DOCSLIB.ORG

THE ZEST FESTIVAL 2013 1 the Zest Festival 2013 2 the Zest Festival: 2012 to 2016 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THE ZEST FESTIVAL 2013 1 the Zest Festival 2013 2 the Zest Festival: 2012 to 2016 3 Far From Home: Adventures, Treks, Exiles, Migration The Zest Festival, September 2013 PARTNERS FAR FROM HOME: ADVENTURES, TREKS, EXILES, MIGRATION. THE ZEST FESTIVAL, SEPTEMBER 2013 Edited by Susan Broomhall and Rebecca Millar Graphic design by Erika von Kaschke and Michelle Hatchett Printed by Uniprint, 2013 ISBN 978-1-74052-278-6 Cover image: Shipwreck near Hout Bay, Cape Town. ZEST FESTIVAL 2013: FAR FROM HOME FAR FROM HOME: ADVENTURES, TREKS, EXILES, MIGRATION The Zest Festival September 2013 | i ZEST FESTIVAL 2013: FAR FROM HOME TABLE OF CONTENTS Acknowledgement of traditional owners vii Welcome to Kalbarri. Hon Liza Harvey MLA, Minister for Tourism and Hon Brendon Grylls MLA, Minister for Regional Development viii Kalbarri Development Association Zest Festival Committee ix Gordon Wilson, President, Shire of Northampton xi Annemieke Ruigrok, Ambassador of the Kingdom of the Netherlands xiii Hon Michael Sutherland, MLA, Speaker of the Legislative Assembly of Western Australia xv Philippa Maddern, Director, ARC Centre of Excellence for the History of Emotions (Europe 1100-1800) xvii Erika Von Kaschke, Producer and Presenter, Oppiestasie, Radio Fremantle 107.9FM and National Communications Officer, ARC Centre of Excellence for the History of Emotions (Europe 1100-1800) xix Voyager Estate xx Bert Beevers, Managing Director, Durack Institute of Technology xxiii THE ZEST FESTIVAL 2013 1 The Zest Festival 2013 2 The Zest Festival: 2012 to 2016 3 FAR FROM HOME: ADVENTURES, TREKS, EXILES, MIGRATION An interactive creative exhibition curated by Susan Broomhall and Rebecca Millar, ARC Centre of Excellence for the History of Emotions (Europe 1100-1800) 5 FAR FROM HOME: A JOURNEY INTO THE UNKNOWN 9 A Journey into the Unknown 11 Making Money in Middelburg 13 The Doldrums 15 Celebrating at the Cape 17 Thoughts of Home 19 Sailing On 21 To the Unknown 22 | ii ZEST FESTIVAL 2013: FAR FROM HOME FAR FROM HOME: COMMUNICATING ACROSS LAND, SEA AND TIME 25 Message Sticks: Telling our stories 27 Trees, Stones, and Plates: Messages across the oceans 28 Sailing Letters: Sending emotions on the high seas 30 A Zuytdorp Schilling: Early modern messages, modern emotions 32 FAR FROM HOME: CONTEMPORARY ARTISTS RESPOND 35 I’m Home!: Damon Chalmers 37 Lost and found: Meli Dane 38 Message Sticks: telling our stories: Mauretta Drage 41 Family journeys: Shirley Gerard 43 On Track: Marianne Penberthy 45 The Burden of Homesickness: Miriam Shilling 47 To Pioneering Women: Anne Taylor 49 Far from Home: South African Short-Shorts Writing Competition 51 ‘n Voller ek. Rynie Joubert 52 Immigration Metamorphosis 53 Shores of Gondwanaland. Amelia Marais 54 Destination. Hanriëtte Mazza 55 White Board. Kent Sobey 56 Far from Home: Short Film Project 58 Short Film Project by Laurie Malton 61 TREKS, LAND AND HERITAGE 63 Welcome to Country by traditional Nhanda Elders 65 Kalbarri Horse Trek 67 The Great Race 68 Natural Heritage 70 An ancient landscape 72 Western Australia: A veritable gold mine of biodiversity 74 South western Kwongan and South African Fynbos: vegetation types sharing an ancient Gondwanan heritage 76 Secrets of the Dead: The Meermin Slave Resistance 80 Unseen: In a Trunk: Spotlight on artist Susan Roux 82 | iii ZEST FESTIVAL 2013: FAR FROM HOME ZEST MUSIC AND PERFORMANCE 85 Bonfire and Chamber of Rhetoric 86 Outback Rhythm Dance Centre 90 South African Film 91 The ARC Centre for the History of Emotions Performance Program 92 Songs of the Sea 94 Dutch music of the seventeenth and eighteenth centuries and its dissemination throughout the world 96 Broadside Ballads: news and emotion in song 98 The Rhythm of Life School Workshops 100 BINDING REALITIES: ROPE, ROUTES AND RESOURCES, JOINING CULTURES TOGETHER 105 Binding Realities Community Workshops 106 Binding Realities Sculpture Exhibition 109 Rope Mats: Marina Baker, with Eggy Arthurs 110 Afraid Knot: Meli Dane 113 Where did that come from?: Sietske Hunn 115 GOURMET FOOD AND WINE 117 Merise Morning Teas in celebration of the 2013 Zest Festival 118 Trade Winds Taste Tent: South African Cuisine 120 Trade Winds Taste Tent: Voyager Estate 122 Trade Winds Taste Tent: Nhanda Food 125 Zest Market and Wellbeing Tent 127 Voyager Estate Dinner Presentation by Adjunct Professor Michael McCarthy 128 ZEST FESTIVAL SCHOOL ACTIVITIES 131 The Zest Festival 2013 Education Program 132 Carol Goodwin, Kalbarri District High School Principal 133 Lisa Currie, Kalbarri District High School Zest Coordinator 134 Zest Festival 2013 and Kalbarri District High School 136 STORIES FOR TEACHERS AND STUDENTS 155 Introducing the South African Context 156 Stones of Love in Deep Time: Ancient rocks, old emotions, new business opportunities 158 | iv ZEST FESTIVAL 2013: FAR FROM HOME The Geography of (European) Emotions: Good Hope and Good Health 160 Frustrated negotiations: Trading relations between the Khoikhoi and Europeans 162 Dancing into the spirit world: Rock Art of the San people 166 What does it mean to be free? 168 Claiming spaces, knowing places: Fights and rights for land 170 Collecting competitions: the ‘pantry’ of the VOC and the Cape floral kingdom 172 Shipwrecked at the Southland: Lost voyages from the Cape Colony 174 ‘I am an African’: Hendrik Biebouw and the making of a new identity 176 The elect: God’s chosen people in the Cape Colony 178 ‘I am an imprisoned man’: Massavana and the Meermin slave resistance 180 Sharing the Islamic faith at the Cape: Resistance and its consequences in the VOC Indian Ocean network 182 Spinning a yarn and the Flying Dutchman: nautical superstitions and stories 184 From Orange to Empire: The British in South Africa 188 Fighting for freedom or federation: Afrikaners and the British Empire 192 Emotions In Song: Melting-Pot Music in the ‘Smooth-Throated Nation’ 197 Starry nights: Cultures in the stars 198 Rainbow Cuisine of South Africa 200 ‘Peace and harmony and equal rights for all people’: Nelson Mandela and the dawning of a new South Africa 202 THE ZEST FESTIVAL 2012 205 Kalbarri Recognises its Pasts 207 Still Life / Our Life: Emotions across Time, Art and Place 209 Bonfire and Chamber of Rhetoric: Storytelling in the 21st Century 210 The Hand-made Zuytdorp Commemorative Quilt 211 Historical Emotions Performance Program 212 The Trade Winds Taste Tent and the Rijstaffel Meal at the Zuytdorp Restaurant 213 Zest Festival 2012 School Activities 214 Australian-Dutch Heritage Days 216 The Zest Festival on show at The Hague 218 The Zest Festival Goes International 222 CREATORS / EDITORS 226 CONTRIBUTORS 227 | v ZEST FESTIVAL 2013: FAR FROM HOME The Murchison River Gorge in the Kalbarri National Park. | vi ZEST FESTIVAL 2013: FAR FROM HOME We respectfully acknowledge the past and present traditional owners of this land on which we are meeting to commemorate the cultural connections between South Africa, Western Australia, and the Nhanda people. It is a privilege to be standing on Nhanda country. | vii ZEST FESTIVAL 2013: FAR FROM HOME WELCOME TO KALBARRI HON LIZA HARVEY MLA, MINISTER FOR TOURISM AND HON BRENDON GRYLLS MLA, MINISTER FOR REGIONAL DEVELOPMENT On behalf of the State Government, we welcome you to In addition to our mutual enjoyment of sport, many South Kalbarri to celebrate the region’s history, culture, community Africans have chosen to call Western Australia home. and tourism as part of the Zest Festival. According to the 2011 census, around 24 per cent of Australia’s The festival recognises the upcoming 400th anniversary of South African-born residents live in the State. the landing on Western Australia’s coast by Dutch sailor and Western Australia is a popular holiday destination for South explorer Dirk Hartog. It also marks the shipwrecking of the African visitors and, not surprisingly, many visit Kalbarri during Dutch East India Company merchant vessel Zuytdorp off the their time here. With an ancient rugged outback and white Kalbarri coast 300 years ago. sand beaches, Kalbarri boasts an 183,000 hectare national Inspired by history, the festival explores our connections to park, spectacular 400-million-year-old river gorges, dramatic the various countries that have been associated with the coastal rock formations and a kaleidoscope of colourful Dutch East India Company. This year’s focus will be on South wildflowers in spring. It truly is an extraordinary place for Africa, which was a significant stopover for Zuytdorp’s sailors visitors and residents, boasting natural beauty and adventure. to rest and restock the vessel during their voyage. The State Government is proud to support the Zest Festival Western Australia and South Africa have many important through Eventscorp’s Regional Events Scheme, which is jointly connections. Both will host components of the world’s funded by the Royalties for Regions program. biggest radio telescope, the Square Kilometre Array (SKA). Regional events, such as this Festival, highlight Western This next generation radio telescope will play a vital role in Australia’s tourist destinations and bring significant social, expanding our understanding of the universe and driving cultural and economic benefits to regional towns through technological development worldwide. added vibrancy, higher visitation and media exposure. They The South African rugby team, the Springboks, along with the help to make regional areas great places to visit and live. Australian Wallabies, also played the first international rugby We hope you enjoy the Festival and have an opportunity to union test match in Western Australia in 1998. The Springboks learn more about our history and mutual connections with have played here six times and will face the Wallabies in Perth South Africa, while exploring Kalbarri’s natural beauty. again in 2014. Hon Liza Harvey MLA, MINISTER FOR TOURISM Hon Brendon Grylls MLA, MINISTER FOR REGIONAL DEVELOPMENT | viii ZEST FESTIVAL 2013: FAR FROM HOME KALBARRI DEVELOPMENT ASSOCIATION ZEST FESTIVAL COMMITTEE 2012 Zest Festival Committee Members. Rebecca Millar, Sue Malton, Jan Cruickshank, Margaret Burges, Jenny McClintock and Pat Gliddon. Absent Jessica Booth and Stephanie Penn.
Load more

Recommended publications
  • Western Australian Museum - Maritime
    WESTERN AUSTRALIAN MUSEUM - MARITIME Ephemera PR9931/MAR To view items in Ephemera collection, contact the State Library of Western Australia. CALL NO. DESCRIPTION R9931/MAR/1 S.S. Xantho: Western Australia's first coastal steamer. Information pamphlet. c1986 D PR9931/MAR/2 Sailing ships. Information pamphlet. 1986. D PR9931/MAR/3 Your Museum. The Western Australian Maritime Museum. Pamphlet. c1981 PR9931/MAR/4 Shipwrecks and the Maritime Museum. Public Lecture. November 1986 PR9931/MAR/5 Western Australian Maritime Museum. Pamphlet. c1987 PR9931/MAR/6 The Batavia Timbers Project. Brochure. c1987 PR9931/MAR/7 The Batavia Timbers Project. Brochure. c1987 PR9931/MAR/8 Western Australian Maritime Museum. Pamphlet. c1982 PR9931/MAR/9 Wrecks in the Houtman Abrolhos Islands. Pamphlet. 1993 PR9931/MAR/10 Wrecks of the Coral Coast. Pamphlet. 1993 PR9931/MAR/11 A Different Art-Trade Union Banners September 5-October 4, 1981. Pamphlet. D PR9931/MAR/12 The Trustees of the Western Australian Museum would be delighted if…could attend a “Twilight Preview” to celebrate the completion of construction and official hand over of the spectacular… Card. 2002. PR9931/MAR/13 Telling Stories. 1p. Undated. PR9931/MAR/14 Western Australian Maritime Museum. Fold-out leaflet. 2003. PR9931/MAR/15 Living on the edge : the coastal experience. Fold-out leaflet. 2003. PR9931/MAR/16 Let’s piece together our history. Celebrate your heritage with Welcome Walls! A4 Poster. Undated. PR9931/MAR/17 Commemorate your family’s migrant heritage. The WA Maritime Museum Welcome Walls. Stage 3. Fold-out leaflet. Undated. PR9931/MAR/18 Voyages of grand discovery. Lecture series 2007.
    [Show full text]
  • 11 Zuytdorp Cliffs , Edel Land
    1 1993 JOURNAL WRITING - Joseph Mallard TO ACCOMPANY PHOTOGRAPHS OF MID-WESTERN AUSTRALIA FOREWORD I had taken up what would become a journey of self-discovery and identity as I travelled to Shark Bay of Western Australia in a quest to discover the heritage of my late father in this remote part of Australia. After graduating in Fine Arts, I travelled to Perth from the eastern seaboard, to visit my grandmother Ivy (Poland) Mallard. It was here that I came into contact with her collection of archival documentary photos of family life and work in the region of Shark Bay. Here wind swept shores, big skies, and eternal horizons dominate the land. Today Shark Bay is listed as one of the First World Heritage sites of ecological significance. My grandmother recounted to me how they lived off the ocean’s supply of fish and dugong and the station sheep. Ivy held fond memories of the days on Carrarang Station off Steep Point in Edel Land. She painted a very poetic picture of an isolated yet bountiful existence, living off the land (see interview with Ivy). I soon headed north of Perth with my camera to Geraldton, half way between Perth and Shark Bay here I discovered my father and his brother attended boarding school at the Greenough convent commencing WW11. My grandmother Ivy was very proud, and wanted her children brought up ‘properly’ away from the wild frontier town of Shark Bay. In the early part of the century, Geraldton was the last post of civilization before the greater northern frontier of the Kimberly.
    [Show full text]
  • Kalbarri National Park Management Plan 2015
    Kalbarri National Park ‘nature’s window’ management plan 83 2015 Conservation Commission WESTERN AUSTRALIA Department of Parks and Wildlife 17 Dick Perry Avenue KENSINGTON WA 6151 Phone: (08) 9219 9000 Fax: (08) 9334 0498 www.dpaw.wa.gov.au © State Government of Western Australia 2015 August 2015 This work is copyright. You may download, display, print and reproduce this material in unaltered form (retaining this notice) for personal, non-commercial use or use within your organisation. Apart from any other use as permitted under the Copyright Act 1968, all other rights are reserved. Requests and enquiries concerning reproduction and rights should be addressed to the Department of Parks and Wildlife. ISBN 978-1-921703-57-7 (print) ISBN 978-1-921703-58-4 (online) This management plan was prepared by the Conservation Commission of Western Australia through the agency of the Department of Parks and Wildlife. Questions regarding this management plan should be directed to: Planning Branch Department of Parks and Wildlife 17 Dick Perry Avenue, Kensington WA 6151 Locked Bag 104 Bentley Delivery Centre WA 6983 Phone: (08) 9219 9000 Email: [email protected] The recommended reference for this publication is: Department of Parks and Wildlife (2015), Kalbarri National Park management plan 2015. Management plan number 83. Department of Parks and Wildlife, Perth. This document is available in alternative formats on request. Front cover photos Main Nature’s Window at The Loop. Photo – Melissa Loomes/Parks and Wildlife Top right Coastal cliffs. Photo – Rory Chapple/Parks and Wildlife Top left Branching fringe lily (Thysanotus dichotomus). Photo – Rory Chapple/Parks and Wildlife Header photo View of The Loop from Nature’s Window.
    [Show full text]
  • Zuytdorp Shipwreck Fact Sheet
    Zuytdorp shipwreck Fact sheet The Zuytdorp was a Dutch East India Company ship travelling to Batavia SHARK BAY (Jakarta, Indonesia) in 1712. On board World Heritage were about 200 passengers and crew and a rich cargo, including 248,000 silver coins. They were travelling well south of the Equator to make the most of the The ship The ship westerly winds —the roaring 40s. A problem with this route was deciding when to head north as they could not calculate longitude. How the ship became wrecked in June 1712 remains a mystery because no survivors reached Batavia. It is likely that the captain mistimed the vessel’s turn north towards Batavia and abruptly encountered the Western Australian coastline. The Zuytdorp probably struck Wrecked Wrecked reef without warning, most likely at night as the anchors were stowed away. The 33 metre long three-masted Zuytdorp would have been helpless once against the cliffs. The wreck of the Zuytdorp was discovered in 1927 between Tamala and Murchison House pastoral stations by workers fencing and trapping dingoes. One of the workers was the late Tom Pepper Senior. In 1954 geologist Phillip Discovered Discovered Playford met Pepper, examined artefacts from the site and determined from the coins that the wreck was the Zuytdorp. The 59 000 hectare Zuytdorp Nature Reserve above the wreck area was declared in 1992. The reserve includes most of the permanent and seasonal soaks that shipwreck survivors would have relied on for water. Access to the reserve and wreck site is restricted. The wreck and adjacent land is a protected zone and permission is required from the WA Maritime Museum and land managers to enter this area.
    [Show full text]
  • Hoaxes and FOLKLORE
    HOAXES AND FOLKLORE: Inscriptions associated with the Vergulde Draak (1656) and Zuiddorp (1712) shipwrecking events Wendy van Duivenvoorde1, Mark E. Polzer1 and Peter J. Downes2 Abstract This article discusses two inscriptions thought to be associated with wrecks of the Dutch East India Company (Verenigde Oostindische Compagnie) ships Vergulde Draak and Zuiddorp, off the Western Australian coastline. We evaluate their authenticity using comparative studies with similar contemporaneous Dutch inscriptions, placing them within the broader context of pseudoarchaeology and the public preoccupation surrounding shipwrecks. The morphology and manufacture of the lettering argues against a 17th or 18th century provenance. Further, photographic records of the Zuiddorp site indicate that its associated inscription is modern. We argue these inscriptions were likely attempts by enthusiasts to ‘participate’ in the shipwrecking stories, or to claim some recognition with regards to the wrecks. Whatever the reasons, they have been used as evidence to support unorthodox hypotheses about the shipwrecks’ survivors, and serve to keep these theories alive in the public imagination. Figure 1 Dutch shipwreck locations, inscription sites and place names referred to in the text. Introduction and 18th century VOC ships known to have wrecked along the The wrecks of four Dutch East India Company, or Verenigde WA coast began. The fervour—some might say obsession— Oostindische Compagnie (VOC), ships have been found in that drove this pursuit was not limited to submerged sites, but Western Australian (WA) waters: Batavia (1629), Vergulde Draak extended to land as well, resulting in several inscriptions believed (1656), Zuiddorp (1712) and Zeewijk (1727) (Figure 1) (Drake- to be associated with the Dutch shipwrecks being reported.
    [Show full text]
  • Pigments from the <Italic>Zuiddorp
    Post-Medieval Archaeology 49/2 (2015), 269–290 Pigments from the Zuiddorp (Zuytdorp) ship sculpture: red, white and blue? By WENDY VAN DUIVENVOORDE with BRUCE KAISER, LUC MEGENS and WILHELM VAN BRONSWIJK SUMMARY: The Dutch East India Company ship Zuiddorp (also known as Zuytdorp) met its demise in 1712 at the base of steep cliffs along the Western Australian coast. Material from the shipwreck includes an extraordinary example of a caryatid herm from the ship’s stern counter. A recent study of this sculpture and the pigments found on its surface demonstrates Zuiddorp’s archaic stern construction and adornment, which is more of a late 17th-century, than an early 18th-century, Dutch Indiaman. This paper discusses the results of this study and emphasizes how the smallest pieces of evidence can broaden our understanding of contemporaneous regional Dutch East India Company shipbuilding practices. INTRODUCTION ships. The first case — undoubtedly the best known and offering the most examples, some 200 in num- This paper aims to add to the dataset of existing pig- ber — is that of the 1628 Swedish warship Vasa.3 ment studies of Dutch Renaissance sculptures and Secondly, sculptures and carved decorations found provide comparative records for studies of ship deco- on European ships include a collection of spectacu- rations. It highlights one of the ongoing investigations lar French pieces, but dating mainly to the late 18th on the caryatid herm of the early 18th-century Dutch century and more recent times.4 East India Company ship Zuiddorp,1 and is focused From Dutch ships, there is a sculpted satyr from specifically on the white, red and blue pigments an unknown 17th-century historic context in the collec- found on the herm’s surface and inside surface cracks.
    [Show full text]
  • Ancods Co Ll O Quium ANCODS
    the THE ANCODS ANCODS colloquium CO LL O QUIUM edited by: jeremy green myra stanbury femme gaastra special publication no.3 australian national centre of excellence for maritime archaeology THE ANCODS COLLOQUIUM THE ANCODS COLLOQUIUM Papers presented at the Australia–Netherlands Colloquium on maritime archaeology and maritime history Edited by Jeremy Green Myra Stanbury Femme Gaastra Special publication no. 3 Australian National Centre of Excellence for Maritime Archaeology First published in 1998 by the Australian National Centre of Excellence for Maritime Archaeology Western Australian Maritime Museum Cliff Street Fremantle Western Australia 6160 Editorial Board: Jeremy Green, Myra Stanbury and Femme Gaastra iv This book is copyright. Apart from any fair dealing for the purposes of private study, research, criticism, or review, as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Enquiries should be made to the publisher. © The Australian National Centre of Excellence for Maritime Archaeology National Library of Australia Cataloguing-in-Publication ANCODS Colloquium (1997 : Fremantle, W.A.). The ANCODS Colloquium : papers presented at the Australian–Netherlands colloquium on maritime archaeology and maritime history. Bibliography. ISBN 1 876465 00 X. 1. Underwater archaeology – Congresses. 2. Shipwrecks – Congresses. 3. Navigation – History – Congresses. I. Green, Jeremy N., 1942– . II. Stanbury, Myra. III. Gaastra, F. S. (Femme S.). IV. Australian National Centre of Excellence for Maritime Archaeology. V. Title. (Series : Special publication (Australian National Centre of Excellence for Maritime Archaeology) ; no. 3). 930.102804 Cover design and layout by Angela Di Giorgio and Jeremy Green Typeset by Jeremy Green Produced by Chipped Quill Publishing Services Printed by P.K.
    [Show full text]
  • Emotions Across Time, Art and Place the Zest Festival, June 2012 Partners
    Still Life / Our Life: Emotions across Time, Art and Place The Zest Festival, June 2012 Partners Still Life / Our Life: Emotions across Time, Art and Place The Zest Festival June 2012 Still Life / Our Life: Emotions across Time, Art and Place. The Zest Festival, June 2012 Edited by Susan Broomhall and Rebecca Millar Graphic design by Erika von Kaschke Printed by Uniprint, 2012 ISBN 978-1-74052-255-7 Front cover image: David Davidsz de Heem, Still life with lobster, oysters, bread, oranges, a lemon, glass, and a pepper basket and a bottle of wine, 1668. © Rijksmuseum SK-A-2566. Table of Contents Official Unveiling of the Zuytdorp Commemorative Plaque 51 The Zest Lecture: The History and Discovery of the Zuytdorp 55 WA Museum Zuytdorp Artefacts 57 Acknowledgements i Objects and Stories: Kalbarri’s Histories and Memories 58 Welcome to Kalbarri iii iv 60 A shipwreck, a town and a festival Bonfire and Chamber of Rhetoric: Storytelling in the 21st Century v The Power of Sound, Movement and Story-Telling 62 In celebration of our shared history vii The Hand-made Zuytdorp Commemorative Quilt Emotional investment in European heritage 64 viii The Trade Winds Taste Tent The power of objects ix 65 The VOC and the Spice Trade 66 Spices, Trade, War and Diplomacy 67 STILL LIFE / OUR LIFE : EMOTIONS ACROSS TIME, ART AND PLACE 2 A Golden Age of Flavour 68 Still Life / Our Life Rijstaffel Meal at the Zuytdorp Restaurant 4 69 The Vision 5 Historical Emotions Performance Program Stories of Connection and Difference 71 6 Passions in the Music of Dutch Composers
    [Show full text]
  • Adventures, Treks, Exiles & Migration
    ZEST Festival 2013 Education Pack FAR FROM HOME: ADVENTURES, TREKS, EXILES & MIGRATION The Zest Festival was created in 2012 to celebrate Cross curriculum unit for the 300th anniversary of the Zuytdorp shipwreck and the cultural heritage of the Dutch East India Trading primary and secondary Company (VOC) in Western Australia. Each year the Zest Festival highlights the cultural contribution of a students on the Dutch East country along the VOC trading route. In 2012 we India Trading Company, South discovered all things Dutch, and in 2013 we will focus on South African connections to the VOC and to African and Australian heritage. Western Australia. The Zest Festival is more than a community fun day. It includes the commissioning and exhibition of art, the sharing of stories and poems, discovering new music and foods, and university research. est Festival EDUCATION PROGRAM In 2012 Kalbarri District School, in partnership with the Kalbarri Development Association and the ARC Centre of Excellence for the History of Emotions, Europe 1100 – 1800 (CHE), developed an engaging semester of Dutch and Shipwreck themed classwork for years F-10. In 2013, we are inviting your school or class to be involved! The following pages outline a variety of suggested classroom activities around the themes of South Africa, VOC, and Western Australia. Participating in this program is free of charge and open to all WA schools. IMPLEMENTATION At each activity description there are links: Australian Curriculum Zest Festival Context For more information Lesson Idea Please note this is not an exhaustive list of curriculum links or activities, and we encourage teachers to assess or adjust the activities to suit their class.
    [Show full text]
  • Book A5 W 21/09/2017
    1616 to 1829 !1 All rights reserved. No part of this publication may be re-produced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright holder. Thomas Vanderveldt © 2017 ISBN 1 876763 25 6 Layout and Printing: New Holland Bulletin !2 The New Holland Story By Thomas van der Veldt “In the Aboriginal world we have a belief that our spirit is born in the mother earth, the sun provides the warmth to ensure the grass and other feed is available for animals to eat, which we then eat to survive, and when we die our spirit returns to the earth.“ (John Alexander) !3 Acknowledgement I would like to thank all the people who have helped me to provide the many small pieces of the puzzle that in the end produced the contents of this book. Adriaan de Jong, John and Alice Alexander, the late Peter van der Kuil, Lisa Drage, Uncle Clayton Drage Clayton Drage Jnr, the late Jean Eley and her husband Laurie, Paul Eley, Maria Eley, Len Ogilvie and his wife Jean, Jan “Kabarli” James, Tim and Margaret Hargreaves, Neville Green,, Anita Jarvis, Sid de Burgh, Tim Coleman, The Battye Library, State Records Office, Department of Aboriginal Affairs and many others I may have omitted unintentionally. !4 Foreword Did you know that Western Australia has a history that dates back to 154 years before James Cook landed on the East Coast of this great continent? This history is barely touched upon in schools and we persist in celebrating Captain Cook’s discovery.
    [Show full text]
  • The Molecular Basis of South African Genetic Porphyria Established at Last!
    SAMJ ARTICLES REVIEW ARTICLE By demonstrating that all the VP patients whose lineages could be traced were descended from a couple of Dutch origin, 'Gemt Jansz from Veldcamp, free burgher at The molecular basis of Stellenbosch, young man with Ariaantje Adriaansse from Rotterdam, young woman', who married at the Cape in South African genetic 1688, Dean hypothesised that the VP mutation was introduced into the proto-Afrikaans population by one of porphyria established at them. GerTil had been at the Cape 3 years before Ariaantje arrived; she was one of eight orphan girls who arrived on the last! ship China and were to be the brides of young men, in her case Gerrit Jansz, within weeks of their arrival. The marriage Trefor Jenkins produced eight children, four of whom inherited the gene for VP (from whichever parent carried it) and, in turn, passed it Human geneticists throughout the world know South Africa on to approximately 50% of their children. because of the presence here (in high frequency) of a The gene for VP could not have had a signmcant genetic disorder of haem biosynthesis, which is rare detrimental effect on those who possessed it. because it has elsewhere. The condition, known as South African genetic remained at high frequency throughout the intervening 300 porphyria or variegate porphyria (VP), was recognised years. The skin lesions resulting from sun exposure, independently by workers in Cape Town and Johannesburg although bothersome, could not have affected fitness (in the over 50 years ago, but it was a young immigrant physician, genetic sense), and the relatively small proportion of Geoffrey Dean, practising in Port Elizabeth in the late 19405, individuals who in the 20th century have experienced acute who realised that the disease had an unusually high neurological crises.
    [Show full text]
  • Zuytdorp Booklet
    712-2012 WA Museum supports Zuytdorp festivities Western Australian Museum Chief Executive Offi cer Alec Coles T is a pleasure for the Western Australian Museum to be working with the Kalbarri Development IAssociation to commemorate the 300th anniversary of the wreck of Zuytdorp. As part of this collaboration, the Museum will lend a number of artefacts from the wreck of the Zuytdorp to the Shire of Northampton, to be exhibited at Kalbarri as part of Zest Fest; a fi ve-year long celebration culminating in the commemoration of the 400th anniversary of the landing of Dirk Hartog. Western Australia has a long and dramatic history of shipwrecks off its rugged coastline. The story of the wreck of the Zuytdorp and what befell its crew and passengers is an intriguing one that continues to occupy us today. The Western Australian Western Australian Museum Chief Executive Offi cer, Alec Coles Museum became responsible for the shipwreck site in 1963, and since that time The WA Museum is always pleased to be able to share these congratulated for their vision to has continued to investigate looking for opportunities to make items with the people of Shark create Zest Fest, which through the Zuytdorp wreck to try to the State’s collection available Bay and Kalbarri. its many events will explore understand the causes of the to local communities both in Kalbarri Development the rich connections between loss of the vessel and the fate of the metropolitan area and in Association and the Shire the Netherlands, South Africa, its survivors. the regions, and is particularly of Northampton should be Indonesia and Western Australia.
    [Show full text]