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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like -
Download the Playbill
As seen on 1stdibs PamelaANTIQUES Lerner Decorative Arts Exciting Jewelry Unusual Gifts Vintage Modern Furniture,Lighting Interior Design Restoration EMAIL: [email protected] WWW: pamelalernerantiques.com 145 South Country Road Bellport, New York 11713 PH: 631.776.2183 2 SUMMER 2011 2 color PMS 187 6 PMS 4665 original PERFORMING ARTS CENTER OF SUFFOLK COUNTY 2 color PMS 187 6a PMS 4665 PERFORMING ARTS CENTER OF SUFFOLK COUNTY Presents The Performing Arts Center of Suffolk County is a regional, non-profit, professional theatre that seeks to entertain, challenge and involve all audiences through ambitious productions and expansive outreach and educational programs. 2 color PMS 187 6b PMS 4665 Since our establishment last year as a non-profit 501(c)3 company, we have partnered with several MY FAIR LADY PERFORMING ARTS CENTER OF SUFFOLK COUNTY Changed Color of Long Island organizations that share our dedication to the enrichment of our local communities. “THE” on this one Bookto the tan color and Lyrics by Music by Thanks to these opportunities, we now know that our best work—both onstage and off— ALAN JAY LERNER FREDERICK LOEWE lies ahead of us. While this shoot-for-the-stars optimism gives us an exciting direction, it is an unfortunate reality that these dreams cannot be accomplished through desire alone. The truth is “Adapted from George Bernard Shaw’s Play and that our professional productions, educational training and outreach programs can neither survive Gabrial Pascal’s motion picture ‘PYGMALION’” nor grow without personal support from within the communities they are intended to provide for. Starring Know that 2011’s accomplishments were made possible thanks to the bold generosity of many JAMIE JACKSON JENNIFER HOPE WILLS outstanding individuals who acknowledge the importance of the performing arts. -
Eurovision Song Contest Is Not Just a Pop Song Competition: Often, It Is a Musical Manifestation of Political and Social Issues of Great Significance
60TH ANNIVERSARY CONFERENCE 24 APRIL 2015 #Eurovision60 The Eurovision Song Contest is not just a pop song competition: often, it is a musical manifestation of political and social issues of great significance. Melissa Scott ,, “New Europe, Center Stage - Orientalism and Nationalism in the Eurovision Song Contest”, Midway Review 2011 2 INTRODUCTION In 1956 the European Broadcasting Union (EBU) created the Eurovision Song Contest to foster closer ties between nations and to advance television technology. In 2015 the 60th Eurovision Song Contest will be held in Vienna. Over the past six decades the Eurovision Song Contest has created a European identity far beyond the confines of political unions and continental boundaries. The EBU is marking the event's 60th anniversary by celebrating not just the Contest’s musical achievements but also its impact on the European public sphere in areas such as forming national and European identities, embracing diversity and building cultural insight and understanding. ABOUT THE EBU The European Broadcasting Union (EBU) was established in 1950 and is now the world’s foremost alliance of public service media (PSM) with 73 Members in 56 countries in Europe and beyond. Between them, they operate over 1,700 television channels and radio stations reaching one billion people in around 100 languages. The EBU's mission is to safeguard the role of PSM and promote its indispensable contribution to society. It is the point of reference for industry expertise and a core for European media knowledge and innovation. The EBU operates EUROVISION and EURORADIO. EUROVISION is the media industry’s premier distributor and producer of top-quality live news, sport, entertainment, cultural and music content. -
Winners and Losers Round 2 - Famous Names
Round 1 – Winners and losers Round 2 - Famous names 1 Which country has won the Eurovision 6 Which of these well-known singers failed Song Contest the most times? to win the Eurovision trophy for the A France United Kingdom? B United Kingdom A Cliff Richard C Ireland B Lulu C Sandie Shaw 2 In 1969, how many countries won the Eurovision Song Contest? 7 A year before storming to Eurovision A 2 success and world domination in 1974, B 3 ABBA tried and failed to become C 4 Sweden’s entry in the 1973 Eurovision Song Contest. 3 Which host nation was the first ever to What was the song called? score ‘nil points’? A Ring, Ring A Austria B Ding, Ding B Turkey C Ping Pong C United Kingdom 8 Which pop legend co-wrote one of the 4 How old was Sandra Kim when she won Songs for Europe entries in 1969, the contest for Belgium in 1986? eventually losing out to Lulu’s A 13 Boom Bang-a-Bang? B 16 C 68 9 Which former EastEnders star sent A Message to Your Heart at the Eurovision 5 Which famous Eurovision winners did Song Contest in 1991? the UK give ‘nil points’ to when they hosted the competition in Brighton? 10 Name this famous crooner, who failed to set the competition alight in 1970. Further information If you would like to know more about this year’s Eurovision Song Contest entries, visit the official website of the competition: www.eurovision.tv It features updates and results of the national selection competitions, plus a full list of songs vying for a place in the finals. -
ERKI Moeshow Laseb Fantaasial Lennata
Show 12 Puhkepäev ERKI moeshow laseb | Nädalalõpulisa | 12.–14. jaanuar 2007 | nr 2 (401) | fantaasial lennata Äripäeva nädalalõpulisa 12. jaanuar 2007 reklaamimüügi projektijuht Annely Plats, tel 667 0031, e-post [email protected] 2 REKLAAM Talv 2007 Kõik, kes broneerivad jaanuari kuus Domina Traveli büroos India või Kuuba reisi, saavad -1200.- EEK soodustust. EGIPTUS DUBAI SRI LANKA / MALDIIVID KUUBA KEENIA USA / HAVAI PRANTSUSE INDIA NAMIIBIA POLÜNEESIA Küsige pakkumist DOMINA tasuta infotelefonil 1812 www.dominatravel.ee DOMINA WORLD TRAVEL Ilmarise kvartal, Põhja pst 21C / telefonid 614 0740, 1812 / [email protected] / www.dominatravel.ee toimetaja Christel Karits, tel 667 0128, e-post [email protected] 12. jaanuar 2007 Äripäeva nädalalõpulisa 3 TSITAAT Kõik ilusad, edukad ja ”samas südamlikud SÜNDMUS ning romantilised mehed ei ela õn- neks Hollywoodis ega ole abielus mo- delliga. Dim a Bilan Merit Välba, femme.ee show’ga Dima Bilan võitis viimasel “Eurovisioonil” maailma südamed oma lauluga “Never Let You Go”. Tallinnas Foto: AllOverPress Christel Karits [email protected] Nädala pärast näeb Tallin- kaks tundi ning kind- na linnahalli laval suurejoo- lasti tuleb ettekandmi- nelist vaatemängu “Vremja sele eurohitt “Never Let reka”, milles peaosaliseks You Go”. Venemaa üks populaarse- 24. detsembril maid artiste Dima Bilan. 1981. aastal Karatšai- Tšerkessias sündinud Eestlastele on Bilan eelkõi- Dima Bilani debüütal- ge teada 2006. aasta “Eurovi- bum ilmus 2003. aas- sioonilt”, kus ta saavutas looga ta oktoobris ja kan- “Never Let You Go” soomlaste dis nime “I am a Night Lordi järel teise koha, jäädes Hooligan” (“Ma olen neile alla vaid 44 punktiga. ööhuligaan”). Album Läinud aasta 21. juulil esit- ühendab rütmibluusi les Dima Bilan Majakovski ja elektroonilist tantsu- teatris oma kolmandat albu- muusikat. -
Acts Like Vanilla Ninja, Kerli Or the Winners of the Eurovision Song
EYE SEA I Title: Legend Acts like Vanilla Ninja, Kerli or the winners of the Eurovision Song Contest 2001 Releasedate: 30.08.2013 Dave Benton, Tanel Padar and the band 2XL are the few musical highlights, which REDFIELD 078 the small baltic nation Estonia could present in the last couple of years. With Eye Barcode CD: 4260080811194 Sea I, a young six-piece fronted by singer Kate Timoshina and shouter Konsta Ani- LC 12650 kin, there´s a new generation of musicians out there to represent the blue-black-whi- te coloured flag of their Northeast-European home-country. Tracklist: 1. Redemption Founded 2010 in Narva, the post-hardcore-outfit at least presents their debut-album 2. Versus (Lost In Reflections) “Legend”, which was recorded within a whole year at the Estonian Onum Studio. Fi- 3. Howling Like Whisper nally at the end of 2012 the production was finished. These eleven songs have been 4. Idleness//Ignorance mixed and mastered by Jamie King (Between The Buried And Me, Wretched, Art By 5. Set And Setting Numbers, Deception Of A Ghost) and singer Serj Kravchenko from Oceans Red is 6. Of Burden (feat. Serj Kravchenko doing a feature in the song “Of Burden”. from Oceans Red) 7. Visions Musically this album is dynamic, fresh and full of power. The catchy, sweet melodies 8. Legend 9. B3Z of singer Kate alternate with the deep and energetic shouts of frontman Konsta. The 10. Misdirection band behind plays fast and melodic riffs, which team up with fulminante breakdowns 11. Innovators, Not Imitators and electronic samples. -
Nation Branding, National Identity and the Eurovision Song Contest in Estonia Politics and Society in the Baltic Sea Region 2
This book provides a unique and intriguing insight into current debates concerning the relationship between nation and state Jordan Paul as well as the political management of international image in today’s Europe through an examination of debates on nation branding and the Eurovision Song Contest. Europe is a con- tested construct and its boundaries are subject to redefinition. This work aims to advance critical thinking about contempo- rary nation branding and its relationship to, and influence on, Paul Jordan nation building. In particular it focusses on key identity debates The Modern Tale Fairy that the Eurovision Song Contest engendered in Estonia in the run-up to EU accession. The Eurovision Song Contest is an event which is often dismissed as musically and culturally The Modern Fairy Tale: inferior. However, this work demonstrates that it has the capac- ity to shed light on key identity debates and illuminate wider Nation Branding, National Identity socio-political issues. Using a series of in-depth interviews with and the Eurovision Song Contest political elites, media professionals and opinion leaders, this book is a valuable contribution to the growing field of research in Estonia on nation branding and the Eurovision Song Contest. Paul Jordan obtained his PhD from the University of Glasgow in 2011. His research interests include nation building and nation branding of post-communist states, national identity and nationalist politics. He is also a regular media commenta- tor on the Eurovision Song Contest. Politics and Society in the Baltic Sea Region Politics and Society ISBN 978-9949-32-558-0 2 in the Baltic Sea Region 9 789949 325580 > www.tyk.ee 2 Politics and Society in the Baltic Sea Region 2 Paul Jordan The Modern Fairy Tale: Nation Branding, National Identity and the Eurovision Song Contest in Estonia Politics and Society in the Baltic Sea Region 2 Politics and Society in the Baltic Sea Region is a series devoted to contemporary social and political issues in the countries surrounding the Baltic Sea. -
Escinsighteurovision2011guide.Pdf
Table of Contents Foreword 3 Editors Introduction 4 Albania 5 Armenia 7 Austria 9 Azerbaijan 11 Belarus 13 Belgium 15 Bosnia & Herzegovina 17 Bulgaria 19 Croatia 21 Cyprus 23 Denmark 25 Estonia 27 FYR Macedonia 29 Finland 31 France 33 Georgia 35 Germany 37 Greece 39 Hungary 41 Iceland 43 Ireland 45 Israel 47 Italy 49 Latvia 51 Lithuania 53 Malta 55 Moldova 57 Norway 59 Poland 61 Portugal 63 Romania 65 Russia 67 San Marino 69 Serbia 71 Slovakia 73 Slovenia 75 Spain 77 Sweden 79 Switzerland 81 The Netherlands 83 Turkey 85 Ukraine 87 United Kingdom 89 ESC Insight – 2011 Eurovision Info Book Page 2 of 90 Foreword Willkommen nach Düsseldorf! Fifty-four years after Germany played host to the second ever Eurovision Song Contest, the musical jamboree comes to Düsseldorf this May. It’s a very different world since ARD staged the show in 1957 with just 10 nations in a small TV studio in Frankfurt. This year, a record 43 countries will take part in the three shows, with a potential audience of 35,000 live in the Esprit Arena. All 10 nations from 1957 will be on show in Germany, but only two of their languages survive. The creaky phone lines that provided the results from the 100 judges have been superseded by state of the art, pan-continental technology that involves all the 125 million viewers watching at home. It’s a very different show indeed. Back in 1957, Lys Assia attempted to defend her Eurovision crown and this year Germany’s Lena will become the third artist taking a crack at the same challenge. -
Master of Arts Thesis Be My Guest: Nation Branding And
Master of Arts Thesis Euroculture University of Groningen University of Uppsala June 2013 Be My Guest: Nation branding and national representation in the Eurovision Song Contest Submitted by: Albert Meijer S169750 [email protected] Supervised by: Dr. Kristin McGee Dr. Benjamin Martin Groningen, 30/06/2013. 1 MA Programme Euroculture Declaration I, Albert Meijer hereby declare that this thesis, entitled “Be My Guest: Nation branding and national representation in the Eurovision Song Contest”, submitted as partial requirement for the MA Programme Euroculture, is my own original work and expressed in my own words. Any use made within it of works of other authors in any form (e.g. ideas, figures, texts, tables, etc.) are properly acknowledged in the text as well as in the List of References. I hereby also acknowledge that I was informed about the regulations pertaining to the assessment of the MA thesis Euroculture and about thegeneral completion rules for the Master of Arts Programme Euroculture. Date: 30/06/2013 2 Table of contents Preface 4 Introduction: Nation branding in the 2012 Eurovision Song Contest 6 Eurovision history 10 Chapter 1: National and European identity in the context of the Eurovision Song Festival 13 1.1 The performance of national identity and the role of cultural symbols in the ESC 15 1.2 European identity building & the idea of cultural citizenship 24 1.3 Eurovision and Politics 31 1.4 Conclusion 35 Chapter 2: Translating Identity into Image: Culture as a Tool for Nation Branding in the Eurovision Song Contest -
Linguistic and Cultural Changes Throughout the History of the Eurovision Song Contest
Linguistic and cultural changes throughout the history of the Eurovision Song Contest Trabajo de Fin de Grado Lenguas Modernas y Traducción Facultad de Filosofía y Letras Written by: Sergio Lucas Rojo Tutored by: Irina Ursachi July 2020 Abstract This paper aims to clarify some of the linguistic problems that have arisen in recent years at the Eurovision Song Contest, one of the most important music events in the world. Through an exhaustive bibliographic review and the individual analysis of a large number of entries, it is concluded that linguistic diversity, an identifying feature of the show in the past, has been reduced by establishing a rule that does not oblige artists to sing in the language of the country they represent. English has taken over the reins of this annual competition, although there is still room for the traditional and the ethnic. The research that has been carried out is intended to serve as a reference for all Eurovision followers who wish to expand their knowledge. It also attempts to clarify concepts such as “linguistic diversity”, “identity” and “culture”, which can be extrapolated to other fields of knowledge. It must be noted that not only have linguistic issues been dealt with, but there are references to all the factors involved in the contest. However, it is those phenomena related to languages that form the backbone of the work. Key words: Eurovision Song Contest, languages, culture, identity, Europe, music. Resumen Este trabajo responde a la necesidad de aclarar algunos problemas lingüísticos que han surgido en los últimos años en el Festival de Eurovisión, uno de los eventos musicales más importantes del mundo. -
Eurovision Song Contest 60Th Anniversary Press Pack
60TH ANNIVERSARY PRESS PACK #Eurovision60 INTRODUCTION In 1956 the European Broadcasting Union (EBU) created the Eurovision Song Contest to foster closer ties between nations and to advance television technology. In 2015 the 60th Eurovision Song Contest is being held in Vienna. Over the past six decades the Eurovision Song Contest has created a European identity far beyond the confines of political unions and continental boundaries. The EBU is marking the event's 60th anniversary by celebrating not just the Contest’s musical achievements but also its impact on the European public sphere in areas such as forming national and European identities, embracing diversity and building cultural insight and understanding. ABOUT THE EBU The European Broadcasting Union (EBU) was established in 1950 and is now the world’s foremost alliance of public service media (PSM) with 73 Members in 56 countries in Europe and beyond. Between them, they operate over 1,700 television channels and radio stations reaching one billion people in around 100 languages. The EBU's mission is to safeguard the role of PSM and promote its indispensable contribution to society. It is the point of reference for industry expertise and a core for European media knowledge and innovation. The EBU operates EUROVISION and EURORADIO. EUROVISION is the media industry’s premier distributor and producer of top-quality The Eurovision Song Contest is live news, sport, entertainment, cultural and music content. Through EUROVISION, the not just a pop song competition: EBU provides broadcasters with on-site facilities and services for major world events often, it is a musical manifestation in news, sport and culture.