DOCSLIB.ORG

ERKI Moeshow Laseb Fantaasial Lennata

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ERKI Moeshow Laseb Fantaasial Lennata Show 12 Puhkepäev ERKI moeshow laseb | Nädalalõpulisa | 12.–14. jaanuar 2007 | nr 2 (401) | fantaasial lennata Äripäeva nädalalõpulisa 12. jaanuar 2007 reklaamimüügi projektijuht Annely Plats, tel 667 0031, e-post [email protected] 2 REKLAAM Talv 2007 Kõik, kes broneerivad jaanuari kuus Domina Traveli büroos India või Kuuba reisi, saavad -1200.- EEK soodustust. EGIPTUS DUBAI SRI LANKA / MALDIIVID KUUBA KEENIA USA / HAVAI PRANTSUSE INDIA NAMIIBIA POLÜNEESIA Küsige pakkumist DOMINA tasuta infotelefonil 1812 www.dominatravel.ee DOMINA WORLD TRAVEL Ilmarise kvartal, Põhja pst 21C / telefonid 614 0740, 1812 / [email protected] / www.dominatravel.ee toimetaja Christel Karits, tel 667 0128, e-post [email protected] 12. jaanuar 2007 Äripäeva nädalalõpulisa 3 TSITAAT Kõik ilusad, edukad ja ”samas südamlikud SÜNDMUS ning romantilised mehed ei ela õn- neks Hollywoodis ega ole abielus mo- delliga. Dim a Bilan Merit Välba, femme.ee show’ga Dima Bilan võitis viimasel “Eurovisioonil” maailma südamed oma lauluga “Never Let You Go”. Tallinnas Foto: AllOverPress Christel Karits [email protected] Nädala pärast näeb Tallin- kaks tundi ning kind- na linnahalli laval suurejoo- lasti tuleb ettekandmi- nelist vaatemängu “Vremja sele eurohitt “Never Let reka”, milles peaosaliseks You Go”. Venemaa üks populaarse- 24. detsembril maid artiste Dima Bilan. 1981. aastal Karatšai- Tšerkessias sündinud Eestlastele on Bilan eelkõi- Dima Bilani debüütal- ge teada 2006. aasta “Eurovi- bum ilmus 2003. aas- sioonilt”, kus ta saavutas looga ta oktoobris ja kan- “Never Let You Go” soomlaste dis nime “I am a Night Lordi järel teise koha, jäädes Hooligan” (“Ma olen neile alla vaid 44 punktiga. ööhuligaan”). Album Läinud aasta 21. juulil esit- ühendab rütmibluusi les Dima Bilan Majakovski ja elektroonilist tantsu- teatris oma kolmandat albu- muusikat. mit “Time Is a River” (Aeg on 2004. aastal üllitas jõgi). Teater oli muudetud te- laulja oma teise albumi ma lossiteatriks, kus esines “Between The Heaven vaid üks näitleja. Show’ lavas- And The Sky” (“Paradii- tas kuulus kreeklane Fokas si ja taeva vahel”). Plaadi Evangelinos, kelle töid on saa- esitlus oli tolleks ajaks en- nud näha “Eurovisioonil”. Nen- dale nime teinud Dimale de hulgas on ka Dima teise ko- kohaselt suurejooneline ja ha pälvinud esinemine. tulvil kohalikke staare. Eestisse peaks Bilan tule- Albumil esitab ta ka maa- ma sama plaadiesitluse raa- ilmakuulsate autorite Shaun mes ning korraldajad lubavad Escoffery ja Diane Warreni Eestist sõidab Dima Bilan suurejoonelist eriefektidega muusikat. Viimane on kir- edasi Riiga ning seejärel USAs- kontsert-vaatemängu, milles jutanud laule näiteks Celine se, kus annab kontserte suure- osaleb ka 16-liikmeline show- Dionile, Whitney Houstonile mates linnades. Tallinna linna- balleti trupp. Kontsert kestab ja Ricky Martinile. halli on veel üksikuid pileteid. Kõiges esimese suurusjärgu täht Tänaseks on Dima Bilan vaid esikoha võitnud tennisist Let You Go”. “Eurovisioonil” saanud tõeliseks staariks Maria Šarapova ja primadon- vaid soomlaste Lordi laulule FOOKUSES ka majanduslikus mõttes. na Alla Pugatšova. alla jäänud lugu sai kohe pä- Dima Bilan Siinkohal tasub meenuta- rast võistluse poolfinaali rah- Läinud aastal valis ajaki- da, et viimasel kahel aastal on vusvaheliseks hitiks ning li- Tallinna linnahallis ri “Forbes” Bilani populaar- Venemaa lootuseks tituleeri- saks saavutas sellele loodud 19.01 kl 19 suselt kolmandaks Venemaa tud Dima Bilan käinud vastu videoklipp Tiranas toimunud piletid 190–690 kr kuulsuseks. võtmas MTV Venemaa muu- festivalil “Euro Video Grand Piletilevist ja Otsustamisel võeti arvesse sikaauhinda kui aasta parim Prix” viienda koha. Piletimaailmast kandideerija aastast sissetu- artist ning pälvis läinud kor- Eestis tellitavate mobiilihe- lekut ja meedia- ning avalikku- ral Matrjoška ka parima kom- linate seas püsib Venemaa eu- se huvi. Dima Bilani edestasid positsiooni eest laulule “Never rolugu praegugi esikolmikus. Äripäeva nädalalõpulisa 12. jaanuar 2007 toimetaja Christel Karits, tel 667 0128, e-post [email protected] 4 Restoranide TOP 10 Heidi Vihma hinnang 1. Gloria Müürivahe 2, Tallinn 30 2. Ammende Mere pst 7, Pärnu 30 3. African Kitchen Uus 34, Tallinn 30 4. Mõõkkala Kuninga 4, Tallinn 29 5. Bocca Olevimägi 9, Tallinn 29 ELAMUS 6. Aleksandri pubi Vana-Rääma 8, Pärnu 28 7. Spirit Mere pst 6E, Tallinn 27 8. Toscana Vene 6, Tallinn 27 9. Seasons Rävala pst 3, Tallinn 27 | kommentaar | restoranitest | arvustused | 10. Bestseller Viru väljak 4, Tallinn 27 TOIMETAJA VEERG Christel Karits MAITSEELAMUS Muide, ka Spirit maailma Mere pst 6e, Tallinn ”filmikriitikud on hakanud komöö- 28 p diatesse tunduvalt toit-jook paremini suhtuma. teenindus interjöör Komöödia hinnas avatud õnikord on tunne, nende hulgas on ka seesa- E–N 12–23 Met enam hullemaks ma “Väike Miss Päikese- RL 12–01 minna ei saa, kuigi paiste”. Koha esikümnes- P 13–22 saab peaagu alati. se kindlustasid ka “Borat: põhiroad Ühel hetkel oled jõud- Kultuurialased õppetunnid 120–150 kr nud nii kaugele, et vastu- Ameerikast abiks suursu- telefon 661 6151 kaaluks üldisele halami- guse Kasahstani riigi üles- www.kohvikspirit.ee sele tahaks hoopis mida- ehitamisel”, “Saatan kan- WiFi gi vastupidist teha. Olukord nab Pradat” ning anima- on lihtsalt nii jaburalt halb, film “Lustakad jalakesed”. et ajab naerma. Kõiki neid linateoseid on Niisiis ei hakka ma siin võimalik veel praegugi Ees- rääkima praegusest ilmast timaa kinodes näha. Neist ja sellest, mis tunne mind kolm esimest hakkavad 15. valdas, kui tormiöö järel jaanuaril kandideerima ka korraks päike välja tuli. parima muusikali või ko- Soovitan halluse ja põh- möödia Kuldgloobusele. jamaise tõsiduse unustada Ja siit veel üks tasa- ja keskenduda naljale. kaalustav valik. Kui te po- Esimene valik, kui te po- le praegu just Hollywoo- Sisekujundus on esmapil- le seda juba teinud, oleks di filmide lainel, võiks na- gul veider: põdrasarved, mis komöödia “Väike Miss Päi- tuke nostalgitseda. Mõni oleksid justkui nagid, aga kesepaiste”. aeg tagasi jõudsid müügi- keegi sinna mantleid ei pane, Muide, ka maailma fil- le DVDd, millel vene filmid järelikult siis iluasjad. mikriitikud on hakanud nõukogudeaja kullafon- Foto: Raul Mee komöödiatesse tunduvalt dist. “Moskva pisaraid ei paremini suhtuma. Näi- usu”, “Jaam kahele”, “Kar- teks Ameerika Filmiinsti- nevaliöö”, “Hüva leili ehk tuut valis aasta kümne pa- saatuse iroonia” – tehtud rema filmi hulka üllatusli- tõelise läbielamiskunsti ja Spirit ainult asjasse kult palju komöödiaid ja slaavi kirega. pühendatutele sid justkui nagid, aga keegi mikuks on jäänud šokolaadi- või-tomatikaste andis leebe- sinna mantleid ei pane, järeli- kook värskete maasikate ja va- le kalale ning köögiviljale erk- Heidi Vihma [email protected] kult siis iluasjad, linnu- ja loo- nillikastmega. sust ja sidus maitsed omava- mapildid. Ühes seinas tagant- Aga ega Spirit ainult mingi hel kokku. Mööda Mere puiesteed ku- valgustuses hõõguvad robust- koogikoht ei ole, siin on pikk Omaette mõnu on Spiriti ni viimaste majadeni, siis sed lauad, teine sein on pae- menüü eelroogadest magus- kohvid ja muud kuumad joo- ümber nurga õue, parkiva- kivist. Peaaegu klassikalised toitudeni pluss sushid ja miso- gid: peale tavalisemate koh- te autode vahelt läbi põigel- sambad ja tööstushoonest jää- supid, ilma milleta ju Tallin- vijookide on siin ka valge šo- da – ja oletegi Tallinna ühes nud raudkonstruktsioonid. na moodsad kohad enam läbi kolaadi latte, macchiato, to- paremas, võib-olla ka pari- Kokku üks imelik eklekti- ei saa. Siinsed salatid on suu- pelt-macchiato, mocachino, mas kohvikus Spirit. ka, ometi on meeleolu mõnus red ja praed mõõdukad, võiks lattechino, kuum šokolaad. Pizzeria Al Sole ja söömine-kohvijoomine mu- lühidalt kokku võtta. Soo- Valge šokolaadi latte koos pii- Mere puiestee poolt sisse ei gavaks tehtud – mõnusad too- jast kanasalatist avokaado ja mašokolaadi-mandlikoogiga Pizzeria saa, seal on ainult aknad, nii lid, paraja kõrguse ja suuruse- mungubadega jätkuks peaae- oli nii kõva suhkrulaks, et se- Viru 8, Tallinn et sisse saab õue kaudu. Üks ga lauad ning hubane valgus. gu lahjemaks lõunaks, peaae- da niipea korrata ei julge, aga Tel 611 7600, 641 8357, [email protected], www.viruinn.ee Avatud 11–23 hea asi on sellel veidral asu- Kõigepealt hakkasin armas- gu sama suured olid pearoo- oi kui mõnus! kohal küll – siia on lihtne au- tama Spiriti kooke. gade hulgast valitud pardifi- Õhtusel ajal soovitan Hubane pitsabaar vanalinna südames. Ehtsas puuküttega pitsaahjus valmivad parimad road toga tulla, parkimisega prob- Käin siit läbi pärast mõn- lee ploomide ja kartulipüreega Spiritis aknaalust lauda. Kui- pitsameistri valvsa pilgu all. Suvel väliterrass 60 kohta. leeme pole. da eriti ebaõnnestunud lõu- magushapus kastmes ja koha gi Mere puiestee on siinsamas, Hinnatase Spirit pole miski uudiskoht, na- või õhtusööki, et siinse hooaja köögiviljadega. ei pääse autod pildile, aknast eelroad al 30 kr tal on vanust juba mitu aastat koogiga tuju tõsta. Või siis võ- Parimad palad olid menüüs paistab hoopiski tänava teisel supid al 52 kr ja eelmisel aastal sai “Hõbelu- tan karbiga kooki koju kaasa, hooajaköögiviljade nime all poolel olev park ja puude ta- praed al 85 kr sika” konkursil parima kohvi- et õhtu eriliseks teha. Kookide esinenud kaalikad ja porgan- gant säravad Kalevi spaa, va- magustoidud 30–65 ku tiitli. pärast harjusin isegi tohutu- did. Nendega polnud tehtud nalinn ja Oleviste torn – usku- Sisekujundus on enam kui te poriloikudega parkla ja pi- muud kui hautatud, maitsed
Load more

Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
    Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like
    [Show full text]
  • Eurovision Song Contest Is Not Just a Pop Song Competition: Often, It Is a Musical Manifestation of Political and Social Issues of Great Significance
    60TH ANNIVERSARY CONFERENCE 24 APRIL 2015 #Eurovision60 The Eurovision Song Contest is not just a pop song competition: often, it is a musical manifestation of political and social issues of great significance. Melissa Scott ,, “New Europe, Center Stage - Orientalism and Nationalism in the Eurovision Song Contest”, Midway Review 2011 2 INTRODUCTION In 1956 the European Broadcasting Union (EBU) created the Eurovision Song Contest to foster closer ties between nations and to advance television technology. In 2015 the 60th Eurovision Song Contest will be held in Vienna. Over the past six decades the Eurovision Song Contest has created a European identity far beyond the confines of political unions and continental boundaries. The EBU is marking the event's 60th anniversary by celebrating not just the Contest’s musical achievements but also its impact on the European public sphere in areas such as forming national and European identities, embracing diversity and building cultural insight and understanding. ABOUT THE EBU The European Broadcasting Union (EBU) was established in 1950 and is now the world’s foremost alliance of public service media (PSM) with 73 Members in 56 countries in Europe and beyond. Between them, they operate over 1,700 television channels and radio stations reaching one billion people in around 100 languages. The EBU's mission is to safeguard the role of PSM and promote its indispensable contribution to society. It is the point of reference for industry expertise and a core for European media knowledge and innovation. The EBU operates EUROVISION and EURORADIO. EUROVISION is the media industry’s premier distributor and producer of top-quality live news, sport, entertainment, cultural and music content.
    [Show full text]
  • Winners and Losers Round 2 - Famous Names
    Round 1 – Winners and losers Round 2 - Famous names 1 Which country has won the Eurovision 6 Which of these well-known singers failed Song Contest the most times? to win the Eurovision trophy for the A France United Kingdom? B United Kingdom A Cliff Richard C Ireland B Lulu C Sandie Shaw 2 In 1969, how many countries won the Eurovision Song Contest? 7 A year before storming to Eurovision A 2 success and world domination in 1974, B 3 ABBA tried and failed to become C 4 Sweden’s entry in the 1973 Eurovision Song Contest. 3 Which host nation was the first ever to What was the song called? score ‘nil points’? A Ring, Ring A Austria B Ding, Ding B Turkey C Ping Pong C United Kingdom 8 Which pop legend co-wrote one of the 4 How old was Sandra Kim when she won Songs for Europe entries in 1969, the contest for Belgium in 1986? eventually losing out to Lulu’s A 13 Boom Bang-a-Bang? B 16 C 68 9 Which former EastEnders star sent A Message to Your Heart at the Eurovision 5 Which famous Eurovision winners did Song Contest in 1991? the UK give ‘nil points’ to when they hosted the competition in Brighton? 10 Name this famous crooner, who failed to set the competition alight in 1970. Further information If you would like to know more about this year’s Eurovision Song Contest entries, visit the official website of the competition: www.eurovision.tv It features updates and results of the national selection competitions, plus a full list of songs vying for a place in the finals.
    [Show full text]
  • Acts Like Vanilla Ninja, Kerli Or the Winners of the Eurovision Song
    EYE SEA I Title: Legend Acts like Vanilla Ninja, Kerli or the winners of the Eurovision Song Contest 2001 Releasedate: 30.08.2013 Dave Benton, Tanel Padar and the band 2XL are the few musical highlights, which REDFIELD 078 the small baltic nation Estonia could present in the last couple of years. With Eye Barcode CD: 4260080811194 Sea I, a young six-piece fronted by singer Kate Timoshina and shouter Konsta Ani- LC 12650 kin, there´s a new generation of musicians out there to represent the blue-black-whi- te coloured flag of their Northeast-European home-country. Tracklist: 1. Redemption Founded 2010 in Narva, the post-hardcore-outfit at least presents their debut-album 2. Versus (Lost In Reflections) “Legend”, which was recorded within a whole year at the Estonian Onum Studio. Fi- 3. Howling Like Whisper nally at the end of 2012 the production was finished. These eleven songs have been 4. Idleness//Ignorance mixed and mastered by Jamie King (Between The Buried And Me, Wretched, Art By 5. Set And Setting Numbers, Deception Of A Ghost) and singer Serj Kravchenko from Oceans Red is 6. Of Burden (feat. Serj Kravchenko doing a feature in the song “Of Burden”. from Oceans Red) 7. Visions Musically this album is dynamic, fresh and full of power. The catchy, sweet melodies 8. Legend 9. B3Z of singer Kate alternate with the deep and energetic shouts of frontman Konsta. The 10. Misdirection band behind plays fast and melodic riffs, which team up with fulminante breakdowns 11. Innovators, Not Imitators and electronic samples.
    [Show full text]
  • Nation Branding, National Identity and the Eurovision Song Contest in Estonia Politics and Society in the Baltic Sea Region 2
    This book provides a unique and intriguing insight into current debates concerning the relationship between nation and state Jordan Paul as well as the political management of international image in today’s Europe through an examination of debates on nation branding and the Eurovision Song Contest. Europe is a con- tested construct and its boundaries are subject to redefinition. This work aims to advance critical thinking about contempo- rary nation branding and its relationship to, and influence on, Paul Jordan nation building. In particular it focusses on key identity debates The Modern Tale Fairy that the Eurovision Song Contest engendered in Estonia in the run-up to EU accession. The Eurovision Song Contest is an event which is often dismissed as musically and culturally The Modern Fairy Tale: inferior. However, this work demonstrates that it has the capac- ity to shed light on key identity debates and illuminate wider Nation Branding, National Identity socio-political issues. Using a series of in-depth interviews with and the Eurovision Song Contest political elites, media professionals and opinion leaders, this book is a valuable contribution to the growing field of research in Estonia on nation branding and the Eurovision Song Contest. Paul Jordan obtained his PhD from the University of Glasgow in 2011. His research interests include nation building and nation branding of post-communist states, national identity and nationalist politics. He is also a regular media commenta- tor on the Eurovision Song Contest. Politics and Society in the Baltic Sea Region Politics and Society ISBN 978-9949-32-558-0 2 in the Baltic Sea Region 9 789949 325580 > www.tyk.ee 2 Politics and Society in the Baltic Sea Region 2 Paul Jordan The Modern Fairy Tale: Nation Branding, National Identity and the Eurovision Song Contest in Estonia Politics and Society in the Baltic Sea Region 2 Politics and Society in the Baltic Sea Region is a series devoted to contemporary social and political issues in the countries surrounding the Baltic Sea.
    [Show full text]
  • Escinsighteurovision2011guide.Pdf
    Table of Contents Foreword 3 Editors Introduction 4 Albania 5 Armenia 7 Austria 9 Azerbaijan 11 Belarus 13 Belgium 15 Bosnia & Herzegovina 17 Bulgaria 19 Croatia 21 Cyprus 23 Denmark 25 Estonia 27 FYR Macedonia 29 Finland 31 France 33 Georgia 35 Germany 37 Greece 39 Hungary 41 Iceland 43 Ireland 45 Israel 47 Italy 49 Latvia 51 Lithuania 53 Malta 55 Moldova 57 Norway 59 Poland 61 Portugal 63 Romania 65 Russia 67 San Marino 69 Serbia 71 Slovakia 73 Slovenia 75 Spain 77 Sweden 79 Switzerland 81 The Netherlands 83 Turkey 85 Ukraine 87 United Kingdom 89 ESC Insight – 2011 Eurovision Info Book Page 2 of 90 Foreword Willkommen nach Düsseldorf! Fifty-four years after Germany played host to the second ever Eurovision Song Contest, the musical jamboree comes to Düsseldorf this May. It’s a very different world since ARD staged the show in 1957 with just 10 nations in a small TV studio in Frankfurt. This year, a record 43 countries will take part in the three shows, with a potential audience of 35,000 live in the Esprit Arena. All 10 nations from 1957 will be on show in Germany, but only two of their languages survive. The creaky phone lines that provided the results from the 100 judges have been superseded by state of the art, pan-continental technology that involves all the 125 million viewers watching at home. It’s a very different show indeed. Back in 1957, Lys Assia attempted to defend her Eurovision crown and this year Germany’s Lena will become the third artist taking a crack at the same challenge.
    [Show full text]
  • Master of Arts Thesis Be My Guest: Nation Branding And
    Master of Arts Thesis Euroculture University of Groningen University of Uppsala June 2013 Be My Guest: Nation branding and national representation in the Eurovision Song Contest Submitted by: Albert Meijer S169750 [email protected] Supervised by: Dr. Kristin McGee Dr. Benjamin Martin Groningen, 30/06/2013. 1 MA Programme Euroculture Declaration I, Albert Meijer hereby declare that this thesis, entitled “Be My Guest: Nation branding and national representation in the Eurovision Song Contest”, submitted as partial requirement for the MA Programme Euroculture, is my own original work and expressed in my own words. Any use made within it of works of other authors in any form (e.g. ideas, figures, texts, tables, etc.) are properly acknowledged in the text as well as in the List of References. I hereby also acknowledge that I was informed about the regulations pertaining to the assessment of the MA thesis Euroculture and about thegeneral completion rules for the Master of Arts Programme Euroculture. Date: 30/06/2013 2 Table of contents Preface 4 Introduction: Nation branding in the 2012 Eurovision Song Contest 6 Eurovision history 10 Chapter 1: National and European identity in the context of the Eurovision Song Festival 13 1.1 The performance of national identity and the role of cultural symbols in the ESC 15 1.2 European identity building & the idea of cultural citizenship 24 1.3 Eurovision and Politics 31 1.4 Conclusion 35 Chapter 2: Translating Identity into Image: Culture as a Tool for Nation Branding in the Eurovision Song Contest
    [Show full text]
  • Linguistic and Cultural Changes Throughout the History of the Eurovision Song Contest
    Linguistic and cultural changes throughout the history of the Eurovision Song Contest Trabajo de Fin de Grado Lenguas Modernas y Traducción Facultad de Filosofía y Letras Written by: Sergio Lucas Rojo Tutored by: Irina Ursachi July 2020 Abstract This paper aims to clarify some of the linguistic problems that have arisen in recent years at the Eurovision Song Contest, one of the most important music events in the world. Through an exhaustive bibliographic review and the individual analysis of a large number of entries, it is concluded that linguistic diversity, an identifying feature of the show in the past, has been reduced by establishing a rule that does not oblige artists to sing in the language of the country they represent. English has taken over the reins of this annual competition, although there is still room for the traditional and the ethnic. The research that has been carried out is intended to serve as a reference for all Eurovision followers who wish to expand their knowledge. It also attempts to clarify concepts such as “linguistic diversity”, “identity” and “culture”, which can be extrapolated to other fields of knowledge. It must be noted that not only have linguistic issues been dealt with, but there are references to all the factors involved in the contest. However, it is those phenomena related to languages that form the backbone of the work. Key words: Eurovision Song Contest, languages, culture, identity, Europe, music. Resumen Este trabajo responde a la necesidad de aclarar algunos problemas lingüísticos que han surgido en los últimos años en el Festival de Eurovisión, uno de los eventos musicales más importantes del mundo.
    [Show full text]
  • Eurovision Song Contest 60Th Anniversary Press Pack
    60TH ANNIVERSARY PRESS PACK #Eurovision60 INTRODUCTION In 1956 the European Broadcasting Union (EBU) created the Eurovision Song Contest to foster closer ties between nations and to advance television technology. In 2015 the 60th Eurovision Song Contest is being held in Vienna. Over the past six decades the Eurovision Song Contest has created a European identity far beyond the confines of political unions and continental boundaries. The EBU is marking the event's 60th anniversary by celebrating not just the Contest’s musical achievements but also its impact on the European public sphere in areas such as forming national and European identities, embracing diversity and building cultural insight and understanding. ABOUT THE EBU The European Broadcasting Union (EBU) was established in 1950 and is now the world’s foremost alliance of public service media (PSM) with 73 Members in 56 countries in Europe and beyond. Between them, they operate over 1,700 television channels and radio stations reaching one billion people in around 100 languages. The EBU's mission is to safeguard the role of PSM and promote its indispensable contribution to society. It is the point of reference for industry expertise and a core for European media knowledge and innovation. The EBU operates EUROVISION and EURORADIO. EUROVISION is the media industry’s premier distributor and producer of top-quality The Eurovision Song Contest is live news, sport, entertainment, cultural and music content. Through EUROVISION, the not just a pop song competition: EBU provides broadcasters with on-site facilities and services for major world events often, it is a musical manifestation in news, sport and culture.
    [Show full text]
  • ESTONIA –12 POINTS! Eesti- 12 Punkti! Estonia - 12 Points!
    2002 EESTI –12 PUNKTI! • ESTONIA –12 POINTS! Eesti- 12 punkti! Estonia - 12 points! 25.05.2002 toimus Tallinnas Eurovisiooni On May 25, 2002, the Eurovision Song Contest lauluvõistlus, mille otseülekannet jälgis took place in Tallinn, where the live transmission kokku vähemalt 166 miljonit inimest enam was watched by at least 166 million people in kui kolmekümnes riigis. more than 30 countries. Eurovisiooni lauluvõistlust saabus Eestisse The Eurovision Song Contest was covered by kajastama 1452 välisajakirjanikku 36 riigist. 1,452 foreign journalists from 36 countries. Euroopa suurim iga-aastane muusikapidu Europe's biggest annual musical jamboree landed in toimub Baltikumi väikeriigis Eestis ning the tiny Baltic state of Estonia – and the first-time esmakordsed festivali võõrustajad viisid hosts carried off the Eurovision Song Contest in fine Eurovisiooni läbi väga edukalt. Ilmselgelt style. The Estonians clearly put their heart and soul on eestlased ihu ja hingega korraldamisele into the whole shebang, building a new stadium for pühendunud, ehitades sündmuse jaoks uue the event and producing a show that was slick, festivalihalli ning korraldades etenduse, mis good-looking and professional. (BBC News, 25.05) oli sujuv, ilus ja professionaalne. (BBC News, 25.05) TO EUROPE WITH EUROVISION EUROVISIOONIGA EUROOPASSE On May 25 Estonia intends to conquer Europe. The battle ground is the Eurovision Song Contest. Eesti kavatseb 25. mail vallutada Euroopa. (The Guardian, 28.04) Lahinguväljaks on Eurovisiooni lauluvõistlus. (The Guardian, 28.04) The trip to Estonia this year marks Eurovision's first foray into the former Soviet Union, but the country Tänavune reis Eestisse tähendab Eurovisiooni will use the event to prove its European and Nordic esmakordset toimumist endises Nõukogude credentials.
    [Show full text]
  • Festival Eurovisão Da Canção: 60 Anos
    121 Veredas da História, [online], v.8, n.1, 2015, p. 121--139, ISSN 1982-4238 FESTIVAL EUROVISÃO DA CANÇÃO: 60 ANOS: MULTICULTURALISMO, DIVERSIDADE E ALTERIDADE. José Fernando Saroba Monteiro1 Universidade Federal Rural do Rio de Janeiro. Resumo: Um dos mais assistidos programas de entretenimento no mundo, o Festival Eurovisão da Canção chega em 2015 ao seu sexagenário. Criado para fazer competir canções representantes de diferentes países europeus, o Festival Eurovisão da Canção hoje se apresenta muito mais do que uma simples competição musical. Hoje, com proporções globais, o Festival Eurovisão da Canção tem no multiculturalismo, na diversidade e na alteridade palavras-chave para a sua compreensão, abrigando diferentes grupos e promovendo a inclusão e a interação em seu certame, que também a cada ano e cada vez mais levanta a bandeira da igualdade e da unificação entre os povos. Palavras-chave: Festival Eurovisão da Canção, multiculturalismo, diversidade. Abstract: One of the most watched entertainment programs in the world, the Eurovision Song Contest, comes, in 2015, to their sixties. Created as contest among songs from different European countries, Eurovision Song Contest today presents much more than a single musical competition. Nowadays, with global proportions, the Eurovision Song Contest has multiculturalism, diversity and alterity keywords for your understanding, joining different groups and promoting inclusion and interaction in your contest, which also each year and increasingly raises the banner of iguality and unity among peoples. Keywords: Eurovision Song Contest, multiculturalism, diversity. Apresentação O Festival Eurovisão da Canção (Eurovision Song Contest – ESC) completa em 2015 sessenta anos de existência, sendo um dos mais antigos concursos televisivos do mundo e o programa favorito entre os europeus.
    [Show full text]