Grantee County Amount Current Payments from Cultural

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Grantee County Amount Current Payments from Cultural

Current payments from Cultural Infrastructure and Development Subhead in 2011 Grantee County Amount BOLLYWOOD IRELAND LTD Dublin €2,000 DUBLIN CONTEMPORARY Dublin €100,000 IRISH FILM BOARD Dublin €2,016 IRISH WRITERS CENTRE Dublin €15,000 MUSIC NETWORK Dublin €30,176 NAPD Dublin €30,000 OPERA IRELAND Dublin €170,000 PHOTOIRELAND FESTIVAL Dublin €9,588 THE ARK Dublin €10,000 PREPARATION OF CULTURAL COMPENDIUM International €1,248 EUROPEAN YEAR OF INTERCULTURAL DIALOGUE COSTS International €180 CHARLIE CHAPLIN FESTIVAL Kerry €10,000 CILL RIALAIG Kerry €23,749 TIGH FILI Kerry €7,000 SEAN MCCARTHY FESTIVAL Kerry €300 KERRY COMEDY FESTIVAL Kerry €2,000 SIAMSA TIRE Kerry €500 BUSINESS 2 ARTS National €25,000 INTROART National €19,000 TOTAL: €457,757 Capital payments from Cultural Infrastructure and Development Subhead in 2011 Grantee County Amount Aras Oidhreacht Clare €3,051.38 Sweeney Memorial Library Clare €295,221.39 Cinemax Bantry Cork €48,000.00 Cork Opera House Cork €49,999.92 National Sculpture Factory Cork €88,124.24 CLO Ceardlann Na Gcnoc Donegal €223,000.00 ACCESS Cinema Dublin €140,030.16 Cityarts Dublin €100,000.00 Comhaltas Ceoltoiri Eireann Dublin €705,026.86 Dublin City Council (Artists' Studios project) Dublin €138,953.41 Fishamble Theatre Company Dublin €5,000.00 Focus Theatre Dublin €15,440.51 Gallery Of Photography Dublin €8,504.27 Graphic Studio Gallery Dublin €9,683.69 Irish Film Institute Dublin €26,872.77 Loughlinstown Community Rooms Dublin €11,100.00 Music Network Dublin €50,268.43 Na Piobairi Uilleann Dublin €23,099.49 Pavilion Theatre Dublin €21,726.40 Royal Hibernian Academy Dublin €300,000.00 Sculptors Of Ireland Dublin €149,810.21 Smock Alley Ltd Dublin €1,307,116.89 The Abbey Theatre Dublin €249,962.15 The Gate Theatre Dublin €29,073.61 Cultural Technology Fund Dublin €176,500.00 Ground Zero 360 Dublin €75,000.00 Hugh Lane Gallery Dublin €100,000.00 National Concert Hall Dublin €424,000.00 RDS Book Binding Project Dublin €50,000.00 Druid Theatre Galway €37,226.26 An Diseart Kerry €40,269.35 Cill Rialaig Kerry €62,681.35 Classic Cinema Listowel Kerry €75,000.00 Phoenix Cinema Kerry €74,978.00 Seanchai Kerry €3,745.00 Siamsa Na Carraig Kerry €49,783.95 Tech Amergin Kerry €6,576.19 Arthouse Stradbally Laois €20,000.00 Dunamaise Arts Centre Laois €75,000.00 Belltable Arts Centre Limerick €427,786.71 John's Square Artist Studios Limerick €239,716.19 Limerick City Gallery Of Art Limerick €701,700.35 Hunt Museum Limerick €94,775.19 An Tain Louth €35,503.00 Ballina Arts Centre Mayo €357,895.67 Garage Theatre Monaghan €71,544.82 Technical Assistance National €28,859.43 Church Records / Genealogy National €91,739.81 The Model Home Of Niland Gallery Sligo €214,842.83 Nenagh Community Arts Centre Tipperary €150,293.30 Theatre Royal Waterford €309,403.92 Wexford Arts Centre Wexford €5,746.62 Total: €7,999,633.72.

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(Public Pack)Agenda Document for Monthly Council Meeting, 08/01
To the Lord Mayor and Report No. 01/2018 Members of Dublin City Council FÓGRA FREASTAIL DO CHRUINNIÚ MÍOSÚIL NA COMHAIRLE I SEOMRA NA COMHAIRLE, HALLA NA CATHRACH, CNOC CHORCAÍ, DÉ LUAIN, AR 8 EANÁIR 2018 AG 6.15 I.N. NOTIFICATION TO ATTEND MONTHLY COUNCIL MEETING TO BE HELD IN THE COUNCIL CHAMBER, CITY HALL, DAME STREET, DUBLIN 2., ON MONDAY 8 JANUARY 2018 AT 6.15 PM Do Gach Ball den Chomhairle. A Chara, Iarrtar ort a bheith I láthair ag an Cruinniú Míosúil de Chomhairle Cathrach Bhaile Átha Cliath a thionólfar i Seomra na Comhairle, Halla na Cathrach, Cnoc Chorcaí, ar 8 Eanáir 2018 ag 6.15 i.n. chun an ghnó seo leanas a phlé agus gach is gá i dtaca leis a dhéanamh, nó a chur a dhéanamh, nó a ordú a dhéanamh:- Silent Prayer/Reflection PAGE PART I - INTRODUCTORY 1 Lord Mayor's Business 2 Ceisteanna fé Bhuan Ordú Úimhir 16 5 - 16 3 LETTERS (a) Letter dated 14th December 2017 from Clare County Council - Calling on the 17 - 18 Minister for Agriculture to put a plan in place to help Clare farmers through an imminent fodder crisis next year (b) Letter dated 12th December 2017 from Galway City Council - Calling on the 19 - 20 Department of the Environment re request for the preparation of legislation for the disposal of paint under the Producer Responsibility Initiative PART II - GOVERNANCE ISSUES 4 To confirm the minutes of the Monthly Council Meeting 4th December and the 21 - 88 13th December 2017 5 Report No. 6/2018 of the Head of Finance (K.
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Curated by Michael Dempsey Sara Reisman Introduction
Curated by Michael Dempsey Sara Reisman Introduction SELECT AN ARTIST t Lieven De Boeck Elaine Byrne John Byrne Tony Cokes Chto Delat Dor Guez Lawrence Abu Hamdan Dragana Juriši´c Ari Marcopoulos Raqs Media Collective Dermot Seymour Mark Wallinger “In the year 2000 there was a total of fifteen fortified border walls and fences between sovereign nations. Today, physical barriers at sixty-three borders divide nations across four continents.” — Lawrence Abu Hamdan, 2018 Introduction Historically, borders tend to be the location of international trouble spots. Prior to the global lockdown, there was a utopian vision of open borders, alongside the reality of a populist push towards border fortification. This dichotomy has now been eclipsed by a pandemic that doesn’t respect borders. Politicisation of the pandemic, displacement of people, and contagion, as well as the drive towards an ever-increasing economic globalisation, have created further complex contradictions. The curatorial idea for the exhibition Worlds Without End (WWE) was first conceived a year ago as a research-based collaboration between Sara Reisman, Executive and Artistic Director of the Shelley & Donald Rubin Foundation, New York and Michael Dempsey, Head of Exhibitions, Hugh Lane Gallery, who are the co-curators of WWE. WWE is a visual dialogue on the impact of borders on individuals and communities. The twelve participating artists are drawn from different regional traditions and challenge our perceptions of national identities, envisioning utopian possibilities for understanding the place of borders, their proliferation and seeming obsolescence, in contemporary society. These artists reveal their deep interest in current geo-political positions and social conditions with works that interrogate power structures, positions of privilege and human rights issues.
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Homage to Fra Angelico (1928) Oil on Canvas, 183 X 152.5Cms (72 X 60’’)
38 31 Mainie Jellett (1897-1944) Homage to Fra Angelico (1928) Oil on canvas, 183 x 152.5cms (72 x 60’’) Provenance: From the Collection of Dr. Eileen MacCarvill, Fitzwilliam Square, Dublin Exhibited: Mainie Jellett Exhibition, Dublin Painters Gallery 1928 Irish Exhibition of Living Art, 1944, Cat. No. 91 An Tostal-Irish Painting 1903-1953, The Hugh Lane Municipal Gallery, Dublin 1953 Mainie Jellett Retrospective 1962, Hugh Lane Gallery Cat. No. 38 Irish Art 1900-1950, Cork ROSC 1975, The Crawford Gallery, Cork, 1975, Cat. No. 65 The Irish Renaissance, Pyms Gallery, London, 1986, Cat. No. 39 Mainie Jellett Retrospective 1991/92, Irish Museum of Modern Art Cat. No. 89 The National Gallery of Ireland, New Millennium Wing, Opening Exhibition of 20th Century Irish Paintings, January 2002-December 2003 The Collectors’ Eye, The Model Arts & Niland Gallery, Sligo, January-February 2004, Cat. No. 12; The Hunt Museum, Limerick, March-April 2004 A Celebration of Irish Art & Modernism, The Ava Gallery, Clandeboye, June- September 2011, Cat. No 21 Analysing Cubism Exhibition Irish Museum of Modern Art Feb/May 2013, The Crawford Gallery Cork June / August 2014 and The FE Mc William Museum September/November 2013 Irish Women Artists 1870 - 1970 Summer loan exhibition Adams Dublin July 2014 and The Ava Gallery , Clandeboye Estate August/September Cat. No. 70. Literature: The Irish Statesman, 16th June 1928 Stella Frost, A Tribute to Evie Hone & Mainie Jellett, Dublin 1957, pp19-20 Kenneth McConkey, A Free Spirit-Irish Art 1860-1960, 1990, fig 58 p75 Dr. S.B. Kennedy, Irish Art & Modernism, 1991, p37 Bruce Arnold, Mainie Jellett and the Modern Movement in Ireland, 1991, full page illustration p120 Mainie Jellett, IMMA Cat, No.
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Dorothy Cross Dorothy Cross B
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Doug Dubois [email protected]
Doug DuBois [email protected] EDUCATION: 1988 M.F.A., Photography, San Francisco Art Institute, San Francisco, CA. 1983 B.A., Film and Photography, Hampshire College, Amherst, MA. TEACHING Present Associate Professor, Syracuse University 1997-98 Visiting Associate Professor, Massachusetts College of Art 1989-1997 Associate Professor, New Mexico State University SELECTED SOLO EXHIBITIONS: 2016 Aperture Gallery, New York, NY 2015 Crawford Art Gallery, Cork, Ireland 2014 University Gallery, University of Ulster, Belfast, Northern Ireland 2012 Encontros Da Imagem, Braga, Portugal Sirius Arts Centre, Cobh, Ireland 2009 Higher Pictures, New York, NY 2007 Blue Sky Gallery, Portland, OR 2005 The Center for Photography at Woodstock, Woodstock, NY 2004 Silver Eye Gallery, Pittsburgh, PA Pittsburgh Filmmakers, Pittsburgh, PA 2001 Everson Museum of Art, Syracuse, NY 1998 Columbus Museum of Fine Arts, Columbus, OH 1997 Rhode Island School of Design, Providence, RI 1996 New Langton Arts, San Francisco, CA 1995 Bridge Center for Contemporary Art, El Paso, TX. 1992 Hampshire College, Amherst, MA. 1990 Dartmouth College, Hanover, NH. BCC Fine Arts Gallery, Ft. Lauderdale, FL. 1989 Midtown Y Photography Gallery, New York, NY. 1988 SF Camerawork, San Francisco, CA. 1986 Diego Rivera Gallery, San Francisco, CA. DuBois 2 SELECTED GROUP EXHIBITIONS: 2014 Portrait: Fotografia Inernazionale Roma, Museo D’arte Contemporanea Roma, Rome, Rome Italy Second Sight: The David Kronn Photography Collection, Irish Museum of Art, Dublin, Ireland 2013 On Photography: Culture,
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O'brien Cahirmoyle LIST 64
Leabharlann Naisiúnta na hÉireann National Library of Ireland Collection List No. 64 PAPERS OF THE FAMILY OF O’BRIEN OF CAHIRMOYLE, CO. LIMERICK (MSS 34,271-34,277; 34,295-34,299; 36,694-36,906) (Accession No. 5614) Papers of the descendents of William Smith O’Brien, including papers of the painter Dermod O’Brien and his wife Mabel Compiled by Peter Kenny, 2002-2003 Contents Introduction 7 The family 7 The papers 7 Bibliography 8 I. Land tenure 9 I.1. Altamira, Co. Cork 9 I.2 Ballybeggane 9 I.3. Bawnmore 9 I.4. Cahirmoyle 9 I.5. Clanwilliam (Barony) 11 I.6. Clorane 11 I.7. The Commons, Connello Upper 11 I.8. Connello (Barony) 11 I.9. Coolaleen 11 I.10. Cork City, Co. Cork 11 I.11. Dromloghan 12 I.12. Garrynderk 12 I.13. Glanduff 12 I.14. Graigue 12 I.15. Killagholehane 13 I.16. Kilcoonra 12 I.17. Killonahan 13 I.18. Killoughteen 13 I.19. Kilmurry (Archer) 14 I.20. Kilscannell 15 I.21. Knockroedermot 16 I.22. Ligadoon 16 I.23. Liscarroll, Co. Cork 18 I.24. Liskillen 18 I.25. Loghill 18 I.26. Mount Plummer 19 I.27. Moyge Upper, Co. Cork 19 I.28. Rathgonan 20 2 I.29. Rathnaseer 21 I.30. Rathreagh 22 I.31. Reens 22 I.32 Correspondence etc. relating to property, finance and legal matters 23 II. Family Correspondence 25 II.1. Edward William O’Brien to his sister, Charlotte Grace O’Brien 25 II.2. Edward William O’Brien to his sister, Lucy Josephine Gwynn (d.
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LIT 277 Flyer
LIT 277 IrishLiterature APRIL 12, 2019 - APRIL 20, 2019 Ireland is a nation known for its striking beauty, its political tur- COURSE DESCRIPTION: LIT 277 INTRODUCTION moil, and its long and illustrious literary history. We invite you to TO IRISH LITERATURE join SUNY Broome Professors Mary Donnelly and Andrew Hag- 3 credits gerty for LIT 277: Irish Literature, followed by an eight-day trip A survey of Irish literature in several genres—novels short stories, poetry, to the Emerald Isle! drama, essays, and criticism—from The course itself will be a survey of Irish literature from the Bronze Age (the Táin Bó the pre-Christian era to the present. Cúailnge, or The Cattle Raid at Cooley) to the modern era (the Troubles). Authors Students will read and critically ana- covered will include William Butler Yeats, James Joyce, Edna O’Brien and Brian Friel. lyze the work of major figures, such as Maria Edgeworth, W.B. Yeats, Over Spring Break, we will be leaving for a trip to explore Ireland through the liter- James Joyce, and Seamus Heaney, ary lens. We will be visiting Dublin, Galway, and Sligo to see the locations that and of figures who are less well- inspired the imaginations of our authors. A local travel agency is designing known. Close attention will be paid an exclusive travel package just for the class. to the ways in which Irish literary ELIGIBILITY REQUIREMENT works respond to the pressures of Like all Literature classes, this is a Writing Emphasis course Irish history and culture. A research section. Students must complete paper is required.
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Culture & Heritage
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Charles Harper
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Jack Shainman Gallery
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