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(Public Pack)Agenda Document for Monthly Council Meeting, 08/01
To the Lord Mayor and Report No. 01/2018 Members of Dublin City Council FÓGRA FREASTAIL DO CHRUINNIÚ MÍOSÚIL NA COMHAIRLE I SEOMRA NA COMHAIRLE, HALLA NA CATHRACH, CNOC CHORCAÍ, DÉ LUAIN, AR 8 EANÁIR 2018 AG 6.15 I.N. NOTIFICATION TO ATTEND MONTHLY COUNCIL MEETING TO BE HELD IN THE COUNCIL CHAMBER, CITY HALL, DAME STREET, DUBLIN 2., ON MONDAY 8 JANUARY 2018 AT 6.15 PM Do Gach Ball den Chomhairle. A Chara, Iarrtar ort a bheith I láthair ag an Cruinniú Míosúil de Chomhairle Cathrach Bhaile Átha Cliath a thionólfar i Seomra na Comhairle, Halla na Cathrach, Cnoc Chorcaí, ar 8 Eanáir 2018 ag 6.15 i.n. chun an ghnó seo leanas a phlé agus gach is gá i dtaca leis a dhéanamh, nó a chur a dhéanamh, nó a ordú a dhéanamh:- Silent Prayer/Reflection PAGE PART I - INTRODUCTORY 1 Lord Mayor's Business 2 Ceisteanna fé Bhuan Ordú Úimhir 16 5 - 16 3 LETTERS (a) Letter dated 14th December 2017 from Clare County Council - Calling on the 17 - 18 Minister for Agriculture to put a plan in place to help Clare farmers through an imminent fodder crisis next year (b) Letter dated 12th December 2017 from Galway City Council - Calling on the 19 - 20 Department of the Environment re request for the preparation of legislation for the disposal of paint under the Producer Responsibility Initiative PART II - GOVERNANCE ISSUES 4 To confirm the minutes of the Monthly Council Meeting 4th December and the 21 - 88 13th December 2017 5 Report No. 6/2018 of the Head of Finance (K. -
Kerlin Gallery
Kerlin Gallery Elizabeth Magill pink mineral, 2020 oil on canvas 12 x 15.9 in / 12.8 x 16.7 x 2 in framed AVAILABLE $12,500.00 In 2020 Elizabeth Magill spent five months of lockdown on the coast of Ireland, swapping her east London studio for one nestled in the rural landscape which has long featured in her work. The result is a series of paintings, collectively titled 'Her Nature' that explore our physical and psychological relationship to the land. Each painting has its own, very different mood, its own story or mystery such as 'pink mineral,' with its fantastical 'red sky at night,' its title a reference to Rose Quartz, one of many earthly treasures or 'smoulder,' the contained, potential energy of a sleeping volcano. Magill has said of these new works: 'These particular paintings came out of this unusual time. They were my response to nature but are also a kind of lament to the strange times we are living in... perhaps too they are my attempt to suggest a beauty; a beauty created by distance and maybe the passing of time and an acknowledgment to things we can’t fully fathom'. About the Artist: Elizabeth Magill b.1959, Canada. Lives and works in London and County Antrim, Northern Ireland Elizabeth Magill’s recent solo show ‘Headland’ toured to Limerick City Gallery of Art, Limerick, (2017); Ulster Museum, Belfast, (2018); Royal Hibernian Academy, Dublin (2018) and New Art Gallery, Walsall, UK, (2019). Other solo exhibitions include The Hugh Lane, Ireland, (2016); Towner Gallery & Museum, Eastbourne, UK, (2011); Ikon Gallery, Birmingham, travelling to Milton Keynes Gallery, Milton Keynes; BALTIC, Gateshead and Glynn Vivian Gallery, Swansea, (all 2005). -
Focus on Limerick • Limerick City Gallery of Art ______
Focus On Limerick • Limerick City Gallery of Art _________________________________________________________________ 12th November 2008 Announcing Two Major Limerick Group Exhibitions Seeing Georgian Limerick and Presence 08 for the Winter Season. Seeing Georgian Limerick, a beautiful photographic exhibition of Georgian Limerick celebrates the City while Presence 08 celebrates the wealth of Limerick’s artistic talent. _____________________________________________________________________ 1. Exhibition Opening: Seeing Georgian Limerick Kieran CLANCY Sean LYNCH Eamonn O’MAHONY Deirdre POWER 27th Nov – 4th Jan 2009 Limerick City Gallery of Art in association with Limerick Chapter of the Irish Georgian Society is delighted to announce Seeing Georgian Limerick, a jointly commissioned exhibition to commemorate 50 years of the Irish Georgian Society. Four artists Kieran Clancy, Sean Lynch, Eamonn O’Mahony, Deirdre Power have been invited to photograph Georgian Limerick. The historic and commercial centre of Limerick, the Georgian new town is extremely familiar, although many of the buildings are underused and have been allowed to decay. The exhibition celebrates the architectural character and the historic importance of the townscape, which are often not fully recognized. To ask the four artists to photograph what they see in Georgian Limerick was an invitation to reveal what has been hidden by familiarity and neglect; architectural coherence, moments of monumentality. Images can show what is normally unseen; the richness of the interior decoration, the life of the lanes. Taken from oblique perspectives the photographs have the potential to uncover an unfamiliar Georgian Limerick. With the power of photography to focus attention and even to transform the ordinary and taken-for-granted it is hoped that the exhibition will help to define the character and value of Georgian Limerick. -
Curated by Michael Dempsey Sara Reisman Introduction
Curated by Michael Dempsey Sara Reisman Introduction SELECT AN ARTIST t Lieven De Boeck Elaine Byrne John Byrne Tony Cokes Chto Delat Dor Guez Lawrence Abu Hamdan Dragana Juriši´c Ari Marcopoulos Raqs Media Collective Dermot Seymour Mark Wallinger “In the year 2000 there was a total of fifteen fortified border walls and fences between sovereign nations. Today, physical barriers at sixty-three borders divide nations across four continents.” — Lawrence Abu Hamdan, 2018 Introduction Historically, borders tend to be the location of international trouble spots. Prior to the global lockdown, there was a utopian vision of open borders, alongside the reality of a populist push towards border fortification. This dichotomy has now been eclipsed by a pandemic that doesn’t respect borders. Politicisation of the pandemic, displacement of people, and contagion, as well as the drive towards an ever-increasing economic globalisation, have created further complex contradictions. The curatorial idea for the exhibition Worlds Without End (WWE) was first conceived a year ago as a research-based collaboration between Sara Reisman, Executive and Artistic Director of the Shelley & Donald Rubin Foundation, New York and Michael Dempsey, Head of Exhibitions, Hugh Lane Gallery, who are the co-curators of WWE. WWE is a visual dialogue on the impact of borders on individuals and communities. The twelve participating artists are drawn from different regional traditions and challenge our perceptions of national identities, envisioning utopian possibilities for understanding the place of borders, their proliferation and seeming obsolescence, in contemporary society. These artists reveal their deep interest in current geo-political positions and social conditions with works that interrogate power structures, positions of privilege and human rights issues. -
Born in Seoul, Korea, 1946 Lives and Work in Milano, Italy Education MFA
CHUNG EUN-MO Born in Seoul, Korea, 1946 Lives and work in Milano, Italy Education MFA Graduate School of Art and Architecture - Pratt Institute, New York Selected Solo Exhibitions 2020 Bonomo Gallery, Roma 2018 Villa Flor, S-Chanf, CH 2017 1+1+1 Bijoy Jain, George Sowden, Chung Eun Mo, ASSAB ONE, Milano 2016 Fuori Salone with Karimoku Furniture, Milano 2012 Paintings, 46/B, Milano 2011 20 Carpets-Chung Eun Mo/Nathalie Du Pasquier, Post Design, Milano 2010 Opere – Pittura, Murale, Tavoli e Piastre in Ceramica, Fabbrica delle Arti, Napoli 2007 Fenderesky Gallery, Belfast 2006 Space RED, Milano Galleria Miralli, Viterbo 2005 Palazzo di Primavera, Terni Model Arts and Niland Gallery, Sligo 2004 Galway Arts Centre, Galway Kerlin Gallery, Dublin 2003 Gallery IHN, Seoul Galleria Studio G7, Bologna 2002 Gallery IHN, Seoul Art Fair, Seoul Fenderesky Gallery, Belfast 2001 Gallery IHN, Seoul Kerlin Gallery, Dublin 2000 Primo Piano, Roma 1999 Kerlin Gallery, Dublin 1997 Kerlin Gallery, Dublin Galleria Studio G7, Bologna 1996 Primo Piano, Roma Fenderesky Gallery, Belfast 1994 Galleria Studio G7, Bologna Irish Museum of Modern Art, Dublin Wassermann Galerie, Munich Kerlin Gallery, Dublin 1992 Städtische Galerie im Lenbachhaus, Munich 1991 Fenderesky Gallery, Belfast 1990 Primo Piano, Roma Gangurinn / The Corridor, Reykjavik 1982 Pyramid Gallery, Rochester, New York 1981 Soho Center for Visual Arts, New York 1980 Pratt Institute, Brooklyn, New York Selected Group Exhibitions 2020 Monica De Cardenas, Zuoz AIRMAIL 2, Assab One, Milano Drawings, Fenderesky -
Homage to Fra Angelico (1928) Oil on Canvas, 183 X 152.5Cms (72 X 60’’)
38 31 Mainie Jellett (1897-1944) Homage to Fra Angelico (1928) Oil on canvas, 183 x 152.5cms (72 x 60’’) Provenance: From the Collection of Dr. Eileen MacCarvill, Fitzwilliam Square, Dublin Exhibited: Mainie Jellett Exhibition, Dublin Painters Gallery 1928 Irish Exhibition of Living Art, 1944, Cat. No. 91 An Tostal-Irish Painting 1903-1953, The Hugh Lane Municipal Gallery, Dublin 1953 Mainie Jellett Retrospective 1962, Hugh Lane Gallery Cat. No. 38 Irish Art 1900-1950, Cork ROSC 1975, The Crawford Gallery, Cork, 1975, Cat. No. 65 The Irish Renaissance, Pyms Gallery, London, 1986, Cat. No. 39 Mainie Jellett Retrospective 1991/92, Irish Museum of Modern Art Cat. No. 89 The National Gallery of Ireland, New Millennium Wing, Opening Exhibition of 20th Century Irish Paintings, January 2002-December 2003 The Collectors’ Eye, The Model Arts & Niland Gallery, Sligo, January-February 2004, Cat. No. 12; The Hunt Museum, Limerick, March-April 2004 A Celebration of Irish Art & Modernism, The Ava Gallery, Clandeboye, June- September 2011, Cat. No 21 Analysing Cubism Exhibition Irish Museum of Modern Art Feb/May 2013, The Crawford Gallery Cork June / August 2014 and The FE Mc William Museum September/November 2013 Irish Women Artists 1870 - 1970 Summer loan exhibition Adams Dublin July 2014 and The Ava Gallery , Clandeboye Estate August/September Cat. No. 70. Literature: The Irish Statesman, 16th June 1928 Stella Frost, A Tribute to Evie Hone & Mainie Jellett, Dublin 1957, pp19-20 Kenneth McConkey, A Free Spirit-Irish Art 1860-1960, 1990, fig 58 p75 Dr. S.B. Kennedy, Irish Art & Modernism, 1991, p37 Bruce Arnold, Mainie Jellett and the Modern Movement in Ireland, 1991, full page illustration p120 Mainie Jellett, IMMA Cat, No. -
Hugh Lane Gallery Update Report
Report to Arts, Culture, Leisure and Recreation SPC 29th June 2020 Item No. 8 HUGH LANE GALLERY Online Programmes and Social Media Engagement In response to the Covid 19 Pandemic and the restrictions that have been put in place, the Hugh Lane Gallery has created a series of new and highly dynamic online programmes which are updated weekly. The response has been excellent with our line audience growing exponentially. Our Twitter engagements reached 282k by the end of May. We aim to reach 10,000 followers on Instagram by mid-July and our Facebook followers are growing steadily. Our first online Sunday@Noon concert took place on the 31st March with over 3,000 people + listening through Facebook. All of the gallery’s programmes can be accessed through our website and on Hugh Lane Gallery YouTube channel and Hugh Lane Gallery Soundcloud. Our programmes are a mixture of talks, mini podcasts, sketching and drawing classes, Artists Takeover, Curators Choice, # museumfromhome and # Flashback Fridays (see www.hughlane.ie). The Gallery Newsletter goes out weekly via email and I hope every Councillor is receiving it. We currently have a subscription of over 3,600.and we have approximately 1200 active readers. According the Constant Contact’s statistics page, the 30% open rate is 18% higher than the Industry Average which is normally 12%. INSTAGRAM FOLLOWER GROWTH 10000 9000 8000 7000 6000 5000 4000 3000 2000 1000 0 JANUARY FEBRUARY MARCH APRIL MAY Currently at 9264, we project to hit 10,000 followers by mid-July FACEBOOK REACH 50000 45000 40000 35000 30000 25000 20000 15000 10000 5000 0 JANUARY FEBRUARY MARCH APRIL Facebook Reach Facebook Reach is the number of unique people viewing our content through following, sharing or liking our content. -
Marcel Vidal Stuck on Dawn
Kerlin Gallery Marcel Vidal Stuck on dawn Banana VI 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04221 Price: € 8,500 ex vat (if applicable) Banana VII 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04321 Price: € 8,500 ex vat (if applicable) Banana VIII 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04421 Price: € 8,500 ex vat (if applicable) Banana IX 2021 oil on linen 160 x 120 x 2.5 cm / 63 x 47.2 x 1 in MV04521 Price: € 8,500 ex vat (if applicable) Walker I 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04621 Price: € 10,500 ex vat (if applicable) Walker II 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04721 Price: € 10,500 ex vat (if applicable) Walker III 2021 oil on linen 200 x 150 x 2.5 cm / 78.7 x 59.1 x 1 in MV04821 Price: € 10,500 ex vat (if applicable) Green 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03820 Price: € 7,500 ex vat (if applicable) Grey, Yellow 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03720 Price: € 7,500 ex vat (if applicable) Blue, Grey 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03920 Price: € 7,500 ex vat (if applicable) MARCEL VIDAL Stuck on dawn 17 July - August Celebrated for his diverse practice and immersive sculptural installations, Stuck on dawn 'brings together three series of work in Marcel Vidal's first exhibition dedicated exclusively to painting. -
Dorothy Cross Dorothy Cross B
Kerlin Gallery Dorothy Cross Dorothy Cross b. 1956, Cork, Ireland Like many of Dorothy Cross’ sculptures, Family (2005) and Right Ball and Left Ball (2007) sees the artist work with found objects, transforming them with characteristic wit and sophistication. Right Ball and Left Ball (2007) presents a pair of deflated footballs, no longer of use, their past buoyancy now anchored in bronze. Emerging from each is a cast of the artist’s hands, index finger extended upwards in a pointed gesture suggesting optimism or aspiration. In Family (2005) we see the artist’s undeniable craft and humour come together. Three spider crabs were found, dead for some time but still together. The intricacies of their form and the oddness of their sideways maneuvres forever cast in bronze. The ‘father’ adorned with an improbable appendage also pointing upwards and away. --- Working in sculpture, film and photography, Dorothy Cross examines the relationship between living beings and the natural world. Living in Connemara, a rural area on Ireland’s west coast, the artist sees the body and nature as sites of constant change, creation and destruction, new and old. This flux emerges as strange and unexpected encounters. Many of Cross’ works incorporate items found on the shore, including animals that die of natural causes. During the 1990s, the artist produced a series of works using cow udders, which drew on the animals' rich store of symbolic associations across cultures to investigate the construction of sexuality Dorothy Cross Right Ball and Left Ball 2007 cast bronze, unique 34 x 20 x 19 cm / 13.4 x 7.9 x 7.5 in 37 x 19 x 17 cm / 14.6 x 7.5 x 6.7 in DC20407A Dorothy Cross Family 2005 cast bronze edition of 2/4 dimensions variable element 1: 38 x 19 x 20 cm / 15 x 7.5 x 7.9 in element 2: 25 x 24 x 13 cm / 9.8 x 9.4 x 5.1 in element 3: 16 x 15 x 13 cm / 6.3 x 5.9 x 5.1 in DC17405-2/4 Dorothy Cross b. -
NEWS RELEASE for Immediate Release for Further Information New York : David O’Sullivan: Tel: (212) 867 6268 Dublin : Roddy Feely: Tel: (01) 667 4040
A Business Organization NEWS RELEASE For Immediate Release For Further Information New York : David O’Sullivan: Tel: (212) 867 6268 Dublin : Roddy Feely: Tel: (01) 667 4040 The Ireland-U.S. Council ’s 2019 Award For Outstanding Portraiture To Be Presented To Belfast Artist Gareth Reid Prudential Financial’s Sponsorship Supports This Important Arts Program May 20, 2019, New York, NY: Belfast artist Gareth Reid is the winner of this year’s Award for Outstanding Portraiture , sponsored by the Ireland-U.S. Council in conjunction with the Irish Arts Review and in association with the Royal Hibernian Academy (RHA) . The Award is presented in Ireland to an artist whose submission is judged to be of outstanding merit. The Award is an important part of the Council’s program to support the arts and arts education in Ireland. The winning painting is a portrait entitled “Girl in a Red Room” and was chosen from all exhibits at the Royal Hibernian Academy’s 189th Annual Exhibition, opening in Dublin today. At the prize-giving ceremony at the RHA yesterday, Mr. Reid was presented with the Ireland- U.S. Council ’s €5,000 award bursary. A formal presentation of the Awards Ceremony citation will be made by Council Ireland Chapter President Dr. Michael Somers at the Council’s Midsummer Gala Dinner on Friday, June 28, 2019 at a dinner in Dublin Castle. Born in Belfast, Gareth Reid studied at the University of Ulster , the Glasgow School of Art and the Florence Academy of Art in Italy. He now lives and works in Glasgow. -
O'brien Cahirmoyle LIST 64
Leabharlann Naisiúnta na hÉireann National Library of Ireland Collection List No. 64 PAPERS OF THE FAMILY OF O’BRIEN OF CAHIRMOYLE, CO. LIMERICK (MSS 34,271-34,277; 34,295-34,299; 36,694-36,906) (Accession No. 5614) Papers of the descendents of William Smith O’Brien, including papers of the painter Dermod O’Brien and his wife Mabel Compiled by Peter Kenny, 2002-2003 Contents Introduction 7 The family 7 The papers 7 Bibliography 8 I. Land tenure 9 I.1. Altamira, Co. Cork 9 I.2 Ballybeggane 9 I.3. Bawnmore 9 I.4. Cahirmoyle 9 I.5. Clanwilliam (Barony) 11 I.6. Clorane 11 I.7. The Commons, Connello Upper 11 I.8. Connello (Barony) 11 I.9. Coolaleen 11 I.10. Cork City, Co. Cork 11 I.11. Dromloghan 12 I.12. Garrynderk 12 I.13. Glanduff 12 I.14. Graigue 12 I.15. Killagholehane 13 I.16. Kilcoonra 12 I.17. Killonahan 13 I.18. Killoughteen 13 I.19. Kilmurry (Archer) 14 I.20. Kilscannell 15 I.21. Knockroedermot 16 I.22. Ligadoon 16 I.23. Liscarroll, Co. Cork 18 I.24. Liskillen 18 I.25. Loghill 18 I.26. Mount Plummer 19 I.27. Moyge Upper, Co. Cork 19 I.28. Rathgonan 20 2 I.29. Rathnaseer 21 I.30. Rathreagh 22 I.31. Reens 22 I.32 Correspondence etc. relating to property, finance and legal matters 23 II. Family Correspondence 25 II.1. Edward William O’Brien to his sister, Charlotte Grace O’Brien 25 II.2. Edward William O’Brien to his sister, Lucy Josephine Gwynn (d. -
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 I The West of Ireland National Gallery of Ireland / Gailearaí Náisiúnta na hÉireann West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 Marie Bourke With contributions by Donal Maguire And Sarah Edmondson II Contents 5 Foreword, Sean Rainbird, Director, National Gallery of Ireland 23 The West as a Significant Place for Irish Artists Contributions by Donal Maguire (DM), Administrator, Centre for the Study of Irish Art 6 Depicting the West of Ireland in the Nineteenth and Twentieth Centuries, Dr Marie Bourke, Keeper, Head of Education 24 James Arthur O’Connor (1792–1841), The Mill, Ballinrobe, c.1818 25 George Petrie (1790–1866), Pilgrims at Saint Brigid’s Well, Liscannor, Co. Clare, c.1829–30 6 Introduction: The Lure of the West 26 Frederic William Burton (1816–1900), In Joyce Country (Connemara, Co. Galway), c.1840 6 George Petrie (1790–1866), Dún Aonghasa, Inishmore, Aran Islands, c.1827 27 Frederic William Burton (1816–1900), The Aran Fisherman’s Drowned Child, 1841 8 Timeline: Key Dates in Irish History and Culture, 1800–1999 28 Augustus Burke (c.1838–1891), A Connemara Girl 10 Curiosity about Ireland: Guide books, Travel Memoirs 29 Bartholomew Colles Watkins (1833–1891), A View of the Killaries, from Leenane 10 James Arthur O’Connor (1792–1841), A View of Lough Mask 30 Aloysius O’Kelly (1853–1936), Mass in a Connemara Cabin, c.1883 11 Frederic William Burton (1816–1900), Paddy Conneely (d.1850), a Galway Piper 31 Walter Frederick Osborne (1859–1903), A Galway Cottage, c.1893 32 Jack B.