Fun Days out Guide to Dublin (In No Particular Order) Options We Regard As Important Or Very Good - We’Ve Coloured in Red!)
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Conservation Plan – Bremore Castle Plean Caomhantas - Caislean Bri-Mor
Conservation Plan – Bremore Castle Plean Caomhantas - Caislean Bri-mor For Fingal County Council Comhairle Contae Fhine Gall CONTENTS EXECUTIVE SUMMARY ..................................................................................... 1 PREFACE ........................................................................................................... 5 OBJECTIVES .......................................................................................................... 5 SUMMARY OF SIGNIFICANCE ......................................................................... 6 SUMMARY OF VULNERABILITIES ................................................................. 7 SUMMARY OF POLICIES ................................................................................... 7 PART I PROCESS AND METHODOLOGY ........................................... 10 1.1 PROCESS ....................................................................................... 11 1.2 SOURCES ....................................................................................... 12 PART II UNDERSTANDING THE MONUMENT – THE RECORD .... 16 2.1 HISTORY AND CHRONOLOGY ............................................... 17 2.2 GENERAL SITE DESCRIPTION OLD AND NEW ................. 39 2.3 THE ARCHAEOLOGICAL RECORD ...................................... 52 2.4 CARTOGRAPHIC SOURCES .................................................... 58 2.5 BUILDINGS DESCRIPTION AND STRUCTURAL CONDITION SURVEY ................................................................ 64 2.6 GEOPHYSICAL SURVEY -
(Public Pack)Agenda Document for Monthly Council Meeting, 08/01
To the Lord Mayor and Report No. 01/2018 Members of Dublin City Council FÓGRA FREASTAIL DO CHRUINNIÚ MÍOSÚIL NA COMHAIRLE I SEOMRA NA COMHAIRLE, HALLA NA CATHRACH, CNOC CHORCAÍ, DÉ LUAIN, AR 8 EANÁIR 2018 AG 6.15 I.N. NOTIFICATION TO ATTEND MONTHLY COUNCIL MEETING TO BE HELD IN THE COUNCIL CHAMBER, CITY HALL, DAME STREET, DUBLIN 2., ON MONDAY 8 JANUARY 2018 AT 6.15 PM Do Gach Ball den Chomhairle. A Chara, Iarrtar ort a bheith I láthair ag an Cruinniú Míosúil de Chomhairle Cathrach Bhaile Átha Cliath a thionólfar i Seomra na Comhairle, Halla na Cathrach, Cnoc Chorcaí, ar 8 Eanáir 2018 ag 6.15 i.n. chun an ghnó seo leanas a phlé agus gach is gá i dtaca leis a dhéanamh, nó a chur a dhéanamh, nó a ordú a dhéanamh:- Silent Prayer/Reflection PAGE PART I - INTRODUCTORY 1 Lord Mayor's Business 2 Ceisteanna fé Bhuan Ordú Úimhir 16 5 - 16 3 LETTERS (a) Letter dated 14th December 2017 from Clare County Council - Calling on the 17 - 18 Minister for Agriculture to put a plan in place to help Clare farmers through an imminent fodder crisis next year (b) Letter dated 12th December 2017 from Galway City Council - Calling on the 19 - 20 Department of the Environment re request for the preparation of legislation for the disposal of paint under the Producer Responsibility Initiative PART II - GOVERNANCE ISSUES 4 To confirm the minutes of the Monthly Council Meeting 4th December and the 21 - 88 13th December 2017 5 Report No. 6/2018 of the Head of Finance (K. -
The Story of a House Kevin Casey
The Story of a House Kevin Casey Everything we know about Nathaniel Clements suggests that he was an archetypal Ascendancy man. Eighteenth century Dublin was a good place in which to be young, rich and of the ruling class. The Treaty of Limerick - the event that marked the beginning of the century as definitively as the Act of Union ended it - provided a minority of the population, the Ascendancy, with status, influence and power. Penal Laws, imposed upon Roman Catholics and Dissenters, made it impossible for them to play an active part in Government or to hold an office under the Crown. Deprived of access to education and burdened with rigorous property restrictions, they lived at, or below, subsistence level, alienated from the ruling class and supporting any agitation that held hope of improving their lot. Visitors to the country were appalled by what they saw: "The poverty of the people as I passed through the country has made my heart ache", wrote Mrs. Delaney, the English wife of an Irish Dean. "I never saw greater appearance of misery." Jonathan Swift provided an even more graphic witness: "There is not an acre of land in Ireland turned to half its advantage", he wrote in 1732, "yet it is better improved than the people .... Whoever travels this country and observes the face of nature, or the faces and habits and dwellings of the natives, will hardly think himself in a land where law, religion or common humanity is professed." For someone like Nathaniel Clements, however, the century offered an amalgam of power and pleasure. -
The Garda Gazette
THE OFFICIAL MAGAZINE OF THE GARDA SÍOCHÁNA HISTORICAL SOCIETY THE GARDGAZETTAE Winter 2008 www.policehistory.com Membership Dear Friends and Colleagues, Full Membership is available for those who elcome to the re-launched Garda Gazette. I wish to welcome you back The investigation may be in a position to avail of our annual to the Historical Society and to invite you to attend our lectures and to list of events and attend the Annual visit our Garda Museum in Dublin Castle. Our website General Meeting with entitlement to vote. Wwww.policehistory.com is an excellent resource and one that is Associate Membership is available for constantly updated and improved. Please feel free to contribute to the Garda of an office above persons not in category (a) - many of Historical Society and to contribute your stories, letters and photographs to our Garda whom reside outside Ireland - is offered Gazette. with an entitlement to receive the twice yearly newsletter and events programme. As you already know the Garda Síochána Historical Society was re-launched last suspicion? All applications for membership must be October at the Bedford Tower in Dublin Castle. It was a welcome return for a much- proposed and seconded by an existing loved society which has so much to offer not only our members but the organisation THE THEFT OF THE IRISH CROWN JEWELS member. Written applications will be dealt as a whole. It is with some regret that I say that we are losing so much of our written with by the committee. All who are history with the advance of technology. -
Curated by Michael Dempsey Sara Reisman Introduction
Curated by Michael Dempsey Sara Reisman Introduction SELECT AN ARTIST t Lieven De Boeck Elaine Byrne John Byrne Tony Cokes Chto Delat Dor Guez Lawrence Abu Hamdan Dragana Juriši´c Ari Marcopoulos Raqs Media Collective Dermot Seymour Mark Wallinger “In the year 2000 there was a total of fifteen fortified border walls and fences between sovereign nations. Today, physical barriers at sixty-three borders divide nations across four continents.” — Lawrence Abu Hamdan, 2018 Introduction Historically, borders tend to be the location of international trouble spots. Prior to the global lockdown, there was a utopian vision of open borders, alongside the reality of a populist push towards border fortification. This dichotomy has now been eclipsed by a pandemic that doesn’t respect borders. Politicisation of the pandemic, displacement of people, and contagion, as well as the drive towards an ever-increasing economic globalisation, have created further complex contradictions. The curatorial idea for the exhibition Worlds Without End (WWE) was first conceived a year ago as a research-based collaboration between Sara Reisman, Executive and Artistic Director of the Shelley & Donald Rubin Foundation, New York and Michael Dempsey, Head of Exhibitions, Hugh Lane Gallery, who are the co-curators of WWE. WWE is a visual dialogue on the impact of borders on individuals and communities. The twelve participating artists are drawn from different regional traditions and challenge our perceptions of national identities, envisioning utopian possibilities for understanding the place of borders, their proliferation and seeming obsolescence, in contemporary society. These artists reveal their deep interest in current geo-political positions and social conditions with works that interrogate power structures, positions of privilege and human rights issues. -
Museum Quarter
NAVAN ROAD DRUMCONDRA NEPHIN ROAD DALYMOUNT PARK CLONLIFFE ROAD 14 PHOENIX PARK & JONES ROAD EAST WALL ROAD CROKE GAA DART NORTH CIRCULAR ROAD PARK MUSEUM MUSEUM QUARTER LEINSTER AVE DORSET STREET BELVEDERE RD U RUSSELL ST PP E R G A R D NORTH CIRCULAR ROAD IN E R S NORTH STRAND ROAD STONEY RD T NO VENUE PG MOUNTJOY PORTLAND ROW D MIDDLE GARDINERSQUARE ST A 2 20 O 1 3 Walls Gallery 16 R FREDERICK ST NORTH SUMMERHILL T 2 Áras an Uachtaráin 16 S GRANGE GORMAN LWR GORMAN GRANGE 8 E 3 Brown Bag Films 16 W NORTH GT GEORGES ST 4 Damn Fine Print 16 EAST WALL ROAD LUAS RUTLAND CALEDON CT 5 The Darkroom 17 JAMES JOYCE STREET PARNELL SQ. EAST DART CHURCHST MARY’S ROAD RD 6 Dr Steevens’ Hospital (HSE) 17 16 OXMANTOWN ROAD LOWER GARDINER ST MORNING STAR AVE SEAN MACDERMOTT ST DORSET STREET PARNELL STREET SEVILLE PLACE 7 The elbowroom 17 PARNELL SQ. WEST HALLIDAY RD 13 PARNELL HENRIETTA ST MARLBOROUGH ST MANOR STREET 19 GRANGE GORMAN LWR SQUARE 8 Grangegorman Development 17 T DOMINICK ST LWR S 1 Agency CONNOLLY H C PROVOST ROW STATION KILLAN RD 9 The Greek Orthodox Community of 18 R FOLEY ST EAST ROAD U K LUAS H IN Ireland 7 G C ’S MANOR PLACE I MORNING STAR AVE STAR MORNING N INFIRMARY ROAD BOLTON ST N 10 IMMA (Irish Museum of Modern Art) 18 S CATHEDRAL ST S 4 5 T 14 O’CONNELL ST UPPER SHERRIF ST 11 Irish Railway Record Society (IRRS) 18 CHESTERFIELD AVENUE CAVALRY ROW BRUNSWICK ST. -
Sustainable Management of Tourist Attractions in Ireland: the Development of a Generic Sustainable Management Checklist
SUSTAINABLE MANAGEMENT OF TOURIST ATTRACTIONS IN IRELAND: THE DEVELOPMENT OF A GENERIC SUSTAINABLE MANAGEMENT CHECKLIST By Caroline Gildea Supervised by Dr. James Hanrahan A dissertation submitted to the School of Business and Humanities, Institute of Technology, Sligo in fulfilment of the requirements of a Master of Arts (Research) June 2012 1 Declaration Declaration of ownership: I declare that this thesis is all my own work and that all sources used have been acknowledged. Signed: Date: 2 Abstract This thesis centres on the analysis of the sustainable management of visitor attractions in Ireland and the development of a tool to aid attraction managers to becoming sustainable tourism businesses. Attractions can be the focal point of a destination and it is important that they are sustainably managed to maintain future business. Fáilte Ireland has written an overview of the attractions sector in Ireland and discussed how they would drive best practice in the sector. However, there have still not been any sustainable management guidelines from Fáilte Ireland for tourist attractions in Ireland. The principal aims of this research was to assess tourism attractions in terms of water, energy, waste/recycling, monitoring, training, transportation, biodiversity, social/cultural sustainable management and economic sustainable management. A sustainable management checklist was then developed to aid attraction managers to sustainability within their attractions, thus saving money and the environment. Findings from this research concluded that tourism attractions in Ireland are not sustainably managed and there are no guidelines, training or funding in place to support these attraction managers in the transition to sustainability. Managers of attractions are not aware or knowledgeable enough in the area of sustainability. -
Homage to Fra Angelico (1928) Oil on Canvas, 183 X 152.5Cms (72 X 60’’)
38 31 Mainie Jellett (1897-1944) Homage to Fra Angelico (1928) Oil on canvas, 183 x 152.5cms (72 x 60’’) Provenance: From the Collection of Dr. Eileen MacCarvill, Fitzwilliam Square, Dublin Exhibited: Mainie Jellett Exhibition, Dublin Painters Gallery 1928 Irish Exhibition of Living Art, 1944, Cat. No. 91 An Tostal-Irish Painting 1903-1953, The Hugh Lane Municipal Gallery, Dublin 1953 Mainie Jellett Retrospective 1962, Hugh Lane Gallery Cat. No. 38 Irish Art 1900-1950, Cork ROSC 1975, The Crawford Gallery, Cork, 1975, Cat. No. 65 The Irish Renaissance, Pyms Gallery, London, 1986, Cat. No. 39 Mainie Jellett Retrospective 1991/92, Irish Museum of Modern Art Cat. No. 89 The National Gallery of Ireland, New Millennium Wing, Opening Exhibition of 20th Century Irish Paintings, January 2002-December 2003 The Collectors’ Eye, The Model Arts & Niland Gallery, Sligo, January-February 2004, Cat. No. 12; The Hunt Museum, Limerick, March-April 2004 A Celebration of Irish Art & Modernism, The Ava Gallery, Clandeboye, June- September 2011, Cat. No 21 Analysing Cubism Exhibition Irish Museum of Modern Art Feb/May 2013, The Crawford Gallery Cork June / August 2014 and The FE Mc William Museum September/November 2013 Irish Women Artists 1870 - 1970 Summer loan exhibition Adams Dublin July 2014 and The Ava Gallery , Clandeboye Estate August/September Cat. No. 70. Literature: The Irish Statesman, 16th June 1928 Stella Frost, A Tribute to Evie Hone & Mainie Jellett, Dublin 1957, pp19-20 Kenneth McConkey, A Free Spirit-Irish Art 1860-1960, 1990, fig 58 p75 Dr. S.B. Kennedy, Irish Art & Modernism, 1991, p37 Bruce Arnold, Mainie Jellett and the Modern Movement in Ireland, 1991, full page illustration p120 Mainie Jellett, IMMA Cat, No. -
An Garda Síochána: Culture, Challenges, and Change
An Garda Síochána: Culture, challenges, and change This thesis was submitted to the School of Social Work and Social Policy, Trinity College Dublin for the degree of Doctor of Philosophy 2020 Courtney Marsh This thesis was supervised by Professor Eoin O’Sullivan Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the Library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. I consent to the examiner retaining a copy of the thesis beyond the examining period, should they so wish (EU GDPR May 2018). Signed: Courtney Marsh i Summary An Garda Síochána: Culture, challenges, and change is an exploration and understanding of the organisational culture of An Garda Síochána – Ireland’s National Policing Organisation. While the Gardaí – or officers – are often in the news media, there has been very little academic research on who and what this organisation is. On an abstract level, organisational culture provides the framework of the basic rules necessary to function, or survive, in an organisation. Police organisational culture provides an identity to officers that performs this same function. On a more specific scale, internationally, police culture has been understood to consist of masculinity, discrimination, exclusion, suspicion, isolation, solidarity/loyalty, moral and political conservatism, pragmatism, cynicism, aggression, negative views of supervision, selective enforcement of the law, and a prioritisation of the crime fighter role over service oriented role. -
Irish Wildlife Manuals No. 103, the Irish Bat Monitoring Programme
N A T I O N A L P A R K S A N D W I L D L I F E S ERVICE THE IRISH BAT MONITORING PROGRAMME 2015-2017 Tina Aughney, Niamh Roche and Steve Langton I R I S H W I L D L I F E M ANUAL S 103 Front cover, small photographs from top row: Coastal heath, Howth Head, Co. Dublin, Maurice Eakin; Red Squirrel Sciurus vulgaris, Eddie Dunne, NPWS Image Library; Marsh Fritillary Euphydryas aurinia, Brian Nelson; Puffin Fratercula arctica, Mike Brown, NPWS Image Library; Long Range and Upper Lake, Killarney National Park, NPWS Image Library; Limestone pavement, Bricklieve Mountains, Co. Sligo, Andy Bleasdale; Meadow Saffron Colchicum autumnale, Lorcan Scott; Barn Owl Tyto alba, Mike Brown, NPWS Image Library; A deep water fly trap anemone Phelliactis sp., Yvonne Leahy; Violet Crystalwort Riccia huebeneriana, Robert Thompson. Main photograph: Soprano Pipistrelle Pipistrellus pygmaeus, Tina Aughney. The Irish Bat Monitoring Programme 2015-2017 Tina Aughney, Niamh Roche and Steve Langton Keywords: Bats, Monitoring, Indicators, Population trends, Survey methods. Citation: Aughney, T., Roche, N. & Langton, S. (2018) The Irish Bat Monitoring Programme 2015-2017. Irish Wildlife Manuals, No. 103. National Parks and Wildlife Service, Department of Culture Heritage and the Gaeltacht, Ireland The NPWS Project Officer for this report was: Dr Ferdia Marnell; [email protected] Irish Wildlife Manuals Series Editors: David Tierney, Brian Nelson & Áine O Connor ISSN 1393 – 6670 An tSeirbhís Páirceanna Náisiúnta agus Fiadhúlra 2018 National Parks and Wildlife Service 2018 An Roinn Cultúir, Oidhreachta agus Gaeltachta, 90 Sráid an Rí Thuaidh, Margadh na Feirme, Baile Átha Cliath 7, D07N7CV Department of Culture, Heritage and the Gaeltacht, 90 North King Street, Smithfield, Dublin 7, D07 N7CV Contents Contents ................................................................................................................................................................ -
International Visitors Guide University College Dublin
International Visitors Guide University College Dublin 1 International Visitors Guide Table of Contents Orientation ..................................................................................... 3 Practical Information ..................................................................... 4 Visas ............................................................................................. 4 Language ..................................................................................... 5 Weather ....................................................................................... 5 Currrency ..................................................................................... 5 Tipping (Gratuity) .......................................................................... 5 Emergencies ................................................................................. 5 Transport in Dublin ........................................................................ 6 Transport Apps .............................................................................. 6 Additional Information about UCD .................................................... 6 Arriving in Dublin ........................................................................... 7 Arriving by Plane ............................................................................ 7 Arriving by Train ............................................................................ 7 Traveling to UCD ............................................................................. 8 By Aircoach................................................................................... -
Hugh Lane Gallery Update Report
Report to Arts, Culture, Leisure and Recreation SPC 29th June 2020 Item No. 8 HUGH LANE GALLERY Online Programmes and Social Media Engagement In response to the Covid 19 Pandemic and the restrictions that have been put in place, the Hugh Lane Gallery has created a series of new and highly dynamic online programmes which are updated weekly. The response has been excellent with our line audience growing exponentially. Our Twitter engagements reached 282k by the end of May. We aim to reach 10,000 followers on Instagram by mid-July and our Facebook followers are growing steadily. Our first online Sunday@Noon concert took place on the 31st March with over 3,000 people + listening through Facebook. All of the gallery’s programmes can be accessed through our website and on Hugh Lane Gallery YouTube channel and Hugh Lane Gallery Soundcloud. Our programmes are a mixture of talks, mini podcasts, sketching and drawing classes, Artists Takeover, Curators Choice, # museumfromhome and # Flashback Fridays (see www.hughlane.ie). The Gallery Newsletter goes out weekly via email and I hope every Councillor is receiving it. We currently have a subscription of over 3,600.and we have approximately 1200 active readers. According the Constant Contact’s statistics page, the 30% open rate is 18% higher than the Industry Average which is normally 12%. INSTAGRAM FOLLOWER GROWTH 10000 9000 8000 7000 6000 5000 4000 3000 2000 1000 0 JANUARY FEBRUARY MARCH APRIL MAY Currently at 9264, we project to hit 10,000 followers by mid-July FACEBOOK REACH 50000 45000 40000 35000 30000 25000 20000 15000 10000 5000 0 JANUARY FEBRUARY MARCH APRIL Facebook Reach Facebook Reach is the number of unique people viewing our content through following, sharing or liking our content.