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KLOS July 13Th 2014

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KLOS July 13Th 2014 1 1 2 PLAYLIST JULY 13th 2014 LIVE BROADCAST/ KOBE STEAKHOUSE SEAL BEACH 9AM The Beatles - Doctor Robert - Revolver (Lennon-McCartney) Lead vocal: John John’s song about a doctor that dispenses pills and other comfort to his clients was rumored to be about Dr. Robert Freymann of New York, who ran a discreet clinic on Manhattan's East 78th Street. The good doctor had a reputation for giving vitamin B-12 injections containing large doses of amphetamines, mainly to well-heeled New Yorkers. But both John and Paul have denied that is the source 2 3 of the lyrics. Paul: “The song was a joke about this fellow who cured everyone of everything with all these pills and tranquilizers. He just kept New York high.” John: “‘Doctor Robert’ was another of mine. Mainly about drugs and pills. It was about myself: I was the one that carried all the pills on tour and always have done. Well, in the early days. Later on the roadies did it, and we just kept them in our pockets loose, in case of trouble.” Originally clocking in at nearly three minutes, the song was cut to 2:13 for its official release. The backing track was recorded in seven takes on April 17, 1966. Overdubs included Paul on piano, John on harmonium, and George on maracas. “Doctor Robert” was one of three songs issued in America six weeks prior to their official release in the UK. American and Canadian Beatles fans heard “I’m Only Sleeping,” “And Your Bird Can Sing,” and “Doctor Robert” first on Capitol Records’ “Yesterday And Today” album, issued June 20, 1966. The rest of the world had to wait until the first week of August for them to appear on the “Revolver” LP. On U.S. album: Yesterday And Today - Capitol LP 3 4 The Beatles - Rocky Raccoon - The Beatles (Lennon-McCartney) Lead vocal: Paul Another of Paul McCartney story songs, this one is a country song in which McCartney tackles an American southern accent. The song was recorded in a single session held on August 15, 1968, in which lyrics were being written and rejected between takes. The rhythm track was perfected in nine takes and features Paul on vocal and acoustic guitar, John on harmonica and Fender Bass VI (a six-string bass guitar) and Ringo on drums. George Martin plays the piano solos in the middle and end instrumental breaks, which were recorded on the Challen “jangle box” piano with the tape running at half-speed. When played back at the proper speed, the piano had a rollicking honky-tonk sound. Paul overdubbed an additional bass line. As was the case with “Hey Jude,” Paul did not want George Harrison playing guitar fills on the song, so George was sent to the control room. On the session tape it is George Harrison’s voice that announces “take one” instead of engineer Ken Scott. Ringo – Oh My My – RINGO 1973 Jim Keltner - Drums Klaus Voorman - Bass Billy Preston - Piano, organ Vini Poncia - Harmont vocal Tom Scott - Saxophone solo, horn arrangement Jim Horn - horn arrangement Martha Reeves - Backing vocals Merry Clayton - Backing vocals Some Physician rock to start things off…all those songs mention doctors… 9.12 BREAK 4 5 The Beatles - Lovely Rita - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: Paul Paul heard that in America “traffic wardens” were called “meter maids,” which he thought was humorous and decided to see what he could rhyme with it. Written entirely by Paul McCartney and recorded on February 23, 1967. The basic rhythm track was completed in eight takes. Take 8 was deemed the best and it was mixed down to a single track and the Beatles added overdubs to create the finished recording. Specifically, Paul’s bass on Feb. 23, Paul’s lead vocal on Feb. 24, John, Paul and George’s backing vocals on March 7, and George Martin was elected to fill the song’s middle eight with a piano solo, recorded on March 21. The Beatles - Savoy Truffle - The Beatles (Harrison) 5 6 Lead vocal: George George took his inspiration for his fourth song on the “White Album” from a box of chocolates, specifically a Mackintosh’s Good News double centre chocolate assortment box, said by George to be Eric Clapton’s favorite brand. Most of the candies mentioned by George in the song came from the specific candies found in the box. Confections such as Creme Tangerine, Montelimart, Ginger Sling, Coffee Dessert and Savoy Truffle were part of the assortment. Cool Cherry Cream and Coconut Fudge were Harrison creations. When George sings “But you’ll have to have them all pulled out after the Savoy Truffle,” it is a warning to his friend Eric Clapton that he will have to have his decaying teeth pulled out. After some rehearsal, the backing track was recorded in one take on October 3, 1968, at Trident Studios. With George playing electric piano, Paul on Rickenbacker bass, and Ringo on drums. Harrison’s lead vocal was recorded at Trident Studios on October 5. Chris Thomas’ score for saxophones (distorted at Harrison’s request) was recorded at Abbey Road on October 11. The final overdubs for “Savoy Truffle” on October 14 were also the last instruments recorded during the “White Album” sessions: organ, tambourine, bongos, and George playing a lead guitar part on his Fender Telecaster. This is the third of four Harrison songs on the “White Album” that John Lennon does not appear on. The Beatles - Sgt. Pepper’s Lonely Hearts Club Band (Reprise) - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocals: John, Paul, George, Ringo 6 7 The Beatles had promised EMI that they have the master tape of the “Sgt. Pepper” album delivered no later than April 12, 1967. Paul McCartney had made arrangements to travel to America between April 3 and April 12, so this session on April 1 would be his last chance to add vocals or instruments to the project. Only George Harrison’s contribution to the album (“Within You, Without You”) remained to be recorded, and that was being performed without John, Paul or Ringo. George Martin credits Neil Aspinall with the idea of reprising the title track on the second side of the record. For the reprise of the title song the Beatles convened in Abbey Road’s studio one, a cavernous space usually reserved for orchestral recordings. George Martin felt this room enhanced the live feeling of the song, giving it an “electrifying, football stadium atmosphere.” According to author Mark Lewisohn, all four Beatles chanted out the quick-paced vocals. Mono mix includes the audience sounds beginning more sharply, the drum intro is four beats longer, and there are some words spoken by John as well as some audience laughter, all of which are missing from the stereo mix. Paul ad-libs some lyrics at the end, but it can barely be heard on the stereo version. The Beatles - A Day In The Life - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocals: John and Paul Work began on January 19, 1967, for what is quite possibly the finest Lennon- McCartney collaboration of their songwriting career. On this evening, following some rehearsal, Lennon rolled tentatively through four takes, drawing a road map for the other Beatles and George Martin to follow. Lennon on vocals and Jumbo acoustic guitar, McCartney on piano, Harrison on maracas and Starr on congas. Sections were incomplete and to hold their space Mal Evans stood by a microphone and counted from one to 24, marking the time. To cue the end of the middle eight overdub section an alarm clock was sounded. There was no Paul McCartney vocal yet, merely instruments at this point where his contribution would be placed. On January 20, Paul added his section, which he would re- recorded on February 3. Lennon told Beatles biographer Hunter Davies that the first verse was inspired by a story in the January 17, 1967, edition of the Daily Mail about the car accident that killed Guinness heir Tara Browne. John: “I didn’t copy the accident. Tara didn’t blow his mind out, but it was in my mind when I was writing that verse.” The second verse was inspired by Lennon’s work on Richard Lester’s film “How I Won The War.” According to Paul, the third verse came from a Daily Mail article published on January 7, 1967, about 4,000 potholes in the streets of Blackburn, Lancashire. BREAK HERE 7 8 The Beatles - I Feel Fine- A Collection Of Oldies (Lennon-McCartney) Lead vocal: John The Beatles’ eighth single release for EMI’s Parlophone label. Recorded in nine takes on October 18, 1964. Written entirely by John Lennon. He based the guitar riff on Bobby Parker’s obscure R&B record “Watch Your Step.” The recording marked the first occasion in which guitar feedback had been deliberately incorporated into a pop song. The sound was achieved by Paul plucking a single bass string and John getting amplifier feedback from his guitar. Issued in the U.S. on November 23, 1964, and in U.K. four days later. Not included on the “Beatles For Sale” LP, which was released on December 4, 1964 in the UK. On U.S. albums: Beatles ‘65 - Capitol LP UK: Non-album single (A-side) On UK album: A Collection of Beatles Oldies - Parlophone LP (1966) 8 9 John Lennon – Out The Blue - Mind Games ‘73 A truly beautiful love song – that would have been a perfect second single for the “Mind Games” album.
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