritage Month
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Cherokee Ethnogenesis in Southwestern North Carolina
The following chapter is from: The Archaeology of North Carolina: Three Archaeological Symposia Charles R. Ewen – Co-Editor Thomas R. Whyte – Co-Editor R. P. Stephen Davis, Jr. – Co-Editor North Carolina Archaeological Council Publication Number 30 2011 Available online at: http://www.rla.unc.edu/NCAC/Publications/NCAC30/index.html CHEROKEE ETHNOGENESIS IN SOUTHWESTERN NORTH CAROLINA Christopher B. Rodning Dozens of Cherokee towns dotted the river valleys of the Appalachian Summit province in southwestern North Carolina during the eighteenth century (Figure 16-1; Dickens 1967, 1978, 1979; Perdue 1998; Persico 1979; Shumate et al. 2005; Smith 1979). What developments led to the formation of these Cherokee towns? Of course, native people had been living in the Appalachian Summit for thousands of years, through the Paleoindian, Archaic, Woodland, and Mississippi periods (Dickens 1976; Keel 1976; Purrington 1983; Ward and Davis 1999). What are the archaeological correlates of Cherokee culture, when are they visible archaeologically, and what can archaeology contribute to knowledge of the origins and development of Cherokee culture in southwestern North Carolina? Archaeologists, myself included, have often focused on the characteristics of pottery and other artifacts as clues about the development of Cherokee culture, which is a valid approach, but not the only approach (Dickens 1978, 1979, 1986; Hally 1986; Riggs and Rodning 2002; Rodning 2008; Schroedl 1986a; Wilson and Rodning 2002). In this paper (see also Rodning 2009a, 2010a, 2011b), I focus on the development of Cherokee towns and townhouses. Given the significance of towns and town affiliations to Cherokee identity and landscape during the 1700s (Boulware 2011; Chambers 2010; Smith 1979), I suggest that tracing the development of towns and townhouses helps us understand Cherokee ethnogenesis, more generally. -
Friends of the Capitol 2009-June 2010 Report
Friends of the Capitol 2009-June 2010 Report Our Mission Statement: Friends of the Capitol is a tax-exempt 501(c)(3) corporation that is devoted to maintaining and improving the beauty and grandeur of the Oklahoma State Capitol building and showcasing the magnificent gifts of art housed inside. This mission is accomplished through a partnership with private citizens wishing to leave their footprint in our state's rich history. Education and Development In 2009 and 2010 Friends of the Capitol (FOC) participated in several educational and developmental projects informing fellow Oklahomans of the beauty of the capitol and how they can participate in the continuing renovations of Oklahoma State Capitol building. In March of 2010, FOC representatives made a trip to Elk City and met with several organizations within the community and illustrated all the new renovations funded by Friends of the Capitol supporters. Additionally in 2009 FOC participated in the State Superintendent’s encyclo-media conference and in February 2010 FOC participated in the Oklahoma City Public Schools’ Professional Development Day. We had the opportunity to meet with teachers from several different communities in Oklahoma, and we were pleased to inform them about all the new restorations and how their school’s name can be engraved on a 15”x30”paver, and placed below the Capitol’s south steps in the Centennial Memorial Plaza to be admired by many generations of Oklahomans. Gratefully Acknowledging the Friends of the Capitol Board of Directors Board Members Ex-Officio Paul B. Meyer, Col. John Richard Chairman USA (Ret.) MA+ Architecture Oklahoma Department Oklahoma City of Central Services Pat Foster, Vice Chairman Suzanne Tate Jim Thorpe Association Inc. -
The People's Art a Tour of the Permanent Capitol Art Collection
The People’s Art A tour of the Permanent Capitol Art Collection [Read each question carefully and choose the best answer using your notes taken from the DVD presentation and class discussion.] 1. Who was the first woman in American history elected to state office as well as Oklahoma’s first commissioner of charities and corrections? a. Molly Boren b. Kate Barnard c. Linda Cannon 2. What year was the first woman in American history elected to state office in Oklahoma? a. 1907 b. 1780 c. 1997 3. This artist painted The Earth and I are One and has also held public office in Oklahoma. What is his name? a. Will Rogers b. Judge Robert Henry c. Enoch Kelly Haney 4. In the painting The Earth and I are One what is the Indian doing? a. Meditating b. Singing c. Swimming 5. What lesson is taught to Oklahomans in the painting The Earth and I are One? a. Drink more water. b. Meditation is good for your health. c. Take care of the earth. 6. Many symbols of Oklahoma are illustrated in The Earth and I are One. What symbol of the United States is seen in the painting? a. Moon b. Bald Eagle c. Scissor-tale Flycatcher Oklahoma Arts Council • Teaching with Capitol Art 7. The four paintings by Wilson Hurley, including Spring Morning Along the Muddy Boggy, Autumn Woods North of Tahlequah, Sunset at Roman Nose State Park, and A Storm Passing Northwest of Anadarko, illustrate what feature of Oklahoma? a. Tornados b. Mountains c. The four geographic regions 8. -
Senate Members and Their Districts
PART II Senate Members and Their Districts Senate Members and Their Districts 79 Senate Members listed by District Number District Senate Page Number Member Party Number Littlefield, Rick (D) 128 2 Taylor, Stratton (D) 164 3 Rozell, Herb (D) 154 4 Dickerson, Larry (D) 'X) 5 Rabon, Jeff (D) 148 6 Mickel, Billy A. (D) 136 7 Stipe, Gene (D) 162 8 Shurden, Frank (D) 156 9 Robinson, Ben H. (D) 152 10 Harrison, J. Berry (D) 108 11 Homer, Maxine (D) 120 12 Fisher, Ted V. (D) 100 13 Wilkerson, Dick (D) 170 14 Roberts, Darryl F. (D) 150 15 Weedn, Trish (D) 166 16 Hobson, Cal (D) 118 17 Hemy ,Brad (D) 114 18 Easley, Kevin Alan (D) % 19 Milacek, Robert V. (R) 138 Xl Muegge, Paul (D) 144 21 Morgan , Mike (D) 142 22 Gustafson, Bill (R) 104 23 Price, Bruce (D) 146 24 Martin , Carol (R) 134 26 Capps, Gilmer N. (D) 88 29 Dunlap, Jim (R) 94 31 Helton, Sam (D) 110 32 Maddox,Jim (D) 132 33 Williams, Penny (D) 172 34 Campbell, Grover (R) 86 35 Williamson, James (R) 174 37 Long, Lewis (D) 130 38 Kerr, Robert M. (D) 122 ?f) Smith, Jerry L. (R) 158 80 The Almanac of Oklahoma Politics District Senate Page Number Member Party Number 40 Douglass, Brooks (R) 92 41 Snyder, Mark (R) lffi 42 Herbert, Dave (D) 116 43 Brown, Ben (D) 82 44 Leftwich, Keith C. (D) 126 45 Wilcoxson , Kathleen (R) 168 46 Cain, Bernest (D) 84 tfl Fair, Mike (R) 98 48 Monson, Angela (D) 140 49 Laughlin, Owen (R) 124 X) Haney, Enoch Kelly (D) 106 51 Ford, Charles R. -
2013 Trail News
Trail of Tears National Historic Trail Trail News Enthusiastic Groups Attend Preservation Workshops Large groups and enthusiastic properties, to seek help in identifying valuable preservation expertise from participation characterized two recently- previously unknown historic buildings representatives of three State Historic held Trail of Tears National Historic Trail along the trail routes, and to set priorities Preservation Ofces (SHPOs). Mark (NHT) preservation workshops. The among chapter members for actions Christ and Tony Feaster spoke on behalf frst took place in Cleveland, Tennessee, to be taken related toward historic site of the Arkansas Historic Preservation on July 8 and 9, while the second took identifcation and preservation. Program, and Lynda Ozan—who also place on July 12 and 13 in Fayetteville, attended the Fayetteville meeting— Arkansas. More than 80 Trail of Tears To assist association members in represented the Oklahoma SHPO. At Association (TOTA) members and expanding the number of known historic the Cleveland meeting, Peggy Nickell friends attended the workshops, which sites along the trail, the NPS has been represented the Tennessee SHPO. TOTA took place as a result of the combined working for the past year with the Center President Jack Baker, recently elected to eforts of the Trail of Tears Association, for Historic Preservation at Middle the Cherokee Nation’s Tribal Council, the National Park Service (NPS), and Tennessee State University. Two staf played a key leadership role at both Middle Tennessee State University in members from the center, Amy Kostine workshops. Murphreesboro. and Katie Randall, were on hand at both workshops, and each shared information Representatives of both the Choctaw The workshops had several purposes: to on what had been learned about newly- and Chickasaw nations were also in provide information about historic sites discovered trail properties. -
Walking with Jesus Team Name and Pool Your Miles to Reach Your Goal
A photo taken in 1903 of Walking Log Elizabeth “Betsy” Brown Stephens, age 82, a Cherokee who walked Are you walking with a team? Come up with a the Trail of Tears. Walking with Jesus team name and pool your miles to reach your goal. When you’ve completed your “walk” come to the Learn... table at Coffee Hour and receive your prize. 1838 -1839 Can you do all four walks? Why is this called the Trail of Tears? Trail of Tears Date Distance Where Why were the Cherokee forced to leave their homes? Where did they go? How long did it take for them to get there? Who was the President of the United States at this time? In the summer of 1838, U.S. troops arrested approx. 1,000 Cherokees, marched them to Fort Hembree in North Carolina, then on to deportation camps in Tennessee. ... and Ponder 2200 Miles What would it feel like to suddenly have to leave your home without taking anything with you? Take Flat Jesus with you, take photos of Have you or someone you know moved to a brand He has told you, O mortal, what is good; your adventures, and send them to new place? [email protected]! and what does the Lord require of you but Posting your pics on Facebook or What was hard about that? to do justice, and to love kindness, and to Instagram? Tag First Pres by adding Why was the relocation wrong? walk humbly with your God? @FirstPresA2 #FlatJesus. Micah 6:8 “The Trail of Tears,” was painted in 1942 by Robert Lindneux 1838-1839 Trail of Tears to commemorate the suffering of the Cherokee people. -
Cherokee Pottery
Ewf gcQl q<HhJJ Cherokee Pottery a/xW n A~ aGw People of One Fire D u n c a n R i g g s R o d n i n g Y a n t z ISBN: 0-9742818-2-4 Text by:Barbara Duncan, Brett H. Riggs, Christopher B. Rodning and I. Mickel Yantz, Design and Photography, unless noted: I. Mickel Yantz Copyright © 2007 Cherokee National Historical Society, Inc. Cherokee National Historical Society, Inc PO Box 515, Tahlequah, Oklahoma 74465 All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronically or mechanical, including photocopying, recording, or by any information storage system or retrieval system, without written permission from the publisher. Cover: Arkansas Applique’ by Jane Osti, 2005. Cherokee Heritage Center Back Cover: Wa da du ga, Dragonfly by Victoria McKinney, 2007; Courtesy of artist. Right: Fire Pot by Nancy Enkey, 2006; Courtesy of artist. Ewf gcQl q<HhJJ Cherokee Pottery a/xW n A~ aGw People of One Fire Dr. Barbara Duncan, Dr. Brett H. Riggs, Christopher B. Rodning, and I. Mickel Yantz Cherokee Heritage Center Tahlequah, Oklahoma Published by Cherokee Heritage Press 2007 3 Stamped Pot, c. 900-1500AD; Cherokee Heritage Center 2, Cherokee people who have been living in the southeastern portion of North America have had a working relationship with the earth for more than 3000 years. They took clay deposits from the Smokey Mountains and surrounding areas and taught themselves how to shape, decorate, mold and fire this material to be used for utilitarian, ceremonial and decorative uses. -
Ally, the Okla- Homa Story, (University of Oklahoma Press 1978), and Oklahoma: a History of Five Centuries (University of Oklahoma Press 1989)
Oklahoma History 750 The following information was excerpted from the work of Arrell Morgan Gibson, specifically, The Okla- homa Story, (University of Oklahoma Press 1978), and Oklahoma: A History of Five Centuries (University of Oklahoma Press 1989). Oklahoma: A History of the Sooner State (University of Oklahoma Press 1964) by Edwin C. McReynolds was also used, along with Muriel Wright’s A Guide to the Indian Tribes of Oklahoma (University of Oklahoma Press 1951), and Don G. Wyckoff’s Oklahoma Archeology: A 1981 Perspective (Uni- versity of Oklahoma, Archeological Survey 1981). • Additional information was provided by Jenk Jones Jr., Tulsa • David Hampton, Tulsa • Office of Archives and Records, Oklahoma Department of Librar- ies • Oklahoma Historical Society. Guide to Oklahoma Museums by David C. Hunt (University of Oklahoma Press, 1981) was used as a reference. 751 A Brief History of Oklahoma The Prehistoric Age Substantial evidence exists to demonstrate the first people were in Oklahoma approximately 11,000 years ago and more than 550 generations of Native Americans have lived here. More than 10,000 prehistoric sites are recorded for the state, and they are estimated to represent about 10 percent of the actual number, according to archaeologist Don G. Wyckoff. Some of these sites pertain to the lives of Oklahoma’s original settlers—the Wichita and Caddo, and perhaps such relative latecomers as the Kiowa Apache, Osage, Kiowa, and Comanche. All of these sites comprise an invaluable resource for learning about Oklahoma’s remarkable and diverse The Clovis people lived Native American heritage. in Oklahoma at the Given the distribution and ages of studies sites, Okla- homa was widely inhabited during prehistory. -
Trail of Tears: a Lightning Lesson from Teaching with Historic Places
National Park Service Teaching with Historic Places U.S. Department of the Interior Discover the Trail of Tears: A Lightning Lesson from Teaching with Historic Places Discover the Trail of Tears: A Lightning Lesson from Teaching with Historic Places (Tennessee Department of Environment and Conservation, Benjamin Nance, photographer) By the end of the 1830s, the U.S. government forced or coerced an estimated 100,000 American Indians to move from their homelands in the southeast to distant Reservations. These people included members of the Cherokee, Choctaw, Chickasaw, Creek, and Seminole Nations. They traveled many different paths, but share a story. The Trail of Tears today is a cultural and physical landscape that tells that story. It has the power to teach why and how the majority of people from these Nations moved from their homes in parts of North Carolina, Tennessee, Georgia, and Alabama to Indian Territory in present- day Oklahoma. This lesson emphasizes the struggle for Cherokee members to hold on to their land, government, and culture in the face of overwhelming pressure. The Cherokee Nation’s journey occurred between 1838 and 1839. In this lesson, students investigate a complicated story about how indigenous people negotiated through law and culture to preserve their identities. They will analyze pro-relocation and anti- relocation perspectives. The historic Major Ridge House in Georgia and the National Park Service’s Trail of Tears National Historic Trail tell the histories of Cherokee Indian forced relocation. At a time when the Cherokee struggled to keep their nation in the east, a Cherokee leader named Major Ridge supported moving west. -
Teaching with the Guardian by Enoch Kelly Haney
Teaching with The Guardian by Enoch Kelly Haney This document is designed to help teachers present, discuss, and teach about Oklahoma history and art literacy through the use of this work of art. The information and exercises here will aid in understanding and learning from this artwork. Contents: • First Analysis and Criticism • Overview of the Artwork • About the Artist • Dedication Speech by the Artist • Visual Art Details and Symbolism • Suggested Reading • Final Analysis • PASS Objectives Oklahoma Arts Council • Teaching with Capitol Art First Analysis and Criticism The steps below may be used for group discussion or individual written work. Before beginning the steps, take two minutes to study the artwork. Look at all the details and subject matter. After studying the artwork in silence, follow these steps: Describe: Be specific and descriptive. List only the facts about the objects in the painting or sculpture. • What things are in the artwork? • What is happening? • List what you see (people, animals, clothing, environment, objects, etc.). Analyze: • How are the elements of art – line, shape, form, texture, space, and value used? • How are the principles of design – unity, pattern, rhythm, variety, balance, emphasis, and proportion used? Interpretation: Make initial, reasonable inferences. • What do you think is happening in the artwork? • Who is doing what? • What do you think the artist is trying to say to the viewer? Evaluate: Express your opinion. • What do you think about the artwork? • Is it important? • How does it help you understand the past? • Do you like it? Why or why not? Oklahoma Arts Council • Teaching with Capitol Art Overview of the Artwork Enoch Kelly Haney’s colossal statue The Guardian stands prominently atop the Oklahoma State Capitol dome where it was lifted on June 7, 2002. -
These Hills, This Trail: Cherokee Outdoor Historical Drama and The
THESE HILLS, THIS TRAIL: CHEROKEE OUTDOOR HISTORICAL DRAMA AND THE POWER OF CHANGE/CHANGE OF POWER by CHARLES ADRON FARRIS III (Under the Direction of Marla Carlson and Jace Weaver) ABSTRACT This dissertation compares the historical development of the Cherokee Historical Association’s (CHA) Unto These Hills (1950) in Cherokee, North Carolina, and the Cherokee Heritage Center’s (CHC) The Trail of Tears (1968) in Tahlequah, Oklahoma. Unto These Hills and The Trail of Tears were originally commissioned to commemorate the survivability of the Eastern Band of Cherokee Indians (EBCI) and the Cherokee Nation (CN) in light of nineteenth- century Euramerican acts of deracination and transculturation. Kermit Hunter, a white southern American playwright, wrote both dramas to attract tourists to the locations of two of America’s greatest events. Hunter’s scripts are littered, however, with misleading historical narratives that tend to indulge Euramerican jingoistic sympathies rather than commemorate the Cherokees’ survivability. It wasn’t until 2006/1995 that the CHA in North Carolina and the CHC in Oklahoma proactively shelved Hunter’s dramas, replacing them with historically “accurate” and culturally sensitive versions. Since the initial shelving of Hunter’s scripts, Unto These Hills and The Trail of Tears have undergone substantial changes, almost on a yearly basis. Artists have worked to correct the romanticized notions of Cherokee-Euramerican history in the dramas, replacing problematic information with more accurate and culturally specific material. Such modification has been and continues to be a tricky endeavor: the process of improvement has triggered mixed reviews from touristic audiences and from within Cherokee communities themselves. -
Newsletter of the Trail of Tears National Historic Trail Partnership • Spring 2018
Newsletter of the Trail of Tears National Historic Trail Partnership • Spring 2018 – Number 29 Leadership from the Cherokee Nation and the National Trail of Tears Association Sign Memorandum of Understanding Tahlequah, OK Principal Chief Bill John Baker expressed Nation’s Historic Preservation Officer appreciation for the work of the Elizabeth Toombs, whereby the Tribe Association and the dedication of its will be kept apprised of upcoming members who volunteer their time and events and activities happening on talent. or around the routes. The Memo encourages TOTA to engage with The agreement establishes a line for govt. and private entities and routine communications between to be an information source on the Trail of Tears Association and the matters pertaining to Trial resource CHEROKEE NATION PRINCIPAL CHIEF BILL JOHN Cherokee Nation through the Cherokee conservation and protection. BAKER AND THE TRAIL OF TEARS PRESIDENT JACK D. BAKER SIGN A MEMORANDUM OF UNDERSTANDING FORMALIZING THE CONTINUED PARTNERSHIP BETWEEN THE TRAIL OF TEARS ASSOCIATION AND THE CHEROKEE NATION TO PROTECT AND PRESERVE THE ROUTES AS WELL AS EDUCATING THE PUBLIC ABOUT THE HISTORY ASSOCIATED WITH THE TRAIL OF TEARS. Cherokee Nation Principal Chief Bill John Baker and Trail of Tears Association President Jack D. Baker, signed a Memorandum of Understanding on March 1st, continuing a long-time partnership between the association and the tribe. Aaron Mahr, Supt. of the National Trails Intermountain Region, the National Park Service office which oversees the Trail of Tears National Historic Trail said “The Trails Of Tears Association is our primary non-profit volunteer organization on the national historic trail, and the partnership the PICTURED ABOVE: (SEATED FROM L TO R) S.