Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 5-2015 Coming to the Stage: Identity, Performance, and Persona in Women’s Comedy Cynia Barnwell Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's Studies Commons Recommended Citation Barnwell, Cynia, "Coming to the Stage: Identity, Performance, and Persona in Women’s Comedy" (2015). Women's History Theses. 9. https://digitalcommons.slc.edu/womenshistory_etd/9 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact
[email protected]. Coming to the Stage: Identity, Performance, and Persona in Women’s Comedy Cynia Barnwell Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College May 2015 Acknowledgments I would like to thank God, my grandmother, mother, father, brother, aunts, uncles, nieces, and nephews for their love and everlasting support. I would also like to thank my professors at Sarah Lawrence and the Sarah Lawrence community at large. Abstract What if the real you is just a performance? What if the way you laugh, dance, or even speak is a learned behavior? That is, “what if” is a reality. Gender is performative, but can a gendered performance be layered onto an onstage one? This thesis considers how comediennes of today like Wanda Sykes and Tina Fey navigate gendered performances (and well as other social constructions like race, and class) while creating an onstage persona.