Thomas Wilson, Tudor Scholar-Statesman Author(S): Albert J

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Thomas Wilson, Tudor Scholar-Statesman Author(s): Albert J. Schmidt Source: Huntington Library Quarterly, May, 1957, Vol. 20, No. 3 (May, 1957), pp. 205- 218

Published by: University of Pennsylvania Press

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NOTES Introduction 1. Ascham, The Scholemaster Or plaine and perfite way of teachying children, to vnderstand, write, and speake, the Latin tong, but specially purposed for the priuate brynging vp of youth in Ientlemen and Noble mens houses . (London, 1570; STC 832), B2r. 2. Ibid., H1r. 3. A few essay- length studies have acknowledged Elizabeth’s learned persona as an important strategy of royal image- making. These studies include Lysbeth Benkert, “Translation as Image- Making: Elizabeth I’s Translation of Boethius’s Consolation of Philosophy,” Early Modern Literary Studies 6.3 (January 2001): 2.1–20. http:/ / / extra.shu.ac.uk/emls/ 06-3/ benkboet.htm; Georgia E. Brown, “Translation and the definition of sovereignty: the case of Elizabeth Tudor,” in Travels and Translations in the Sixteenth Century: Selected Papers from the Second International Conference of the Tudor Symposium (2000), ed. Mike Pincombe, 88–103 (Aldershot: Ashgate, 2004); Jennifer Clement, “The Queen’s Voice: Elizabeth I’s Christian Prayers and Meditations,” Early Modern Literary Studies 13.3 ( January 2008): 1.1–26. http:/ / extra.shu.ac.uk/ emls/ 13-3/ clemquee.htm; Mary Thomas Crane, “ ‘Video et Taceo’: Elizabeth I and the Rhetoric of Counsel,” Studies in English Literature, 1500–1900 28.1 (1988): 1–16; Janet M. Green, “Queen Elizabeth I’s Latin Reply to the Polish Ambassador,” Sixteenth Century Journal 31 (Winter 2000): 987– 1008; Constance Jordan, “States of Blindness: Doubt, Justice, and Constancy in Elizabeth I’s ‘Avec l’aveugler si estrange,’ ” in Reading Monarch’s Writing: The Poetry of Henry VIII, Mary Stuart, Elizabeth I, and James VI/ I, ed.
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‘“To Attract the Attention of that Snobbish Queen”, Dousa's Latin Ode to Elizabeth (1573) in its historical context’ C.L. Heesakkers bron C.L. Heesakkers, ‘“To Attract the Attention of that Snobbish Queen”, Dousa's Latin Ode to Elizabeth (1573) in its historical context.’ In: E.M. Knottenbelt, Marijke Rudnik-Smalbraak (eds.), A Fusion of Horizons. In Dialogue with Dominic Baker-Smith. Z.n., Amsterdam 1998, p. 131-136 Zie voor verantwoording: http://www.dbnl.org/tekst/hees002toat01_01/colofon.php © dbnl 2001 / C.L. Heesakkers 131 ‘To Attract the Attention of that Snobbish Queen’ Dousa's Latin Ode to Elizabeth (1573) in its historical context Chris L. Heesakkers Dominico Britanno suo Almam matrem Amstelodamensem relicturo hoc qualecunque munusculum ad commercia Britannico- Theotiscas spectans necnon et amici communis Joannis Adriani manes commemorans l.m. d.d. Christianus Belgico-Batavus In his second collection of Latin poetry, entitled Nova poemata and published in the spring of 1575, the young Dutch humanist Janus Dousa inserted an Alcaic Ode, D. Elisabethae, Britanniarum Reginae, Principi Opt. Max., ‘To the godly Elisabeth, Queen of England, the best and greatest sovereign’. It is followed by a second ode, Ad Gulielmum Cecillum Borlaei Regulum, regioque apud Anglos aerario Praefectum, cum ei Odam praecedentem mitteret, ‘To William Cecil, Lord Burghlei, High Treasurer in England, when he sent him the preceding Ode’ (Nova poemata [=NP], sign. Gi verso /G iij verso and G iiij verso / G vj recto). The contents of the latter poem leave no doubt that the Odes were written in England, in the vicinity of Cecil's house or office.
Renaissance and Reformation, 1973

artistic function in context: they are stylized disruptions of normal syntax designed to re- flect disturbances internal to the speaker. Vickers' book does have some limitations, chief among them a distressing overdepen- dence on secondary sources at times when he could easily have gone to the original, a fact which his choice of parenthetical documentation can painfully point up. This dependence on things secondhand shows up in his apparently total reliance on translations of the Latin and Italian originals that he does use (though I confess a preference for his use of quota- tions in English to the assumption that every reader is at ease in four languages). In his de- fense it must be said that Vickers seems to conceive of his main task as being that of syn- thesizing the work that modern scholarship has already done, and that as a synthesizer he is a judicious one (see, for example, his attempt to reevaluate and moderate the claims for Ramus and his influence in rhetorical and intellectual history). The book's larger limitations are in thoroughness of treatment and, at times, even in scope of knowledge. These are limitations that Vickers is himself aware of. "I am con- scious that much more needs to be said about rhetoric in the Middle Ages and in the eighteenth century. Perhaps my inadequacies will provoke others to fill the gaps" (p. 11). Some variant of this statement occurs at least a half dozen times in the course of the study, and it gives the book an odd quality, rather that of a work-in-progress, its author appar- ently conceiving of part of his duty as pointing the way for future studies, delineating the gaps and the weaknesses in present scholarship, calling attention to the pitfalls and wrong turns.