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(Public Pack)Agenda Document for Monthly Council Meeting, 08/01
To the Lord Mayor and Report No. 01/2018 Members of Dublin City Council FÓGRA FREASTAIL DO CHRUINNIÚ MÍOSÚIL NA COMHAIRLE I SEOMRA NA COMHAIRLE, HALLA NA CATHRACH, CNOC CHORCAÍ, DÉ LUAIN, AR 8 EANÁIR 2018 AG 6.15 I.N. NOTIFICATION TO ATTEND MONTHLY COUNCIL MEETING TO BE HELD IN THE COUNCIL CHAMBER, CITY HALL, DAME STREET, DUBLIN 2., ON MONDAY 8 JANUARY 2018 AT 6.15 PM Do Gach Ball den Chomhairle. A Chara, Iarrtar ort a bheith I láthair ag an Cruinniú Míosúil de Chomhairle Cathrach Bhaile Átha Cliath a thionólfar i Seomra na Comhairle, Halla na Cathrach, Cnoc Chorcaí, ar 8 Eanáir 2018 ag 6.15 i.n. chun an ghnó seo leanas a phlé agus gach is gá i dtaca leis a dhéanamh, nó a chur a dhéanamh, nó a ordú a dhéanamh:- Silent Prayer/Reflection PAGE PART I - INTRODUCTORY 1 Lord Mayor's Business 2 Ceisteanna fé Bhuan Ordú Úimhir 16 5 - 16 3 LETTERS (a) Letter dated 14th December 2017 from Clare County Council - Calling on the 17 - 18 Minister for Agriculture to put a plan in place to help Clare farmers through an imminent fodder crisis next year (b) Letter dated 12th December 2017 from Galway City Council - Calling on the 19 - 20 Department of the Environment re request for the preparation of legislation for the disposal of paint under the Producer Responsibility Initiative PART II - GOVERNANCE ISSUES 4 To confirm the minutes of the Monthly Council Meeting 4th December and the 21 - 88 13th December 2017 5 Report No. 6/2018 of the Head of Finance (K. -
Curated by Michael Dempsey Sara Reisman Introduction
Curated by Michael Dempsey Sara Reisman Introduction SELECT AN ARTIST t Lieven De Boeck Elaine Byrne John Byrne Tony Cokes Chto Delat Dor Guez Lawrence Abu Hamdan Dragana Juriši´c Ari Marcopoulos Raqs Media Collective Dermot Seymour Mark Wallinger “In the year 2000 there was a total of fifteen fortified border walls and fences between sovereign nations. Today, physical barriers at sixty-three borders divide nations across four continents.” — Lawrence Abu Hamdan, 2018 Introduction Historically, borders tend to be the location of international trouble spots. Prior to the global lockdown, there was a utopian vision of open borders, alongside the reality of a populist push towards border fortification. This dichotomy has now been eclipsed by a pandemic that doesn’t respect borders. Politicisation of the pandemic, displacement of people, and contagion, as well as the drive towards an ever-increasing economic globalisation, have created further complex contradictions. The curatorial idea for the exhibition Worlds Without End (WWE) was first conceived a year ago as a research-based collaboration between Sara Reisman, Executive and Artistic Director of the Shelley & Donald Rubin Foundation, New York and Michael Dempsey, Head of Exhibitions, Hugh Lane Gallery, who are the co-curators of WWE. WWE is a visual dialogue on the impact of borders on individuals and communities. The twelve participating artists are drawn from different regional traditions and challenge our perceptions of national identities, envisioning utopian possibilities for understanding the place of borders, their proliferation and seeming obsolescence, in contemporary society. These artists reveal their deep interest in current geo-political positions and social conditions with works that interrogate power structures, positions of privilege and human rights issues. -
Homage to Fra Angelico (1928) Oil on Canvas, 183 X 152.5Cms (72 X 60’’)
38 31 Mainie Jellett (1897-1944) Homage to Fra Angelico (1928) Oil on canvas, 183 x 152.5cms (72 x 60’’) Provenance: From the Collection of Dr. Eileen MacCarvill, Fitzwilliam Square, Dublin Exhibited: Mainie Jellett Exhibition, Dublin Painters Gallery 1928 Irish Exhibition of Living Art, 1944, Cat. No. 91 An Tostal-Irish Painting 1903-1953, The Hugh Lane Municipal Gallery, Dublin 1953 Mainie Jellett Retrospective 1962, Hugh Lane Gallery Cat. No. 38 Irish Art 1900-1950, Cork ROSC 1975, The Crawford Gallery, Cork, 1975, Cat. No. 65 The Irish Renaissance, Pyms Gallery, London, 1986, Cat. No. 39 Mainie Jellett Retrospective 1991/92, Irish Museum of Modern Art Cat. No. 89 The National Gallery of Ireland, New Millennium Wing, Opening Exhibition of 20th Century Irish Paintings, January 2002-December 2003 The Collectors’ Eye, The Model Arts & Niland Gallery, Sligo, January-February 2004, Cat. No. 12; The Hunt Museum, Limerick, March-April 2004 A Celebration of Irish Art & Modernism, The Ava Gallery, Clandeboye, June- September 2011, Cat. No 21 Analysing Cubism Exhibition Irish Museum of Modern Art Feb/May 2013, The Crawford Gallery Cork June / August 2014 and The FE Mc William Museum September/November 2013 Irish Women Artists 1870 - 1970 Summer loan exhibition Adams Dublin July 2014 and The Ava Gallery , Clandeboye Estate August/September Cat. No. 70. Literature: The Irish Statesman, 16th June 1928 Stella Frost, A Tribute to Evie Hone & Mainie Jellett, Dublin 1957, pp19-20 Kenneth McConkey, A Free Spirit-Irish Art 1860-1960, 1990, fig 58 p75 Dr. S.B. Kennedy, Irish Art & Modernism, 1991, p37 Bruce Arnold, Mainie Jellett and the Modern Movement in Ireland, 1991, full page illustration p120 Mainie Jellett, IMMA Cat, No. -
Hugh Lane Gallery Update Report
Report to Arts, Culture, Leisure and Recreation SPC 29th June 2020 Item No. 8 HUGH LANE GALLERY Online Programmes and Social Media Engagement In response to the Covid 19 Pandemic and the restrictions that have been put in place, the Hugh Lane Gallery has created a series of new and highly dynamic online programmes which are updated weekly. The response has been excellent with our line audience growing exponentially. Our Twitter engagements reached 282k by the end of May. We aim to reach 10,000 followers on Instagram by mid-July and our Facebook followers are growing steadily. Our first online Sunday@Noon concert took place on the 31st March with over 3,000 people + listening through Facebook. All of the gallery’s programmes can be accessed through our website and on Hugh Lane Gallery YouTube channel and Hugh Lane Gallery Soundcloud. Our programmes are a mixture of talks, mini podcasts, sketching and drawing classes, Artists Takeover, Curators Choice, # museumfromhome and # Flashback Fridays (see www.hughlane.ie). The Gallery Newsletter goes out weekly via email and I hope every Councillor is receiving it. We currently have a subscription of over 3,600.and we have approximately 1200 active readers. According the Constant Contact’s statistics page, the 30% open rate is 18% higher than the Industry Average which is normally 12%. INSTAGRAM FOLLOWER GROWTH 10000 9000 8000 7000 6000 5000 4000 3000 2000 1000 0 JANUARY FEBRUARY MARCH APRIL MAY Currently at 9264, we project to hit 10,000 followers by mid-July FACEBOOK REACH 50000 45000 40000 35000 30000 25000 20000 15000 10000 5000 0 JANUARY FEBRUARY MARCH APRIL Facebook Reach Facebook Reach is the number of unique people viewing our content through following, sharing or liking our content. -
Dorothy Cross Dorothy Cross B
Kerlin Gallery Dorothy Cross Dorothy Cross b. 1956, Cork, Ireland Like many of Dorothy Cross’ sculptures, Family (2005) and Right Ball and Left Ball (2007) sees the artist work with found objects, transforming them with characteristic wit and sophistication. Right Ball and Left Ball (2007) presents a pair of deflated footballs, no longer of use, their past buoyancy now anchored in bronze. Emerging from each is a cast of the artist’s hands, index finger extended upwards in a pointed gesture suggesting optimism or aspiration. In Family (2005) we see the artist’s undeniable craft and humour come together. Three spider crabs were found, dead for some time but still together. The intricacies of their form and the oddness of their sideways maneuvres forever cast in bronze. The ‘father’ adorned with an improbable appendage also pointing upwards and away. --- Working in sculpture, film and photography, Dorothy Cross examines the relationship between living beings and the natural world. Living in Connemara, a rural area on Ireland’s west coast, the artist sees the body and nature as sites of constant change, creation and destruction, new and old. This flux emerges as strange and unexpected encounters. Many of Cross’ works incorporate items found on the shore, including animals that die of natural causes. During the 1990s, the artist produced a series of works using cow udders, which drew on the animals' rich store of symbolic associations across cultures to investigate the construction of sexuality Dorothy Cross Right Ball and Left Ball 2007 cast bronze, unique 34 x 20 x 19 cm / 13.4 x 7.9 x 7.5 in 37 x 19 x 17 cm / 14.6 x 7.5 x 6.7 in DC20407A Dorothy Cross Family 2005 cast bronze edition of 2/4 dimensions variable element 1: 38 x 19 x 20 cm / 15 x 7.5 x 7.9 in element 2: 25 x 24 x 13 cm / 9.8 x 9.4 x 5.1 in element 3: 16 x 15 x 13 cm / 6.3 x 5.9 x 5.1 in DC17405-2/4 Dorothy Cross b. -
O'brien Cahirmoyle LIST 64
Leabharlann Naisiúnta na hÉireann National Library of Ireland Collection List No. 64 PAPERS OF THE FAMILY OF O’BRIEN OF CAHIRMOYLE, CO. LIMERICK (MSS 34,271-34,277; 34,295-34,299; 36,694-36,906) (Accession No. 5614) Papers of the descendents of William Smith O’Brien, including papers of the painter Dermod O’Brien and his wife Mabel Compiled by Peter Kenny, 2002-2003 Contents Introduction 7 The family 7 The papers 7 Bibliography 8 I. Land tenure 9 I.1. Altamira, Co. Cork 9 I.2 Ballybeggane 9 I.3. Bawnmore 9 I.4. Cahirmoyle 9 I.5. Clanwilliam (Barony) 11 I.6. Clorane 11 I.7. The Commons, Connello Upper 11 I.8. Connello (Barony) 11 I.9. Coolaleen 11 I.10. Cork City, Co. Cork 11 I.11. Dromloghan 12 I.12. Garrynderk 12 I.13. Glanduff 12 I.14. Graigue 12 I.15. Killagholehane 13 I.16. Kilcoonra 12 I.17. Killonahan 13 I.18. Killoughteen 13 I.19. Kilmurry (Archer) 14 I.20. Kilscannell 15 I.21. Knockroedermot 16 I.22. Ligadoon 16 I.23. Liscarroll, Co. Cork 18 I.24. Liskillen 18 I.25. Loghill 18 I.26. Mount Plummer 19 I.27. Moyge Upper, Co. Cork 19 I.28. Rathgonan 20 2 I.29. Rathnaseer 21 I.30. Rathreagh 22 I.31. Reens 22 I.32 Correspondence etc. relating to property, finance and legal matters 23 II. Family Correspondence 25 II.1. Edward William O’Brien to his sister, Charlotte Grace O’Brien 25 II.2. Edward William O’Brien to his sister, Lucy Josephine Gwynn (d. -
LIT 277 Flyer
LIT 277 IrishLiterature APRIL 12, 2019 - APRIL 20, 2019 Ireland is a nation known for its striking beauty, its political tur- COURSE DESCRIPTION: LIT 277 INTRODUCTION moil, and its long and illustrious literary history. We invite you to TO IRISH LITERATURE join SUNY Broome Professors Mary Donnelly and Andrew Hag- 3 credits gerty for LIT 277: Irish Literature, followed by an eight-day trip A survey of Irish literature in several genres—novels short stories, poetry, to the Emerald Isle! drama, essays, and criticism—from The course itself will be a survey of Irish literature from the Bronze Age (the Táin Bó the pre-Christian era to the present. Cúailnge, or The Cattle Raid at Cooley) to the modern era (the Troubles). Authors Students will read and critically ana- covered will include William Butler Yeats, James Joyce, Edna O’Brien and Brian Friel. lyze the work of major figures, such as Maria Edgeworth, W.B. Yeats, Over Spring Break, we will be leaving for a trip to explore Ireland through the liter- James Joyce, and Seamus Heaney, ary lens. We will be visiting Dublin, Galway, and Sligo to see the locations that and of figures who are less well- inspired the imaginations of our authors. A local travel agency is designing known. Close attention will be paid an exclusive travel package just for the class. to the ways in which Irish literary ELIGIBILITY REQUIREMENT works respond to the pressures of Like all Literature classes, this is a Writing Emphasis course Irish history and culture. A research section. Students must complete paper is required. -
ESB HALO LAUNCH Energy Solutions Page 12
issn no. 0790-7508 The newspaper for Dec 2010 / Jan 2011 www.esb.ie/em ESB HALO LAUNCH EneRGY soluTIons PAGE 12 ESBI wins Chief Executive Christmas Engineers message Ireland CPD neWS, page 03 Company of the Year Award 8ESBI was recently announced winner of the Large Company Category Bring the Light NEWS Award at the Engineers page 09 Ireland CPD Company of the Year Awards 2010 THE AWARD, which was pre- sented to ESBI by the Tánaiste and Minister for Education and Skills, Mary Coughlan TD, rec- ognises ESBI’s work in design- i n g a nd i mple me nt i n g t he P r o je c t Delivery Model (PDM) for large- Women in scale capital projects and the creation of a permanent Project Engineering Management Office (PMO) to ESBI support the ongoing develop- page 21 ment and improvement of the methodology. As part of this process, ESBI undertook an organisation-wide initiative to improve the effi- ciency and effectiveness of the delivery of large-scale capital projects in ESB. The initiative, which was informed by a strate- gic review of major capital projects previously undertaken by ESB, drew extensively on a range of CPD methodologies to instil a sustainable and consist- ent approach to project manage- In this issue ment which will ultimately sup- port the realisation of ESB’s n News ..........................02 strategic objectives and meet n Energy Solutions ..............12 the challenges of a rapidly n ESB Networks Ltd ............16 changing energy sector. n ESB Energy International .....19 A HAPPY AND PEACEFUL CHRISTMAS TO ALL n Health & Habitat -
Cover Letter
Visitors to Top Fee-Charging Visitor Attractions 2015 Name of Attraction County Region 2015 Guinness Storehouse Dublin Dublin 1,498,124 Cliffs of Moher Visitor Experience Clare Shannon 1,251,574 Dublin Zoo Dublin Dublin 1,105,005 National Aquatic Centre Dublin Dublin 991,554 Book of Kells Dublin Dublin 767,996 Tayto Park Meath East & Midlands 750,000 Kylemore Abbey & Garden Galway Ireland West 600,000 St Patrick's Cathedral Dublin Dublin 532,042 Fota Wildlife Park Cork South West 436,386 Blarney Castle Cork South West 400,000 Bunratty Castle & Folk Park Clare Shannon 341,685 Kilmainham Gaol Dublin Dublin 326,635 Rock of Cashel Tipperary South East 300,749 Castletown House & Parklands Kildare East & Midlands 297,691 Kilkenny Castle Kilkenny South East 282,588 Old Jameson Distillery Dublin Dublin 282,056 Powerscourt House & Gardens Wicklow East & Midlands 249,475 Dublin Castle Dublin Dublin 231,178 Christ Church Cathedral Dublin Dublin 195,888 The House of Waterford Crystal Waterford South East 177,000 Glenveagh Castle and Grounds Donegal North West 170,797 Dublinia Dublin Dublin 161,054 Hill of Tara Meath East & Midlands 159,686 Clonmacnoise Offaly East & Midlands 157,660 Brú na Boinne Newgrange Meath East & Midlands 150,125 The National Wax Museum Plus Dublin Dublin 146,212 Westport House Mayo Ireland West 145,000 Phoenix Park Visitor Centre Dublin Dublin 141,582 Foxford Woollen Mills Visitor Centre & Factory Tour Mayo Ireland West 140,000 Aillwee Cave & Burren Birds of Prey Centre Clare Shannon 140,000 Aquadome Kerry South West 137,885 -
Self-Portraiture and Allegory in the Paintings of Seán Keating, 1915–50
Self-Portraiture and Allegory in the Paintings of Seán Keating, 1915–50 by Brandi Shantelle Goddard A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History of Art, Design and Visual Culture Department of Art and Design University of Alberta © Brandi Shantelle Goddard, 2016 Abstract In 1915, Ireland was on the brink of the revolutionary Easter Rising. By 1949, the nation was officially declared a republic, no longer part of the British Commonwealth. These years flank the creation of five paintings by the Irish artist Seán Keating in which the painter has included his own portrait within the various scenes. These paintings, as alle- gorical self-portraits, allow for a diachronic construction of an artistic identity based on the visual figure’s position vis-a-vis the dominant ideology of the period. Keating’s self-portraits transition from violent nationalist in Men of the West through a period of revolutionary disavowal and a flirtation with socialism in An Allegory and Night’s Candles are Burnt Out respectively. Finally, Ulysses in Connemara and Economic Pressure, or a Bold Peasant Be- ing Destroyed exhibit the artist in the role of an emigrant forced to leave Ireland due to lack of economic and social opportunities. Utilizing Louis Althusser’s theory of art and ideology from A Letter on Art in Reply to André Daspre, this thesis argues that Keating’s inclusion of his likeness within these five paintings may be understood as a visual com- mentary on the shifting and tumultuous ideological state of affairs in Ireland during the first half of the twentieth century. -
The Top-30 of Economists in Ireland
Working Paper No. 386 May 2011 Does the housing market reflect cultural heritage? A case study of Greater Dublin Mirko Moro*, Karen Mayor**, Seán Lyons***, Richard S.J. Tol**** Abstract: Does the housing market reflect cultural heritage? We estimate several specifications of a hedonic price equation to establish whether distance to cultural heritage site is capitalised into housing prices in Greater Dublin, Ireland. The results show that distance to the nearest historic building has a significant and robust effect on housing prices. To our knowledge this is the first application of the hedonic price method to cultural heritage. Corresponding Author: [email protected] Keywords: cultural economics, cultural heritage, hedonic price, hedonic regression, non-market valuation * Mirko Moro, Economics Division, University of Stirling, Scotland, Economic and Social Research Institute, Dublin, Ireland,Email: [email protected] ** Karen Mayor, Economic and Social Research Institute, Dublin, Ireland; Department of Economics, Trinity College Dublin, Ireland; Email: [email protected] *** Seán Lyons, Economic and Social Research Institute, Dublin, Ireland; Department of Economics, Trinity College Dublin, Ireland; Email: [email protected] ****Richard S.J. Tol,Economic and Social Research Institute, Dublin, Ireland; Department of Economics, Trinity College Dublin, Ireland;Institute for Environmental Studies and Department of Spatial Economics, Vrije Universiteit, Amsterdam, The Netherlands Acknowledgements We thank Kathryn Graddy, Stephan Heblich, Ian Lange and Chris Timmins for comments. Thanks also to the Scottish Institute for Research in Economics for a research grant (Moro). ESRI working papers represent un-refereed work-in-progress by researchers who are solely responsible for the content and any views expressed therein. -
HI15 Pass Word Template
10 BIRR CASTLE GARDENS 33 GIANT’S CAUSEWAY 56 POWERSCOURT GARDENS AND SCIENCE CENTRE VISITOR EXPERIENCE €2 OFF ADULT GARDEN ADMISSION 10% OFF ADMISSION NOT VALID FOR CASTLE TOURS 34 GLASNEVIN CEMETERY MUSEUM 57 ROS TAPESTRY 11 BLARNEY CASTLE & GARDENS 20% DISCOUNT ON COMBINED MUSEUM & TOUR TICKET 20% OFF ADMISSION 10% DISCOUNT WITH ONE FULL PAYING ADULT 35 THE GUILDHALL 58 RUSSBOROUGH 12 BOYNE VALLEY FREE ADMISSION TWO FOR ONE 13 BUNRATTY CASTLE & FOLK PARK 36 GUINNESS STOREHOUSE 59 SAINT PATRICK’S CATHEDRAL 10% OFF ADMISSION & 10% DISCOUNT ON SHOP 10% OFF ADMISSION €1 OFF ADULT ADMISSION PURCHASES 37 HOUSE OF WATERFORD CRYSTAL 60 SHANNON FERRIES 14 THE BURREN CENTRE & TWO FOR ONE 10% OFF WITH ONLINE BOOKINGS THE KILFENORA CÉILÍ BAND PARLOUR 38 IRISH NATIONAL STUD & GARDENS 61 SKIBBEREEN HERITAGE CENTRE 20% OFF ADMISSION TWO FOR ONE 20% OFF EXHIBITION 15 BUTLERS CHOCOLATE EXPERIENCE 39 THE JACKIE CLARKE COLLECTION 62 SMITHWICK’S EXPERIENCE KILKENNY SPECIAL OFFER Includes free 100g Butlers Chocolate bar FREE ADMISSION 10% OFF ADULT ADMISSION 16 CAHERCONNELL STONE FORT 40 JEANIE JOHNSTON TALL SHIP & 63 STROKESTOWN PARK And Sheep Dog Demonstrations EMIGRANT MUSEUM TWO FOR ONE 10% OFF ADMISSION Adult Admission 20% OFF ADMISSION 64 THOMOND PARK STADIUM 17 CASINO MARINO 41 JOHNNIE FOX’S PUB TWO FOR ONE 18 CASTLETOWN HOUSE 10% DISCOUNT ON HOOLEY NIGHT 65 TITANIC BELFAST 19 CLARE MUSEUM 42 THE KENNEDY HOMESTEAD & 10% OFF ADMISSION FREE ADMISSION EMIGRANT TRAIL 66 TOWER MUSEUM 10% OFF ADMISSION 20 THE CLIFFS OF MOHER TWO FOR ONE 43 2015 VISITOR EXPERIENCE KILBEGGAN DISTILLERY EXPERIENCE 67 TRINITY COLLEGE DUBLIN TWO FOR ONE ON ADULT ADMISSION AND SELF-GUIDED SPECIAL OFFER 10% DISCOUNT IN THE CLIFFS VIEW CAFÉ 10% OFF PURCHASES OF €50 OR MORE IN THE LIBRARY SHOP TOURS ONLY 21 COBH HERITAGE CENTRE 68 TULLAMORE D.E.W.