For Our First-Ever Women in Comedy Issue, We Bring You Wit, Wisdom
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EMMY®-WINNING COMEDIAN PATTON OSWALT SET to HOST the 21St ANNUAL ART DIRECTORS GUILD’S EXCELLENCE in PRODUCTION DESIGN AWARDS
FOR IMMEDIATE RELEASE: EMMY®-WINNING COMEDIAN PATTON OSWALT SET TO HOST THE 21st ANNUAL ART DIRECTORS GUILD’S EXCELLENCE IN PRODUCTION DESIGN AWARDS Oscar®-Winning Director Brad Bird, Emmy-winning Production Designer René Lagler and late Production Designer Gene Allen will be honored at the Feb. 11 ceremony LOS ANGELES, Feb. 2, 2017 – Emmy®-winning comedian Patton Oswalt will host the 21st Annual Art Directors Guild’s Excellence in Production Design Awards (IATSE Local 800) announced today by ADG Council Chair Marcia Hinds and Awards Producers Thomas Wilkins and Thomas Walsh. The Awards, celebrating “Return to Hollywood,” will be held Saturday, February 11, 2017 at the Ray Dolby Ballroom at Hollywood and Highland. A comedian, actor, and writer, Patton Oswalt continues to find success in all areas of entertainment. From his Grammy®-nominated comedy specials to his many memorable film roles and guest appearances on his favorite TV shows (including Parks and Recreation, for which he received a TV Critics Choice Award), Oswalt continues to choose work that inspires him and entertain audiences. Oswalt recently won an Emmy for 'Outstanding Writing for a Variety Special’ for his sixth comedy special Talking for Clapping (Netflix) and was nominated for a Grammy Award for his comedy album of the same name. He is currently on the Netflix show Lady Dynamite, starring fellow comedian Maria Bamford, and on HBO’s Veep. Oswalt will next be seen on the big screen this April in the film adaptation of Dave Eggers’ novel The Circle, alongside Tom Hanks and Emma Watson. Oswalt has appeared in many films including The Secret Life Of Walter Mitty with Ben Stiller, Steven Soderbergh’s The Informant alongside Seth Rogen, Observe and Report, Magnolia, Zoolander, Starsky and Hutch, and Reno 911!: Miami, among many others. -
Proud Archivists
FEATURES FASHION Proud Archivists The fascination with fashion’s past has never been greater. Ben Olsen investigates the brand goliaths plundering their archives – and how the process impacts the industry a touching tribute at Versace’s AW18 show, or Karl Lagerfeld describing his first couture collection for Chanel as “like doing a revival of an old play”, basing the present on the past is proving a popular approach. “Brands need ‘house codes’ in order to establish a strong point of view,” says Lauren Sherman, chief correspondent for the Business of Fashion in New York, on the importance of an archive. “Refer- encing and reinterpreting iconic pieces from past collections helps a designer to write a brand book In a fast-paced fashion industry that celebrates rather than a series of disjointed chapters.” Sher- newness, inspiration is everything. To keep this man points to Christian Dior as a key example. three-trillion-dollar global business firing, de- “The house of Dior was founded in 1946 and Chris- signers must dig deep to produce the hundreds tian Dior passed away in 1957. Those 10 short years of looks shown across up to four seasons each of fashion continue to ultimately define the brand. year. Yet for all the focus on the current, one What would Dior do without its archive?” key form of inspiration lies in the past. That is, in the fiercely guarded archives of fashion’s Christian Dior will be the main focus of a major ex- major players, which preserve past glories and hibition at the V&A at the start of next year, draw- play an increasingly important role in today’s ing from an extensive archive to showcase more contemporary collections. -
Folklore and Mythology of the British Isles
1 PIVOTAL WRITERS: DRYDEN, & BEHN (Eng479/579) Dr. Dianne Dugaw, [email protected] TTh 2:00-3:20, 276 Lokey Office: PLC 458, 346-1496 Off.Hrs.: T3:30-5:30; Th10-11; & appt. This course looks at two pivotal writers at a watershed moment in British literary history, 1650-1700: John Dryden, and Aphra Behn. Through the works of these wonderful literary artists, we will consider five key themes: the crisis of civil war and questions of monarchy and rule; the Catholic-Protestant divisions of Britain with their ideological, cultural, and ethnic implications; the new empirical science against the backdrop of world exploration and colonization; the emergence of mercantile capitalism; and changing conceptions of sexuality and gender, particularly as women took up literary expression. We will examine poetry, drama, and prose in the context of a rich and waning baroque sensibility that was giving way to a more ‘modern’ world. BOOKS: Aphra Behn, Oroonoko, The Rover & Other Works (Penguin, 2003); John Dryden, Selected Poems (Penguin, 2001), All for Love (Nick Hern, 1998), & Marriage-à-la-Mode (Norton, 2002); M.H. Abrams, Glossary of Literary Terms, 10th ed.(Thomson/Wadsworth, 2012). WORK: Midterm (25%); Take-Home Final (25%); In-Class Essays (25%); Presented Scene & Essay (25%) --------------------------------------------------------------------------------------------------------------------------------------- WK 1 (3/31): ‘Early Modern’: Looking Forward, Looking Back; Royalist & Puritan; Gender & Heroism T: Introduction: Books; the Course; 17th-Century Britain—Civil War, Restoration, & a transforming World Dryden, Venus’s Song, “Fairest isle &c.” (Canvas) & “Introduction,” Selected Poems pp.ix-xxiv. Th: Baroque Poetry: Behn, “Love Armed” (Oroonoko, the Rover, &c., p.329; also read intro. -
Bridesmaids”: a Modern Response to Patriarchy
“Bridesmaids”: A Modern Response to Patriarchy A Senior Project presented to The Faculty of the Communication Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Bachelor of Arts By Blair Buckley © 2013 Blair Buckley Buckley 2 Table of Contents Introduction......................................................................................... 3 Bridesmaids : The Film....................................................................... 6 Rhetorical Methods............................................................................. 9 Critiquing the Artifact....................................................................... 14 Findings and Implications................................................................. 19 Areas for Future Study...................................................................... 22 Works Cited...................................................................................... 24 Buckley 3 Bridesmaids : A Modern Response to Patriarchy Introduction We see implications of our patriarchal world stamped across our society, not only in our actions, but in the endless artifacts to which we are exposed on both a conscious and subconscious basis. One outlet which constantly both reflects and enables patriarchy is our media; the movie industry in particular plays a critical role in constructing gender roles and reflecting our cultural attitudes toward patriarchy. Film and sociology scholars Stacie Furia and Denise Beilby say, -
Shaun Boylan
Shaun Boylan Los Angeles, CA Height: 6”4’ | Weight: 215 lbs | Hair color: brown | Eye Color: blue FILM THE END Supporting Dir. Anthony Jerjen THIS IS HOW YOU DIE Supporting Dir. Michael Mohan SPRAYED Supporting Dir. Jacqueline Richards PARAMECIUM PETE Lead Dir. Kathryn Fuss THE BEST MAN Supporting Dir. Justin Lazernik TELEVISION/WEB THAT’S WHAT SHE SAID Guest Star Dir. Ryan Kelly & Andrew Heder EAGLES FANS Guest Star Dir. Ryan Kelly & Andrew Heder THE MAN WHO CREATED THE EMOJI Co-star Dir. Ryan Kelly & Andrew Heder OPEN HOUSE Guest Star Dir. Erin Hees SURPRIZE TEAM Series Regular Dir. Russell Ford CO-WORKERS Guest Star Dir. Nick Corirossi COMMERCIAL MAKESPACE Principal Dir. Gaelan Draper DORITOS Principal Dir. Andrew Adams SHARPIE Principal Dir. Danny Foxx POWERING CALIFORNIA Voiceover Dir. Trent Stockton POWERING CALIFORNIA Host Dir. Trent Stockton IMPROV/SKETCH SECOND CITY Hollywood, CA Undateable IMPROV OLYMPIC Chicago, IL Improv Graduate WESTSIDE COMEDY THEATER Santa Monica, CA Mission Improvable WESTSIDE COMEDY THEATER Santa Monica, CA Bear Supply WESTSIDE COMEDY THEATER Santa Monica, CA Cobranauts WESTSIDE COMEDY THEATER Santa Monica, CA The Diary Show SF SKETCHFEST San Francisco, CA Festival Show L.A. IMPROV FESTIVAL Hollywood, CA Festival show JUST THE FUNNY Miami, FL Festival show LAS VEGAS IMPROV FESTIVAL Las Vegas, NV Festival Show TRAINING Lesly Kahn Los Angeles, CA Work Session The Groundlings Hollywood, CA Improv - Core Track Second City Hollywood, CA Conservatory Program iO (Improv Olympic) Chicago, IL Improv Graduate M.I.’s Westside Comedy Theater Santa Monica, CA Instructor/Improv Graduate AK Studios LA Los Angeles, CA Acting/Commercial Workshops SPECIAL SKILLS Voice and Speech - English, Russian, Mexican Spanish and German accents; various impressions Weaponry - Glock 17 (on-set) Athletics - Basketball, Soccer, Frisbee, Volleyball and Cycling; Licensed driver . -
'COMEDY CENTRAL's Hot List' Debuting Sunday, December 5 at 10:00 P.M.*
What Winter Cold? These Comedians are Bringing the Heat! Check Out the World Premiere of 'COMEDY CENTRAL's Hot List' Debuting Sunday, December 5 at 10:00 p.m.* NEW YORK, Nov. 16, 2010 /PRNewswire via COMTEX/ -- COMEDY CENTRAL is unleashing a new "Hot List" of its star comics upon the world! See who makes the cut in the World Premiere of "COMEDY CENTRAL's Hot List," debuting Sunday, December 5 at 10:00 p.m. With the success of 2009's "Hot List," which included white-hot comedians Aziz Ansari, Donald Glover, Nick Kroll and Whitney Cummings, COMEDY CENTRAL is proving its prophetic prowess yet again by rolling out a bevy of break-through talent that audiences will soon have to reckon with. COMEDY CENTRAL has picked seven of the hottest comedians who have been on a hot streak in the clubs, on the Internet, in films and on television. This year's cream of the comedic crop includes Pete Holmes ("John Oliver's New York Stand-Up Show," "COMEDY CENTRAL Presents"), Reggie Watts ("Michael & Michael Have Issues"), Chelsea Peretti ("COMEDY CENTRAL Presents," "The Sarah Silverman Program"), Kurt Metzger ("Ugly Americans," "COMEDY CENTRAL Presents"), Kyle Kinane ("COMEDY CENTRAL Presents," "Last Call with Carson Daly"), Natasha Leggero ("COMEDY CENTRAL Presents," "Ugly Americans," "Last Comic Standing") and Owen Benjamin ("The House Bunny," "COMEDY CENTRAL Presents"). "COMEDY CENTRAL's Hot List" includes interviews with the comedians as well as clips from their various performances and day-in-the-life footage captured with a self-recorded flipcam. Tune in Sunday, December 5 at 10:00 p.m. -
The Queer" Third Species": Tragicomedy in Contemporary
The Queer “Third Species”: Tragicomedy in Contemporary LGBTQ American Literature and Television A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department English and Comparative Literature of the College of Arts and Sciences by Lindsey Kurz, B.A., M.A. March 2018 Committee Chair: Dr. Beth Ash Committee Members: Dr. Lisa Hogeland, Dr. Deborah Meem Abstract This dissertation focuses on the recent popularity of the tragicomedy as a genre for representing queer lives in late-twentieth and twenty-first century America. I argue that the tragicomedy allows for a nuanced portrayal of queer identity because it recognizes the systemic and personal “tragedies” faced by LGBTQ people (discrimination, inadequate legal protection, familial exile, the AIDS epidemic, et cetera), but also acknowledges that even in struggle, in real life and in art, there is humor and comedy. I contend that the contemporary tragicomedy works to depart from the dominant late-nineteenth and twentieth-century trope of queer people as either tragic figures (sick, suicidal, self-loathing) or comedic relief characters by showing complex characters that experience both tragedy and comedy and are themselves both serious and humorous. Building off Verna A. Foster’s 2004 book The Name and Nature of Tragicomedy, I argue that contemporary examples of the tragicomedy share generic characteristics with tragicomedies from previous eras (most notably the Renaissance and modern period), but have also evolved in important ways to work for queer authors. The contemporary tragicomedy, as used by queer authors, mixes comedy and tragedy throughout the text but ultimately ends in “comedy” (meaning the characters survive the tragedies in the text and are optimistic for the future). -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Introduction
Notes Introduction 1. Although throughout this book, the identification of a Jewish "race" is associ ated with an anti-Semitic impulse, Jewish usage of "racial" terminology indi cates a certain ambivalence. See Harriet D. Lyons and Andrew P. Lyons, "A Race or Not a Race: The Question of Jewish Identity in the Year of the First Universal Races Congress;' in Ethnicity, Identity, and History, ed. Joseph B. Maier and Chaim I. Waxman, 499-518 (New Brunswick: Transaction Books, 1983). Even today, many Jews use the term "the Jewish race" with pride. 2. The Haskalah, or Jewish Enlightenment, which began in late eighteenth century, Germany, was a response to the European Enlightenment. Middle-class Jews, anxious to distance themselves from the ghetto and religious prejudice, sought to modernize Jewish communities by exposing them to secular thought. The Maskilim (the proponents of the Haskalah) believed that Jews were persecuted because they differed from dominant communities in terms of culture, language, education, dress and manners. By modernizing their schools, learning the spo ken language of the country in which they lived, and adapting their manners to those of their neighbors, it was hoped that individual Jews would be treated like any other citizens. 3. Steve Allen, Funny People (New York: Stein and Day, 1981), 11. 4. Most of the women listed here are not discussed further in this book, although I would like to suggest that they could be. Also, this study does not confine itself (at least in its earlier chapters) to comic performance. I present this list self consciously and order it alphabetically as an attempt at organization. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Liberty City Guidebook
Liberty City Guidebook YOUR GUIDE TO: PLACES ENTERTAINMENT RESTAURANTS TABLE OF CONTENTS A very small percentage of individuals may experience epileptic seizures or blackouts when exposed to certain light patterns or flashing lights. Exposure to certain patterns or backgrounds on a television screen or when playing video games may trigger epileptic seizures or blackouts in these individuals. These conditions may trigger previously undetected epileptic symptoms or seizures in persons who have no history of prior seizures or epilepsy. If you, or anyone in your family, has an epileptic condition or has had seizures of any kind, consult your physician before playing. IMMEDIATELY DISCONTINUE use and consult your physician before resuming gameplay if you or your child experience any of the following health problems or symptoms: • dizziness • eye or muscle twitches • disorientation • any involuntary movement • altered vision • loss of awareness • seizures or convulsion. RESUME GAMEPLAY ONLY ON APPROVAL OF YOUR PHYSICIAN. _____________________________________________________________________________________________ Use and handling of video games to reduce the likelihood of a seizure • Use in a well-lit area and keep as far away as possible from the television screen. • Avoid large screen televisions. Use the smallest television screen available. • Avoid prolonged use of the PLAYSTATION®3 system. Take a 15-minute break during each hour of play. • Avoid playing when you are tired or need sleep. _____________________________________________________________________________________________ Stop using the system immediately if you experience any of the following symptoms: lightheadedness, nausea, or a sensation similar to motion sickness; discomfort or pain in the eyes, ears, hands, arms, or any other part of the body. If the condition persists, consult a doctor. -
Versace, Portman Hits Dior
lifestyle WEDNESDAY, JANUARY 28, 2015 FASHION Models present creations by Italian fashion designer Donatella Versace during the Haute Couture Spring- Summer 2015 Versace collec- tion show. — AP/AFP photos From left, Kate Hudson, Italian fashion designer Donatella Versace and Goldie Hawn pose as they arrive Kate Hudson reveals for the show of the Atelier Versace Spring-Summer 2015 Haute Couture fashion collection presented in Paris, France, Sunday. —AP/AFP photos derriere at Versace, Portman hits Dior t Paris’ high-octane couture week, what happens on the catwalk is only half the story. Academy Award Awinner Goldie Hawn and her daughter Kate Hudson made a surprise appearance at Atelier Versace in an atypi- cal family night out in Paris. But the real frenzy didn’t start until the 35-year-old “Almost Famous” star turned her back to the paparazzi. What was revealed - a very daringly-placed Versace cut- out - was a fashion coup Donatella could be proud of. Here are the highlights and tidbits of the first day of haute cou- ture collections, including show reports for Atelier Versace, Dior and Schiaparelli. Kate Hudson shows derriere Underwear is so passÈ (ask Rihanna). Hudson’s was just the latest name added to the list of stars to forgo under- wear in the name of fashion. The Oscar-nominated actress triggered hysteria by posing in a bright red cocktail dress from the new Atelier Versace Spring 2015 Collection with a cutout that demurely exposed her buttock. Knickers were nowhere to be seen. Her mother dressed more prudently in a black long sleeve cocktail dress with crystal zipper details from this year’s Versace Resort.